The Daily

After a month of competition across North America and 103 matches, the 2026 World Cup is down to its final game. Spain and Argentina will meet this afternoon in a match expected to draw over one billion viewers around the world.  Spain is hoping its well-oiled machine and young star can bring it its second World Cup win. Argentina is looking to Lionel Messi, its longtime star, to secure victory in what could be his last game at the World Cup. On today’s episode, Tariq Panja traces the road to this historic final and explains what to know before kickoff. Tariq Panja, a global sports correspondent for The New York Times.Background Reading Why Everyone Cares About This World Cup   Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lulu Garcia-Navarro sits down for an interview with the mayor of New York City. Thoughts? Email us at [email protected] Watch our show on YouTube: youtube.com/@TheInterviewPodcast For transcripts and more, visit: nytimes.com/theinterview Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Last Friday night, F.B.I. agents showed up at the homes of several New York Times journalists and summoned them to testify before a grand jury. The move was a response by the Trump administration to an article about the safety of the new Air Force One. Tyler Pager, one of the journalists, discusses the story and the subpoenas. Guest: Tyler Pager, a White House correspondent for The New York Times. Background reading:  Several Times journalists were subpoenaed as Trump escalates pressure on the media. Officials said the new Air Force One plane lacks defensive countermeasures of previous model. Photo: Doug Mills/The New York Times For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Two fatal shootings by federal immigration agents in Texas and Maine have put the spotlight back on the Trump administration’s deportation tactics. Hamed Aleaziz, who reports on immigration policy, explains how these killings signal a return to a more aggressive form of enforcement. Guest: Hamed Aleaziz, who covers the Department of Homeland Security and immigration policy in the United States for The New York Times. Background reading:  The ICE killing in Houston put focus on a surge in immigration arrests. ICE was ordered to cease most vehicle stops after two killings in a week, but then President Trump demanded that the officers continue to stop vehicles. Photo: Meridith Kohut for The New York Times For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To be confirmed as the next attorney general, Todd Blanche must convince members of the U.S. Senate that as political as the Department of Justice has become, it would be even worse without him on top. As his confirmation hearing begins, Glenn Thrush, a Justice Department reporter for The New York Times, recounts the unlikely story of how Mr. Blanche became President Trump’s legal enforcer. Guest: Glenn Thrush, a Justice Department reporter for The New York Times. Background reading:  A single Republican vote against Mr. Blanche on the Senate Judiciary Committee could effectively sink his confirmation, giving Republican senators leverage to extract concessions from him. Mr. Blanche’s cooperation in Mr. Trump’s campaign to identify, investigate and punish those who had once pursued him and his supporters will be a flashpoint in his confirmation hearing. Photo: Demetrius Freeman for The New York Times For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This Friday, “The Odyssey,” directed by Christopher Nolan, hits theaters. Even before the movie’s release, though, it’s proving to be a cultural event. Spirited discussions of Nolan’s cinematic interpretation of the epic poem already abound online, and they are likely to intensify after the public sees the film. Why does a 12,000-line poem that is nearly 3,000 years old still feel resonant today? In this episode of “The Sunday Daily,” Natalie Kitroeff talks about the “Odyssey” with two writers who have produced some critically acclaimed and widely read modern interpretations of Greek classics: Emily Wilson, the first woman to translate the “Odyssey” from ancient Greek, and Madeline Miller, the author of the best-selling novels “Circe” and “Song of Achilles.” On Today’s Episode: Emily Wilson, a professor, classicist, author and translator of the “Odyssey” Madeline Miller, the author of “Circe,” “Song of Achilles” and other books Background Reading: We’ll Help You Find Your Next Great Book. (Spoiler: It’s the ‘Odyssey.’) The First Woman to Translate the ‘Odyssey’ Into English Book Review: Turning Circe Into a Good Witch Photo: Melinda Sue Gordon/Universal Pictures Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The legendary rock star, now 82, on how fame, touring and aging have changed him. Thoughts? Email us at [email protected] Watch our show on YouTube: youtube.com/@TheInterviewPodcast For transcripts and more, visit: nytimes.com/theinterview Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In celebration of the United States of America’s 250th birthday, we posed a simple question to some of our favorite critics, columnists and editors across the New York Times newsroom, people who write about books, movies, TV shows, science, sports, wellness and food. We asked: What’s the most American thing on your beat? On today’s episode, we present their answers. Happy Birthday, America!   