Writing Excuses

Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing opposing elements side by side can deepen the emotional impact and keep your readers engaged. Our conversation also looks at different kinds of contrast—from big structural turns to subtle tonal juxtapositions—and explores how managing distance, tension, and “loaded” moments can create that satisfying snap when a scene lands. Homework: Look at a pivotal moment in your story and add a beat before or after it that inverts some element of the original. This could mean changing the tone or mood, introducing a contrasting character, or shifting the setting in a way that highlights something new about the scene. Locus Magazine Annual Fundraiser (ends April 14th, 2026) Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail, adjust, and try again until they finally succeed. Our conversation gets into how failure builds tension and empathy and how you can use “yes, but / no, and” to control your story’s momentum. We also address the difference between barriers and attempts, and how to keep things from feeling repetitive or stalled, whether you’re writing epic fantasy or a quiet coffee shop story. Homework: Look at the MICE quotient elements (milieu, inquiry, character, event) in your story and make a list of barriers for each. Then choose a smaller subset of those barriers that work well together, and use them to design try-fail cycles that keep your story dynamic without becoming repetitive or overcrowded. Locus Magazine Annual Fundraiser (ends April 14th, 2026) Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how stalled plots, predictable outcomes, and disconnected side quests can make the middle drag, and offer tools to fix it: focusing on what characters are actually doing, using “same but different” to keep repetition engaging, letting major events happen sooner so you can explore their consequences, and ensuring every subplot or detour creates real change in the character or world. Homework: Grab a book or short story. Read the first page, a page from the exact middle, and the final page. Track which story threads introduced at the beginning are still active in the middle, and how they evolve by the end.  Locus Magazine Annual Fundraiser (ends April 14th, 2026) Join us in supporting Locus Magazine– explore the campaign and fantastic rewards for donors online at locusmag.com/igg26. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

When writing feels harder than it should, the problem might not be the story— it might be the room. In this episode, our hosts explore how environment shapes process, from desks and chairs to light, sound, and visual clutter. We talk about running through your senses to troubleshoot what’s actually pulling your focus, and how small adjustments (a different chair, a cleaner desk, a bowl for your phone) can make a real difference. We also dig into noise (everything from industrial playlists to total silence), boundaries with the people you live with, and the fine line between solving a problem and avoiding the work. Sometimes the fastest way forward is figuring out what you’re running from. AND what you're running toward. Homework: Use your senses to make an inventory of your writing environment — sound, sight, smell, touch, even taste. Then identify which elements serve you and which ones create friction, and experiment with changing one barrier this week. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We explore how voice, worldbuilding, and character stakes must all be doing work beneath the punches and gunfire, especially in prose where readers can’t “see” the cool factor. From The Matrix to hockey rinks to fantasy prologues gone wrong, we look at how action can function as a delivery system for tension, authority, and emotional investment. The goal isn’t just spectacle — it’s giving readers a reason to turn the page. Homework: Choose an action cold open from a movie. Write down everything it’s doing beyond the visible action — how it builds the world, establishes stakes, defines character, and makes you feel. Then rewrite that scene in prose, making those elements explicit on the page. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

A cold open can hook a reader with nothing more than voice. In this episode, our hosts explore what makes a voice-driven opening work — cadence, rhythm, authority, and a clear reason to care. We break down how aesthetic voice differs from mechanical POV, how to avoid purple prose, and why strong openings often act as both filter and lens for the right reader. From epic poetry to pop songs, from audiobook accents to grocery-store monologues, we share practical ways to hear your prose more clearly. Voice, used with intention, can pull readers in before a single thing explodes. Homework: Choose three distinct voices you know well — for example, a celebrity with a strong cadence, someone in your life who tells great stories, and another recognizable personality. Write a simple scene (like going to the grocery store to buy eggs) in each voice. Notice what changes in rhythm, word choice, focus, and emotional framing. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and why action alone isn’t enough without an emotional lens. From relatable sensory cues to carefully chosen specifics, they break down how small details can anchor even the biggest explosions. When readers step into a story, we want them oriented, invested, and ready to follow. Homework: Take the opening of your work in progress and write out only the physical actions — what is happening and what the character is doing. Then annotate it with the emotions you want attached to each moment, and rewrite the scene integrating both action and emotion. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, we explore what it really means to set reader expectations at the beginning of a story. We talk about how openings communicate the shape of what’s to come — from genre and tone to the kind of emotional ride we’re inviting our readers onto. We dig into practical tools for building reader trust early: making (and fulfilling) small promises, letting readers feel clever, answering questions before raising bigger ones, and controlling tone so the story delivers on what it signals. Because when readers check the label on page one, we want to be sure we can deliver. Homework: Review the first chapter of your work in progress and make a list of all the story promises you’ve made. Keep that list somewhere visible so you can track how—and when— you fulfill them. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

To celebrate Mary Robinette’s birthday today (!!), she is taking us inside the craft (and emotional engine) of her short story “With Her Serpent Locks,” using it as a case study in beginnings, control, and creative “leveling up.” Our hosts dig into grounding the reader through myth, pattern, and delayed information, and how a familiar framework can make readers feel both clever and cared for. The conversation unpacks how intentional choices—like withholding names, structuring scenes around question words, and planting details early—create trust and momentum. Along the way, we talk honestly about what it feels like when craft skills become internalized and a story finally clicks into ease. Homework: Take a strong emotion you’ve felt recently and describe it as a metaphor. Then use that metaphor as a writing prompt. Final WXR Cruise!  Our final WXR cruise sets sail for Alaska in September 2026—get your tickets here! Credits: Your hosts for this episode were Marshall Carr, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, our hosts dive into what makes a strong beginning and why it matters so much to readers. They talk about openings as an act of hospitality, exploring how tone, control, and carefully chosen details help readers feel grounded and cared for from the first page. Using the metaphor of hosting a party, they unpack common mistakes like starting too early, overwhelming readers with detail, or failing to make a clear promise. The discussion also reassures writers that beginnings often change in revision—and that’s not just normal, it’s necessary. Homework: Create an artificial slush pile of beginnings. Read them cold and note which ones make you lean in and why. ANNOUNCEMENTS:  FEBRUARY 15th: Cruise Prices Increase  The final WXR cruise sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!  Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, our hosts dig into how stories can feel fresh without losing what readers love. They explore the idea of “same but different” across genres, sequels, and series—looking at how small shifts in structure, context, tone, or theme can create meaningful novelty. Drawing on examples from novels, film, television, and games, we unpack how patterns, expectations, and core questions shape reader experience. Our conversation also widens to encompass the larger question of how writers can evolve while still feeling recognizably like themselves. Homework: Choose two works from the same franchise or series. Break down what stayed the same and what changed, then reflect on which choices felt satisfying, surprising, or off-putting—and why. ANNOUNCEMENTS:  2/15 Cruise Prices Increase  The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!  Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Our hosts take on the Hero’s Journey—where it came from, why it endures, and why it can make writers uneasy. They break it down as a tool (and not a rule), exploring how pattern recognition works in storytelling without turning structure into a formula. Along the way, they discuss reluctant heroes, mentors, departures, and returns, using familiar examples from fantasy, film, and beyond. The conversation also digs into how stories can satisfy expectations—or deliberately invert them—without becoming predictable or tropey. Homework: Take a simple outline of the Hero’s Journey (we’ll include one in the liner notes). On an index card or Post-it, list as many stories, films, or shows as you can that follow this pattern, just to see how and where it shows up. ANNOUNCEMENTS:  2/15 Cruise Prices Increase  The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!  Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Plot isn’t a set of commandments—it’s a collection of patterns we’ve learned to recognize. This episode kicks off the season’s deep dive into deconstructing plots, asking what different story structures are really doing beneath the surface and why they work (or don’t). Our hosts unpack plot as a toolbox rather than a formula, exploring action plots vs. emotion plots, Western vs. non-Western structures, and how audience expectations shape everything from middles to endings. This conversation reframes plot as a way to pull readers through a story—not to box writers in. Homework: Pick a story you enjoy and gently reverse-engineer it. Go scene by scene and label each one simply as “good thing happened” or “bad thing happened.” Look for patterns you didn’t realize were there. ANNOUNCEMENTS:  2/15 Cruise Prices Increase  The final WXR cruise* sets sail for Alaska in September 2026—get your tickets now before prices increase on February 15th!  Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week, we turn our attention to one of the most stubborn traps writers fall into: assuming someone else’s process should work for you. Building on last episode’s conversation about intentions, the hosts shift the focus from what you should do to how you can figure out what actually works, starting with observation, pattern-spotting, and a little self-compassion. The discussion moves through practical ways to lower friction and build supportive rituals—linking tasks together, listening to physical and emotional cues, and treating yourself like your own best assistant. Along the way, the hosts emphasize that your reactions are data, your process is allowed to change, and permission to be human is often the missing tool. The goal isn’t discipline for discipline’s sake, but a writing life that adapts to you. Homework:  Make a list of all the steps in your writing process, starting with the smallest, most concrete actions and working outward to the bigger ones. Then go through that list and notice which parts are serving you, which aren’t, and which you might want to change—without worrying yet about how to change them. ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Season 21 kicks off with a new theme, a fresh tagline, and a renewed focus on what Writing Excuses has always been about: tools, not rules. The hosts unpack why prescriptive writing advice so often falls short, and how understanding why tools gives you the freedom to adapt—or discard—them.  And so for Season 21, we’re going to focus on deconstructing structure in order to better understand the tools that make up various story structures, and what we can learn from each. We’ll be analyzing everything from exposition to Try/Fail cycles to Save the Cat, as we dig into how structure can function more like jazz and less like a rigid formula. We hope this year of episodes (every Sunday morning, folks!) helps you choose what actually serves you as a writer. Homework Write down one thing you are letting go of from last year, starting with the sentence “I am letting go of…”. Then write one intention for the new year, starting with “This year I am embracing…”. ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Howard Tayler, Erin Roberts, DongWon Song, and Mary Robinette Kowal. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As our 20th season comes to a close, we reflect on the end of 2025 and a major transition for the show, as Dan Wells steps away from Writing Excuses as a full-time core host. Dan shares the thoughtful, hard-won reasoning behind his decision, while the rest of the team reflects on what his presence has meant to this podcast and our community.  We recorded the first half of this episode in June and the second half in December 2025. Why is that? Because we wanted to discuss our plans for the rest of the year and later return to see how those plans actually played out—a kind of time capsule for all of us. Along the way, we talk candidly about change, ambition, and the reality of creative lives that rarely move in straight lines. Homework:  1. We've created a publicly accessible Patreon post titled “Thank you Dan Wells” for you, our listeners, to share things you've learned from Dan, appreciation you wish to express, or even your favorite stories about Dan. Go to patreon.com/WritingExcuses and look for this post.  2. Final Homework From Dan:  Watch some of the show Twisted Metal (warning: there’s a lot of gore and swearing). If that's not your cup of tea, then check out the interactive novel, The Book of Hungry Names by Kyle Marquis. See what you can learn from these pieces of media—they are master storytellers!   ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Howard Tayler, Dan Wells, Erin Roberts, DongWon Song, and Mary Robinette Kowal (for the first half). It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

A workflow that made daily writing (and comics) possible—Howard Tayler takes us through two decades of the delightfully eccentric process behind Schlock Mercenary: text boxes in landscape Word, laser-printed pages he inked by hand, and a system that kept comics coming even through long COVID and chronic fatigue.  The conversation shows how craft can stay constant even as ability, tools, and energy change. Howard shares how he rebuilt his systems to protect his writing time and created processes that served him. He also dives into practical hacks—index cards, banking writing time, moving your desk, and borrowing ideas from other creators. Expect puppy-training metaphors, unexpected tech, and a reminder that satisfaction can be the metric that matters. Homework Take a stack of index cards and storyboard one scene: on the front draw the panel (stick figures are fine), on the back handwrite the line of dialogue (add a little arrow to mark the speaker). Treat the scene like a comic—sequence the cards, play with the images, and see what visual problems or surprises show up. ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Howard Tayler, Dan Wells, Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