On Today’s Episode Joshua Barone, culture editor, on “Rodeo,” composed by Aaron Copland Vanessa Friedman, chief fashion critic, on workout gear Erik Piepenburg, culture writer, on the movie “Get Out” Kevin Roose, technology columnist, on Amazon Prime Mekado Murphy, culture editor, on the roller coaster The Beast James Poniewozik, chief television critic, on “Survivor” Jancee Dunn, wellness writer, on productivity and sleep Elena Bergeron, culture editor, on U.S. hockey Jennifer Szalai, nonfiction book critic at the Book Review, on “Paved Paradise: How Parking Explains the World” by Henry Grabar Bill Wasik, science editor, on liquid rocket fuel Madison Malone Kircher, internet culture reporter, on Bama Rush Kim Severson, food reporter, on M&M’s MJ Franklin, editor at the Book Review, on “The Love Songs of W.E.B. Du Bois” by Honorée Fanonne Jeffers Helen Shaw, chief theater critic, on “The Century Cycle” by August Wilson Alissa Wilkinson, film critic, on the movie “There Will Be Blood” Zachary Small, culture reporter, on Grand Theft Auto Elisabeth Vincentelli, culture reporter, on demolition derbies Jason Zinoman, critic at large, on the song “Political Science” by Randy Newman Jason Farago, critic at large, on the Statue of Liberty A.O. Scott, critic at large, on “Crossing Brooklyn Ferry” by Walt Whitman (featuring a reading by Jeffrey Wright) Gia Kourlas, dance critic, on “Stars and Stripes” by George Balanchine and “Appalachian Spring” by Martha Graham Jon Caramanica, pop music critic, on “Trump Trump Baby” by Forgiato Blow  Photo credit: The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1992, David Wood became El Paso’s most notorious convicted serial killer. He has been on death row ever since. More than 30 years later, his lawyers have just a few months to argue his innocence and stop his execution. This is the first episode of a new five-part series from Serial Productions called “The Last 12 Weeks.” You can find the rest of the series by searching for “The Last 12 Weeks” on your favorite podcast player. To find out about new shows from Serial Productions, and get a look behind the scenes, sign up for our newsletter at: https://www.nytimes.com/newsletters/serial Have a story pitch, a tip, or feedback on our shows? Email us at [email protected]   Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The writer Tom Junod has spent a career crafting profiles for men’s magazines like GQ and Esquire, often of famously complicated men like Norman Mailer, Kevin Spacey and Tony Curtis. But another man loomed behind Junod’s interest in these figures, informing his own sense of masculinity and manhood: his father, Lou. Lou Junod was handsome, charismatic — a man who seemed like a celebrity, even though he wasn’t famous. He was also mysterious, a keeper of secrets that have continued to reverberate through his son’s life. On today’s episode, Michael Barbaro talks with Junod about his new book, “In the Days of My Youth I Was Told What It Means to Be a Man,” which is part memoir and part detective story, as well as a powerful meditation on fatherhood. On Today’s Episode: Tom Junod is the author of “In the Days of My Youth I Was Told What It Means to Be a Man.” Background Reading: Tom Junod Would Like to Tell You About His Father Art: Lou Junod with baby Tom in 1958. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them? Spielberg returns to the question of whether we’re alone in the universe, and what it might mean if we’re not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.   On Today’s Episode Steven Spielberg, director of “Disclosure Day.”   Background Reading ‘Disclosure Day’ Review: Spielberg Plays His Greatest Cosmic Hits What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human   Photo credit: Paolo Pellegrin/Magnum, for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The 2026 World Cup is about to descend on North America — spread across three countries, with 48 teams, and 104 games, and with billions of fans across the globe tuning in to watch the biggest sporting event on the planet. Today, Tariq Panja, global soccer correspondent for The New York Times, breaks down everything you need to know about this year’s tournament — the arrival of historic first-timers, like Curaçao, the aging legends like Lionel Messi and Cristiano Ronaldo, who are making their final appearances, and the eye-watering ticket prices that are driving fans to financial extremes just to book a seat. On Today’s Episode: Tariq Panja, is a global sports correspondent for the New York Times. Background Reading: The World Cup’s Forgotten Team World Cup or Bust: Going Into Debt, Sleeping 10 to a Room and Layovers for Days Photo credit: Hannah Mckay/Reuters.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Olivia Rodrigo sat down with Joe and Jon for her first in-depth conversation about her new album, “you seem pretty sad for a girl so in love,” out June 12. She discussed the many ways her creative process intersects with the extracurricular noise of pop superstardom, whether its managing relationship drama; being targeted for the way she dresses, accusations of pilfering songwriting gestures from Taylor Swift, her onetime idol, or her willingness to speak up about political and social causes in a way many of her peers won’t. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Andy Isaacson is a writer and photographer. His work for The Times has taken him to every corner of the world, and he has transmitted what he’s experienced through his images. But recently, Isaacson took a trip unlike any he’d taken before. Not because of where he traveled, but because of how he traveled. Paired with a set of unlikely travel companions, he put down his camera and experienced the word through touch, smell and sound. On today’s episode of “The Sunday Daily,” Isaacson talks with Host Michael Barbaro about a trip that forever changed the way he travels.   On today's episode: Andy Isaacson, a contributing writer and photographer for The New York Times.   Background Reading Sites Unseen: What Travel Is Like for Those Who Can’t See   Photo credit: Andy Isaacson Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For Mother’s Day, we asked you about your “Mom mantras”: the oft-repeated mottos or go-to expressions that your moms have said over the years. In partnership with the Well desk, we received thousands of submissions, full of sayings that ranged from wise to funny to profound. In today’s episode of “The Sunday Daily,” we feature your “Mom mantras,” and the host Rachel Abrams calls her mother to ask about hers. On Today’s Episode: Readers of The New York Times Background Reading: The Wisdom of Our Mothers Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Roughly a year ago, a team at The New York Times Magazine set about tackling a nearly impossible task: creating a list of the greatest living American songwriters. But how to take the tens of thousands of songwriters working in this country and narrow them down to a digestible list? The answer involved thousands of voting ballots, hundreds of music industry insiders and a series of closed-door meetings among a small group of music experts. The result, The Times’s list of the 30 greatest living American songwriters, was published this week. Today, Michael Barbaro talks with Sasha Weiss, a deputy editor of The Times Magazine, who oversaw the project, as well as Joe Coscarelli and Jody Rosen, two members of the cadre of critics assigned with compiling the final list. They discuss the list-making process, what defines a great songwriter and why Billy Joel didn’t make the final cut. We also hear from some of the songwriters featured on the list, including Taylor Swift, Nile Rodgers and the songwriting team of Brandy Clark, Shane McAnally and Josh Osborne.   On Today's Episode: Sasha Weiss is a deputy editor of The New York Times Magazine. Joe Coscarelli is a culture reporter for The Times. He is a co-host of “Popcast,” a producer of the “Song of the Week” video series and the author of “Rap Capital: An Atlanta Story.” Jody Rosen is a contributing writer for the magazine and the author of “Two Wheels Good: The History and Mystery of the Bicycle.”   Background Reading: The 30 Greatest Living American Songwriters Cast Your Vote for the Greatest Living American Songwriters   Photo credit: Stefan Ruiz for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With war, political wrangling and price hikes jockeying for headlines, it’s a rare thing to sit for an hour with a large group of strangers and focus on the small pleasures in life. But that’s what the show “Every Brilliant Thing” is all about. Since 2013, Duncan Macmillan’s audience-participation-heavy play has been performed in dozens of languages in hundreds of locations across the globe. It revolves around a central character who writes a list of all the good things in life for a depressed parent. And while it tackles dark subject matter — including frequent mentions of a loved one’s suicide — it may be one of the funniest shows about depression, ever. In this episode of “The Sunday Daily,” Michael Barbaro talks with Daniel Radcliffe, who currently stars in a Broadway production of the show, and Mariska Hargitay, who will step into the role in a few weeks. We’ll also hear from the playwright and several other actors who have performed the play on stages, in living rooms, on basketball courts and aircraft carriers all over the world.   On today's episode: Daniel Radcliffe Mariska Hargitay Duncan Macmillan Candunn Jennette Greg Dragas Mugambi Nthiga Erika de la Vega Jung Sae-Byul Mohsina Akhter Tommy Schoffler Nanda Mohammad   Background reading: ‘Every Brilliant Thing,’ Now Starring Daniel Radcliffe and You Daniel Radcliffe Makes ‘Every Brilliant Thing’ Shine Daniel Radcliffe Wanted a Break From Broadway. Then He Read This Play.   Photo credit: Sara Krulwich/The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The reality show “Love on the Spectrum” — which just released its fourth season — has become a big hit; it’s currently one of the most watched shows on Netflix in the United States. The show follows autistic adults as they search for love. “Love on the Spectrum” is unlike much of reality television — a genre known to subject its cast members to drama and humiliation for entertainment’s sake. Instead, the show captures a dating world that has more heartwarming moments than histrionics, and is sensitive and nuanced in its portrayal of neurodivergent people. On today’s episode of “The Sunday Daily,” Rachel Abrams talks with Anna Peele, a contributing writer for The New York Times, about the show’s origin story and why it has resonated with so many people. On Today’s Episode: Anna Peele is a contributing writer to The New York Times Magazine and the author of the forthcoming book “Enter the Villa,” about the reality show “Love Island.” Photo credit: Ryan Pfluger for The New York Times.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The first time Robert Draper heard about the psychedelic drug ibogaine, it was from an unlikely source: the retired U.S. senator Kyrsten Sinema. As a political reporter for The New York Times, Draper often talks to figures like Ms. Sinema. But on this occasion, he said, she wanted to tell him about how she had tried ibogaine, which is illegal in the United States. She’d become such a believer in the drug that she was pushing her home state of Arizona to fund clinical trials for veterans with combat-related trauma. Draper found that Ms. Sinema wasn’t the only politician to take up the cause. Rick Perry, the former Texas governor, Republican presidential candidate and Trump energy secretary, has also advocated for research into ibogaine in recent years and taken the drug himself. In 2025, because of Mr. Perry’s efforts, Texas became