2 quick reminders: Scholarship applications for our 2026 cruise are open now until December 31st, 2025. You can learn more and apply here. AND early bird pricing for this cruise (going to Alaska in September 2026) ends on February 15th! Get your tickets here! This week, Dan Wells opens up about how depression reshaped his writing process—and what rebuilding that process has looked like in the years since. The conversation ranges from tiny, mechanical steps to full-on cognitive reframing, with the hosts comparing notes on mindfulness, spectating, trauma responses, and even puppy-training techniques for rewiring your brain. They explore how environment, routine, and self-compassion can make the difference between staring at a blank screen and finding a way back into the work. Expect honesty, humor, and a lot of practical wisdom for how to care for your mental and emotional landscape while still trying to make art. Homework: Be kind to yourself—and extend that compassion to at least one person in your life who may be struggling, too. Then take a close look at your own rhythms, spaces, and habits to identify when and where you work best, and experiment with those ideal conditions this week. ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week, Mary Robinette pulls back the curtain on some of fiction’s sneakiest power tools: tone and mood. Drawing from a recent craft class she taught for her Patreon, Mary Robinette breaks down how these elements shape a reader’s emotional experience—and why they deserve as much attention as plot or structure. DongWon, Erin, and Howard jump in to poke at the definitions, debate where tone and mood collide, and explore how contrast, character reactions, and even sentence rhythm can totally change a scene. Expect examples ranging from Wizard of Oz to Mike Flanagan as we dig into practical ways to use tone and mood to supercharge your storytelling. Homework:  Take a five-part mystery structure (crime → investigation → twist → breakthrough → conclusion) and write a story that uses that structure but is not obviously a mystery. ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, DongWon digs into one of the business topics of our upcoming craft book: pitching. How do you talk about your work so other people immediately understand its category, vibe, and why it matters? They break pitching into two parts—content (what you say) and presentation (how you say it)—and share concrete tools like comp titles, short taglines, and simple back-cover formulas to sharpen your pitch. You’ll hear how iteration, audience-awareness, and practicing aloud (think karaoke for pitches) turn a clumsy elevator spiel into something that lands. Tune in for hands-on advice you can use next time an editor, agent, bookseller, or potential reader asks, “So, what’s it about?” Homework: Write three short, 2–3-sentence pitches for your book (or other WIP) that each take a different angle—one focused on worldbuilding, one on character, one on plot. Then read them aloud to someone and watch where they light up, glaze over, or lean in, so you can see which pitch actually works. ANNOUNCEMENTS:  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Dan shares his experience of rebuilding and reinventing his writing career from his section of our forthcoming book Now Go Write. Our hosts walk through practical ways that writers can diversify their work— from writing for RPGs and video games to writing in a new genre like middle grade or nonfiction — and why having multiple, truly separate revenue streams matters. They also dig into the psychological work of redefining yourself as a writer (not only a novelist), staying flexible when setbacks hit, and protecting time for the projects that keep your heart in the work. Listen for concrete strategies and encouragement to lean into new formats without losing sight of why you write. Homework: Write something in a genre or format you’ve never tried before — a single TV episode scene, a short RPG adventure, a tie-in short story, a script, or a 500–1,000-word nonfiction piece. And see how it feels!  ANNOUNCEMENTS:  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. *Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.  Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, Erin returns with the final two “rules” from her section of our forthcoming book Now Go Write—and why it might be worth breaking them. With DongWon and Mary Robinette, Erin explores the classic advice to “show, don’t tell,” and the debate over whether magic needs a system. We unpack when these conventions can strengthen a story—and when they can get in your way. Homework: Choose one of the four rules Erin covered across both “Break All The Rules” episodes (20.45 & 20.46) and rewrite a scene from your own work to deliberately break it. See what changes when you do. ANNOUNCEMENTS:  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, Erin shares a sneak peek from her section of our forthcoming book, Now Go Write. (To learn more about our book, sign up for our newsletter!) Erin explores four classic writing “rules,” when it’s worth breaking them, and what that can reveal about your own craft. Today, our hosts dive into two of these rules—examining how they can both help and hinder your storytelling. Tune in next week for part two, when we tackle the remaining two rules that Erin wants us to break. Homework: Write down some of the rules you think you follow most rigidly in your own writing. Take one of these rules and begin to think about ways you can challenge this rule, or break it, or soften it in some way!  ANNOUNCEMENTS:  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We have an exciting announcement! Writing Excuses is publishing a book, Now Go Write, which will feature writing from all of our hosts! Sign up for our newsletter to learn when our book is coming out!  So, for our next few episodes, we’ll have each host share one of the topics that they have written a chapter about for the book. Today, we’re starting with Mary Robinette, who will be covering the question of how to handle relationships. We explore how relationships can act like characters themselves—shifting, growing, or breaking under story pressure. Mary Robinette also introduces the “Kowal Relationship Axes” as a way to build believable dynamics and conflict between characters. We hope you come away with practical tools to write relationships that feel real, messy, and full of momentum. Homework: First, sign up for our newsletter to learn when our book is coming out!  Then: who does your character love because of their flaws and why? Write an exploration scene where the character is exhibiting those flaws and the other character is watching that fondly. Then, write a different scene where one character is mad at the other and the flaws are pissing them off.  ANNOUNCEMENTS:  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Erin and Howard sat down with paleontologist Dr. Tara Lepore for a fascinating dive into the science—and storytelling potential—of deep time. Dr. Lepore explains why paleontology is about far more than dinosaurs and how mammal teeth can reveal “birth certificates” millions of years old. We hope you come away with new ways to think about science as story—and how to weave the vastness of deep time into your own worlds. Thing of the Week: University of California Museum of Paleontology  Homework: Find 3 ways that deep time could be interwoven into your current or upcoming writing project.  Call for Writing Breakthroughs Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!  Last Annual Cruise The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. Our guest was Dr. Tara Lepore. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Erin describes her own writing process as, “a bunch of random practices thrown into a bag and shaken up." Nevertheless, for today’s episode, Erin managed to organize her processes into four categories: getting work, getting in, getting done, getting right. Listen as Erin gives us tips and tricks for freelancing, deadlines, and saying no. Homework: Write down all the tips and tricks you’ve learned about your own personal writing process on a single page.  Show Notes: https://www.pacemaker.press/ P.S. The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We’re continuing our episodes focusing on our hosts’ personal writing practices. Like Mary Robinette’s. DongWon’s involves a bit of… chaos.  DongWon’s day job as a literary agent is demanding and unpredictable, so they often have to fit in their writing process into their free time. They are also often collaborating with other authors and friends (often writing for games)—so how does all of this inform their unique writing process? Well, first DongWon thinks a lot about the time and space that surrounds their writing– how can they make a simple, low-stimulation environment so that they can better focus? And then when they’re ready to begin, they don’t start with an outline. Instead… well, we’ll let you listen and hear them explain it to you. Homework: Go sit somewhere. Don’t bring your phone or your headphones. Sit there until you feel the itch of irritation of doing nothing, and then push through it a little bit longer. Cultivate your boredom. Then, sit down and write.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

A lot of people ask published authors what their writing process is like, as if it is a key to being able to write. The only important process is the one that works for you.  So, we’re going to let each of our hosts spend an episode explaining their own personal process. Our idea is that the best writing process is the one that works for you. Also, this is going to change over the course of your life and career.   Today we’re learning about Mary Robinette’s writing process, which is built on having a totally random schedule. Homework: What helps you want to do the things that aren’t writing? For instance, the other tasks and joys in your life? Because the tools that you use for those, also work for writing. Is it lists, or spreadsheets, or body-doubling? Now, see if you can use those same things to help you write more.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today our hosts tell you why you don’t need to listen to all of our episodes—or even most of them. Each of our five hosts weighs in on how you can combine the topics, subtopics, and lenses that each episode features in order to create a structured path forward for your own writing journey.  We start with a broad overview of this season’s structure. Why did we use the simple categories that most of us learned in elementary school— Who, What, Where, When, & Why—to organize our year’s 52 episodes? How did we decide on sub-topics for each category, and how should you decide which episodes to listen to more than once, and which ones to skip. Hint: it’s going to be different for everyone.  Homework: Think about something that you do really well in your writing. Write down what it is (think of the lenses that we’ve covered in this season), and congratulate yourself on using the lens that you are using the best, the best way you can.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We had the absolute joy of sitting down with Charlie Jane Anders, the author of the book we’ve focused on for our last four episodes (All the Birds in the Sky). We talked with Anders about POV, tone, and how she played around with humor —partly by occasionally using an omniscient POV! Anders also explained how to incorporate humor and whimsy, and what it feels like to take risks as an author in today’s literary landscape.  Thing of the Week: Lessons in Magic and Disaster by Charlie Jane Anders Homework from Charlie Jane Anders: Take a scene you’ve already written and add five or six narrative asides that are providing information that the characters in the scene couldn’t possibly know.  Ads: If you’re interested in the Whodunit Murder Mystery cruise (which you heard a teaser for at the start of this episode)—you can visit whodunitcruises.com to learn more! The next cruise is February 6th, 2026 and leaves from Los Angeles!  For 20% off Scrivener, you can the code “EXCUSES” for at www.literatureandlatte.com.  Credits: Your hosts for this episode were Mary Robinette Kowal and DongWon Song. Our guest was Charlie Jane Anders. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This is our final episode before we have Charlie Jane Anders on the podcast to talk about her writing process next week! Today we’re talking about intention by analyzing thematics, the author’s intent, and the way Anders uses tone and tradition to express the core ideas of the book. We also dive into the friction created in the two opposing viewpoints of the world that Anders presents. On one side we have magic, community, and connection. And then you have rationality and science—that is, a more cerebral approach to the world. How does Anders explore these views through individual characters and also larger systems? And how can we learn how to do this in our own writing?  Homework: Take some time away from your drafting, and write down your intentions. That is, what is the why of your project? Why is this the story you want to tell right now? Now, put your intention in a desk drawer somewhere, and don’t look at it.  P.S. If you’re interested in the Whodunit Murder Mystery cruise (which you heard a teaser for at the start of this episode)—you can visit whodunitcruises.com to learn more! The next cruis is February 6th, 2026 and leaves from Los Angeles!  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here! We are looking today at the lens of when. But we’re not going to look at time periods—instead, we’re going to examine flashbacks and foreshadowing. “All the Birds in the Sky” takes place in four distinct times. For instance, one of the characters foreshadows a grim future for the children we’ve just met. This big jump forward colors the way that we see the kids, through both stakes and tension. And this begs the question, how do “future whens” affect your reading experience?   Homework: Pick a scene in your current project and think about two moments: one moment in the past of this scene, and one that is in the future (both of these moments should still resonant with this scene in some way). Then, write two different versions of the scene: one in which the past weighs heavily on it, and one in which the foreshadowing of the future weighs heavily on it. Then, see what the difference is.  P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

If you still want to read All the Birds in the Sky by Charlie Jane Anders, you can purchase it here! Today we’re talking about places and place-moments. We’re looking at how Anders uses context, details, and relationships to create a deep, familiar, and authentic reading experience for us, even if we’ve never been to the locations in the story. In this episode we’re  also analyzing how Anders creates lived-in locations by including non-essential sensory details that imply the rest of the world.  Homework: List all the locations in your WIP (work in progress). Next to each one, describe its story functions: grounding, wondrous, plot-logical, and/or worldbuilding.  P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Last season we took different works to represent different concepts. But this season, we’re looking at a single work— All the Birds in the Sky by Charlie Jane Anders. So, for the next five episodes, we’re going to look at how Anders’ novel is deploying all of the lenses we’ve talked about this season—who, where, why, and when. And for our fifth episode, we’ll have Anders on the podcast to talk about her novel! We recommend that you read this book before listening to these episodes, as they will include spoilers! So, without further ado, today we’ll dive into the lens of who. We’ll be analyzing tools such as history, community, motivation, stakes, fears, and reactions. Homework: Who does your character envy and why? What action can they take to act on that desire? You can purchase a copy of All the Birds in the Sky by Charlie Jane Anders here! P.S. Want to come write with us in September 2025 (we know that’s soon)?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Throughout this season, we have been doing a series of episodes that feature different metaphors for writing. Today, we’re talking about raising children and what it can teach us about our own writing practice. It’s common knowledge that parents want their children to grow up to be happy and successful. But the real joy in raising children, Dan and Howard tell us, is watching them express their individuality, and meet these goals (of success and happiness) in very different ways. We talk about the importance of being open to shifts in intention, relationship, and understanding— regarding both people (and kids), but also your own writing.   Homework: If you have a person in your life that you’re mentoring or are friends with, imagine that they are doing something you don’t like. Take a moment to consider: is this actually better than what I had planned or assumed? Try to give them—and your writing— some grace.  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, Erin Roberts, Howard Tayler, and Dan Wells. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Téa Obreht is a short story writer and novelist. Her debut novel, The Tiger’s Wife, won the 2011 Orange Prize for Fiction, and was a 2011 National Book Award finalist and an international bestseller.  In our conversation, we focused on revision and character consciousness. Téa talked to us about the difficulty of the idea-generation stage of writing, how to cultivate layered characters, and how she writes event-first. You can learn more about Téa Obreht here.  Thing of the Week from Téa: Deadwood (TV Show) Homework from Téa: Write an opening paragraph (roughly 3-6 lines). It could be something new, or an opener that you had already written. The paragraph should introduce some key pieces of information to your readers. Consider the information that's contained in your paragraph and then rewrite the whole thing two more times, ultimately conveying the same information, but in three different ways. How you do this is completely up to you! Maybe it’s in a different voice, maybe it’s from a different perspective, maybe it uses only dialogue. At the end of the exercise, consider the priorities of each different mode, and how each changed the way you gave information to your readers.  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Howard Tayler, and Erin Roberts. Our guest was Téa Obreht. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This year, we’ve been looking at writing through various different lenses. In two weeks, on August 24th, we’ll begin a 5-part deep dive into these lenses through a specific book: All the Birds in the Sky by Charlie Jane Anders. There will be many spoilers in these episodes, so please read the book if you haven’t already!  Now, we’re talking about choosing what your lens is focused on. How do you choose what’s in your story—and what’s not? In this episode, we talk about how to make this choice, and how this informs all the other choices you’ll make. After we talk about how to decide where to draw the box around your story, we dive into the exterior framing of your story (AKA stories may exist in their own world, but they still have to be read in ours). Homework: Take a story you’re working on and think about what happens if you shift the frame just a little. The easiest way to do this is to ask yourself, is there a scene I could take out that would change the way that the lens or the story is focused? What new scene would you add in to re-balance your story? Then, go and write that scene. And have fun with it!  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Tone is one of those words people use in many different ways when talking about fiction. On today’s episode, our hosts break down what it means, how we use it, and how it can be a tool in the writer’s toolbox. We dive into the myriad emotional shades of tone, and how you can use this to deepen your story’s themes.  Homework: Write a vignette in which one of your characters is pouring tea for a beloved partner. First, try for a joyful tone. Then, write it again but with a tone of terror.  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What the heck is authorial intent? Does it matter? And how do intentions end up on the page without cluttering or overwhelming the story? Today, our hosts dive into message versus content, and how to wrap your intention and narrative structure into your story’s execution. Homework: Take your work in progress, and in two sentences, describe to yourself why you are writing this (could be a scene, a chapter, or the whole book). Then, write one sentence explaining why that is the reason that you’re writing this.  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Every story has been told. Okay, maybe not, but most stories have a tradition/ influence/ history/ genre/ style that they draw upon, even if only slightly. How do you know what traditions you're bringing to your work, and how can you use them to make your story both resonant and unique? We’re exploring the lens of “why” right now. Why do we write the stories that we write? And what did we read that influenced us to write our work— that is, what are our narrative traditions?  Homework: Make a list of five narratives of any type—a ghost story, a barber shop tale, a game, a movie—that form part of your storytelling tradition. Write them down, look at them, and then think: how is your current work influenced by the list? And is there one that you would like to bring even more to bear on the current story you’re working on?  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We are joined by author Mark Oshiro, who primarily writes YA and middle grade books and was a guest teacher aboard our 2024 cruise! (Our 2025 cruise is over 50% sold out! Learn more and sign up here.) We ask the question, “Why did you write this book?” while focusing specifically on theme and meaning. We discuss how authors ask questions through their work while readers bring their own answers and interpretations. The hosts and Mark emphasize the value of leaving space for readers to engage and find their own meaning in your work.This conversation also highlights how discovering a story’s true theme mid-draft can lead to major rewrites that strengthen the narrative.  Homework: Take a popular book-to-film or book-to-TV adaptation and ask yourself if the film changed the meaning or themes of the book. Then, ask yourself in what ways it did it. P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Howard Tayler. Our guest was Mark Oshiro. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What separates the way we experience a game versus the way we experience a prose narrative? Erin Roberts has written for many games, and she loves games particularly because they give the person experiencing the narrative more choice and more direct agency over what happens. This changes the way that we experience story. When you’re writing a game, the main thing you have to figure out is the actions: what are the potential things that could happen—and therefore, what are the verbs? We dive into decision, audience buy in, and ultimately try to answer the question: what does gaming teach us about making and finding meaning?  Homework: Take a project you’re working on and imagine that someone is making a game of it. What would that game be? What would be the actions that the characters would be doing? What would be the part of the world that the game would be focused on? Feel free to look at examples of this (like the games that were made based on Lord of the Rings.)  P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Our hosts explore how to write compelling confrontations—whether physical fights or emotional arguments—in a live episode recorded on the Writing Excuses Cruise. Building off Dan Wells' class Why Your Fight Scene Is Boring, our hosts break down reactions into four elements: focus, physicality, thought, and action. The discussion dives into how newness, character history, and anticipation shape these moments, and how effective confrontations reveal both character and motivation. Plus: sword fighting, puppetry, and driving on black ice.  Thing of the Week: Death and Other Details (on Hulu) Homework: Watch an action scene in a movie—something that you really like. Then, to underline how different books are as a medium, transcribe it— blow for blow, step for step, and see how long you can get into that before you tear your own hair out because it becomes incredibly boring. Then, after you've proven that the blocking and the blow-by-blow doesn't work, rewrite that scene in a way that does, in a way that translates to and uses the medium of prose.   P.S. Our 2025 writing retreat (on a cruise! In Mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Dan Wells, Mary Robinette Kowal, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How can listening inform the way you write? We decided to ask Charles Duhigg is a Pulitzer Prize–winning journalist and bestselling author—best known for The Power of Habit and most recently released Supercommunicators: How to Unlock the Secret Language of Connection, a compelling guide that explores the art and science of meaningful conversation.  We talked with Charles about myriad elements of writing, speaking, and listening—that is, communication in all its forms! We explored how passion and clarity are key parts of both pitching and book proposals. Charles also introduced us to active listening techniques, such as "looping for understanding," which can foster stronger connection in conversations. These effective and meaningful exchanges can help you showcase your project’s vision and voice.  Thing of the Week: Supercommunicators by Charles Duhigg  Homework: Charles has two pieces of homework for us!  1. First, tomorrow, ask someone a deep question that you might not usually ask a deep question of. Instead of asking, “How was your day?” ask them, you know, “I noticed that you really like Jasper. What do you admire about Jasper?”  2. Write one paragraph is terrible, but you feel like indulges some aspect of your voice. Maybe it's funny, maybe it's wry, maybe it's sad. Just do something completely pointless. Set that paragraph aside for a couple of days. And when you come back to it, you are going to see something in there that surprises you at how good it is. And that is a pebble on the path to finding your voice.   P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How does a room sound? Does your childhood have a taste? What is the smell of summer?  In this episode, we dive into the sensory layers that anchor worldbuilding, character, and perspective. We explore how invoking smell, sound, touch, and taste can transport readers more powerfully than sight alone. What makes a setting feel real and lived in on the page? How do the where and the when hit our reader's and character's senses— and how real is too real? Thing of the Week: Darkfield   Homework: 5, 4, 3, 2, 1 exercise from C. L. Polk: list five things your character can see, 4 things they can hear, 3 things they can touch, 2 things they can smell, and 1 thing they can taste.  P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Time isn't just a backdrop—it’s a powerful tool in storytelling. In this episode, we explore how time shapes narratives, beyond just plot structure. From magnifying moments in a fight scene to revealing a character’s morals through temporal shifts, we unpack how timing, pacing, and the passage of time can deepen emotional impact, build tension, and elevate a scene's resonance.  We discuss practical techniques like character memory, flashbacks, and sensory shifts, while also considering how time reveals inner worlds—through fear, anticipation, or even a late-night zoomie session with a talkative cat. Whether you're writing action scenes or quiet reflections, this episode offers practical insights for using time as a dynamic storytelling tool. Homework: Change the time at which a scene takes place. Try to move something from day to night, or spring to fall. What do you notice? P.S. Our 2025 writing retreat (on a cruise! In mexico!) is over 50% sold out! Learn more and sign up here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week, we’re digging into context—what it is, why it matters, and how it can totally transform your storytelling. Whether you're working in fantasy, sci-fi, or anything in between, the details you choose to include (or leave out) can make your world feel rich, real, and emotionally resonant. We talk about using context to deepen conflict, sharpen stakes, and land those emotional beats. And yes, we also get into puppets, geology, and the perils of overbuilding your world. (Spoiler: nobody needs to know how many toes your goblins have. . . unless it really matters.) Homework: Take a context, some piece of world building that you've done, and come up with three different narratives that you could write that use that context. Then separately, make a narrative that you have written and come up with three new contexts in which that narrative would succeed.  Show Notes: Learn more about how Campfire can help you outline your novel, organize your world building, and publish your story!  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Erin Roberts, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we’re talking about setting, which in speculative fiction is often called worldbuilding. But once you’ve finished building the world, how do you convey that world on the page? That is, how do time and place shape your story—and your characters?  In this episode, we’re talking about the power of setting through the lens of “where and when.” From daily life details like transportation and sanitation to larger societal pressures like war or peace, we explore how characters are shaped by their environment. Whether you’re building a brand new world or writing alternate history, setting isn't just a backdrop—it’s a driving force in your storytelling. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What does cooking have to do with writing? In this episode, we explore how the creative choices we make in the kitchen—whether it’s improvising with missing ingredients or following a beloved recipe—mirror the choices we make on the page. From frozen dinners to fine dining, we discuss how all forms of creativity have value, how skills can be learned, and how the act of making—food or fiction—is, at its core, an act of nourishment. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/)  While on a boat in Mexico, Erin Roberts was joined by Marshall Carr—our incredible recording engineer who is also a teacher during the school year— and author Mark Oshiro—who also teaches both kids and adults! For those who don’t know, our host Erin is a Creative Writing professor at UT Austin.   We wanted to record an episode with these three educators to give them a platform to talk about the art—and complexity and passion—of teaching. They discussed how they came to teaching, what they get from teaching as a writer, and why they continue to teach.  Thing of the Week: All This and More by Peng Shepherd  Homework: This homework is from Marshall! If you’re considering teaching, think of something you’re passionate about (it doesn’t have to be writing). Then, create a lesson for that thing that would work for your younger self.  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mark Oshiro, Marshall Carr, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This season, we’ve been exploring different approaches to writing through the lens of other crafts and their respective toolkits. We had the pleasure of speaking with furniture-maker, writer, and publisher Christopher Schwarz. Christopher is an incredible artist, writer, and is also the founder of Lost Arts Press, which publishes books on hand tool woodworking.  We talked with Christopher about his creative trajectory, and the intersection of tools, methods, and crafts.  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were DongWon Song and Howard Tayler. Your guest was Christopher Schwarz. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