the first state to dedicate public funds to ibogaine research with veterans. Recent studies of ibogaine at Stanford University and elsewhere suggest that it might prove effective in treating post-traumatic stress disorder, traumatic brain injuries, addiction and a range of other conditions. As Draper reported on ibogaine’s transformative effects on others, he wondered: Could it help him, too? Today, on “The Sunday Daily,” Natalie Kitroeff talks to Robert Draper about what drew him to travel to Mexico to try ibogaine, and how his trip changed his life. On Today’s Episode:  Robert Draper (usually) writes about domestic politics for The New York Times. Background Reading: It’s an Obscure Psychedelic Used to Treat Trauma. Could It Help Me? The Long, Strange Trip of Rick Perry Art Credit: Illustration By Melissa Santamaría Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lise Davidsen is one of the greatest opera singers of our time — a soprano with a voice so rare, critics reach back a century for comparison. This spring, she has been starring in a sold-out new production of Wagner’s “Tristan und Isolde” at the Metropolitan Opera. But she’s also at a crossroads: Her first performance as “Isolde” on the Met stage came just nine months after giving birth to twins. Today on The Sunday Daily, Natalie Kitroeff talks with the Times writer Zachary Woolfe about his recent conversation with Davidsen, and the unexpected emotional weight she felt while returning to the stage as a new mother. They discuss how a production centered on birth, death and renewal gave Davidsen a way to work through this seismic shift in her life, all while tackling the role of a lifetime. On Today’s Episode: Zachary Woolfe is a writer and editor for The New York Times. Background Reading: With Twin Babies, the Opera Star Lise Davidsen Wonders What Comes Next The Met Opera’s Desperate Hunt for Money Photo credit: Amir Hamja for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Love Story,” the FX limited series about John F. Kennedy Jr. and Carolyn Bessette’s relationship, has taken audiences by storm. Its unstoppable wave of ’90s nostalgia has swept through the world of fashion, revitalized iconic New York landmarks and set off a yearning for simpler days before smartphones and dating apps. The series has also drawn significant backlash, with criticism ranging from bad reviews to accusations of inaccuracy and even harm. Today, Rachel Abrams talks to Alexandra Jacobs, a critic for The New York Times Book Review, about why America can’t seem to look away from “Love Story.”   On Today’s Episode: Alexandra Jacobs, a critic for The New York Times Book Review and occasional features writer.   Background Reading: The Lasting Appeal of John F. Kennedy Jr. Daryl Hannah: How Can ‘Love Story’ Get Away With This? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you’ve spent any time on social media recently, you’ve probably come across a video of a young, square-jawed influencer calling himself Clavicular. He has become the face of an internet subculture called looksmaxxing, in which men do almost anything — like taking steroids and hormones or bashing their jaws with a hammer — to try to become more handsome. In this episode, Natalie Kitroeff talks with reporter Joseph Bernstein about the world of looksmaxxing and how what might seem like a fringe phenomenon is actually the culmination of a digital culture that rewards physical perfection with status and algorithmic power. On Today’s Episode Joseph Bernstein covers digital subcultures for the Styles desk at The New York Times. Background Reading Handsome at Any Cost Young Men Seek Answers to an Age-Old Question: How to Be Hot The Suffix That Tells Us to Ruthlessly Optimize Everything Photo Credit: Cassidy Araiza for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For 12 years, Pete Wells had his dream job: working as the chief restaurant critic for The New York Times. The job’s journalistic mission required Wells to eat out most nights and taste nearly everything on any given restaurant’s menu. He didn’t realize it at the time, but the excessive eating had taken a toll on his body. Then came a health crisis, followed by his doctor’s advice to “stop doing what you’re doing right now.” In 2024, Wells gave up his post as restaurant critic and set out to remake his entire relationship with food. On today’s episode, Michael Barbaro speaks with Wells about the realities of life as a restaurant critic, and what he’s learning about the joys of home cooking, mindful eating and grocery shopping for the diet he intends to follow. On Today’s Episode: Pete Wells is a reporter covering food for The New York Times. He was formerly The Times’s restaurant critic. Background Reading: After 12 Years of Reviewing Restaurants, I’m Leaving the Table Our Former Restaurant Critic Changed His Eating Habits. You Can, Too. To Eat Healthier, Our Critic Went to the Source: His Kitchen To Tune Out Food Noise, Our Critic Listened to His Hunger To Improve How He Ate, Our Critic Looked at What He Drank Photo Credit:  Rachel Vanni for The New York Times. Food Stylist: Spencer Richards. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on “The Sunday Daily,” The Times’s chief movie critic, Manohla Dargis, talks with the “Daily” host Michael Barbaro about this year’s batch of Oscar nominees, which — according to her — are uncommonly good. They discuss the performances that Dargis believes deserve to win, the dark horses that might pull off upsets, and the ambitious films that give her hope for Hollywood’s future.   On Today’s Episode: Manohla Dargis, Chief Film Critic for The New York Times.   