People often think of first person POV as the most intimate voice. But in a way, we think second person might be more intimate. With second person, you’re forcing the reader’s subjectivity into the fiction itself. You are integrating the person who is reading the story into the experience of being in the story– in a way that can be a little disorienting (or fun) for the reader.  In the world of POVs, the second person can sometimes feel like a chaotic perspective. There are several different versions, depending on who the “you” is addressing. Is it the reader? Is it another character? What happens when “you” appears in a letter within a story? Second person often appears in conversation and on social media because it’s a way to draw your conversational group into the experience that you personally had. So, when should you use it in your writing, and how can you use it to help advance or deepen your story?   Homework: Write something in the second person, and think of something you’re getting across in the scene. Now, try to convey it with a “you” that’s directed towards another character. Then, as a “you” in a letter. Finally, write it again where the “you” is the reader themselves.  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Writing Retreats Newsletter Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

With today’s episode, we are continuing our discussion on proximity by focusing on another POV: third person omniscient. In omniscient POV, the narrator can see all and move into any character's head. It's sometimes seen as old fashioned, like Jane Austen. But writers like John Scalzi and Liza Palmer are using it to good effect as a way of exerting control over exactly what the audience sees in ways that are similar to a filmmaker. So why is it so hard to do well? And what does it allow the writer to do that no other voice does? Homework: Describe a street scene where your main character is walking down the street. Move us through this scene through the perspective of 5-6 bystanders observing this happening. Focus on sensory details: what is everybody seeing/ smelling/ looking at? And how does this establish where your main character is in the scene?  P.S. Our Writing Excuses cruise is over 60% sold out! Secure your spot today at www.writingexcuses.com/retreats Sign up for our newsletter Credits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Third person limited is one of the most popular storytelling lenses. Yet it is often understood differently by various authors and readers. So today we’re diving into the complexities, intricacies, and beautiful constraints of third person limited—don’t worry, we’ll be tackling third person omniscient in our next episode!  With third person limited POV, you get to use some of the tools of first person, while being able to back away from the character a little. We’re going to address the various levels of interiority and proximity that characters are afforded, why this matters, and what it would look like in your own writing.  Homework: Take a scene that you’ve written and write it in the closest third person limited that you can possibly stand. Then, write it again at a slightly more distanced, but still limited, third person. Look at these two scenes side-by-side and ask yourself: what did I do differently in each? What did I emphasize? Then, figure out which perspective you want to use when actually writing this scene.  P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreats Sign up for our newsletter Credits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We’re now going to have a few episodes focusing on the lens of proximity—specifically, how close you are to a character. Today, we’re talking about first person. First person seems like it would be one of the most natural forms of storytelling, because it's the one we use when talking about our own actions. But how do we use first person effectively? How close we are to the character and how much we get to know of their motivation and reaction can be controlled through interiority and embodiment. This often ends up defining the POV that we use in our stories. We'll talk about which tools are specific to first person, as well as flag pitfalls to watch out for. Homework: Go pick up a book that you love. Find a scene that you think is really great that is not in first person. Then, rewrite that scene in first person from the POV of a character in the scene.  P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreats Sign up for our newsletter Credits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re returning to different personal metaphors for how we all think about writing and storytelling. In this episode, we’re talking about how DongWon uses fashion as a helpful metaphor to think about storytelling. For both fashion and writing, whether you know it or not, you are already engaging with it every single day of your life. You are writing emails, you are communicating with the people around you, you’re dressing yourself, you’re wearing certain things and not others, and you’re ordering pizza! But what’s the difference between ordering a pizza and performing a poem? Well, lots of things, but mostly intention and deliberateness.  Note: In this episode, we mention cooking as a metaphor—this episode hasn’t aired yet but will in May! Homework: Take one article of clothing from your closet and build three different looks around it. One for everyday wear, one for a family function, and one for a night out P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreats Sign up for our newsletter Credits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/.)  While on a boat in Mexico, we were joined by author Mark Oshiro and literary agent Kate McKean. In addition to our hosts, they answered questions that were asked by our cruise attendees. Our answers included things such as how much space a character should take up and how to find the balance between plot-focused and character-focused novels. We also tackled questions about worldbuilding, motivation, and deadlines.  Homework: Ask someone a question about writing, either to learn more about what they're working on or to work through a project of your own. P.S. Our Writing Excuses cruise is over 50% sold out! Secure your spot today at www.writingexcuses.com/retreats Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Sandra Tayler, Mark Oshiro, and Kate McKean. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we have the pleasure of talking with author (and longtime listener!) Chuck Tingle. We invited him on the podcast to talk about breaking the rules—both in terms of how to publish and what to publish. Chuck told us about the business and creative rules that he has upended—he doesn’t do readings, he is anonymous (during our interview he wore a pink bag over his head), and he thinks you should tell and show. Chuck then shares some of his favorite failures, what he learned from them, and how failures actually aren’t real. Also featured on today’s episode: puppet bloopers, approaching art, and why LOVE IS REAL.  You can learn more about Chuck Tingle here.  Chuck’s Thing of the Week: The FrankenStand (a vegan hotdog stand in LA that serves horror-themed hot dogs) Homework: Choose a section from your current Work In Progress (WIP). Think of the writing rule that you’re treating as the North Star of Writing At Large (what would the English Department hammer into you?). Try to rewrite that section without that rule or doing the opposite of the rule. Then, look at it and see what changes that makes. Is there a version of your writing where you can use this as a tool, and not a rule?  P.S. Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, and Howard Tayler. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What do emotional beats and action scenes have in common? Well, they both need to land with your audience in order for your story not to fall flat. On today’s episode, we’re talking about the importance of reaction. Everything from portraying your characters’ reactions to letting readers sit with—and witness— these reactions. The actions that a character takes—or doesn’t take— as a part of their reaction let the audience know what they are thinking and feeling. And this lets the audience react alongside the character, even if they haven’t experienced (in their own life) what just happened to the character. We’ll give you tips and tricks for building this level of resonance between your characters and readers. Homework: Look at one of your characters’ reactions and flip it. If they take an action that escalates a situation, how would that scene play if their reaction de-escalated the situation? Can you still get to the end point that you want?  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This week, we’re continuing our conversation about the lens of who. On last week’s episode we talked about a character’s motivation and goals. Now, we’re starting to think about tension in the form of a character’s stakes and fears. The fears that a character has and the stakes that they face create the story that exists around them. These tensions also help move them through the story.  So, how can you use stakes and fears to start– and build– your story? The answer may surprise you. Hint: you may not want to open with your character dangling off a cliff.  Homework: Make a list of all the major fears that your main character has. Take your MC (main character), and draw a map of all the characters that your MC is connected to. Now, describe those relationships in one sentence or less. Now, compare this list of relationships with the list of fears. See if these two lists are in conversation with each other. Are they supporting each other or are they completely disconnected? If they are disconnected, start thinking about how you could bring these two lists closer together to establish a feedback loop between relationships and fears.  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Do you know what your characters want? And is there a deeper desire underneath that one?  A character's motivations can help make them "relatable," drive the story's momentum, and create obstacles. Additionally, characters/ desires can serve different parts of themselves, which can help make them complex and multifaceted. But what is a good character motivation and how do you share it with your readers?  Homework: Write a scene from a secondary POVs character. Pick a concrete goal for them that is NOT the protagonist's goal. How does that change the way they react in the scene? P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Have you ever wondered how much you need to know about a specific character before you start your story? Do you need to have an entire outline of their childhood before you can start writing in depth about them? We don’t think so! But it is important to listen to these questions as they emerge. This can help you figure out how to incorporate facets of each character’s identity that have narrative weight, instead of crowding the story with small facts that might not be necessary. This can help you layer and backfill as you build out – and discover– your story.  Homework: Identify something from your character's life before your story begins - write a scene in which that element of the character weighs on the scene but is never explicitly mentioned. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we are introducing the “lens of who” – which means talking about characters. We try to break big character ideas down into their elements. For instance, what do terms like "relatability" or "depth" of character really mean?  One of the main take-aways from this episode is that your characters each have different sets of experiences, which *should* mean they could each describe the same exact thing differently. And you should know how to write this.  Homework: Interview two friends and yourself, asking them the questions below. Write down their answers (and yours) as completely as possible. 1) The most pain they've had 2) The happiest memory they think of first 3) A description of a person and circumstance that positively and dramatically influenced them *before the age of 18*. Family member, teacher, boss at 1st job, etc. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

For our 20th season, we are focusing on this belief: that the lived experience that we all have affects the way we think about writing. We’ve all heard Mary Robinette talk about puppetry for seventeen (or so) seasons. Today, she dives into puppetry as a metaphor that helps her understand writing– specifically character, voice, and genre. And she invites you to start thinking about metaphors you can use and make in your own life to help you think about writing in a new way.  Homework: Watch a puppet show.  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

One of the most important tools that a writer brings to their work is their own personal lens. This is shaped by your hobbies, your job, your history, and your experiences. In this season, we're going to be looking at personal lenses as well as the narrative lens through which stories are told. We'll look at how the questions of Who, Where, When, and Why shape a story. Also, we're going to do a Deep Dive later in the year with the novel All The Birds in the Sky by Charlie Jane Anders, in which we analyze it using the lens we've been talking about. Homework: What lenses from your non-writing life shape the way you see things?  P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here.  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode was recorded live at our 2024 Writing Excuses Cruise. (Did you know that we host a writing retreat on a cruise every year!?! You can learn more at https://writingexcuses.com/retreats/.)  While on a boat in Mexico, we were joined by author Mark Oshiro and literary agent Kate McKean. In addition to our hosts, they answered questions that were asked by our cruise attendees. Our answers included things such as how much space a character should take up and how to find the balance between plot-focused and character-focused novels. We also tackled questions about worldbuilding, motivation, and deadlines.  Homework: Ask someone a question about writing, either to learn more about what they're working on or to work through a project of your own. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Howard Tayler, Erin Roberts, Mark Oshiro, and Kate McKean. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

For our 20th season, we are focusing on your toolbox. We’re going to be thinking about tools in terms of the lenses that we use to approach a story. We’re going to focus on the four lenses of: who, where, when, and why (don’t worry– what and how will be looked at in a later season, since they’re more about execution and less about lenses.) Our hosts talk about the lenses they’re adopting as they look towards 2025.  At the end of this season, we’re going to take all these lenses and apply them to one work: All the Birds in the Sky by Charlie Jane Anders.  A note: we will now only have “thing of the week” occasionally, and not regularly!  Homework: Make a list of the tools you already have in your toolbox. Now, as an intention, think of an area that you want a tool for. Over the course of this year, we’re going to try to help you find that tool.  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re reflecting on 2024. Individually, all of us went through a lot throughout the year—we encountered myriad speed bumps that slowed us down in different ways.. How do you balance your workload with your own personal life and its needs? How can you help make navigating these speedbumps easier by knowing your own limits and needs? We give you specific questions you can ask yourself in order to locate your problem points and figure out how to rearrange your life (and your stories about your own life) in order to not over-exhaust yourself.   Thing of the Week: Furiosa: A Mad Max Saga Homework: Once a day for the next week, identify and write down something that is causing you pain. At the end of your week, look through your list and identify the one that is causing the most pain, and try to bulldoze it.  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong. Today, we’re thinking about endings—specifically, what endings have in common with beginnings. When you’re coming to your conclusion, you can revisit the start of your work in order to get clues for how you should end it. You can also revisit your favorite works of fantasy fiction, which we’ve noticed often wraps things up with big climactic moments that don’t lose track of smaller moments of impact. Additionally, we talk about surprising versus inevitable endings, what Toy Story got right, and Howard’s rule for the last third of a story.  Thing of the Week: Chants of Sennaar Homework: Think of how what you’ve been writing recently is going to end. What might be the next scene you need to write? Write that.  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We had the pleasure of sitting down with Gabriela Pereira, founder and instigator of DIY MFA, which is the do-it-yourself alternative to a Master of Arts in Writing. Pereira has some incredible advice for how to put together a writing curriculum for yourself. Using the pillars of writing, reading, and community, she explains how she first came up with the idea for DIY MFA. We also talk about how to build a well-rounded craft, how to know what you don’t know, and what exactly it means to “write with focus.” Thing of the Week: DIY MFA Starter Kit Homework: Observe your own habits! Think about your writing time like a pie: 1 slice for writing, 1 slice for reading, and 1 slice for community. Draw a circle at the end of every day and map out how much time you spent doing each of these three things. Do this for several weeks, and watch the patterns that emerge!  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was Gabriela Pereira. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong. How do you have multiple plot threads moving at the same time? Today, we’re talking about complex plot structures—focusing on space opera and epic fantasy. Some of the questions we’re tackling are: how do you escalate existing problems, how do you juggle multiple climaxes at once, and what are the cascading effects of each? We ask each host about their unique approaches to writing larger projects. We talk about the utility of multiple POVs and what fast food can teach you about escalating problems (somebody’s gonna get burnt buns).  Thing of the Week: Laboratory Conditions  Homework: Take a piece of technology you’ve already introduced to your work. Find out a new, cool way you can use it in the next scene that you’re writing.  Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong. What can we learn from romances? Today we’re talking about using elements of romance in your story (even if you have no romance in your current WIP!) Character relationships and dynamics are often at the heart of our stories, so what can we learn from the romance genre?  We’re thinking about the power of one character putting another one at ease, a character dismissing another (“I’ll never be interested in you!”), or two characters finding a commonality between themselves. Mary Robinette also introduces us to her family’s theory of compatibility, which measures these M-words: mind, money, morals, manners, monogamy, and mirth.  Thing of the Week: Ancient History Fangirl (podcast) Homework: In the scene you’re working on, what is one thing your character finds attractive about the other character in the scene? Also, what does your own character think is their own least attractive trait, and how can you make them more anxious about that right now? Sign up for our newsletter Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Threads Bluesky TikTok YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to help you finish the year strong. Today, we’re focusing on beginnings. The titular phrase “beginning with a thrill,” doesn’t have to mean a burst of action or violence, but more so refers to how you hook your reader within the first few pages of whatever you’re writing. A great example of this is Toy Story, which we dive into at the end of this episode. Dan encourages us to shift our focus from starting with tension to starting with a thrill. How do you introduce conflict into your work while taking into consideration your genre? How do you establish—and then break— the “normal” in your world? DongWon talks about micro-tropes, and encourages us to steal and borrow from various genres. Also on this episode: meat cubes versus meet cutes. They’re different, even though they sound (phonetically) the same. Thing of the week: The Favourite (movie)  Homework: What breaks “normal” for your character right now? Now, write that. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What does it mean to be building a career as an author in this day and age? We talk with author and speaker Andrew Buckley about everything from author brands to conferences while we ask Andrew to give us advice on how to get comfortable talking about yourself. In addition to hosting the StoryCentric podcast and speaking at conferences, Andrew is a speculative fiction author, with a focus on paranormal fantasy for young adult readers. He also has a background in marketing and business.  Thing of the Week: Fallout (TV show on Amazon Prime) & “The Watchers” by A.M. Shine Homework: Try something that scares you.  Special Offer: Do you want 20% off a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? You can order The Orbit Gold Edition set at orbitgoldeditions.com, and use the code “excuses” for 20% off!  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal,Erin Roberts, and Howard Tayler. Our guest was Andrew Buckley. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We reminisce on when we were on a writing retreat on a cruise in 2023, planning this close reading series. We have loved how this series grounded our conversations, allowing us to dive into works that were complex in specific ways. We have loved wading into the waters of voice, world-building, character, tension, and structure while talking about these phenomenal works of science fiction and fantasy.  Thank you, listeners, for reading along with us. It has been powerful to read the same books, and to feel connected to you all through the Patreon, Discord, Instagram, and emails.    Thing of the Week: Forget Protagonists: Writing NPCs with Agency  Homework: Get a group of friends together, and pick a book you love. Discuss and unpack what makes the book work. Then, tell us what it is by tagging us on Instagram, @writing_excuses.  Special Offer: Do you want 20% off a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? You can order The Orbit Gold Edition set at orbitgoldeditions.com, and use the code “excuses” for 20% off!  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We had the pleasure of sitting down with N.K. Jemisin to talk about the structures and processes that helped create The Fifth Season. We talk about outlines, multiple plotlines, and planets as characters. Jemisin lets us into her writing process—ranging from  the influence of poetry in her work to her process of writing “test chapters.” She also gives us advice on writing multiple POVs, the power of parallelism, and the intersection of mental health and storytelling.  Thing of the Week: Alan Wake II (N.K. Jemisin’s recommendation)  Homework: Imagine you are in a game where you are presented with 3 different attitude-oriented choices. Take your protagonist from your current work in progress and put them through these attitudinal-flavored choices. What happens if you continue your character does the diplomatic thing? What happens if you have them snap? Explore! Learn more about our retreats: https://writingexcuses.com/retreats/ Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was P. Djèlí Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We’ve loved doing our close reading series throughout 2024, and The Fifth Season has been no different. Today, we’re reflecting on what we learned in our episodes focusing on N.K. Jemisin’s incredible work. We reflect on POV as structure, parallelism, and finding the beating heart of your manuscript.   Thing of the Week: I Saw the TV Glow  Homework: Reverse engineer an outline for your work in progress. Then, try to add one parallel. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order.  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we’re zooming out to see where N.K. Jemisin’s The Fifth Season fits into the canon of fantasy literature. How does Jemisin interact with magic, words, and the expectations of the genre? And what expectations do the readers bring themselves?  How does Jemisin repurpose parts of the hero’s journey while creating something fundamentally different? Does this work start a new lineage for epic fantasy? We think so! We talk about what other works this book is in conversation with, and what it even means to be in conversation with something.  Thing of the Week: Family Reservations by Liza Palmer  Homework: Make a list of the books that you consider the antecedents to the book that you’re working on now. What other works are your book in conversation with? Are you following in and building upon their foundation, or are you disrupting and disputing their legacy? Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order.  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The structure of The Fifth Season features both mirroring and inversion. How do these structural shifts interact with the three POVs? On today’s episode, we talk about the parallelism of the perspectives and the linguistic references to seasons. This leads us to the question, how many things need to work in sync in order for readers to feel the cyclical nature of the plot (and life)? How does N.K. Jemisin use structural arcs, beats, and elements to create upheaval? And finally, how can you create overlapping emotional states and narrative rhyming in your own writing? (And what is narrative rhyming you may ask? Don’t worry, we define it for you!)  Thing of the Week: Who Lost, I Found by Eden Royce Homework: Take a look at one of your main character's arcs, and then try to rework another character's arc to match similar beats and structure to the first one. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Structure and POV (point of view) are often intertwined. In N.K. Jemisin’s The Fifth Season, we see this in the myriad perspective shifts. In this episode, we talk about the importance of these shifts on the structure of the book. How does the narrator talk directly to us, and what purpose does this second-person perspective serve? DongWon shares one of their theories with us on the relationship between author, reader, and POV.  P.S. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order.  Thing of the Week: Kurzgesagt – In a Nutshell Homework: Think about the main character of your story, and carve their life up into three different pieces. Have one of those pieces/ perspectives write to another piece, using second perspective.  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Just a reminder that we will be talking about a lot of spoilers, so if you haven’t read The Fifth Season, go and do so now! As we dive into N.K. Jemisin’s The Fifth Season, we wanted to tell you why we chose this work to examine the importance of structure. The structure of the book is the device through which we are understanding this world, in a way that feels radical in relation to what we normally see in fiction. We chose this novel because the structure is visible and active in a way that many other works aren’t. Jemisin’s structurally audacious novel is punctuated by perspective shifts, parallelism, and innovative approaches to the forward movement inherent in stories. How does the structure affect the way we take in narrative, and what can you learn from this?  P.S. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order.  Thing of the Week: Rest In Pieces  Homework: Look at the Table of Contents of The Fifth Season and, without opening the book again, write down the one important thing you remember from that chapter. As we talk through things, refer back to this list and see what you need to add. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We sat down with the author of Ring Shout, P. Djèlí Clark, in order to wrap up our close reading of tension. We talked with Clark about his influences, which ranged from Birth of a Nation to Beyonce’s “Formation.” We dive into contextual vs. narrative tension, why food is the unsung hero of worldbuilding, and Clark’s unconscious desires that helped this novella come to fruition.  Thing of the Week: The Terror (on Netflix)  Homework: Watch Midnight Mass on Netflix. Notice how it builds various areas of tension. How did this happen? What were the different areas of tension, and how were they distinct from each other? Now use this in your own writing.  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was P. Djèlí Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This episode, we’re talking about how important tension is in creating a world where your readers feel fully immersed. We talk about the importance of using tropes and techniques while also using variation in order to make your story less predictable. We dive into the difference between tension and conflict, and talk about how you can use the former to help the ladder. Tension can be found in movement, but also in inaction. We touch on tension's effect on try-fail cycles, inverted pyramids, and worldbuilding.   Thing of the Week: The Night Guest by Hildur Knutsdottir (a novella translated by Mary Robinette Kowal)  Homework: Take a look at your outline and move one of the major conflict points to a different act forward, and then try and move it to a later act. Consider how this changes the pacing and tension. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