Background Reading: ‘Hamnet’ | Anatomy of a Scene Delroy Lindo on ‘Sinners,’ Speaking Up and the Power of Affirmation   Photo: A24; Warner Bros. Pictures; Sabrina Lantos/Sony Pictures Classics Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2012, Tinder revolutionized dating apps with its swipe feature. With the flick of a finger, singles could accept or reject a potential mate. While this innovation has worked for many, some have grown weary of the simple swipe, and long for a more nuanced way to find love. Today on “The Sunday Daily,” Rachel Abrams examines two dating tends on the rise: in-person mixers that are far from old-fashioned, and emerging A.I. technology that promises singles a ‘soul’ match. Rachel speaks with The New York Times’s dating columnist Gina Cherelus; Luke Vander Ploeg, a producer on the “Daily”; and Amanda Hess, a writer at large at The Times.   On Today’s Episode Gina Cherelus covers dating for The New York Times. Luke Vander Ploeg is a producer on The Daily. Amanda Hess is a writer at large for The Times. Photo: Mila De La Torre for The New York Times For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.    Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of “The Sunday Daily,” the host Rachel Abrams is joined by her New York Times colleagues Motoko Rich, Shawna Richer and Juliet Macur, who are all covering this year’s Olympic Games. They discuss how the geopolitical climate may or may not be influencing the competition, and talk about some of the extraordinary athletes who are pushing the limits of physical achievements. On Today’s Episode Motoko Rich is the Rome bureau chief for The New York Times. Juliet Macur is a national reporter covering sports for The New York Times. Shawna Richer is an editor at The New York Times, working on coverage of sports in America. Photo Illustration by The New York Times; Images: Sarah Stier/Getty Images For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At the Grammy Awards tonight, the Puerto Rican pop sensation Bad Bunny is the first Spanish-language artist to be nominated for album, record and song of the year simultaneously. For most artists, this would be the high point of their year, if not their career. For Bad Bunny, this is just an appetizer for what’s in store for him next week. Next Sunday, he will headline the Super Bowl halftime show. His performance comes in the middle of a nationwide crackdown on immigration — an issue he’s been vocal about — and follows a backlash against the N.F.L. for booking him in the first place. Jon Caramanica and Joe Coscarelli, the hosts of The Times’s pop music show “Popcast,” discuss Bad Bunny’s rise to the heights of pop stardom, and explore what it means for a Puerto Rican artist to headline the world’s biggest stage. On Today’s Episode: Jon Caramanica is a pop music critic at The New York Times and a co-host of “Popcast.” Joe Coscarelli is a culture reporter for The New York Times who focuses on popular music and a co-host of “Popcast.” Background Reading: Grammys 2026: Who Should Win the Biggest Awards Bad Bunny Talks Coming Back Home on His ‘Most Puerto Rican’ Album Yet Get to Know Bad Bunny in 9 Songs Photo: Mario Anzuoni for Reuters. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pop culture has not been kind to the Neanderthal. In books, movies and even TV commercials, the species is portrayed as rough and mindless, a brutish type that was rightly supplanted by our Homo sapiens ancestors. But even 40,000 years after the last Neanderthals walked the earth, we continue to make discoveries that challenge that portrayal. New research suggests Neanderthals might have been less primitive — and a lot more like modern humans — than we might have thought. The Times science reporters Carl Zimmer and Franz Lidz discuss recent discoveries about Neanderthals, and what those discoveries can tell us about the origins of humanity.   On Today’s Episode: Carl Zimmer writes the Origins column and covers news about science for The Times. Franz Lidz writes about archaeology for The Times.   Background Reading: The Year in Neanderthals Morning Person? You Might Have Neanderthal Genes to Thank. What Makes Your Brain Different From a Neanderthal’s? The Neanderthal Inside Us   Photo: Frank Franklin II/Associated Press Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There’s a lot of anxiety about artificial intelligence invading Hollywood; the general mood there right now could be called “doom and gloom.” But speculation about a future where A.I. actors perform A.I. scripts in A.I.-generated movies often obscures the role A.I. is currently playing in the industry. In this episode, the host Michael Barbaro talks with the Hollywood reporter Brooks Barnes and the movie critic Alissa Wilkinson about the ways that A.I. is already showing up in our movies and television today, and how they see it contributing to — and complicating — the future.   On Today’s Episode: Alissa Wilkinson is a Times movie critic. Brooks Barnes is the chief Hollywood correspondent for The Times.   Background Reading: Can You Believe the Documentary You’re Watching? Disney Agrees to Bring Its Characters to OpenAI’s Sora Videos ‘The Wizard of Oz’ Is Getting an A.I. Glow-Up. Cue the Pitchforks. Is ‘The Wizard of Oz’ at Sphere the Future of Cinema? Or the End of It?   