When you’re subverting your readers’ expectations, do you need to do the exact opposite of what they’re anticipating? Today, we dive into this question, using various examples of books and movies. We then examine how P. Djèlí Clark does this throughout Ring Shout– does he subvert our expectations completely? Not always. In fact, sometimes he does the opposite.  Thing of the Week: White Cat, Black Dog by Kelly Link  Homework: Write a scene listening to three different piece of music that move you in different ways. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re using music as an entry-point for tension. Howard introduces us to the power of the half-step, and other musical metaphors that can help you to incorporate tension in a new way to your writing. And then DongWon updates the metaphor with an electronic dance music analogy.  We also dive into questions you can ask as you weave tension into your work in progress, such as, “what does your character have to gain by withholding their secret?”  Thing of the Week: Clueless (the movie!)  Homework: Write a scene three times. Same scene, and make sure to write it from scratch three times. But listen to different music each time. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re talking about the tension that is actually happening on the page, and the contextual tension is what the reader is bringing to the table. Ring Shout lives in a place of contextual tension and we are excited to dive into how you can use both types of tension in your own writing. Your readers will always bring their own context to your work; and if you think about this, you can use tension in both big and small ways in your work.  Thing of the Week: Random Friday - Solar Fields (Album)  Homework: Take a scene you’re working on, and put a piece of information at the start that is only meant for the reader. Then, revise the scene, believing that the reader has that information.  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Compared to This is How You Lose The Time War, which we read earlier this year, Ring Shout deals with a very real world. This discordance, where authors make their audience uncomfortable by creating things that shouldn’t go together, is part of the power of this novella, and part of the reason we chose to dive into tension! Our favorite metaphor about tension from this episode comes from Howard: potential movement (imagine a rock at the top of a hill).  Note: this novella uses tools from the horror genre to add tension, and this can be intense for some readers!  Thing of the Week: Blue Eye Samurai (Netflix)  Homework: Take a movie or a book you've read that you find highly suspenseful and write an outline covering the major plot beats. Look at where tension is created and where it is released, and build a map of how it evolves over the course of the story Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we have a wildcard episode for you! We are talking about all the different ways you can sustain your writing career. Our host, Erin Roberts, has done an incredible job of applying for grants, fellowships, and residencies. So, we put her on the spot and got her to dole out advice and insights to help you sustain and develop your writing.  Thing of the Week: “Extreme Economies: What Life at the World's Margins Can Teach Us about Our Own Future” by Richard Davies  Homework: Write a one-paragraph personal artistic statement. Close Reading Series: Texts & Timeline Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers!  Liner Notes:  Resources related to grants and fellowships:   Creative Capital's monthly list of Artist Opportunities: https://creative-capital.org/category/artist-opportunities/ Philanthropy News Digest's lists of RFPs, which can be filtered to just those for Arts & Culture: https://philanthropynewsdigest.org/rfps  → Link to the filtered list here: https://philanthropynewsdigest.org/rfps/(search)/?tags_interest[]=arts+%2F+culture The Create Daily's Opportunity Roundup Newsletter (requires a sign up at the link below):  https://www.thecreatedaily.com/community For residency opportunities, the Open Calls list from Artist Communities Alliance: https://artistcommunities.org/directory/open-calls Profellow list of fellowships: https://www.profellow.com Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we’re taking a break from our Close Reading Series to discuss writing workshops and retreats! We dive into how to find and prepare to attend a workshop or a retreat and what to think about for organizing your own.  Thing of the Week: Solo RPGs! (Strider Mode, Star Trek Adventures, Mythic Game Master)  Homework: Go find 3 writing retreats you are interested in attending. 1 retreat-focused, 1 workshop-focused and 1 combination. Then think about what your expectations would be for each one. Close Reading Series: Texts & Timeline Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers!  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, Sandra Tayler, and Sarah Sward. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We sat down with CL Clark to talk about character—specifically, how they build different POV characters in the compressed space of a short story. We dive into plot processing (a tool CL Clark has learned from Mary Robinette!), how to specify the stakes of your world, and how to build distinct characters.  Thing of the Week: Reasons Not To Worry: How to be Stoic in Chaotic Times by Brigid Delaney Homework: “4 Scenes About Power” — Write four scenes: (1) a scene in which your protagonist does something to someone else, (2) a scene in which someone does something for someone else, (3) a scene in which your protagonist has something done to them, and (4) a scene in which your protagonist does something with someone else.  Liner Notes:  Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story by Ursula K. Le Guin  Close Reading Series: Texts & Timeline Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers!  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal and Erin Roberts. Our guest was CL Clark. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re taking a higher view on the techniques we’ve been talking about over the last four episodes and focusing on how you can use our takeaways in your own writing. We’ll go over our final thoughts on C.L. Clark’s short stories (until next week’s episode, when we interview them!). We’ll also try to summarize the lessons we've learned from Clark and our favorite bits of their writing.  Thing of the Week: Rude Tales of Magic (podcast)  Homework: Write a character study in which two characters meet twice. Something momentous has happened in between the meetings. Imply it by the way those characters have changed. Liner Notes:  Axis of Power (available on Patreon) - Ability, Role, Relationship, Status DREAM from Elizabeth Boyle - Denial, Resistance, Exploration, Acceptance, Manifestation Close Reading Series: Texts & Timeline Next up is Tension! Starting September 1, we’ll be diving into Ring Shout by P. Djèlí Clark. Please note, this novella uses tools from the horror genre to add tension, and this can be intense for some readers! Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We have a theory that we want to work through on today’s episode: agency is the ability to take action, whereas choices are more about the interior life of the character. We use Mary Robinette’s talking cat, try-fail cycles, and C.L. Clark’s Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home in order to examine this theory and its underpinnings.  Thing of the Week: Marginalia by Mary Robinette Kowal (Uncanny Magazine)  Homework: Create a scene in which your character has very little agency, but still must make a choice. Do your best to make that choice still feel critical. Liner Notes:  Fluent pet buttons - Elsie the talking cat “We Are the Mountain: A Look at the Inactive Protagonist” by Vida Cruz Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Our episode today focuses on C.L. Clark’s short story “You Perfect Broken Thing” for how the character's stakes shape the barriers facing her. We use this story to examine how to tell the difference between barriers versus stakes. We also examine how to do this in a compressed space– whether that’s a short story, a single scene, or a compressed timeline.  Thing of the Week: We Have Always Lived in the Castle by Shirley Jackson Homework: Write a short scene in which your character has to deal with a mundane obstacle, then rewrite it as if that small obstacle has life-or-death stakes. How did you shift it to make the stakes clearer? Liner Notes:  Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com!  And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here:  https://www.kickstarter.com/projects/mary-robinette/silent-spaces?ref=nav_search&result=project&term=silent%20spaces%20 (Or go to kickstarter.com and type in “Silent Spaces”)  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we’re focusing on C.L. Clark’s  “The Cook,” as we explore external and internal expression. We chose this story because it's a remarkably physical and touchable story with myriad sensory details. While the audience gets very little information about what Clark’s characters are thinking, you can still understand their internal landscapes by what they seee and notice. How do these external indicators help us understand the internal worlds of the characters?  We mention two infographics during the episode– “Intersections of Self (Trauma Points)" and “Axes of Power."  These are available on Patreon (they’re posted publicly, so anyone can view them!) Feel free to use them in your own writing, and let us know if you find them helpful!  Thing of the Week: “Bodies” (on Netflix)  Homework: Pick a major character in your story and write two short summaries of the character arc, one using your original motivation and goal, and a second with a different motivation but the same goal. Liner Notes:  Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com!  And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here:  https://www.kickstarter.com/projects/mary-robinette/silent-spaces?ref=nav_search&result=project&term=silent%20spaces%20 (Or go to kickstarter.com and type in “Silent Spaces”)  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we introduce our next close reading series—we’re focusing on character through the lens of three of C.L. Clark’s short stories:  “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home”. They are all hyperlinked above and available online for free through Uncanny Magazine.  We are so excited to shift our focus to short stories! We love the compressed form, and C.L. Clark’s stories exemplify the freedom that exists within the genre itself. They masterfully combine light world-building with deep character development. We’re excited to dive into each story over the next five episodes, ending with an interview with C.L. Clark!  We recommend reading these short stories ahead of time, but this episode is fine to listen to as a primer for why you should read them!   Thing of the Week: Monster of the Week (a tabletop role-playing game) AND Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com. Homework: Write the sentence "[Character] is someone who...." with different endings for an entire page. Read them over and pick one that surprises or intrigues you, then write a short scene showcasing that trait. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we are joined by the incredible falconer Krista Hong Edwards. Krista was kind enough to take our hosts out with her falcons, and we had the most amazing time! Krista sat down with us to talk about falcons, literature, and much more. Check out our liner notes (below) for all of the texts we reference!  Thing of the Week: Cher Ami and Major Whittlesey: A Novel Book by Kathleen Rooney Homework: Look up your local falconry club and see if you can attend their next event! Liner Notes:  See more of Krista, her falcons, and her mission on Instagram at @kristafeather and @feathersforthought My Side of the Mountain by Jean Craighead George  “The Goshawk” by T.H. White “H is for Hawk” by Helen McDonald “Untethered Sky” by Fonda Lee To find Krista’s Articles: Hawkchawk Magazine & Pursuit Falconry  Close Reading Series: Texts & Timeline Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine.  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7)  And a sneak peak on the rest of the year…  Tension: Ring Shout by P. Djèlí Clark (starting September 1)  Structure: The Fifth Season by N.K. Jemisin (starting October 13)  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Krista Edwards, Mary Robinette Kowal, DongWon Song, and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Learning is great, but how do you translate it into doing without getting overwhelmed? What is the difference between learning in the classroom and executing when you're on your own? Marshall, our incredible recording engineer, just finished an MFA program. Congrats, Marshall!! On today’s episode, we gril Marshall in order to understand his takeaways from the program. Specifically, we are interested in how he takes everything he learned in the classroom and turns it into actionable things he’s doing on the page. We talk community, motivation, and how to consistently make time for your writing.  Thing of the Week: The Fall of the House of Usher, TV show created by Mike Flanagan Homework: Take a turn being the teacher– how would you teach a group of people about a concept you’re struggling with in your own work, and what homework would you give them to better understand it?  Close Reading Series: Texts & Timeline Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine.  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7)  And a sneak peak on the rest of the year…  Tension: Ring Shout by P. Djèlí Clark (starting September 1)  Structure: The Fifth Season by N.K. Jemisin (starting October 13) Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We've spent the last month talking about "A Memory Called Empire, and now, we are so excited to welcome the author, Arkady Martine, to the show! On today's episode, we talk with Arkady about the origins of her novel, and dive into how she navigated the dense and intricate world-building. Arkady gives us advice on what not to do, where to look for your first ideas, and what her writing process looks like.  Thing of the Week:  “The Shamshine Blind” By Paz Pardo Homework: Using the character and the story you are currently working on, look at the nearest building you can see out your window, and describe it from their point of view. What does that say about the world that you are in and the world that they are in?  Close Reading Series: Texts & Timeline Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine.  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7)  And a sneak peak on the rest of the year…  Tension: Ring Shout by P. Djèlí Clark (starting September 1)  Structure: The Fifth Season by N.K. Jemisin (starting October 13)  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, the gang talks about their final thoughts on Martine’s “A Memory Called Empire.” We conclude with some lessons we’ve learned through analyzing her work, and we share our favorite bits!  Thing of the Week: Pasión de las Pasiones Homework: Find a piece of world building that you love and come up with another way to use it in your work in progress.  Close Reading Series: Texts & Timeline Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine.  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7)  And a sneak peak on the rest of the year…  Tension: Ring Shout by P. Djèlí Clark (starting September 1)  Structure: The Fifth Season by N.K. Jemisin (starting October 13)  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The imago technology lies at the heart of this novel thematically and narratively. How does this technology create a world, delineate Mahit's culture from Teixcalaan, and ask enormous questions about identity and empire? Thing of the Week: “Rotten” (Documentary Series available on Netflix) Homework: Come up with three technological or magical approaches that would raise questions about what it means to be you, to be an individual. Take one of these, and then write a scene wherein two characters argue about it. For those of you just joining us, here's what our close reading series has covered, and what lays ahead! Close Reading Series: Texts & Timeline Voice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17)  Worldbuilding: A Memory Called Empire by Arkady Martine (May 12)  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7)  Tension: Ring Shout by P. Djèlí Clark (September 1)  Structure: The Fifth Season by N.K. Jemisin (October 13) Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What cultural and worldbuilding information is embedded within the smallest of word choices? Today, we dive into three specific sections from throughout Martine’s “A Memory Called Empire”:  the word for empire, assimilation and naming, and learning the word for bomb. We unpack how Martine uses language to establish important principles of how the world works.  Thing of the Week:  The Gilded Age - Created and Written by Julian Fellowes  Julian Fellows (on HBO Max)  Homework: Write a scene that describes a fictional piece of literature— whether that's a poem, a song, or a story— that means something to the people in the story you’re telling. Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already: https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How do you use language and scale to focus your writing? Today, we think about scale and movement across vast spaces. What do characters’ movements tell us about empires and also—force? We talk about Martine’s incredible work establishing an empire across time, not (just) space. We read aloud some of Martine’s writing, and try to understand exactly how they work, and what they’re doing to build the novel’s world.  A refresher on why Worldbuilding is essential and some working definitions of how we want to talk about it. After the break, we discuss why we chose this book and highlight what it does well. As always in our close reading series, we distill each text’s elements into approachable steps for you to take in your own writing.  Thing of the Week:  Softboiled eggs in an instant pot: 1.5 cups of fridge-cold water. Add 2-6 eggs onto the little trey. Pressure cook for low on one minute, and then release the pressure after 90 seconds. Remove the eggs (use tongs!), and put them in a bowl of fridge-cold water for one minute. Now, try them! If thye’re too runny, then for your next bath, increase your wait time for pressure release by 5 seconds. If they’re too firm, reduce the wait time by five seconds. That one variable: how long you wait before releasing pressure, is the only one you need to worry about. (Does this resonate with our study of worldbuilding? Maybe? DM us on Instagram and tell us what the metaphor or analogy is for you! @writing_excuses )  Homework: Take one of your works in progress, and write three paragraphs, each describing a different kind of scale:  1. A scale of time 2. A scale of place/ space 3. Emotional scale (fear, joy, ambition, sadness) Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already: https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Why is worldbuilding is essential in your writing? Today, we answer this question and dive into some working definitions of how we want to talk about it. After the break, we discuss why we chose this book Arkady Martine’s “A Memory Called Empire” and highlight what it does well. We dive into the elements that help make Martine’s worldbuilding so accessible and effective.  Thing of the Week:  “Fast Car” by Tracy Chapman (think about what it teaches you about POV!) Homework:  Pick your favorite fictional worlds and for each write down three defining attributes that establish culture, legal systems, and physical spaces. Here’s a link to buy your copy of “A Memory Called Empire” if you haven’t already: https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Sometimes we know the action and themes of your story, but you don’t know how to build an economy that supports those. Well today, we explain just how to do that! What are some questions you can ask yourself about the worth of certain goods and services in the world you’re building? What would a post-scarcity world look like and ask of your characters and how would it shape their wants? We loved recording this episode, it brought up so many interesting questions for us, and we hope it does the same for you!  Thing of the Week:  Bury Your Gays by Chuck Tingle Homework:  Come up with three catch phrases that someone who grew up in your economy would know. For example the difference between “There ain't no such thing as a free lunch” vs. “See it, fix it.” A Reminder!  That starting next week (May 12th!), we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Max Gladstone, Amal El-Mohtar, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How do you find the right size for your story? And speaking of size, what do novellas do differently than both short stories and novels? What even is the difference between a novel and a novella? How many characters do they usually have? How many subplots? How do you know if your story should take the form of a novella or a novel? We dive into all these questions (and…you guessed it… more!) in our conversation.  A note on the structure of Season 19: in between our close reading series (six episodes where we dive into an element of craft through a close reading of a specific text), we’ll be doing two wild card episodes! These episodes are random topics that our hosts have been wanting to tell you about, we just didn’t know where they fit. So we MADE a place for them to fit!  Thing of the Week:  Jiangshi: Blood in the Banquet Hall (a collaborative, storytelling-based RPG) Homework: Take a short story that you either love or have written and write a list of things that could be added to expand it to novella length. Now do the same for a novel, but make it a list of things that might need to be cut. A Reminder!  That starting May 12th, we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Max Gladstone, Amal El-Mohtar, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today we get to talk to the inimitable Max Gladstone and Amal El-Mohtar. Amal and Max are on the podcast to tell us about how they wrote a book together (hint: they didn’t write it together in the form of one voice.) They talk to us about the practice of writing letters, collaboration, and the revelation of friendship. They talk about the complexity, harmony, and cadence of two-author projects. We also talk about that voice in your head that criticizes your writing, and how to work with it and harness your authentic desire to tell a certain story.   Thing of the Week:  From Amal- Hollow Night  From Max- Talking Man by Terry Bisson  Homework: From Max and Amal: Take a passage of something you’ve written and rewrite it in three different ways: as if it were being sung, as if it were being shouted, and as if it were being whispered.  A Reminder!  That starting May 12th, we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Max Gladstone, Amal El-Mohtar, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As we conclude our first deep dive of our close reading series, we want to explore how the evolution of voice helped carry readers throughout "This Is How You Lose The Time War." We also talk about the relationship between character arcs and language, learning and voice. Stay tuned for next week’s episode, where we interview Max Gladstone and Amal El-Mohtar on what it was like to write “Time War” together!  Thing of the Week:  Princess Weekes Homework: Write a short outline of your work noting where the voice changes and evolves to reflect the character growth and change rather than focusing on the plot beats A Reminder That starting May 12th, we'll be focusing on Worldbuilding and reading A Memory Called Empire by Arkady Martine. If you’re going to buy this book, we have this bookshop link available for you to do so! (If not, go support your local library!) https://bookshop.org/lists/close-readings-season-19 Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Threads Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What's epistolary writing? Well, it's writing through letters. But it's also a lot more than that. As we continue to dive into the concept of Voice, we want to explore the importance and power of the letters that Blue and Red write to each other throughout "This Is How You Lose The Time War." If you haven't already listened to our episodes introducing this novella, we recommend you go back and start with Episode 11 (of this season, Season 19)! And if you’ve been reading along with us while listening to these episodes, please let us know on Instagram. Tag us in a post or comment @writing_excuses !  Thing of the Week: “clipping.” by Story 2  Homework: Write a short note from one of your characters to another about something that’s important to them. Now rewrite it as a text message (change the format). Then rewrite it as a letter that will be screened before it gets to them by an outsider (change the context). And finally, write it as the final message they will get to send during their life (change the stakes). You can buy this (and all the other books!) through our bookshop link-- this is linked in our bio in addition to right here: https://bookshop.org/lists/close-readings-season-19 Close Reading Series: Texts & Timeline Voice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17)  Worldbuilding: A Memory Called Empire by Arkady Martine (May 12)  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7)  Tension: Ring Shout by P. Djèlí Clark (September 1)  Structure: The Fifth Season by N.K. Jemisin (October 13)  Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

On our third episode diving into Voice through the novella “This Is How You Lose The Time War,” we begin to explore the different voices that make up the two main characters in the story. Last episode we dove into Red’s voice– if you haven’t already, we recommend you listen to that first!  Today, we are doing a close read of Blue at the tea shop and how voice establishes character, growth, and vulnerability. How do the authors make Blue’s voice distinct from Red’s? Is it in the tone, the structure, or something else completely?  Thing of the Week: The Late Mrs. Willoughby By Claudia Gray Homework: Write a short note from one of your characters to another about something important to them. Now rewrite it as a text message (change the format), as a letter that will be screened before it gets to them by an outsider (change the context), and as a final message they will get to send (change the stakes). Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Today, we are doing a very close read of Red's opening narration and how Red’s voice communicates both character and world in an effective and efficient way. We read several sections aloud and dive into what each sensory detail is doing. Also Mary Robinette talks about what she thinks is the most effective way to draw your readers attention to something.  Thing of the Week: Planet Crafter  Homework: Take a sentence from your work in progress and rewrite it to adjust the age of the character to make them a child. Do it again to make them from a different region. And again to give them a different profession. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The book that became a New York Times Bestseller because of a tweet. Well, it won LOTS of awards when it came out, but it was rediscovered by a Twitter account with a large following. So-- let's get into it! On our first episode diving into Voice using the short novel "This Is How You Lose The Time War", we talk about why Voice is essential and some working definitions of how we want to talk about it. We also explain why we chose this book and highlight some of the things it's done well, and what you can learn from it! Thing of the Week: Scavengers Reign Homework: Take a sentence from a work you love that has a strong and clear voice. Write a scene based on that as a prompt, in the same tone and voice as the original. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

You’ve probably seen us posting about our Close Reading Series, and in his episode, we finally officially introduce it!  For most of the remainder of 2024, we’ll be diving into five core elements of writing by focusing on five different literary texts. We’ll spend five episodes on each one, and then we’re going to… drumroll please… interview the author(s)! As you know, we’ve spent lots of time reading, writing, talking, and recording our thoughts about different elements of the craft. But this year, we wanted to ground our episodes in specific texts that you could read along– and analyze– with us! Below is the schedule for each book or short story we’ll be diving into. The date on the right in parenthesis is the air date of the first episode in our series that will begin talking about that text. We highly recommend you read the book by that date, as we will be talking about the entirety of the text for all 5 episodes (including spoilers!)  First up: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar You can buy this (and all the other books!) through our bookshop link-- this is linked in our bio in addition to right here: https://bookshop.org/lists/close-readings-season-19 Close Reading Series: Texts & Timeline Voice: This is How You Lose the Time War by Max Gladstone and Amal El-Mohtar (March 17)  Worldbuilding: A Memory Called Empire by Arkady Martine (May 12)  Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (July 7)  Tension: Ring Shout by P. Djèlí Clark (September 1)  Structure: The Fifth Season by N.K. Jemisin (October 13)  Thing of the Week: SHINOBIGAMI: Modern Ninja Battle RPG Homework: Take a scene from a work that you love and five highlighters/crayons/colored pencils - use one color to underline/highlight places where the voice comes through, one for great worldbuilding, one for character moments, one for any moments of tension, and one for moments that move the plot forward. What colors do you end up with? Where do they overlap? What are the colors of the moments you love the most? What would the colors of one of your scenes be? Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Hosts Erin and DongWon are joined by Fonda Lee and Mahtab Narsimhan for a special episode about creating traditions in your fictional writing. In this episode, we'll explore some of the following:  -How do you build traditions and rituals in your fictional world (choosing what becomes a tradition or ritual and what doesn’t)?  -How can you use rituals or traditions to advance a novel’s plot, give characters more depth, and create conflict?  -What are the pitfalls to avoid (depiction of closed practices, over-ritualizing common traditions)? Homework:  Pick a ritual or tradition that you are very accustomed to and make it the center of a fictional scene. You can change its meaning or impact, but the content of the tradition should stay the same. Thing of the Week:  Shanghai Immortal by AY Chao (especially the audiobook version) Liner Notes:  This podcast episode idea was inspired by ReaderCon 2023, where Erin Roberts was a panelist. Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were DongWon Song, Erin Roberts, Fonda Lee and Mahtab Narsimhan. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

An agent, an editor, and a writer walk into a Zoom room and record a podcast... but really... that's (part of) what this episode is! First off, a reminder that your agent, your editor, and you are all on the same team! They are all trying to make the same book (your book!) a better book. Whether you've published before or are just starting your first short story, we are so excited for you to dive into this episode. For our final episode in our three-part series on revising your NaNoWriMo manuscript—or any other large writing project—we are diving into how to work with an editor! We wanted to show you a peek behind the curtain that is publishing and editing-- what does this relationship look like? How do you handle differences, conflicts, and priorities? What IS an edit letter? Our guest for this series has been the inimitable editor Ali Fisher, who works at Tor. Thank you, Ali, for your advice, stories, and time! Homework: Take a work written by someone else (anyone else!) and come up with three questions you have for the author that would help them clarify their intention in the text. This could be a movie you've seen, a project you're beta-reading for a friend, or a short story you've stumbled upon. Then, apply these questions to your own work in progress! Thing of the Week from Ali:  Ali has two podcast recommendations for you! Rude Tales of Magic Oh These, Those Stars of Space! Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

For our second episode in this three-part series on revising your NaNoWriMo novel—or any other larger project you have—we are diving into intentions with Tor editor Ali Fisher. We asked her how she helps writers figure out what their books are about, and how she helps set intentions for revisions. Ali talks with us about how its important to be kind to yourself -- and your writing-- during the revision process. She also gives us advice for how you, as a writer, can lean into what you do well. Homework:  From editor Ali Fisher: write down what you like best about your book. Find a spot in your book where you can incorporate that element where it isn't now. Thing of the Week:  I Will Not Die Alone by Dera White, illustrated by Joe Bennett A Bathroom Book for People Not Pooping or Peeing but Using the Bathroom as an Escape by Joe Pera; illustrated by Joe Bennett Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Ali Fisher, editor at Tor Books and member of the podcast Rude Tales of Magic, joins us for a three-part series on editing. First up: length! How do you edit your work—whether it's a book or a short story or a novella? Maybe you wrote a draft during NaNoWriMo, maybe you didn't-- either way, we want to help you figure out how to make your writing the perfect length. Homework: Find two scenes next to each other from your writing. Remove the scene break and write bridging text between the two of them instead. Then, find a different scene that has that bridging text, and cut it into two different scenes so that you are removing it and creating new signposts. See what this does to length and your perception of the pacing. Thing of the Week (from Ali Fisher): Infinity Alchemist by Kacen Callender Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and guest Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Some writers love revisions and some would rather scrub the toilet than revise their writing. On this episode, we are joined by author Mahtab Narsimhan, who many will recognize as a host from past seasons! Mahtab talks with our hosts about how she thinks about revisions. How do you revise your writing? What is the difference between revising and rewriting? Mahtab describes her favorite techniques and provides tips to make it more manageable.  Homework Assignment from Mahtab Narsimhan: Take the first 3 chapters of your finished draft and distill it by 1) Chapter 2) Scenes 3) Key plot points per scene 4) POV 5) Setting 6) Time of day/timeline 7) How many pages per scene and/or chapter.  Thing of the Week:  Nevermoor: The Trials of Morrigan Crow by Jessica Townsend Liner Notes:  The Revision Template that Mahtab mentions is a free resource on our Patreon! You can find it at www.patreon.com/writingexcuses Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Pacing is one of the most subjective and difficult aspects of storytelling to get right. What is pacing? How do you know what the right pace is for a story, and what techniques can you use to speed up or slow down your narrative? Homework Assignment from Fonda Lee:  Take a page of a work-in-progress project and experiment with the pacing. Ideally, this should be a page with some dialogue or tension between characters. First, try to speed it up: cut description, be tight with dialogue, move the scene quickly. Then do the opposite: rewrite the scene but this time slow it down. Include more context, character interiority, exposition, and scene building. Compare the two versions. Which serves your story better? Thing of the Week:  The Book of Witches Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

A few months ago, we were on a cruise ship in Alaska recording podcast episodes for 2024! This live recording features a Q&A with cruise attendees, who were given the opportunity to ask questions to Marshall Carr, our audio engineer, and Emma Reynolds, our producer. In this episode, we talked about the benefits of MFA programs, astrology, and how to continue learning without being overwhelmed.  Homework from Emma Reynolds:  What homework would you give yourself as a writer today? What homework would you have given yourself a year ago? Let us know your answers on instagram, tag us @Writing_Excuses and we'll repost you! Thing of the Week from Marshall Carr:  A Necessary Chaos by Brent Lambert Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We have a LIVE podcast recording from September 2023, when we were hosting one of our writing retreats on a cruise ship in Alaska! (To learn about our next WX Retreats, check out: https://writingexcuses.com/retreats/  Or apply for our scholarships by January 31 at https://writingexcuses.com/scholarships/ This episode features questions from our writers, and those who attended our 2023 WXR Cruise to Alaska! We answered questions about success, what happens after you’re a NYTimes bestseller, and how you can record your own audiobook.  Homework:  Go listen to the most recent episode of the podcast Just Keep Writing.  Thing of the Week:  Just Keep Writing is a podcast cohosted by Marshall, our incredible recording engineer. It’s a podcast for writers, by writers, to keep you writing. The podcast focuses on building community and lifting marginalized voices. Learn more at justkeepwriting.org, or listen wherever you get your podcasts! Sign up for our newsletter:  https://writingexcuses.com Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In our first episode of 2024, we interviewed author and physician Abraham Verghese, who most recently published "The Covenant of Water." We talked with Verghese about how to convey technical information in fiction. Verghese explains how he shares medical and world-building details in the most engaging way. We also asked Verghese how to make things feel real without overwhelming your reader, and how he has mastered conveying the passing of time. We also discussed verisimilitude, translation, point of view, and revision (we love revision!). Homework:  From Abraham Verghese: Write a landscape in three different moods. Imagine that someone dear to you has died and you are now gazing at the landscape. Describe it without any reference to this event in your life. The second time you write it as if you were experiencing a moment of great joy, and you're looking at that landscape. The third time, imagine you are in a terrible rage and you are describing this landscape. This allows you to explore how descriptions of the physical world can reflect the various moods of characters. Thing of the Week:  "How To Draw A Novel" by Martín Solares (recommended by Abraham Verghese) Credits: Your hosts for this episode were Mary Robinette Kowal, Erin Roberts, and Howard Tayler. Our guest was Abraham Verghese. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Rent isn't paid in words alone. How do all of us, in various stages of our careers, keep ourselves afloat as we go about the writing life? We're getting in the weeds with this one - tips, tricks, and tools.  We share our thoughts on diversifying your income stream outside of traditional publishing? Let’s get creative. We’re talking about school appearances, copywriting, fellowships, consulting, and teaching. We also share advice about newsletters, Patreon, monetizing yourself, and how an agent can help you overcome your imposter syndrome,   Homework:  Write an artist statement for yourself. Think about who you are, what’s important to you, and what are you trying to put out in the world?  Thing of the Week:  Joyland directed by Saim Sadiq Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

"Your short story should definitely be a novel." It's something writers are often told when they write short stories. What tips and tricks can you use to keep your idea within the length of the story you're trying to tell? We dive into worldbuilding in miniature, pacing, and character development. We also think about where you can edit your writing down—whether it’s words, plot threads, or characters.  Homework:  Write a scene with two different endings - one that puts a button on the story (for short fiction) and one that asks a new question (for a novel). Identify what else would need to change for each to make those endings work. Thing of the Week:  Scenes From a Multiverse by Jon Rosenberg Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Are you interested in experimenting with different writing forms? Do you want to try an unusual or different way of writing? Well this week, we have an episode dedicated to non-traditional formats for writing.  In this episode, we think about experimental short fiction from the point of view of publishing and writing. DongWon shares about the incredible success of their publishing of .. Why short stories might be the perfect place for new ideas.  We talk about second-person narratives, epistolaries, footnotes, and stories written as research papers. When does it make sense to use a non-traditional format for a story, what should you know as you do it, and who exactly decided on those traditions anyway? Homework:  Take a scene from a story you've written or are working on (maybe from NaNoWriMo!) and put it into a new format. What did you learn in the process? Thing of the Week:  These Vital Signs: A Doctor's Notes on Life and Loss in Tweets by Sayed Tabatabai  Liner Notes:  This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone The Fifth Season by N.K. Jemisin Love, Death, and Robots (Netflix)  Bite Size Halloween (Hulu) Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

All unreliable narrators aren't unreliable in the same way. How do they differ and how does that change the way that we write them? Erin shares her unified theory (look at the graphic below!) of unreliable narrators.  Homework:  Take an event that you're familiar with, and write about it as truthfully as possible. Then write about it from the point of view of someone who knows the basics, but not the whole truth, but who tries to tell the entire story anyway. For bonus points, tell the story a third time from the point of view of a lying liar with an agenda. Thing of the Week:  Lost Places by Sarah PInsker  Liner Notes:  Unreliable Narrator Graph The Fifth Season by N.K. Jemisin Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What does it mean if your writing is voice-y?  How do you give your character a natural voice? We approach this question from the high-level perspective of craft, and the granular level of word choice and sentence structure. Erin talks about the research she did about Appalachian English for her short story Wolfy Things. And Mary Robinette Kowal tells us what it’s like to be an audiobook narrator, and how this helps her bring characters to life on the page.  Just a reminder that our final episodes of the year will be guided by three of host Erin Roberts’ short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these books involve some darker themes. All of these short stories are available for free online and also have audio versions available.  Homework:  Listen to someone's voice (a person in a coffee shop, someone on a podcast, etc.) Now write a scene from your WIP trying to approximate the essence of that voice.  Thing of the Week:  “Exhalation” by Ted Chiang  Liner Notes:  “A House with Good Bones”by Ursula Vernon/ T. Kingfisher Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Welcome to the last week of National Novel Writing Month! It’s okay if you aren’t going to finish your book, and it’s also okay if you don’t have 50,000 words! You still did a thing—you created a story that didn’t exist  We want to talk about endings. How do you even write the end of a book? How do you do NaNoWriMo? There’s no right way! But there are several elements that can help you figure out how to write the end of your book. Our hosts give you guidance for environment, pacing, inversions, character changes, and the denouement.  DongWon tells us why writing an obvious ending is not a bad idea, and Mary Robinette gives us advice for writing the ending of a series.  Also, Dan offers a wonderful reframe for November if you’re not near the end of your book, or you didn’t reach 50,000 words. (Spoiler: it’s okay. You did, in fact, succeed.)  Homework:  Aim towards the MICE elements you opened. We're talking about the big ones here. In an ideal world, you begin letting your character have simple Yes or No answers to the "does it work" to close out the major threads in the inverse order that you opened them. Nesting code. Thing of the Week:  A final pep talk from Mary Robinette!  Liner Notes:  Better Call Saul Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