Photo: Roger Kisby for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As 2025 comes to an end, The Sunday Special is looking back on the year in culture. This week, on our final episode of the podcast, we’re talking about movies. The potential acquisition of Warner Brothers by Netflix has dominated entertainment news in recent weeks, but the year in movies has been about a lot more than corporate mergers. Alissa Wilkinson, a movie critic for The New York Times, and Nicole Sperling, a culture reporter based in Los Angeles, join Gilbert Cruz to talk about what really matters: the movies we loved this year. Movies discussed in this episode include: “One Battle After Another” “Sinners” “A Minecraft Movie” “Superman” “Weapons” “Wicked: For Good” “Zootopia 2” “Avatar: Fire and Ash” “Marty Supreme” “It Was Just an Accident” “The Testament of Ann Lee” “Come and See Me In the Good Light” “Mission: Impossible — The Final Reckoning”   On Today’s Episode: Alissa Wilkinson is a movie critic at The Times. Nicole Sperling is a reporter covering Hollywood for The Times.   Background Reading: Netflix vs. Paramount: Inside the Epic Battle Over Warner Brothers The 25 Most Notable Movies of 2025 Best Movies of 2025   Photo: Warner Bros. Pictures; 20th Century Studios; Disney Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In these final weeks of 2025, The Sunday Special is looking back at the year in culture. Today, we’re talking about the TV we watched this year — the best shows, the most popular ones and the ones that allowed us to just enjoyably veg out. Gilbert Cruz talks with the TV critic James Poniewozik and the culture reporter Alexis Soloski about the year in television. TV shows discussed in this episode: “Severance” “Common Side Effects” “Too Much” “Nobody Wants This” “Dying for Sex” “The Hunting Wives” “The White Lotus” “Dr. Odyssey” “Long Story Short” “Heated Rivalry” “Andor” “The Lowdown” “Platonic” “Pluribus” “The Pitt” “Adolescence” On Today’s Episode: James Poniewozik is the chief TV critic for The New York Times. Alexis Soloski is a culture reporter for The Times. Background Reading: Best TV Shows of 2025 The Best TV Episodes of 2025 Photo Credit: Apple TV+; Netflix; Lucasfilm/Disney+; HBO Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As 2025 comes to an end, The Sunday Special is looking back on the year in culture. This week, we’re listening to the songs and albums that defined the year, for better or worse. Gilbert Cruz is joined by Caryn Ganz and Lindsay Zoladz from The Times’s pop music desk to discuss some of the biggest and best releases of 2025. Albums and songs mentioned in this episode: Bad Bunny, “Debí Tirar Más Fotos” Lady Gaga, “Mayhem” Justin Bieber, “Daisies” Chappell Roan, “The Giver” and “The Subway” Sabrina Carpenter, “Manchild” Doechii, “Alligator Bites Never Heal” Taylor Swift, “The Life of a Showgirl” Morgan Wallen, “I’m the Problem” Ghost, “Skeletá” Dijon, “Baby” Geese, “Getting Killed” Water From Your Eyes, “It’s a Beautiful Place” PinkPantheress, “Fancy That” Lily Allen, “Tennis” Ella Langley, “Choosin’ Texas” Sleigh Bells, “Bunky Becky Birthday Boy” Hayley Williams, “Ego Death at a Bachelorette Party” Turnstile, “Never Enough” On Today’s Episode Caryn Ganz is the pop music editor at The Times. Lindsay Zoladz is a pop music critic at The Times and the writer of The Amplifier newsletter. Additional Reading Best Albums of 2025 Best Songs of 2025   Photo Illustration by The New York Times; From left, Angela Weiss/AFP — Getty Images (Lady Gaga); OK McCausland for The New York Times (Geese); Erika Santelices/Reuters (Bad Bunny); Helle Arensbak/AFP -- Getty Images, via Ritzau Scanpix (PinkPantheress) Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The first week of December at The New York Times is known as “Cookie Week.” Every day, for seven days, our cooking team highlights a new holiday cookie recipe. This year’s batch features flavors that aren’t necessarily traditional holiday ones — or even, for that matter, flavors. Instead, they draw inspiration from family night at the movies, drinks like Vietnamese Coffee, and perhaps most surprisingly, an Italian deli meat. In this edition of the Sunday Special, Gilbert Cruz talks with Melissa Clark and Vaughn Vreeland from New York Times Cooking about this year’s cookies, and they answer questions from readers about how to navigate cooking and baking during the holidays. Background Reading: These 7 Cookies Will Be the Life of Every Party Melissa Clark is a food reporter and columnist for The Times. Vaughn Vreeland is a supervising video producer for NYT Cooking and writes the “Bake Time” newsletter. Audio produced by Tina Antolini and Alex Barron with Kate LoPresti. Edited by Wendy Dorr. Engineered by Rowan Niemisto. Original music by Daniel Powell and Diane Wong.  Photo credit: Rachel Vanni for The New York Times.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The holiday season is here, which means it’s the time to think of great gifts for everyone on your list. While it can feel like a daunting task to choose thoughtful, personalized presents, we’ve got a fix for you: books. On this edition of The Sunday Special, Gilbert is joined by Joumana Khatib and Sadie Stein, editors at the Book Review, for a conversation about the best books to give your family and friends. Joumana and Sadie will share what excited them most this year and also provide recommendations for giftees in very specific categories. Books mentioned in this episode: “The Colony,” Annika Norlin “Perfection,” Vincenzo Latronico “Things: A Story of the 60s,” Georges Perec “The Bee Sting,” Paul Murray “The Loneliness of Sonia and Sunny,” Kiran Desai “The Director,” Daniel Kehlmann “Playworld: A Novel,” Adam Ross “A Marriage at Sea,” Sophie Elmhirst “Entertaining is Fun!,” Dorothy Draper “The Thursday Murder Club,” Richard Osman “The Mysterious Case of the Alperton Angels,” Janice Hallett “Roald Dahl’s Revolting Recipes,” Roald Dahl “Mrs. Manders’ Cook Book,” Sarah Manders, edited by Rumer Godden “Halleluja! The Welcome Table,” Maya Angelou “The Pat Conroy Cookbook: Recipes of My Life,” Pat Conroy “Les diners de Gala,” Salvador Dalí “Diaghilev’s Empire: How the Ballets Russes Enthralled the World,” Rupert Christiansen “Finishing the Hat and Look I Made a Hat,” Stephen Sondheim “Tonight in Jungleland: The Making of Born to Run,” Peter Ames Carlin “The Uncool: A Memoir,” Cameron Crowe “The Gales of November,” John U. Bacon “The Journals of Ralph Waldo Emerson,” Ralph Waldo Emerson “Cats in Color,” Stevie Smith “Archie and the Strict Baptists,” John Betjeman “Stories 1,2,3,4,” Eugène Ionesco “Trip: A Novel,” Amy Barrodale On Today’s Episode: Joumana Khatib is an editor at The New York Times Book Review. Sadie Stein is an editor at The New York Times Book Review. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Wicked” was one of the biggest movies of 2024. It was culturally ubiquitous, a box office smash and an Oscar nominee for Best Picture. Now, a year later, “Wicked: For Good” arrives in theaters to finish the tale of the complicated friendship between Glinda the Good Witch and Elphaba, the Wicked Witch of the West. Can “Wicked: For Good” be the sensation that its predecessor was? Will it inject new life into a movie business that has suffered a historically bad business year? Will it satisfy the legions of “Wicked” fans who have been waiting to see their favorite musical brought to the big screen? Gilbert Cruz is joined by Kyle Buchanan, a pop culture reporter for The New York Times who profiled the stars of “Wicked,” and Madison Malone Kircher, a reporter for the Styles desk and affirmed “Wicked” fanatic, to discuss what “Wicked: For Good” means for the movies.   On Today’s Episode Madison Malone Kircher is a reporter covering internet culture for The Times. Kyle Buchanan is a pop culture reporter and serves as The Projectionist, the awards season columnist for The New York Times. Photo: Universal Pictures   Additional Reading Ariana Grande Still Has Surprises in Store There Have Been Dozens of “Wicked” Interviews. Why Did This One Go Viral? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There was once a time when documentaries could be found only on public television or in art-house cinemas. But today, documentaries are more popular and accessible than ever, with streaming services serving up true crime, celebrity documentaries, music documentaries and so much more. On today’s Sunday Special, Gilbert is joined by The New York Times’s chief television critic, James Poniewozik, and Alissa Wilkinson, a Times film critic, to talk about the documentaries that are worth your viewing time.   On Today’s Episode: James Poniewozik is the chief TV critic for The Times. Alissa Wilkinson is a movie critic at The Times, and writes the Documentary Lens column.   Background Reading: What ‘The American Revolution’ Says About Our Cultural Battles ‘Come See Me in the Good Light’: The Sweetness After a Terminal Diagnosis     Discussed on this episode: “The American Revolution,” 2025, directed by Ken Burns, Sarah Botstein and David Schmidt “The Alabama Solution,” 2025, directed by Andrew Jarecki and Charlotte Kaufman “The Jinx: The Life and Deaths of Robert Durst,” 2015, directed by Andrew Jarecki “Making a Murderer,” 2015, directed by Laura Ricciardi and Moira Demos “The Yogurt Shop Murders,” 2025, directed by Margaret Brown “The Perfect Neighbor,” 2025, directed by Beet Gandbhir “The Last Dance,” 2020, directed by Jason Hehir “Copa 71,” 2023, directed by Rachel Ramsay and James Erkine “Cheer,” 2020, created by Greg Whiteley “Last Chance U,” 2016, directed by Greg Whiteley, Adam Ridley and Luke Lorentzen “Pee-wee as Himself,” 2025, directed by Matt Wolf “The Remarkable Life of Ibelin,” 2024, directed by Benjamin Ree “Ladies & Gentlemen … 50 Years of SNL Music,” 2025, directed by Questlove “Cameraperson,” 2016, directed by Kirsten Johnson “An American Family,” 1973, created by Craig Gilbert “Look Into My Eyes,” 2024, directed by Lana Wilson “When We Were Kings,” 1996, directed by Leon Gast   Photo: Mike Doyle/American Revolution Film Project and Florentine Films Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This year has been a banner year for video games, with an abundance of surprise releases and unexpected hits. On this week’s Sunday Special, Gilbert Cruz talks with two fellow gamers — Zachary Small, a culture reporter, and Jason Bailey, an editor on The Times’s culture desk — about the state of the industry, the biggest releases and the games they loved playing in 2025. They also share their predictions for Game of the Year. On Today’s Episode Zachary Small is a culture reporter for The Times. Jason M. Bailey is an editor on the culture desk, and oversees The Times’s video game coverage. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The only thing Gilbert Cruz loves more than celebrating Halloween is watching scary movies. And between the classic horror franchises that span decades and the prestige original films of the current moment, he has seen hundreds of them.   On today’s episode, Gilbert puts his knowledge to use in conversation with his fellow horror aficionados Jason Zinoman and Erik Piepenburg. They comb through a century of spooks, frights and screams to crown the Top 10 franchises in cinema history.   Horror franchises discussed on this episode: “A Nightmare on Elm Street” “A Quiet Place” “Alien” “The Amityville Horror” “Candyman” “Child’s Play” “The Conjuring” “The Exorcist” “The Evil Dead” “Final Destination” “Friday the 13th” “Halloween” The Hannibal Lecter films “Hellraiser” “The Hills Have Eyes” “Insidious” “Jaws” “Night of the Living Dead” “The Omen” “Paranormal Activity” “Phantasm” “Poltergeist” “Psycho” “The Purge” “The Ring” “Saw” “Scream” “Terrifier” “The Texas Chainsaw Massacre” The Universal monster films “V/H/S”   On Today’s Episode: Jason Zinoman is a critic at large for The Times and the author of “Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror.” Erik Piepenburg covers culture for The Times, and writes a monthly column about horror movies. Additional Reading: 25 Jump Scares That Still Make Us Jump Five Horror Movies to Stream Now ‘Good Boy’ Review: Sit. Stay. Scream.   Photo: Michael Ochs Archives/Getty Images Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On Friday, “Springsteen: Deliver Me From Nowhere” will be released in theaters. Rather than chronicling Bruce’s entire life, the film focuses on the making of his stripped-down 1982 album “Nebraska” and on his concurrent mental health struggles. This movie is the latest in a long history of musician biopics featuring stars like Bob Dylan, Loretta Lynn, Eminem and Elvis Presley. Hollywood clearly loves telling the stories of influential artists. In this episode, Gilbert Cruz chats with Lindsay Zoladz, a pop music critic for The Times, and Joe Coscarelli, a Times culture reporter, about the tropes of the genre and their favorite films that break the mold. On Today’s Episode: Lindsay Zoladz, a pop music critic at The Times and the writer of The Amplifier newsletter. Joe Coscarelli, a culture reporter at The Times and co-host of “Popcast.” Additional Reading: The Boss Finally Gets a Biopic, Just Not the One We Expected He’s Ringo. And Nobody Else Is. Why Music Movies Stink: ‘Back to Black’ + ‘The Idea of You’ Reactions Joe Coscarelli’s “Bobby + Joanie” playlist Photo: 20th Century Studios Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Broadway represents some of the best and most exciting of what American theater has to offer. But for many people, it’s inaccessible. Whether because of geography, cost or other considerations, most people will never sit in a Broadway theater and experience a play or a musical in person. For years, cast recordings have offered a way to experience Broadway shows at a remove. And now, in the streaming era, some Broadway shows are making themselves available to be watched remotely, in movie theaters and on television. Distance and expense aren’t the impediments they once were to culture lovers looking to experience world-class theater. In this episode, Gilbert Cruz talks with Jesse Green and Elisabeth Vincentelli, two of The New York Times’s culture writers, about new ways to experience some of the joys of theater from the comfort of your own home.   On Today’s Episode: Jesse Green is a Culture correspondent, focusing primarily on the fine arts, including theater, classical music and art. Elisabeth Vincentelli writes about culture for The Times.   Background Reading: Want to Listen to Musical Cast Albums? Our Top 10 Desert Island Picks Theater to Stream: Mark Rylance in ‘Twelfth Night,’ and More Times Theater Fans on Their Favorite Musical Cast Albums   Photo Illustration by The New York Times; Inset: Disney+ Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amusement parks are enduring vacation destinations for American families. The rides, the long lines for rides, the concessions, the long lines for concessions — these are practically familial rites of passage. Theme parks are also enormous moneymakers, with industry leaders such as Disney and Universal earning billions of dollars each year from their parks. In this episode, Gilbert Cruz chats with Brooks Barnes, who writes about show business (including theme parks), and Mekado Murphy, a film editor and thrill-seeker who reports on roller coasters. They talk about the state of the contemporary amusement park and the ups and downs of roller coasters around the world. On Today’s Episode: Mekado Murphy is the assistant film editor for The New York Times, and its unofficial roller coaster correspondent. Brooks Barnes covers Hollywood for The New York Times. Background Reading: Riding Your Way Through Epic Universe See the Real Live Man Who Grew Up in a Carnival Photo: Business Wire/Associated Press   Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month kicked off the big four fashion weeks: New York, London, Milan and Paris. Each year, designers, brands, influencers and celebrities flock to these events to see and be seen. On today’s episode, Gilbert sits down with Stella Bugbee and Jacob Gallagher, two of The Times’s foremost style experts and veterans of the fashion week circuit, to discuss clothes. They talk about what fashion week means in the frenetic fashion ecosystem of 2025, and they answer some listener questions about how to cultivate a personal style.   On Today’s Episode: Stella Bugbee, the Styles editor for The New York Times. Jacob Gallagher, a fashion reporter for The New York Times. Background Reading: Armani’s Influence on New York Fashion Week Photo: Simbarashe Cha Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month, The Times released a list of the 50 best restaurants in America. The Food desk’s reporters, critics and editors crisscrossed the country from Portland, Ore., to Deer Isle, Maine, to scout places formal and casual, big and small, experimental and classic. Their survey is an evocation of what it’s like to dine out, right now, in America. On today’s episode, Gilbert sits down with the Food reporters Priya Krishna and Brett Anderson, two contributors to the list, for a veritable feast of dining wisdom. They discuss what makes a restaurant worthy of the 50 best list, how they go about finding those restaurants, and the dining trends they’re loving and hating in 2025. On Today’s Episode: Priya Krishna, reporter and video host for New York Times Food and Cooking Brett Anderson, reporter for New York Times Food and Cooking Background Reading: America’s Best Restaurants 2025 Photo: Chase Castor for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.