It’s week four of NaNoWriMo! Or, National Novel Writing Month, which happens every year for the month of November. This week, we are talking about how to write climaxes, how to write resolutions, and what exactly the three-quarter mark is.  How do you write a climax scene? How to keep your tension going while also finding some resolution. How do you keep track of what you promised your reader at the start of your book? Our hosts dive into these topics and share examples from their own published writing. We talk about how to write emotional resolutions before a novel’s climax.  We also learn how Dan taught Mary Robinette to use the 7 point plot structure, and how you can use it while you’re writing your novel (or short story or general writing project).  Homework:  Read through what you wrote during your last session. You can make minor edits, but you can’t edit anything. Use brackets to make notes about things you want to plant earlier. But don’t make any of these changes! You’re just using this as a launching pad for yourself and your book.  Thing of the Week:  A pep talk from DongWon Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We are now three weeks into NaNoWriMo—where writers are attempting to write a novel in the month of November. For this episode, our writers talk about how to raise the stakes in your story.   To make something feel more threatening, you don’t have to make it bigger or flashier, but you do have to make it more personal to your character. Often, you don’t need to add an event or plot element, but simply ramp up your character’s connection and reaction. We also talk about multi-thread plots, Star Wars, and getting your reader to be emotionally invested in your characters’ goals. Also—don’t forget to ask for help. (And surprise surprise, the same goes for your characters.)  Homework:  Pick an aspect of craft that you feel weak on and choose to focus on it during your next writing session. Thing of the Week:  A pep talk from Dan! Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Welcome to the first official week of National Novel Writing Month (or, almost the end of this week)! In this episode, we dive into how to write an inciting incident.  What is an inciting incident? It is often the thing that goes wrong in your story. Within the first page, writers should have something go wrong. But what should this thing be? Our writers have some advice for questions you can ask yourself in order to understand your novel’s inciting incident.  Also, Dan shares a recipe for an inciting incident that he learned from screenwriting, and Mary Robinette talks about the three “trauma attachment points.”  Homework:  What does failure look like for your character? Use this to direct your inciting incident.  Thing of the Week:  A pep talk from Erin!  Liner Notes:  Dr. Horrible's Sing-Along Blog Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Welcome to National Novel Writing Month! For November, writers all over the world are trying to complete a novel, or write 50,000 words. In honor of NaNoWriMo, all of our November episodes are going to focus on writing a novel or big project.  For our first week—starting! How do you start writing? What do you need to give your readers in at the beginning of your story? How much information is too much information? We answer all of these questions, and talk about how these factors will help shape your story, in our NaNoWriMo kickoff episode!  You have a few days left to prepare! Think about when during the day you’ll be writing, and see if you can find some people to help hold you accountable. Do you have a friend who could join? A writing group online or in-person? Check out the NaNoWriMo website at https://nanowrimo.org.  A note: all of our episodes for NaNoWriMo will feature a pep talk from a host in the middle of the episode! (These will be taking the place of “thing of the week,” but only for these 5 episodes.)  This week, Howard tells us how our mindsets can help us realize we’ve already succeeded.  Homework:  Write two different openings. The first one should be action-driven, where your character is doing a thing. The second one can be anything.  Thing of the Week:  A pep talk from Howard! Remember, ad-free versions of our podcast are available on our Patreon! Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

If you're writing short fiction, how much of your world do you even need to figure out? Should you have it all written out? Can you just wing it? This week on the podcast, we discuss how much of a world to build for a short story (and how). We provide some guiding questions that you can use to build the world of your novel or short story. We explore different narrative structures, DND worlds without police, and the reader's experience.  Homework:  Take a big world-building concept and pick one or two iconic elements that bring it to life. Take one and make it a key part of a short scene. Get ready for NaNoWriMo, or National Novel Writing Month! For the month of November, writers all over the world are trying to complete a novel, or write 50,000 words. In honor of NaNoWriMo, all of our November episodes are going to focus on writing a novel or big project. You don't need to write a whole book, though! We encourage you to work on a smaller project, or simply commit to writing every day. Thing of the Week: The Quiet Year (a map-drawing tabletop role-playing game) Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How do you write about magic? How do you build a world with magic and spells and potions? We dive into the rules and laws behind magical worlds. We often think of magic as being with a system, but what if it's not? What opportunities and challenges do intrusive magic/emergent fantasy and fabulism create for writers and stories? Our writers and publishers talk about cultural differences across magical systems, and how you can build a fantasy world that is believable. We also talk about surrealism, dream logic, and how sometimes the belief in magic is enough.  Homework:  Write a scene that brings an element of magic into a mundane place you know well (grocery store, bank, etc.), Try to make it impactful without explaining how it all works. Thing of the Week:  The World Wasn’t Ready For You by Justin C. Key Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

If you write short stories or enjoy speculative fiction, this episode is for you. Our host Erin Roberts has written short stories, interactive fiction, and has built worlds for tabletop roleplaying games (TTRPGs). For the next 8 episodes, we’ll be diving into three of her short stories. This week, Erin explains how to write outside of traditional genre classifications. We talk about the importance of antagonists, tone, and the horror genre. And we discuss how to decide if your short story should become a novel.  We highly recommend you read Erin’s three short stories to get the most out of these next 8 episodes! Read Erin’s short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these books involve some darker themes. All of these short stories are available for free online and also have audio versions available.  Homework:  Take a line you've written a while ago that you absolutely love. Try rewriting it as the writer you are now. Thing of the Week:  Never Have I Ever by Isabel Yap  Liner Notes:  Interview with Erin on the podcast Just Keep Writing Wolfy Things by Erin Roberts  Sour Milk Girls by Erin Roberts  Snake Season by Erin Roberts  Writing Wonder Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

 Or, The Business of the End of Schlock Mercenary How did Howard start making money from his hobby of drawing and writing comics? How did he self-publish? We have a special guest on this episode! Sandra Tayler—Howard’s wife, the editor and publisher for Schlock Mercenary, and a published author—talks about starting their business. We dive into uncertainty, quality of life, and “manic optimism.” We learn about how to use pre-ordering, PayPal, and Kickstarter. Howard also shares about his experience with long covid, how to generate multiple income streams, and what comes next.  Homework:  Make a plan for how to monetize one aspect of your work. Start thinking like Sandra! This could be submitting a short story for publication or making a plan to submit your novel or making a plan for a paid newsletter. It doesn't have to be something you do today or tomorrow, but start thinking about what you can be doing to make this creative work part of your future income.  Prepare for our next Deep Dive with Host Erin Roberts (starting next week)! Read Erin’s short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these stories involve some darker themes. All of these short stories are available for free online and also have audio versions available.  Thing of the Week:  Fluent Pet buttons - go to fluent.pet and use code "elsiewant" for a discount! Liner Notes:  Sandra Tayler, who also offers one-on-one creative business consulting Creative Community Classes "Risk Assessment"—tthe Schlock Mercenary bonus story that Sandra wrote The Alchemy of Creativity, Writing Excuses episode with Sandra  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Deep Dive: Sergeant In Motion How do you write an ending to a book? How do you finish something you’ve been writing for over 20 years? Howard Tayler talks to us about writing the ending to his serialized webcomic and space opera, Schlock Mercenary. We dive into how to write a resolution, how to finish a book, and how to finish a series. And we dive into the art of leaning into the tropes without leaning ON them. Homework:  Write a one page outline for the ending of your current work in progress.  Prepare for our next Deep Dive with Host Erin Roberts (starting in two weeks)! Read Erin’s short stories: Wolfy Things, Sour Milk Girls, Snake Season. Note: these books involve some darker themes. All of these short stories are available for free online and also have audio versions available.  Thing of the Week:  The Sexy Brutale (an adventure puzzle video game) Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Deep Dive: A Function of Firepower How do you write the middle of a book? How do you write an ending to a story? For this week’s episode about writing, we focus on Book 19 of Schlock Mercenary, the penultimate book in Howard Tayler’s series. We discuss ways to make a book feel self-contained, rather than just something to keep the beginning and the ending further apart.  For reference, A Function of Firepower is the 19th Schlock Mercenary Book. We highly recommend you read this first, because this episode contains spoilers and in-depth conversations about the book.  Homework:  Writing prompt: try to work these three words into your WIP (work in progress): expeditious, sock, and dragonfly.  Thing of the Week:  Kickstarter for Schlock Mercenary Book 18: https://www.kickstarter.com/profile/howardtayler (It's what Howard said, but "profile" is singular, not plural!) Liner Notes:  Fermi paradox Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We talk with Howard Tayler about the story structure of a story with a BIG disaster in the middle - one which we don't recover from until the next book. We also talk about the weight of world-building, how to write for your ideal reader. And Howard considers the question, what is the cost of death if immortality exists?  For reference, Mandatory Failure is the 18th Schlock Mercenary Book; 1st in the 3-book finale to the 20 book mega-arc. We highly recommend you read this first, because this episode contains spoilers and in-depth conversations about the book.  Homework:  Writing prompt: a major disaster has just occurred, write a scene in the aftermath.  Thing of the Week:  Homegoing by Yaa Gyasi  Liner Notes:  Book 18 Schlock Mercenary: Mandatory Failure  Sandra Tayler Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How do you write the middle of a book? How do you end your book? How do you know what to write next? This week, our hosts —who all work as a writers and publishers (and are sometimes teachers and puppeteers and many other things)— talk through how they have written the middle of their books. The middle is where most of the story takes place. How do you keep track of your characters and plot? How do you bring it toward an end, and stick the landing? Well, we’ve got some ideas. And some advice to help you write the middle of your novel. Or short story. Or play. Or really… anything.  Homework:  Identify the point of the middle where you are delaying because you feel like your character needs to "earn" the cool thing. Where can you cut and where can you turn it into an escalation? Also! Make sure to catch up on Schlock Mercenary if you haven’t already. Our next 3 episodes will dive into the details, and include some spoilers.  Thing of the Week:  The October Daye Series by Seanan McGuire Liner Notes:  Mass Effect 2 Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Let’s talk about organization! This week, we’re talking about how and what to keep track of— characters, places, names, etc. How do you organize a book? How do you outline a novel?  And don’t worry, we dive into the messy question, what is worth keeping track of in your writing? We also hear about how Howard and Mary Robinette have turned their planning tools (and research!) into money.  Homework:  Build a tool (spreadsheet, wiki, whatever) for tracking things in the universe of your writing. Start by thinking of three things to track—these could be character-driven, thematic, emotional.  Thing of the week:  The Mountain in the Sea by Ray Nayler MRK Liner Notes:  Scrivener  AirTable Obsidian  Schlock Mercenary Shop Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

18.34: 17 Years of Foreshadowing What can Normal Gossip teach us about foreshadowing and artful storytelling?  Thinking about the 20 books that make up Howard Tayler’s Schlock Mercenary, our hosts discuss foreshadowing—our favorite examples, and our go-to tricks for structuring our own work. What does foreshadowing actually do for our work? Do we even need it? Well, yeah… it’s like invisible narrative scaffolding. But it’s also like a red herring. It’s so many things! Listen to us discuss the best ways to use it in your own work, in a way that sounds true to your own writerly voice and vision.  Homework:  Take a throwaway gag from one of your favorite things and outline a story or scene in which the throwaway turns out to have been foreshadowing.  Thing of the Week:  Babel by R. F. Kuang  Liner Notes:  Game of Thrones, Fonda Lee, Fermi paradox, Normal Gossip Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Bonus Episode! Our first ever half-numbered episode! We are making some changes here on the podcast, and we wanted to talk to you about them. We hired a producer (Emma Reynolds), we have new interactive offerings on Patreon (office hours, livestreams, Q&A’s), and we are going to begin advertising! Don’t worry, you can subscribe to our Patreon to listen ad-free. Homework:  Go check out our Patreon, sign up for our newsletter, and follow us on Instagram and Facebook! They are all linked below.  Thing of the Week:  ​​Autobiography of Red by Anne Carson Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The first episode in our eight-episode Deep Dive into Howard’s weekly webcomic strip, Schlock Mercenary. We grill Howard on how he taught himself to draw, why he decided to self-publish (hint: his wife, Sandra Tayler, helped him), and how he managed to write an ending.  Homework:  The "How it should have ended" game: write your own ending(s) to one or more of your favorite things. (For reference, watch some of How It Should Have Ended.)  Thing of the Week:  The Expanse (DongWon)  Mentioned Links:  Schlock Mercenary How It Should Have Ended Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

We have a special guest episode! Kirsten Vangsness, Criminal Minds star, joins us to talk about her experience as a writer, actor, and playwright. She taught us how she deals with imposter syndrome, and how she uses performance as a writing tool. We also talk about self-actualization, cats, and filling your metaphorical art well. Homework: From Kirsten: Record yourself, stream of consciousness, talking about one of the big questions that crops up in your work. Then write a scene that asks this question. From us: Prepare for our next Deep Dive, by reading through Howard Tayler's Schlock Mercenary. Thing of the Week: Kirsten's Agenda Season 2 Blue by June Carryl Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In our final episode diving into how and why Dan wrote “Dark One: Forgotten,” talk about how you can take something personal and mine it for fiction. We also tackle the complicated question—Why should you be the one to tell your story?  We think about the personal touches that you can add to your writing, and how people can hear when your story is personal.  Homework: 2 things!  1. Have you watched Criminal Minds? If you haven’t, you should! Next week, we have a special guest—Kirsten Vangsness who plays Penelope Garcia! Explore her other stuff (like her web series and podcast), and get ready for an INCREDIBLE conversation with her.  2. What's the thing in your real life that you keep thinking about when you aren't writing? Can you give that feeling or theme to a character? ALSO, prepare for our next Deep Dive, by reading through Howard Tayler's Schlock Mercenary. And feel free to re-listen to our interview with Howard earlier this year,  Thing of the Week: Everything Everywhere all at Once  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines while also making space for surprises, magic, and the supernatural. Homework: Do a reread or rewatch of something with a big reveal (like the reveal in "Dark One: Forgotten.") Think about how your understanding of the story has changed since you have that information earlier. Also prepare for our upcoming Deep Dive, by reading through Howard Tayler's Schlock Mercenary. And feel free to re-listen to our interview with Howard earlier this year, here. Thing of the Week: Nope, directed by Jordan Peele Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

What are the best practices for collaboration? How do you write in an established intellectual property (IP)? How do you write a new story in an established world? We dive into working with an individual or a group. We hear stories from our hosts about how they have navigated creative endeavors with different types of collaboration. Homework: Grab something on your TBR (to be read) pile and pick a random paragraph from it. Use that as the opening for a short story. Also prepare for our upcoming Deep Dive (starting in two episodes), by reading through Howard Tayler's Schlock Mercenary. Thing of the Week: The Original by Brandon Sanderson and Mary Robinette Kowal Mentioned Links: Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram YouTube Facebook Twitter Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How do you write dialogue that sounds natural? We have some things to keep in mind when you write conversations between characters. When people converse, they do so with more than just words. Body language, tone of voice, and societal context all play a role in understanding what a person means. How do you convey that on the page or in audio? Homework: Take dialogue you've written. Delete every third line, and replace those lines with blocking. Thing of the Week: Cunk On Earth Mentioned Links: Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Twitter Facebook Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Have you ever framed a story within a story? Are you looking for a way to add structure or tension to your story? In this episode, we contemplate the value that can be added to your writing by putting it into a framework. Our hosts discuss various frameworks in fiction—from Frankenstein to Dark One: Forgotten to The House of the Spirits.  [“Dark One: Forgotten” Deep Dive Ep. 4]  Homework: Take something you’ve already written (or are currently writing), and add a frame story to it. Start with a prologue and an epilogue. Has this changed anything that happens in the middle of your story?   Thing of the Week: Charlotte Illes Is Not a Detective, by Katy Siegel (Published on June 27!)  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Twitter Facebook Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Let’s talk about the things you can write that are not typically what we talk about—formats that aren't novels and short stories. In this episode, we’re thinking about scripts, RPG adventures, video game dialogue, etc. What other forms are out there, and how can you apply the skills you already have to a new form?  [“Dark One: Forgotten” Deep Dive Ep. 3]  Homework: Take something that you’re working on, and identify two other formats that might work well for it (audio, video game, you name it). Think about how you would pitch—and tell— the story differently for each format.   Thing of the Week: Severance (2022 TV Series)  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Twitter Facebook Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In our second episode on Dan Wells’ audio-only book, “Dark One: Forgotten,” we provide you with tools and advice to consider when deciding whether or not to have a narrator. We also talk about location-aware dialogue, or how you can have your characters info dump without it being an info dump. Homework: Take something that you’ve already written, and adapt it for audio.  Thing of the Week: Earbuds Podcast Collective, a curated list of podcasts  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Twitter Facebook Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The team grills Dan on his audio-only book “Dark One: Forgotten,” which he co-wrote with Brandon Sanderson. We find out how he wrote a book that became a six-part audio series, and why exactly that form is important. *Please listen to “Dark One: Forgotten” before listening to this episode!*.  Homework: What's a thing you know, but everyone else has forgotten? Come up with a supernatural reason why this is. Thing of the Week: Zombies, Run!  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Twitter Facebook Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Our hosts tell us about the advice they wish they followed and the things they don’t tell their students. Also: Mary Robinette teaches us a trick about puppet fingers.  Homework: Write a letter to yourself a year ago describing what kind of skills are they going to need in order to confront the challenges that are coming.We've finished our 8 episode deep dive into Publishing Is Hard! Next week, we'll be diving into Dan's audiobook "Dark One: Forgotten." Please find this and listen to it! (It's only 6 hours long) Thing of the Week: Stone Soup - Newsletter by Sarah Gailey Mentioned Links: https://www.publishingishard.com/this-is-not-advice/ https://www.publishingishard.com/get-jigae-with-it/ Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram Twitter Facebook Sign up for our newsletter:  https://writingexcuses.com Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

How can we make publishing more inclusive? What role does mentorship play? And how can you reframe competition as collaboration? All this and more in this episode. Homework: What's one thing that you can do to make someone else's path easier? Can you take a step towards doing this this week? Thing of the Week: After Five - newsletters from Suyi Davies Okungbowa Mentioned Links: On Sending the Elevator Back Down by DongWon Song Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram  Twitter Facebook  Sign up for our newsletter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The relationship between a writer and a publisher is… one that isn’t talked about enough. So we made an episode about rejection letters, email etiquette, and empathy.  As a writer, how do you talk with a publisher? Well, luckily we have someone who knows all about the publishing world because they’re an agent at a large publishing house. DongWon offers advice on how to interact with publishers from the perspective of someone on the industry side. (If you’re new here: DongWon Song is an agent at Howard Morhaim Literary Agency.) Then, we hear about our hosts’ experiences with rejection (spoiler alert: there’s been a lot.)  Homework: Write a professional and kind rejection letter for a piece you like. Thing of the Week: Lavender House by Lev AC Rosen Mentioned Links: “The Empathy Gap” by DongWon Song Munchkin Starfinder  Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Join Our Writing Community!  Patreon Instagram  Twitter Facebook  Sign up for our newsletter Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Have you ever thought of being a publisher, but don't know if it's the right choice for you? In this episode, DongWon (an agent at Howard Morhaim Literary Agency) walks you through this world and gives you some tips for how to decide if publishing is the right career for you. Homework: Come up with a list of 3 things you've read. Think of things that can act as comp titles for your professional career and/or personal brand. Thing of the Week: Letters to a Writer of Color Edited by Deepa Anappara and Taymour Soomro Mentioned Links: So You Want to Work in Publishing by DongWon Song Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In this episode, we unpack what the publishing industry is, what exactly it does, and why it does it. We also outline the first steps for preparing to talk to an agent or publisher. Homework: If you had to sit down with a publisher today and convince them that there's a market for you book, how would you start doing it? Make a list of 3-5 titles that your book is similar to, and describe your target audience. Thing of the Week: Kate McKean’s Agents and Books on Substack Mentioned Links: "The Publishing Question" by DongWon Song Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

It's 2023 and people still use email newsletters. For some reason they're more important than ever, so let's talk about building one. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

An exploration of author branding and the social media tools we use. "Figure out who you are, and then do it on purpose" - Dolly Parton. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Publishing is hard. Also, Publishing is Hard is a newsletter from DongWon Song. In this episode we grill them about it. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we're ready (we hope!) to revisit the creation of mystery stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Let's take all our tension tools and apply them in tiny ways. A big application of tension might be an argument between two characters about a course of plot-important action. Microtension might be those characters arguing about how long to boil eggs. In this episode we'll explore some favorite applications of microtension, and the ways in which it can be layered to ramp up the larger, plot-focused tension. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

In our ongoing exploration of tension, the time has come to examine conflict. It can be shaped and delivered in numerous ways, but you have to know the core conflict before you can make anybody feel tense about it. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Our continuing exploration of tension has taken us to a favorite technique: unanswered questions. Sure, this obviously applies to mysteries, but consider the question posed in romances: “will they get together?” In its simplest form, the unanswered question that forces a page-turn is "what happens on the next page?" In this episode we explore how to use unanswered questions to drive tension, and how to avoid some common pitfalls. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Our deconstruction and categorization of tension continues this week with an exploration of Juxtaposition, which is a contrast between two elements that supplies tension by allowing the reader to insert themselves. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Last week we talked about tension, and promised that we'd be breaking it down into more pieces. This week we're discussing one of those pieces: Anticipation. We sub-divided it as follows: Surprise Suspense Humor Promises We talk about how to create anticipatory tension well, where the pitfalls are, and how this fits into the creation of our stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

For the next several episodes we'll be talking about tension. That may seem like a lot of time to spend on just one word, but as we unpack the word 'tension' in this episode you'll see that there is plenty of material to work with. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

After last week's deep dive into The Spare Man we're ready to talk more generally about mysteries, and the tools we use to write them. Obviously we can't cover all of that in just one episode, but don't worry. In upcoming episodes we'll explore more of these tools in detail. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Spoiler Alert! This week is our deep dive into Mary Robinette Kowal's The Spare Man. It's a sci-fi mystery novel often described as "The Thin Man in space." Deep dive episodes are necessarily full of spoilers because we ask all kinds of how and why questions specific to the writing of the work in question. If you haven't yet read The Spare Man, you might consider doing that before listening to this episode. We're not the boss of you, but we believe you'll get more out of this episode and the novel if you read the novel first. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode we interview Howard Tayler, one of the founding members of the podcast, and the creator of Schlock Mercenary. The first question: how did this twenty-year ride change you? And a later question: what comes next? Liner Notes: We'll eventually do a deep dive on the final three books of the Schlock Mercenary saga. You can read for free starting here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Howard Tayler conducts our interview with Mary Robinette Kowal, leading with a wide-open question: "Where did you even?" Mary Robinette talks to us about how she came to the world of writing, and some of the amazing things she picked up along the way. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler In this episode Erin Roberts very enthusiastically launches our interview with "OG" Dan Wells with a delightfully difficult question, paraphrased thusly: "is there advice you gave back in the early days that you still stand by today?" There are lots of other questions, including one about bacon! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

As we announced in the first episode of the year (and in this press release), DongWon Song and Erin Roberts are joining us as permanent cast members. Today we're conducting an interview with Erin Roberts. She is newer to career writing than any of the rest of us, but her contributions to Writing Excuses have already been invaluable. In this episode we'll learn a bit more about why, and about what Erin will bring to the program going forward. Credits:  This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler As we announced in last week's episode (and in this press release), DongWon Song and Erin Roberts are joining us as permanent cast members. In this episode we conduct an interview with DongWon Song, plumbing a few depths, and learning a bit more about what they can teach all of us. Liner Notes: DongWon Song's newsletter, Publishing is Hard, can be found at publishingishard.com. It's free, but paid subscriptions are available. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler We begin 2023 with some big changes, and in this episode we'll discuss those, starting with some changes to the core cast. DongWon Song and Erin Roberts are joining us as permanent cast members, and Brandon Sanderson is stepping aside with "emeritus" status. But the episode isn't just announcements. We each talk about where we are career-wise, what we're working on, and what we're excited to bring to the podcast this year. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson  Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Brandon, Dan, Mary Robinette, and Howard This Q&A session was recorded before a live audience aboard ship at WXR 2022, Here are some paraphrasings of the questions our attendees asked: How do you make your world feel big without infodumping? How do you balance a sense of progress with an unreliable narrator? How can I make two magic systems work in the same setting when one is underpowered, and the protagonist uses the weaker one? Have you ever based characters on yourself, or on people you know? What does the process of book adaptation look like Do you have any good convention recommendations? What are some methods for determining how much scientific detail you go into? How do you interact with an audience in order to grow it? Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Let's talk about burnout. It's been a long few years (with some of those years feeling like decades) so this may seem timely, but burnout can happen during otherwise ordinary times. Ignoring it or simply trying to "burn smarter, not harder" can have serious repercussions. In this episode we talk about why we burn out, how we recognize it, how we deal with it, and how we (eventually) recover from it. Your Hosts: Dongwon Song, Piper J. Drake, Peng Shepherd, Marshall Carr, Jr., and Erin Roberts Credits: This episode was recorded by Matthew Drake, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, Dongwon Song, and Dan Wells Thanks to some last-minute schedule changes, we almost didn't have an episode for today. Only three cast members were able to make it to the session, and none of those three had the syllabus. But we forged ahead anyway, and recorded an episode about why we felt it was important to record an episode. That may sound like one too many layers of meta, but just wait until we add the layers in which this actually applies to writing! Liner Notes: Dongwon's newsletter is called "Publishing is Hard." Dan's newsletter doesn't have a name, but can be signed up for here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Let's put a stake in the ground here: disabilities do not grant magical powers. And yet that exact trope can be found in multiple genres, across multiple mediums. In this episode we talk about why this happens, and how we might better portray the magical awesomeness found in our bodies. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Let's talk about pain. It hurts, yes, but we all experience it, so writing about it can be a great point of connection between the writer and the reader. Also, writing about it can hurt. Liner Notes: We referenced "No, I'm Fine," by Howard Tayler, and "The Visions Take Their Toll: Disability and the Cost of Magic," by Dominic Parisien Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler This is the "talking about how to talk about" talk. We begin by reviewing the difference between the medical model and the social model of disability. Liner Notes: This TikTok provides a nice explanation of the medical and social models of disability. There's also this essay, "The Linguistics of Disability" over at Fireside Fiction. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Okay, before we start, you have homework: Please take a few minutes to read this essay by Fran Wilde entitled "You Wake Up Monstrous." That will give you context for our discussion, which is about how body horror and other monstrous-ness is a tool we should be employing with great care. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, C.L. Polk, Fran Wilde, and Howard Tayler Let's talk about technological body-modification! It's a common element in science fiction, but it's also an increasingly important part of the world we're living in right now. Liner Notes: In this episode we referenced "Happenstance," and Amy Purdy's quickstep from Dancing With The Stars. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette, Fran Wilde, C.L. Polk, and Howard Tayler Let's talk for a bit about writing while disabled. This can mean anything from scheduling your craft around doctor's appointments, to learning to operate on a limited budget as defined by your body. You might be asking "I'm not disabled, so how does this pertain to me?" Well... you're not disabled currently. Eventually, as we age, we all experience disability. Liner Notes: Howard tweeted about his experience at the hand clinic. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette and Howard Tayler, with special guests Fran Wilde, C.L. Polk, and William Alexander Whether or not you're writing from your own experience, depicting disability in fiction is fraught. In this episode we'll talk about some of the dos and don'ts in order to provide you with guidelines for disability depiction. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson  Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette and Howard Tayler, with special guests Fran Wilde, C.L. Polk, and William Alexander For the next eight episodes we'll be talking about bodies, and how they don't all work the same way, and how this can be applied to our writing. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler, with special guest Seth Fishman Seth Fishman, author of seven picture books (as well as lots of longer-form stuff), joins us to talk about writing picture books, including some of the business and publication aspects. No-Context Pull Quote: "Your art is so bad we're going to hire someone to draw badly for you." Credits: This episode was recorded live by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler, with special guest Peng Shepherd Peng Shepherd joined us aboard Liberty of the Seas for WXR 2022, and returned with us to the topic of story structures. In this episode we answer questions from our live audience. The questions include: How do you make sure you've got the right number of plot threads? How do you spread the structure of a given plot line across multiple books? How do you avoiding having subplots distract readers from the main plot? What are some strategies you can use to better align character goals with the overall problem of the story? Are there clear dos and don'ts with regard to story structure? How do you prepare or color-code bits for running a role-playing game? More broadly: what organizational tools do you use for story structure? For the answers, you'll have to give the episode a listen... Credits: This episode was recorded live by Marshall Carr, Jr., and mastered by Alex Jackson Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Mary Robinette Kowal, Dongwon Song, Piper J. Drake, & Howard Tayler, with special guest K. M. Szpara CONTENT WARNING: this episode is about adult acts and adult bodies, and we won't be using euphemisms. K.M. Szpara joined us at WXR 2022 for this discussion of writing bodies and intimacy, with a particular focus on which kinds of words to use for things. Credits: This episode was recorded by Marshall Carr, Jr. before a live audience aboard Liberty of the Seas. It was mastered by Alex Jackson.  Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Howard Tayler, C.L. Polk, Marshall Carr, Jr., and Mary Robinette Kowal Oh no! You've put the project down for long enough that you've lost your place in it! Whatever will you do? For starters, you can listen to this episode. We've been there, and one of us is there right now. We talk about the different problems you're likely facing, and how to overcome them in order to find the thread and get moving again. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, and Cady Coleman The fictional side of science and the scientific side of fiction are part of the discipline of science communication, often called SciComm. In this episode Cady Coleman joins us to talk about how science fiction fits into the field of SciComm, and how the stories we tell can affect the people who read them. Credits: This episode was recorded before a live audience by Rob Kowal, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, and Cady Coleman Chemist, USAF Colonel, and NASA Astronaut Cady Coleman joins us to talk about actual travel to actual space, and how that's a thing which is increasingly available to people who are not in the employ of government space agencies. Also, we discuss how the demographics of space travelers are changing, and how this is creating safer space travel for everyone. Credits: This episode was recorded before a live audience by Rob Kowal, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We wrap up our eight-episode dialog master class with a discussion of nuance, which is difficult to describe in a blurb because it's... well, nuanced. That may sound a bit recursive, but our discussion dives deep into the meta. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We begin this episode with a quick exploration of the terminology, and what we mean when we say "text," "context," and "subtext." Subtext exists between text and context. It's the information which isn't actually in the text, but which we are able to divine based on the context. And in this episode we talk about how to use context and text to provide subtext to the reader. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Tension! In this episode we discuss the ways dialog can build and/or maintain tension, especially when placed in context with the rest of the scene. Liner Notes: A great article about tension for those who (like Howard) may need a solid working definition -Toward a general psychological model of tension and suspense Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Everything is about conflict? Really? Well, yes. Maybe not in the action-movie sense, but conflict is everywhere, even among people whose goals, objectives, and methodologies are in alignment. This, of course, means that it exists among your cast of characters, and it will inform the way the talk to one another. Liner Notes: We mentioned this famous Monty Python sketch about wanting to have an argument. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We've mentioned "area of intention" earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler How well do you know your characters? Sure, you might know their age, nationality, and perhaps wardrobe, but how well do you know their internal characteristics? Do you know them well enough that you can write dialog that sounds like them? In this episode we discuss how you might approach this problem. Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We're back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we're addressing the question of dialogue's "job." What's it for? Why is this particular bit of dialogue in this scene, this chapter, this book? Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Writer, teacher, and community organizer Maurice Broaddus joins us for an eight-episode mini-master-class on writing dialogue. In this episode he walks us through his three keys: pay attention to how people speak, write in a way that evokes how they speak, and write dialogue that makes individual characters distinctive. Liner Notes: We mention Descript transcription software in this episode. Here's a link! Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. Our Sponsors: * Check out MasterClass: https://masterclass.com/excuses * Check out Peace Corps: https://peacecorps.gov/serve * Check out Quince: https://quince.com/wx * Check out Talkiatry: https://talkiatry.com/wx * If you’re struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/wx Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy