Classic Ghost Stories

A schoolmaster arrives late at night in a remote Alpine village. The inn has no rooms. Then suddenly—there is one. A room that's occupied, yet empty. A room whose previous tenant, an Englishwoman, left two days before and hasn't returned. As he unpacks his few belongings, the atmosphere begins to press in. Something lingers here—in the faded flowers by the washstand, in the air itself. And when darkness falls, he feels it: a crushing weight of despair that doesn't belong to him. Thoughts that aren't his own. A blackness so complete it whispers of only one escape. The search party is still out on the mountains. But what if they're looking in the wrong place? Publication Details: "The Occupant of the Room" was first published in 1909 in Blackwood's collection John Silence: Physician Extraordinary, featuring the psychic detective Dr. John Silence. The story showcases Blackwood's mastery of psychological horror and the contagion of extreme emotional states. Author Biography: Algernon Blackwood (1869-1951) was a British author, occultist, and member of the Hermetic Order of the Golden Dawn. His work explored the boundaries between psychological experience and supernatural phenomena, establishing him as one of the most influential writers of weird fiction in the early twentieth century. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

A mediaeval abbot leaves behind a cipher—not in his will, but scratched into the glass of his own church. The treasure it guards has lain undisturbed for centuries. Mr. Somerton, a scholar with a taste for puzzles, believes he can solve what others have missed. The Latin is difficult, the clues are scattered, but gold is gold, and curiosity has its own momentum. What waits beneath the stone was put there deliberately. It has been patient. Some things, once disturbed, do not easily return to silence. "The Treasure of Abbot Thomas" was first published in 1904 in M.R. James's second collection, More Ghost Stories of an Antiquary. The story has been widely anthologized and was adapted for television by the BBC in 1974. Montague Rhodes James was a distinguished mediaeval scholar and Provost of King's College, Cambridge, later of Eton College. He is regarded as one of the finest writers of supernatural fiction in the English language, and his ghost stories continue to define the antiquarian tradition of literary horror. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Two noble houses. Centuries of hatred. A prophecy that may mean nothing—or everything. In medieval Hungary, the young Baron Metzengerstein encounters a horse—gigantic, fiery-colored, unlike any creature in his stables. He rides it obsessively. Dawn and midnight. Sickness and health. Riveted to the saddle as if becoming one with the creature. It performs impossible feats. The servants whisper of things they cannot explain. Some souls dwell only once in flesh. After that—only the scarcely tangible resemblance. Publication Details: "Metzengerstein" first appeared anonymously in the Philadelphia Saturday Courier on January 14, 1832, making it Edgar Allan Poe's first published tale. It was later revised and included in Tales of the Grotesque and Arabesque in 1840. Author Biography: Edgar Allan Poe (1809-1849) was an American writer, poet, and literary critic who pioneered the modern short story and detective fiction. His works of Gothic horror and psychological complexity remain among the most influential in world literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A young doctor, recovering from illness, is sent to the Derbyshire hills for his health. He takes lodgings at a remote farm, where he notices the family's reluctance to discuss the valley below. There's a Roman mine nearby that no one acknowledges, and a particular opening in the earth that unsettles him. His diary records what starts as mild interest in local folklore. But as he explores the mine workings beneath the Blue John caverns, his entries shift. The question becomes less about what might exist in the old tunnels, and more about what happens to a man who goes looking for it. First published in The Strand Magazine in August 1910, “The Terror of Blue John Gap” was later collected in The Last Galley: Impressions and Tales in 1911. It draws on the real Blue John Cavern near Castleton, with its distinctive banded fluorite. Sir Arthur Conan Doyle (1859–1930) was a Scottish physician and author, best known as the creator of Sherlock Holmes. Beyond detective fiction, he wrote historical novels, science‑fiction romances, and a rich vein of ghostly and weird tales. Get the last copies of the first edition of Once in a Haunted House, our print magazine. Not many left! Here: https://payhip.com/b/fE1Gz Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a house at the end of a lane. You have seen it before — or something like it. Palladian, still, its pale stone holding the last of the May light as if reluctant to let the evening come. The chestnut trees stand tall around it. The air is warm and gold and very quiet. Charles Dash stops his car. He is trespassing, he knows, but the house is empty, surely? And it is such a beautiful house. Worth seeing, if only for a few minutes. And then the car key goes missing. He cannot find it anywhere. And the owner appears — such a welcoming man, such a pressing, generous, will-not-take-no-for-an-answer kind of man. Do come in. Stay for dinner. The night is drawing in. Why not stay? Why not? A Recluse was first published in 1926 and collected in On the Edge, Faber and Gwyer, 1930. Walter de la Mare (1873–1956) was an English poet, novelist and short story writer, regarded as one of the supreme masters of the uncanny in the English language. His ghost stories occupy a singular place in the tradition — atmospheric, oblique, and finally inexplicable. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an old private chapel attached to a country house, a trusted servant keeps night watch beside the ancient altar, alone behind a locked door. By morning he is found dead, a dagger from the chapel’s peculiar mechanism driven clean through his heart—though no human hand should have been able to strike the blow. No tracks, no witnesses, only the oppressive sense that something in that dim, little sanctuary has moved unseen. As Thomas Carnacki retraces the dead man’s final hours and tests the chapel’s sinister contrivance for himself, the silence around the altar begins to sound like an answer of its own. First published in the 1909 collection The Ghost Pirates, A Chaunty, and Another Story, “The Thing Invisible” later appeared in The New Magazine (January 1912) before being collected in Carnacki, the Ghost-Finder (1913). The story is in the public domain. William Hope Hodgson (1877–1918) was an English writer of sea stories, supernatural fiction, and weird horror. He is best known for his visionary novels The House on the Borderland and The Night Land, as well as his stories featuring the occult detective Carnacki. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

The moon lifts off the water and climbs the sky over Calabria. Two men sit on the stones of an old tower above the coast, sipping the local wine, basking in the warm dark. Below them, where the rock runs down toward the sea, there is a mound in the earth. One of them notices something in the gorge far below. He descends to look. The other sits, and watches, and says nothing. When the first man climbs back up, his companion turns to him quietly and asks: do you want to hear the story of what you saw there, and also what you didn't? First published in Collier's Weekly, 16 December 1905. Collected in Wandering Ghosts, 1911. F. Marion Crawford (1854–1909) lived most of his adult life in Italy. In his own time he was one of the most widely read novelists in the English language. He is less remembered now than he deserves. New type of image because I was recently told that my Audiobook style images were the reason that my channel's growth has stagnated. Hope you like it!!!!! 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal A man arrives at a desert fortress to visit an old friend. The friend is not there. The English servant says he will return shortly. The heat presses down. The water tastes wrong. And the waiting stretches on in ways that are difficult to explain. Edith Wharton set this story not in her usual territory of New York drawing rooms, but somewhere in North Africa, in a crumbling pile of Crusader stonework and Arab plasterwork, where the palms rattle like rain above an ancient well, and the desert stretches out in every direction, golden and merciless. She wrote it without a single ghost. She didn't need one. First published in the Saturday Evening Post in March 1926 under the title "A Bottle of Evian," the story was collected in Certain People (1930) and later reprinted in Wharton's posthumous ghost story anthology Ghosts (1937). Edith Wharton (1862-1937) was an American novelist and short story writer, the first woman to win the Pulitzer Prize for Fiction, awarded for The Age of Innocence in 1921. She published more than forty books across four decades. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

On a forgotten platform at a junction no map records, a man waits for a train he half-remembers from childhood nightmares. In his hands, a battered red book falls open, again and again, to the same impossible picture: a tunnel mouth, a lamp, a solitary figure who will not quite turn his face to the light. As the night thickens and the pages repeat themselves, memory and prediction begin to trade places, and the question of who is watching whom will not stay safely inside the story. First published in The London Mercury in November 1935; later collected in the volume The Sun Cure (1936). Now widely reprinted in anthologies of supernatural and psychological horror, where it has earned a reputation as a minor classic. Alfred Noyes (1880–1958) was a British poet and prose writer, best known for poems such as “The Highwayman”. Alongside his popular verse, he wrote a small but influential body of uncanny fiction, of which “Midnight Express” is the most celebrated. Join the mailing list for an occasional newsletter https://www.classicghost.com/#/portal Learn more about your ad choices. Visit megaphone.fm/adchoices

Lost Hearts by M R James (1862-1936) Join my patreon: https://patreon.com/barcud There is a house in Lincolnshire where a scholar lives alone with his books and his learning and his carefully recorded dates. He is a kind man, by all appearances — generous to orphaned children, interested in the old religions, methodical in his habits. The kind of man that academics find reliable. M. R. James wrote this story in 1895. His erudition encompassed the respectable and the less so, and he knew the darker currents of the archive as well as any man alive. Something — or someone — has been waiting in that house. Waiting, with considerable patience, for the third. "Lost Hearts" was first published in the Pall Mall Magazine in 1895, and collected in Ghost Stories of an Antiquary, published by Edward Arnold in 1904. Montague Rhodes James (1862–1936) was a medieval manuscript scholar, Provost of King's College Cambridge and later of Eton, and the most influential writer of English ghost stories of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Link to Audio version “The Bat” is a short horror monologue recorded by Bela Lugosi, built around his spoken persona rather than a conventional plot. In it he addresses the listener directly and describes the bat as a creature of night and hush, a watcher at windows and eaves, half in the natural world and half in something older and less defined. The piece is more mood than story: a sequence of images about darkness, wings, and unease, letting pauses and emphases do most of the work.  After arriving in the United States as a stateless immigrant in 1920, Lugosi struggled with the English language, often memorising his lines phonetically. His big break came in 1927 when he was cast as the lead in the Broadway production of Dracula. His performance was so magnetic that Universal Pictures cast him in the 1931 film adaptation. Lugosi’s portrayal—characterised by his slow, melodic Hungarian accent, intense gaze, and formal evening wear—transformed the vampire from a finished, rat-like monster into a seductive, sophisticated villain. This performance became the template for every vampire depiction that followed. While Dracula made him a superstar, it also trapped him. Lugosi found it nearly impossible to land roles outside of the horror genre. The Rivalry: He was frequently paired with Boris Karloff (who played Frankenstein’s monster), though Karloff often received higher billing and better pay, which reportedly frustrated Lugosi. The Roles: He gave notable performances in White Zombie (1932), The Black Cat (1934), and as the broken-necked Ygor in Son of Frankenstein (1939). Health Struggles: Chronic sciatica led to a severe dependency on painkillers. As his health declined and his "classic" style of horror fell out of fashion, he found himself relegated to low-budget "B-movies." In the 1950s, Lugosi experienced a strange career coda through his friendship with cult director Ed Wood. He appeared in films now famous for being "so bad they're good," such as Glen or Glenda and Plan 9 from Outer Space (released posthumously). Lugosi passed away in 1956 at the age of 73. In a final tribute to the role that defined him, he was buried in his full Dracula cape at Holy Cross Cemetery in Culver City, California. Despite his difficult later years, he remains one of the most recognisable and influential icons in cinema history. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

On the sun-baked plains of Texas, cowpuncher Steve Brill, driven by crop failure and looming poverty, stumbles upon an ancient burial site shrouded in mystery. His neighbor, Juan Lopez, speaks of dark secrets and dire warnings passed down through generations. But Brill, desperate for any chance to change his fortunes, dismisses the ominous tales. As dusk settles over the lonely prairie, something stirs in the depths of the earth – something that bridges the Old World and the New, something that hungers.  Robert E. Howard's "The Horror from the Mound" blends frontier grit with supernatural dread, challenging the limits of human courage against forces older than the West itself.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Can be haunted by your unlived life? Henry James, master of psychological fiction, invites us into the labyrinth of the human mind with his haunting tale, "The Jolly Corner." Spencer Brydon, returning to his childhood home after decades abroad, becomes ensnared in a web of regret and possibility. As he prowls the empty rooms, James's acute psychological insights illuminate the shadows of Brydon's consciousness. The line between reality and imagination blurs, leading to a chilling confrontation with the specter of an unlived life. This is no mere ghost story, but a profound exploration of identity, choice, and the paths not taken. Allow James's exquisite prose to guide you through the corridors of memory and the depths of the psyche.  ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Can a house possess your soul? In Richmal Crompton's "The House Behind The Wood," a stranded trio seeks refuge in a seemingly abandoned house. As moonlight bathes the countryside, an eerie atmosphere envelops them. A mysterious caretaker appears, and soon, long-buried passions surface. The narrator finds himself entangled in a web of unexpected emotions and conflicting loyalties. But is it real, or are they pawns in a spectral game? As dawn breaks, they face a revelation that challenges their perception of reality. Uncover the secrets lurking in the shadows of this haunting tale. Listen now, and let the whispers of the past draw you in. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In Edith Wharton’s story Kerfol, published in 1911, a solitary traveller visits an ancient house in Brittany—a place shrouded in silence and mystery. Wandering the grounds, he encounters a pack of strange, silent dogs, their watchful eyes heavy with meaning. But Kerfol is no ordinary house. Its walls seem to echo with an unspoken history, a lingering presence that refuses to be forgotten. What happened within its cold stone halls? And why do the dogs remain? Step into this haunting tale of solitude and shadows. Listen now and let Kerfol draw you into its unsettling secrets. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Open Window by Saki In this masterful tale by Saki, a nervous man arrives for a formal call, bearing a letter of introduction. Greeted by the niece of his intended hostess, he finds himself drawn into an unsettling conversation. As they await the lady of the house, the young girl recounts a tale of family tragedy, casting a shadow over the pleasant autumn afternoon. Despite his best efforts, the visitor finds his eyes straying to the open window, unable to shake a growing sense of unease. Saki's sharp wit and keen observations of Edwardian society shine through every carefully chosen word. Plus +++ The Return by R. Murray Gilchrist What spectres haunt the moors of Derbyshire? In this chilling Gothic tale by R. Murray Gilchrist, a man returns to a remote rural village after decades away, seeking his long-lost love. Mist-shrouded orchards and decaying manor houses harbor dark secrets, while ghostly figures flit through moonlit corridors. As he searches, reality warps and time unravels. Gilchrist's prose drips with dread and melancholy, weaving a tapestry of promises kept and promises broken. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

My voice has given up so I can't record a story without it sounding like a rubber tyre riding on polystyrene. So, I dug into the archives and found an old 'true ghost' / timeslip story I narrated on an H5 zoom in a closet using the H5 Zoom built in microphone. As such, forgive the audio. On 10th August 1901, two English women walked into the past. During a visit to the Palace of Versailles, on the anniversary of the French Revolution, two ordinary women saw the French Queen, Marie Antoinette sitting in the gardens in front of them, along with nobles, gardeners, houses, bridges and stones that when they went back, were no longer there. Backed up by a decade of research, the two women decided to publish their extraordinary adventure in 1910. Their timeslip experience has become known as the Ghosts of the Petit Trianon. Did these two Edwardian women actually experience time travel, or did they see the ghosts of things that had been? Previously, out of print, this is a new edition, edited and translated for the modern age, with additional material that looks at subsequent timeslip type experiences at Versailles An Adventure Ebook For You To Read Along Here's a link to a PDF I made of the book so you can read along and see where I made mistakes. An Adventure by Charlotte Moberley and Eleanor Jourdain Book Club Áine Moroney has asked me to remind you of the existence of The Classic Ghost Stories Podcast Book Club to be found on Discord. Please use this link to join. https://discord.gg/tZQrbsCf Learn more about your ad choices. Visit megaphone.fm/adchoices

Denys Val Baker (1917-1984), a prolific author and editor, made significant contributions to British literature, particularly in short fiction and regional writing. His work often drew inspiration from his adopted home of Cornwall, where he settled in 1948. "The Face in the Mirror" is the title story from Val Baker's first American collection, published by Arkham House in 1971. This limited edition of 2,045 copies introduced Val Baker's unique blend of everyday observation and uncanny elements to a new audience. The collection showcases his ability to capture the essence of human experience with both humour and poignancy, traits that had already established him as a notable figure in 20th-century British letters. "The Face in the Mirror" exemplifies Val Baker's skill in crafting tales that blur the boundaries between the ordinary and the extraordinary. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lodger in Room 16 by David Dixon In a faded guesthouse perched on the edge of an unnamed northern town, Room 16 has always had its secrets. When an elusive lodger, rumoured to work in the local cemetery, takes residence, reality begins to fray at the edges. The residents soon discover unsettling truths—each revelation more absurd and disturbing than the last. As it becomes clear that the lodger has always been there, predating even the current landlord, the occupants find themselves trapped in an escalating nightmare, haunted equally by their quiet desperation and the uncanny presence behind Room 16’s door. Dixon's chilling tale captures the grim absurdity and psychological unease of modern British horror, where dread seeps through the mundane, and the most disturbing terrors are those quietly entrenched within. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Katherine Mansfield's "The Daughters of the Late Colonel" draws you into the subdued world of two sisters, adrift in the aftermath of their overbearing father’s death. Yet with the death of their patriarch, a new kind of burden takes hold. Long silences, stifled desires, and a sense of… something unseen echo through the house. Is freedom really possible, or is the past a ghost that will forever cling? Listen, and lose yourself within this subtly devastating story of lives haunted by what might have been. Learn more about your ad choices. Visit megaphone.fm/adchoices

A neglected Georgian house, shutters still, poplars trees surround it, whispering. Downstairs is a row of servant bells to call servants. One has a mysterious name and is reputed to ring when no one is there. Rumour speaks of a hooded figure and an owl; the corridors mutter with sounds of pipes, disconnected wires, and something harder to dismiss. By night, faces seem to change in the mirror; but by day, the rooms are ordinary. Servants won't stay there and then the owner organises an investigation, a ghost hunt, if you like. A society of guest who are to keep their counsel until Twelfth Night, listening for what remains and for the presence that speaks when the house is empty. First published as the Christmas number of All the Year Round (December 1859), a collaborative sequence framed and partly written by Charles Dickens. This reading includes Dickens’s chapters: “The Mortals in the House” and “The Ghost in Master B.’s Room.” Charles Dickens (1812–1870) was a British novelist and social critic, author of Oliver Twist, Bleak House, and Great Expectations. He edited Household Words and All the Year Round, helping to make the Victorian Christmas ghost story a tradition. Join Our Podia Community for 100s of Ad Free Ghost Stories www.classicghost.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Four-Fifteen Express, a Christmas Ghost Story by Amelia B. Edwards A fantastic story by the very competent Victorian writer, Amelia B. Edwards. This story was published in the 1866 Christmas number of Charles Dickens's magazine All The Year Round. It's set against the railway investment bubble of the 1860s and has a ghost, a mystery, a crime and a cigar case. What more could you want? I need you to support me. Join my Patreon.com/barcud even as a free member and it will help Learn more about your ad choices. Visit megaphone.fm/adchoices

Christmas at Colonel and Lady Garrison’s house is all warmth, laughter, and parlour games, until the evening’s “entertainment” arrives: a small, shabby medium with disconcertingly sharp eyes. The guests settle round the table for an amusing bit of spiritualism. As the lights dim and the control takes over, the party games curdle into something closer to an inquest, and the most unwelcome of visitors finds its way back. First published in The Sphere on 20 November 1935, “The Man Who Came Back” was collected in The Floating Café and Other Stories (Jarrolds, 1936). It has since reappeared in several modern anthologies of seasonal supernatural tales, including the British Library’s Sunless Solstice: Strange Christmas Tales for the Longest Nights (2021). Margery Harriet Lawrence (1889–1969) was an English writer who moved with ease between ghost stories, occult fiction, romance, and crime, and whose work was widely read in the inter-war decades. She is now best remembered for her Club of the Round Table tales and for Dr Miles Pennoyer, her “psychic doctor” occult detective, whose cases draw heavily on the spiritualist beliefs she embraced in later life. Buy My Christmas Ghost Stories Paperback as a Gift for Someone!? https://shop.ingramspark.com/b/084?params=MxXXCglWV2Uu4L9ArK8eIz8rexI8huhrBketkRcyMfh Learn more about your ad choices. Visit megaphone.fm/adchoices

Herbert Russell Wakefield (1888 – 2 August 1964) was a distinguished English writer known for his multifaceted contributions to literature. Born in Sandgate, Kent, he was the third child of Henry Russell Wakefield, a clergyman who later became the bishop of Birmingham. Educated at Marlborough College and University College, Oxford, Wakefield exhibited a broad range of talents, achieving second-class honours in Modern History while excelling in sports such as cricket, golf, hockey, and football. His World War I service with the Royal Scots Fusiliers, where he attained the rank of captain, and advocacy for the use of Chinese workers reflected his engagement with global issues. Wakefield's life encompassed roles as a secretary, publisher, and civil servant, and he navigated the complexities of relationships, experiencing divorce and entering into a second marriage with Jessica Sidney Davey. H. R. Wakefield's literary legacy is particularly distinguished by his mastery of ghost stories. As a short-story writer, novelist, and publisher, Wakefield crafted tales that often drew inspiration from his experiences, notably his tenure as chief editor for William Collins, Sons and Co. One of his notable works, "Messrs Turkes and Talbot," exemplifies his ability to infuse the mundane with eerie elements, drawing from the peculiarities of the publishing world. Wakefield's stories, characterized by their atmospheric prose and psychological depth, remain enduring contributions to the supernatural fiction genre. "The Red Lodge," a captivating story by H. R. Wakefield, was featured in his debut short story collection, "They Return at Evening" (1928). Set in a somewhat jaunty 1920s style, the narrative follows a protagonist who rents The Red Lodge, a seemingly charming country house, with his family. Wakefield expertly weaves an unconventional tale, blending social commentary with supernatural elements. The story takes unexpected turns as the protagonist, discontented with the landlord, resolves to expose the house's sinister nature through a consumer complaint. The inclusion of psychic perception, strange occurrences, and a dark history adds depth to the narrative. "The Red Lodge" stands as a testament to Wakefield's ability to transcend conventional ghost story tropes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lewis Darley is a copywriter and illustrator living in Nottingham. He contacted me early in 2023 about an animated film he was making for his story The Premonition. This horror story is set in Bristol around 8 years ago. We agreed, I would record the audio and he would then do the long, hard work of animating the film. I said that I thought listeners would be interested in the story and then in him telling us about the project, so seven months after our first contact, we managed to record an interview. The delay was solely down to me, I should say. Anyway, I hope you enjoy the story and the interview afterwards: The Premonition by Lewis Darley Here are some links to Lewis's work Here's some links to my social pages and website: Website: https://www.lewisdarleyillustration.com/ Instagram: https://www.instagram.com/darleymakesart/ Twitter: https://twitter.com/Darleymakesart Facebook: https://www.facebook.com/darleymakesart Learn more about your ad choices. Visit megaphone.fm/adchoices

Basil Copper, born on February 5, 1924, in London, and passing away on April 3, 2013, was an English writer who initially pursued a career in journalism and newspaper editing before transitioning to full-time authorship in 1970. Beyond his literary pursuits, Copper cultivated diverse interests, including swimming, gardening, travel, sailing, and collecting historic films. Notably, he established the Tunbridge Wells Vintage Film Society and actively participated in esteemed film organizations in London. Basil Copper spent a significant portion of his life in Sevenoaks, Kent, and he was survived by his wife Annie, with whom he entered matrimony in 1960. Basil Copper's literary journey embarked with his inaugural short story, "The Curse," published at the age of 14. His professionally published debut, "The Spider," emerged in the Fifth Pan Book of Horror Stories in 1964. Venturing into novels, Copper made his mark with the Mike Faraday series, beginning with "The Dark Mirror" in 1966. Widely recognized for his series of Solar Pons stories, paying homage to Sherlock Holmes, Copper's association with editor August Derleth resulted in publications through Arkham House. Among his notable works are "Necropolis" (1980), a crossover between Victorian Gothic and detective fiction, and "The Great White Space" (1975), a novel influenced by Edgar Allan Poe and Lovecraft. Copper's macabre tales, including "The Academy of Pain" and "Beyond the Reef," underscored his mastery in horror fiction. His significant contributions earned him a Locus Award nomination in 1981, and in 2009, "Basil Copper: A Life in Books," a biographical work, received the British Fantasy Award for Best Non-Fiction. Basil Copper's literary impact endures, resonating through the realms of horror and detective fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Jane Howard, born on March 26, 1923, in London, England, was a distinguished English novelist known for her versatile literary contributions. Howard began her career as an actress and model before venturing into writing in 1947. Throughout her prolific career, she penned 12 novels, with her most acclaimed work being the five-volume family saga, 'The Cazalet Chronicles.' Her narrative prowess was not confined to family sagas, as exemplified by her collaboration with Robert Aickman on the collection 'We Are For The Dark: Six Ghost Stories,' published in 1951. Although she gained widespread recognition for her family sagas, Howard's foray into the supernatural, as evidenced by 'Three Miles Up' and other stories, showcased her ability to masterfully blend genres and explore the complexities of human relationships. Elizabeth Jane Howard was secretary of the Inland Waterways Association. Ghost stories and the Inland Waterways Association (IWA) share a curious connection, intertwining literature and the preservation of Britain's canal  heritage. This connection is particularly evident through notable figures such as Robert Aickman, L. T. C. Rolt, and Elizabeth Jane Howard, each leaving a unique mark on both realms. Elizabeth Jane Howard's creative collaboration with Robert Aickman resulted in the publication of 'We Are For The Dark,' a collection that marked a significant departure from both authors' conventional works. Released in 1951, the anthology features six ghost stories, three contributed by each author. Notably, the book was published during their romantic relationship. Robert Aickman describes her as “one of the most brilliant [of women]” and a bit of a looker “so beautiful that continuous problems arose, especially when, at a later date, she joined the Association’s Council. Little in the way of completely normal business was possible or sensible, when she was in the room. … By merely existing, she promoted loves and hates which, through no fault of hers, left some who felt them, fevered and wasted”. My reading of Three Miles Up is that it is a modern fairy story where Sharon represents one of the fae and leads them into The Perilous Realm. Fairyland is not always a beautiful alluring place, it can be a place of horror and strangeness. We cannot trust the Good People, no matter how fair they seem. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a reading of H. P. Lovecraft's The Beast In The Cave. "The Beast in the Cave" is a short story written by H. P. Lovecraft, a famous American horror fiction writer. He first came up with the initial version in the Spring of 1904, and by April 1905, at the age of fourteen, he completed the final draft. The story was initially published in June 1918 in The Vagrant, a publication similar to today's well-edited fanzines. It's essential to note that this tale is considered part of Lovecraft's early works, often referred to as juvenilia, which means it was written during his youth. In the 1930s, Lovecraft would sometimes share a copy of the story's typescript with his promising young correspondents. He did this to showcase what he had accomplished at their age and to provide them with an initial exercise in rewriting. This served as a way for him to assess their creativity and potential. I came to read this story because I was contacted by Todd Thyberg of angelbomb.com who is a fine press producer. He's a graphic designer and artist who produces high-quality editions of his own work, but also that of classics in the sci-fi and horror genres such as you might have found in the pulp magazines of the early to mid 20th Century. Todd produces such finely crafted work that when he sent me a copy of his chapbook of The Beast In The Cave, I was minded to read it and interview him too. The second part of this episode is my interview with Todd Thyberg. His work can be accessed at his website: Angel Bomb, a Book Arts Studio https://www.angelbomb.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ernst Benjamin Salomo Raupach, born on May 21, 1784, in Straupitz, Silesia, was a prominent German dramatist of the 19th century. His literary career was marked by a diverse range of works, and his influence extended beyond his homeland. After studying theology in Halle, Raupach ventured to St Petersburg in 1804, where he immersed himself in various pursuits, including writing tragedies and delivering sermons. Later, he settled in Berlin in 1824, dedicating the remainder of his life to writing for the stage. Raupach's impact on Prussian theatre during the early-to-mid 19th century solidified his place in German literary history. He passed away in Berlin on March 18, 1852. "Wake Not The Dead" ("Laßt die Todten ruhen"), a short story by Ernst Raupach, published in Minerva magazine in 1823, stands as one of the earliest contributions to vampire literature. This tale, exploring the macabre theme of the undead, showcases Raupach's ability to evoke suspense and mystery. The story follows the Gothic tradition, intertwining elements of horror with a narrative that predates the popularization of vampire motifs in the English-speaking world. Despite its significance, "Wake Not The Dead" faced misattribution, being erroneously credited to Ludwig Tieck in English translations. Raupach's work emerged during a period of heightened interest in Gothic literature and vampire themes in Europe. In the early 19th century, vampire hysteria and fascination with the supernatural were prevalent. This context, coupled with Raupach's travels and exposure to different cultures, likely influenced the creation of "Wake Not The Dead." The 18th-century vampire hysteria, marked by incidents in the Habsburg Monarchy and Eastern Europe, played a role in shaping the Gothic atmosphere of the story. The publication of the story in 1823 places it within a historical continuum of the exploration and popularization of vampire narratives in European literature, contributing to the broader evolution of the Gothic genre. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stuart Strauss remains an enigmatic figure in the world of weird fiction, with scant information available about his life. He is known for a limited body of work, including "The Shadow on The Moor" (1928), "The Soul Tube" (1928), and "The Clenched Hand" (1934). The use of a pseudonym and language suggesting potential unfamiliarity with British culture has led to the assumption that Strauss might be an American author. "The Shadow on The Moor" is a tale that first appeared in the February 1928 issue of "Weird Tales." Its republication in the 2023 British Library anthology "Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites," edited by Katy Soar, attests to the lasting intrigue and relevance of Strauss's work. The story captures a sense of foreboding in the British countryside, with standing stones taking on a malevolent presence. Strauss's work, including "The Shadow on The Moor," reflects thematic elements akin to the cosmic horror pioneered by H.P. Lovecraft. Lovecraft's influence is discernible in the eerie atmospheres and otherworldly entities that often pervade Strauss's narratives. Additionally, Strauss, like Lovecraft, explores the theme of ancient cults in remote villages, inhabited by seemingly backward rural characters. The fusion of cosmic horror and folk-horror themes creates an unsettling and atmospheric reading experience. The thematic exploration of ancient cults in Strauss's work aligns with Margaret Murray's witch-cult hypothesis, a theory that suggests accusations against witches in Europe were rooted in a clandestine pagan religion. Published in Murray's "The Witch-Cult in Western Europe" (1921), the hypothesis posits the existence of a pre-Christian religion centered around a horned god, symbolizing the cycle of seasons and harvests. The horned god's representation on Earth through chosen individuals, ritual sacrifices, and the preservation of this religion through secret covens are central elements of Murray's theory. Strauss's incorporation of such themes in "The Shadow on The Moor" aligns with the broader cultural fascination with ancient rites and mysterious practices. The narrative, enveloped in cosmic horror and folk-horror, echoes the anxieties of a bygone era, reflecting the convergence of literary imagination and anthropological speculation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nigel Kneale was a highly acclaimed British screenwriter and novelist, best known for his pioneering work in the science fiction genre, particularly the creation of the iconic character Professor Bernard Quatermass. Born on April 28, 1922, in the Isle of Man, Kneale began his career as a journalist before transitioning to writing for radio, television, and film. He was brought up in Barrow-in-Furness. His breakthrough came in the early 1950s with the BBC television series "The Quatermass Experiment," which introduced audiences to the brilliant and enigmatic scientist Professor Bernard Quatermass. This character, portrayed as a determined and sometimes morally conflicted scientist, became an enduring figure in British popular culture. Kneale continued to develop the Quatermass character in subsequent television series, including "Quatermass II" (1955) and "Quatermass and the Pit" (1958-1959), each exploring themes of science, technology, and the supernatural. These productions were praised for their intelligent storytelling and social commentary, earning Kneale a reputation as a master of speculative fiction. In addition to his work on Quatermass, Kneale penned numerous other scripts for television, including adaptations of classic novels and original dramas. He also wrote several acclaimed novels and contributed to feature films. Throughout his career, Kneale's writing was characterized by its thought-provoking themes, sharp dialogue, and innovative storytelling techniques. He was a key figure in establishing science fiction as a serious genre in British television and film. Nigel Kneale passed away on October 29, 2006, leaving behind a rich legacy of groundbreaking work that continues to influence writers and filmmakers to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Stephen Glasby (23 September 1928 – 5 June 2011) was a British author born in East Retford, Nottinghamshire. Trained as a research chemist and mathematician, Glasby's early career saw him balancing his scientific pursuits with a burgeoning passion for writing. His literary journey began in the 1950s and 1960s, during which he emerged as a prolific figure in the pulp publishing industry. Despite his scientific background, Glasby's literary ambitions led him to explore a wide array of genres, from speculative fiction and romance to westerns and spy thrillers. His ability to seamlessly transition between genres showcased his versatility as a writer, earning him a dedicated readership across various literary circles. Throughout his career, Glasby's output was characterized by both quantity and quality. Under numerous pseudonyms and house names, including "A. J. Merak," "John E. Muller," and "Chuck Adams," Glasby penned over 300 novels and short stories. His imaginative storytelling and attention to detail captivated readers, while his scientific acumen lent authenticity to his speculative works. Notably, Glasby's foray into speculative fiction produced enduring classics such as "Project Jove," showcasing his ability to blend scientific concepts with compelling narrative arcs. Additionally, his contributions to genres like westerns, romance, and espionage underscored his versatility and adaptability as an author, cementing his reputation as a multifaceted literary talent. Despite the commercial constraints of the pulp publishing industry, Glasby's literary legacy endured beyond his prolific output. His works continue to be celebrated for their enduring appeal and cultural significance, reflecting the diverse interests and talents of a writer who defied categorization. Beyond his literary contributions, Glasby's dedication to both scientific inquiry and creative expression left an indelible mark on the literary landscape, inspiring generations of readers and writers alike. With a career spanning decades and genres, John Stephen Glasby remains a revered figure in British literature, remembered for his prolific output, imaginative storytelling, and enduring impact on the world of letters. Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry James (1843–1916) was an American author renowned for his contributions to literature, particularly within the realm of psychological realism. Born in New York City, James spent much of his life traveling between Europe and the United States, which greatly influenced his cosmopolitan worldview and writing style. Known for his intricate character studies and keen exploration of human psychology, James's works often delved into themes of social conventions, personal freedom, and the complexities of interpersonal relationships. Throughout his prolific career, he authored numerous novels, short stories, and essays, earning him recognition as one of the foremost literary figures of the 19th and early 20th centuries. Henry James made a special contribution to the ghost story genre through his unique blend of realism and supernatural elements. His ghost stories are characterized by their vague, psychological qualities, featuring unreliable narrators and a chilling mixture of realism and romantic suggestiveness. James challenged conventional notions of what constitutes a ghost, exploring the haunting power of guilt and remorse alongside more traditional supernatural elements. His works, including "The Turn of the Screw" and "The Ghostly Rental," continue to captivate readers with their rich prose, intricate character portraits, and haunting themes. "The Ghostly Rental," first published in Scribner's Monthly in September 1876, exemplifies Henry James's exploration of themes within the ghost story genre. This tale revolves around a grad student's fascination with an old soldier who visits an abandoned mansion to collect rent from his supposed ghostly daughter. Themes of guilt, redemption, and the blurred lines between reality and imagination permeate the narrative, as James challenges readers to ponder the nature of truth and the power of perception. Through its atmospheric setting and complex characters, "The Ghostly Rental" remains a timeless exploration of the human psyche and the haunting effects of past misdeeds. Learn more about your ad choices. Visit megaphone.fm/adchoices

John William Polidori, an Italian-English physician and writer born in 1795, was a notable figure associated with the Romantic movement. As the eldest son of Gaetano Polidori, an Italian scholar, and Anna Maria Pierce, a governess, Polidori was exposed to intellectual pursuits from a young age. He received his medical degree from the University of Edinburgh in 1815 at the remarkably young age of 19. Polidori's literary talents and connections led him to serve as personal physician to the renowned poet Lord Byron, embarking on a European tour with him in 1816. During their travels, Polidori found himself in the company of other literary luminaries, including Mary Shelley and Percy Bysshe Shelley. It was during this time, at the Villa Diodati by Lake Geneva, that the idea for "The Vampyre" took shape. Inspired by a fragment of a story by Lord Byron, Polidori penned his own tale, which would go on to become the first vampire story in English literature. Originally published in April 1819 in the New Monthly Magazine, "The Vampyre" was falsely attributed to Lord Byron, likely to capitalize on his fame. This misattribution persisted for years, causing confusion over the true authorship of the story. Polidori's "The Vampyre" introduced several key features of the vampire archetype that would influence vampire literature for generations to come. Notably, his portrayal of Lord Ruthven, the titular vampyre, departed from the traditional folkloric depictions of vampires as grotesque creatures. Instead, Polidori's vampyre was an aristocratic figure, seductive and charming, preying on high society. Lord Ruthven's aristocratic allure, coupled with his predatory nature and mysterious aura, set the template for the modern vampire, ushering in a new era of vampire fiction characterized by sophistication and allure. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert E. Howard (1906–1936) was an influential American author primarily known for his contributions to the genres of fantasy, horror, and adventure fiction. He is best remembered as the creator of Conan the Barbarian, a character who has become an iconic figure in popular culture. Born in Peaster, Texas, Howard demonstrated a keen interest in storytelling from a young age. He began writing fiction in his teens, and by his early twenties, he had already begun to make a name for himself in the pulp magazine market. Howard's stories were published in a variety of popular magazines of the time, including "Weird Tales," "Strange Tales," and "Fight Stories." Howard's most famous creation, Conan the Barbarian, first appeared in the story "The Phoenix on the Sword," published in "Weird Tales" in 1932. Conan, a fierce and cunning warrior from the fictional Hyborian Age, quickly captivated readers with his adventures in a world filled with sorcery, monsters, and intrigue. The character's popularity endured long after Howard's death and has inspired countless adaptations in various media, including books, comics, films, and video games. In addition to Conan, Howard created numerous other memorable characters and settings, such as Solomon Kane, Bran Mak Morn, and the mythical land of Hyperborea. His writing style was characterized by vivid descriptions, fast-paced action, and a knack for creating atmospheric settings. Tragically, Howard's life was cut short when he took his own life at the age of 30. The reasons behind his suicide remain the subject of speculation, but it is widely believed that personal struggles, including his mother's failing health and financial difficulties, contributed to his decision. Despite his untimely death, Robert E. Howard's legacy endures through his influential body of work. His stories continue to entertain and inspire readers, and his impact on the fantasy genre remains profound, cementing his place as one of the most significant writers of speculative fiction in the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alan Noel Latimer Munby (25 December 1913 – 26 December 1974) was a distinguished English librarian, bibliographical scholar, and book collector, noted for his contributions to the study of rare books and manuscripts. Additionally, he gained recognition as an author of ghost stories, influenced by the style of M. R. James. Munby was born in Hampstead, the son of architect Alan E. Munby and Ethel Greenhill. He received his education at Clifton College and later attended King's College, Cambridge, where he acquired the nickname "Tim." Munby's career encompassed various roles in the antiquarian book trade, including positions at Bernard Quaritch Ltd. and Sotheby & Company. During World War II, he served in the British Army and was later held as a prisoner of war. Following the war, he assumed the role of Librarian at King's College, Cambridge, and was subsequently appointed as a fellow. He held esteemed positions such as the J.P.R. Lyell Reader in Bibliography at the University of Oxford and the Sandars Reader in Bibliography at the University of Cambridge. Munby was also a co-founder of the Cambridge Bibliographical Society and served as President of the Bibliographical Society until his passing in 1974. Munby's scholarly works include a comprehensive study of the eccentric nineteenth-century book collector Sir Thomas Phillipps, as well as a series of Sale Catalogues of Libraries of Eminent Persons. He collaborated posthumously on a union list of British Book Sale Catalogues, 1676–1800, with Lenore Coral. In addition to his scholarly pursuits, Munby authored a collection of ghost stories titled "The Alabaster Hand." Three of these tales were written during his internment in Oflag VII-B, a German prisoner-of-war camp, and were featured in the prison-camp magazine, Touchstone. The stories, namely "The Topley Place Sale," "The Four Poster," and "The White Sack," received acclaim for their subtle yet chilling narrative style, reminiscent of the tradition established by M. R. James. "The Alabaster Hand" was published in 1949 by Dennis Dobson Ltd. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fritz Leiber (1910-1992) was an influential American writer of fantasy, horror, and science fiction. He is best known for his sword-and-sorcery stories and his novel "Conjure Wife" (1943). Leiber's works often combined elements of fantasy, horror, and science fiction, and he coined the term "sword and sorcery." He is widely regarded as one of the most important figures in modern speculative fiction. "The Smoke Ghost" (1941) is a key example of urban weird fiction, blending horror, fantasy, and social commentary. The story explores themes of urban alienation and the horrors of modernity, as seen in other works like H.F. Arnold's "The Night Wire" (1926) and Leiber's "The Girl with the Hungry Eyes" (1949). These stories tap into the sense of disconnection and vulnerability that people experience in the face of rapid urbanization and technological change. Leiber's background in psychology and interest in Carl Jung's works are evident in "The Smoke Ghost." The titular entity can be interpreted as a manifestation of the Jungian Shadow archetype, representing the repressed aspects of the protagonist Catesby Wran's psyche and the collective unconscious of modern urban society. The climax of the story, in which Wran accepts the smoke ghost's dominion, can be seen as a twisted individuation process. "The Smoke Ghost" shares similarities with M.R. James's ghost stories, featuring a protagonist haunted by a supernatural entity embodying his deepest fears and anxieties. Both Leiber and James suggest that even rational individuals are not immune to the lure of the supernatural. However, Leiber's story is firmly rooted in the modern urban landscape, reflecting the anxieties of a rapidly changing world. Leiber's story also bears the influence of H.P. Lovecraft and cosmic horror. The smoke ghost can be seen as a manifestation of the cosmic horror lurking beneath the surface of modern urban life, defying easy categorization and understanding. The story's bleak ending echoes the cosmic pessimism in Lovecraft's work. However, Leiber brings the horror into the heart of the modern city, creating a kind of urban cosmic horror that transplants Lovecraftian themes into the gritty, mid-20th century metropolis. Learn more about your ad choices. Visit megaphone.fm/adchoices

M.R. James's "A Warning to the Curious" (1925) is a seminal ghost story that explores the consequences of disturbing ancient artifacts and the enduring power of folklore. Set in the fictional coastal town of Seaburgh, based on Aldeburgh, Suffolk, where James had strong personal connections, the story follows Paxton, an amateur archaeologist who unearths one of three legendary crowns believed to protect England from invasion. The story draws upon a rich tradition of magical artifacts in British folklore, such as the Glastonbury Thorn and the buried head of Bran the Blessed, situating itself within a larger cultural narrative of Britain's magical defenses. James's deep knowledge of East Anglian history and folklore is evident in his vivid descriptions of Seaburgh's landmarks and his reference to the crown of Redwald, an ancient East Anglian king, foreshadowing the 1939 discovery of the Sutton Hoo treasure. As a work of folk horror, "A Warning to the Curious" explores the clash between modernity and the lingering presence of the past, with Paxton encountering the vengeful ghost of William Ager, the crown's guardian. The story resonates with other works in the genre, such as H.R. Wakefield's "The First Sheaf" (1922), highlighting the dark side of rural traditions and the supernatural. The story's post-World War I context adds depth to its themes, reflecting the profound impact of the war on British society. Paxton's tragic fate, with his broken jaw and mouth filled with sand, evokes the horrific injuries suffered by soldiers in the trenches, serving as a metaphor for the lost potential and unfulfilled promises of a generation scarred by war. Derrida's concept of hauntology and Mark Fisher's extension of these ideas provide a compelling lens for analyzing the story. The ancient crown and Ager's spectral presence embody the past's disruption of the present, while the story's pessimistic tone reflects the post-war zeitgeist and the haunting of society by the specters of war and lost futures. "A Warning to the Curious" showcases James's mastery of the ghost story genre, weaving together folklore, history, and the supernatural to create a haunting tale that continues to resonate with readers, reminding us of the enduring power of the past to shape our present. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this haunting and enigmatic short story by Shirley Jackson, an unnamed woman eagerly awaits her wedding day, only to find herself plunged into a nightmarish search for her missing fiancé, Jamie Harris. As she navigates the city streets and encounters a cast of indifferent, jaded characters, the protagonist's quest for love and connection takes on an increasingly surreal and desperate edge. Through masterful prose and subtle psychological insight, Jackson weaves a tale that blurs the lines between reality and illusion, exposing the fragility of human relationships and the ways in which societal expectations can shape and distort our perceptions. "The Daemon Lover" is a masterpiece of ambiguity and unease that will leave listeners pondering the nature of identity, desire, and the elusive search for meaning in a world that often feels isolating and uncertain. Join me as we delve into the unsettling depths of Shirley Jackson's unforgettable story. #ShirleyJackson #TheDaemonLover #PsychologicalHorror #LiteraryFiction #ShortStory #Storytelling #AudioNarration #UncannyTales #SurrealFiction #HumanCondition Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare to delve into the haunting world of Guy de Maupassant's "Who Knows?", a chilling tale that blurs the lines between reality and the supernatural. Join the narrator as he recounts his unsettling experiences with his beloved furniture, which seems to take on a life of its own. As the story unfolds, you'll find yourself questioning the narrator's sanity and the true nature of the events that unfold. Is it a case of mental instability, or are there truly otherworldly forces at play? Immerse yourself in this atmospheric masterpiece and unravel the mystery that lies at the heart of "Who Knows?". Guy de Maupassant (1850-1893) was a French writer who made significant contributions to the development of the short story genre during the latter half of the 19th century. Born on August 5, 1850, in Tourville-sur-Arques, France, Maupassant was influenced by the literary circle of Gustave Flaubert, who became his mentor. He began his literary career in 1880 with the publication of his famous short story, "Boule de Suif." Over the next decade, Maupassant produced a prolific body of work, including over 300 short stories, six novels, three travel books, and a volume of poetry. His stories, such as "The Horla" (1887) and "Qui Sait?" ("Who Knows?") (1890), often explored themes of madness, the supernatural, and the darker aspects of human nature. However, Maupassant's life was cut short by the effects of syphilis, which he had contracted in his youth. After a suicide attempt in 1892, he was committed to a mental asylum in Paris, where he died on July 6, 1893, at the age of 42. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the darkness of a Mediterranean night, the _Osiris_ slices through the waves, carrying with it a passenger burdened by a haunting tale. Alastair Colvin, a man with a shadowed past, reluctantly shares his story of Thurnley Abbey, a Gothic estate nestled in the heart of rural England. Whispered to be cursed and haunted, the abbey's notoriety has spread far and wide, striking fear into the hearts of locals and curiosity in the minds of the brave. As Colvin's narrative unfolds, his listener is drawn into a world where the line between the living and the dead blurs, and the abbey's dark secrets threaten to consume all who dare to uncover them. Discussion of the story (with spoilers) here https://tonywalker.craft.me/Sbfh2neVPiYdE7 Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sabine Baring-Gould's haunting tale, "A Dead Finger," an ordinary visit to the National Gallery in London spirals into a chilling encounter with the supernatural. Our unnamed narrator is tormented by the appearance of a disembodied finger, which leads to increasingly eerie and life-draining occurrences. As his health declines and the sinister presence intensifies, the narrator turns to his ingenious friend, Mr. Square, whose unconventional methods might be the only hope of ending this terrifying ordeal. But what is the true nature of this spectral menace, and what dark secrets does it reveal about the world around us? It was first published in The Cornhill Magazine, a popular literary periodical of the time, in its January 1902 issue. The story was later included in Baring-Gould’s collection A Book of Ghosts, published by Methuen & Co. in 1904. Learn more about your ad choices. Visit megaphone.fm/adchoices

Delve into the enigmatic realm of E.F. Benson's "In the Tube," a haunting tale where the boundaries of time, reality, and the supernatural blur. Anthony Carling, a man gifted with clairvoyance, shares his unsettling experience on the London Underground, where a spectral presence emerges, growing more vivid with each encounter. Through Carling's narrative, Benson explores the depths of fate, existence, and the unseen forces that shape our lives. "In the Tube" is a thought-provoking journey that will leave readers questioning the nature of reality and the mysteries that lie just beyond our perception. Full notes here https://tonywalker.craft.me/SK5lYBu31ps6j7 Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the quietly unsettling world of A.M. Burrage's "Playmates," where the veil between the seen and unseen is delicately lifted. In a remote English country house, the orphaned Monica, adopted by the reserved historian Stephen Everton, begins to find mysterious companions in the so-called "schoolroom." This ghost story, with its subtle yet pervasive sense of dread, invites you to explore the shadows that linger in lonely halls and the whispers of those long gone. Join me in this eerie tale that delicately intertwines the themes of isolation, companionship, and the enduring presence of the past. More notes here https://tonywalker.craft.me/XVEX3gBlJ45ZYU Learn more about your ad choices. Visit megaphone.fm/adchoices

On a mist-shrouded night in March, two brave souls, Muriel Fisher and Scotty McCormack, dare to confront the malevolent secrets of a forsaken house with a history steeped in death. As they step into its decaying halls, the oppressive silence of the house breathes life into shadows, whispering of the dark fates that have befallen all who entered before them. As midnight looms, they will face an unspeakable terror that blurs the line between the living and the dead, in a chilling tale where the past refuses to rest. Learn more about your ad choices. Visit megaphone.fm/adchoices

On a bitterly cold winter's night in New Hampshire, a delicate young man alights from a train to find his expected transport, a sleigh, is not there. It seems he has been forgotten. A chance encounter with a young man named Frank Rainer leads to an invitation to his uncle's grand, yet eerily quiet home. As George Faxon steps into the opulence of Overdale, he is drawn into an unsettling world where the warmth of hospitality hides chilling secrets. What begins as a simple gesture of kindness soon spirals into a supernatural encounter that will shake him to his core, unraveling hidden motives and exposing the darkness lurking beneath the surface. Prepare yourself for Edith Wharton's haunting tale, "The Triumph of Night," where reality and the supernatural blur, and betrayal is only a shadow away. Full notes here https://tonywalker.craft.me/24AQbkT9FOQj56 Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare yourself for a chilling journey into the dark underbelly of 19th-century Edinburgh, where the pursuit of medical knowledge leads down a treacherous path of moral corruption and supernatural terror. In Robert Louis Stevenson's "The Body Snatcher," you'll follow the descent of a promising young medical student as he becomes entangled in a web of grave robbing, murder, and haunting guilt. As the line between science and sacrilege blurs, and the dead refuse to rest quietly, you'll find yourself questioning the limits of ambition and the price of progress. With each twist of this Gothic tale, the tension mounts, culminating in a heart-stopping climax that will leave you breathless. Are you brave enough to unearth the secrets that lie buried in the night? Listen now, if you dare, but be warned: some truths, once exhumed, can never be laid to rest again. Full notes here https://tonywalker.craft.me/bodysnatcher Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare to be transported to the desolate moorlands of Garside Fell, where the haunting whistle of a train echoes through the mist-shrouded night. In L.T.C. Rolt's chilling tale, "The Garside Fell Disaster," the line between past and present blurs as an unsuspecting railway enthusiast uncovers a tragic history that refuses to stay buried.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Deep within the Special Books Collection of a time-honored Scottish university, a darkly potent grimoire is secured under lock and iron in an ominously silent room. Previously owned by John, 3rd Earl of Gowrie, a notorious black magic practitioner, the book radiates a malignant presence, its malevolent forces palpably stretching beyond its confinement. Maitland Allan, the sole custodian with access to the key, feels an escalating dread over the powerful tome’s influence. Driven by a mounting sense of responsibility, he seeks out an unlikely ally—an underappreciated colleague from a distant department. In the shadowy enclave of special collections, Maitland reveals the daunting legacy of his burden, hoping to find solace and solution in shared counsel. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to Ed W. for sponsoring this classic Victorian tale. In Victorian London, a once-grand mansion holds secrets that span generations. When Edgar Stainton inherits the property, he uncovers more than just dust and decay. Charlotte Riddell's "The Walnut-Tree House" weaves a tale of a child's ghost, a missing will, and long-buried family truths. Through her nuanced storytelling, Riddell examines the injustices of 19th-century society, using the supernatural to illuminate very real human struggles. This is a story where the past refuses to stay silent, and where redemption comes from unexpected places. Learn more about your ad choices. Visit megaphone.fm/adchoices

In *The Facts in the Case of M. Valdemar*, Edgar Allan Poe presents a gripping tale where the boundaries of life and death are pushed in ways both fascinating and unnerving. The story unfolds with clinical precision, yet reveals a deeper, more disturbing reality that lingers long after the last word. If you’re drawn to stories that provoke thought and unsettle in equal measure, this is one you won’t want to miss. Listen now for an experience that quietly questions the limits of science and the mysteries that lie beyond. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In Charlotte Riddell's "The Old House in Vauxhall Walk," a young man's desperate search for shelter leads him into a world where past and present collide. As Graham Coulton unravels the mysteries of a haunted Victorian mansion, he confronts the spectral remnants of greed, regret, and unfinished business. This ghostly tale weaves together themes of redemption, social responsibility, and the enduring consequences of our choices. Riddell's nuanced approach to the supernatural offers more than mere scares; it presents a poignant reflection on morality and human nature in Victorian society. If you're intrigued by stories that blend historical insight with otherworldly encounters, consider giving this classic ghost story a listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do The Dead Appear At Noon? In the leafy paths of Kensington Gardens, where Victorian ladies take their morning walks, one woman feels an impossible touch. Not in darkness, but in searching daylight. Not with terror, but with recognition that defies reason. Someone watches her from behind curtained windows, measuring time with a doctor's patience. Family ties can bind or strangle, and some kinds of protection leave no visible trace. Wilkie Collins crafts a story where morning sunshine holds more mysteries than midnight, where what cannot be seen might prove more solid than shadow, and where the line between protection and possession blurs in the space between heartbeats. Take a while out of your busy day and listen to "Mrs. Zant and the Ghost," where daylight offers no refuge from what waits beyond the veil Learn more about your ad choices. Visit megaphone.fm/adchoices

And so it begins... my run up to Christmas. This isn't a massively Christmassy story though it takes place at Christmas. Who's really in the lift?  In L.P. Hartley's "Someone in the Lift," a young boy's festive hotel stay turns into a chilling encounter with the unknown. As he repeatedly glimpses a shadowy figure in the elevator, his parents' dismissals only deepen the mystery. The line between childhood imagination and genuine supernatural presence blurs, leading to a haunting climax that defies easy explanation. Hartley's masterful storytelling weaves innocence, fear, and the uncanny into a tapestry of unease that clings to the mind like frost on a winter window. Listen to this classic ghost story and decide for yourself: is there truly someone in the lift? Ha ha ha ha! (etc) ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

What lurks in forgotten rooms? In an ancient Tudor mansion in the remotest English countryside, a young heiress's pride becomes her downfall. Rosa enters a room that servants shun. As she tries to sleep, strange noises keep her awake until she finally realizes the true horror of her situation. Through a seemingly endless night, Rosa is pushed to the very limit of her sanity, and when dawn comes, she sees with terror that she is still not safe. Perhaps some rooms should remain locked and wise girls should run away... Published by John Berwick Harwood anonymously in 1861 Learn more about your ad choices. Visit megaphone.fm/adchoices

On a stormy Christmas night in Ireland in 1843, a warm peat fire blazes inside Andy Sweeny's simple home while a fiddler plays jigs and reels for those gathered. Suddenly, a piercing cry is heard from the darkness outside—a cry of anguish, a cry for help! Against his wife's advice, Andy Sweeny opens the door. A stranger, breathless and pursued by shadows, stumbles across the threshold. He falls to the floor, and as the party-goers help him up, he asks one haunting question: "Do you believe in ghosts?" Learn more about your ad choices. Visit megaphone.fm/adchoices

In E.F. Benson's "The Chippendale Mirror," an antique looking glass becomes the focal point of a chilling supernatural mystery. As night falls, the mirror's surface darkens, offering glimpses of something beyond our world. A cat's eerie fascination with the glass hints at unseen forces at work. When the boundary between past and present blurs, what consequences await those who peer too deeply into the ornate frame? Our discussion delves into the intriguing parallels and departures between E.F. Benson's "The Chippendale Mirror" and classic Golden Age detective fiction. We explore how Benson weaves supernatural elements into a framework reminiscent of traditional mystery stories, creating a unique hybrid that challenges reader expectations. Additionally, we examine the significant role of Cyrus the cat in this tale, using it as a springboard to investigate the broader literary trope of cats as supernatural sensors in fiction. From their keen perception of the unseen to their symbolic resonance, we uncover why felines have long been favored as mystical intermediaries in ghostly narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nothing scares an atheist… so they'd have you believe. For Hector Greatorix, intellect, charisma, and a complete lack of faith mean a life lived to the fullest. Freed from his vows, and called by his friends The Bishop of Hell, this scandalous clergyman can drink and debauch right to the end with no fear of the consequences. Certain that damnation is a myth, he carries on his evil. Will this Bishop of Hell cheat justice at the last, or will something... else claim him? ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

Thank you to Steven Shipman for recommending this story.The Lonesome Place was published by August Derleth in 1962 in a collection known as Lonesome Places.You can still find copies but they are expensive.I read the story and then say how great I thought it was followed by various rambles into barely related subjects. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edith Wharton's "Afterward" is a haunting and evocative audiobook. It is about a young woman named Mary Boyne, who moves with her husband into an old house at Lyng and jokes about whether or not it has a ghost. It does, her friend admits, but you won't notice it for a long time. The narrator's voice will immerse you in the story, adding to the eerie atmosphere, making it an unforgettable listening experience. Don't miss out on this classic ghost story from the pen of one of America's greatest authors, and experience the story like never before in its audiobook form. I must admit that ChatGTP wrote the last two paragraphs. It wrote a lot of nonsense about the story being about a ghost of a maid who died in a fire and it got the heroine’s name wrong, but otherwise it was fun. ChatGTP has my back. It wrote: "Calling all ghost story enthusiasts!  Are you looking for a spook-tacular way to support your favorite narrator and gain access to an ad-free library of nearly 200 stories?  Look no further! By signing up for my Patreon, you'll not only be supporting my work, but you'll also be gaining access to exclusive perks such as a member's only audio story every month, the ability to join the Classic Ghost Stories podcast chatroom on Discord and the chance to talk to me on the fortnightly book club.  But that's not all, you'll also be joining a community of like-minded ghost story lovers who share your passion.  Don't miss out on this hauntingly good deal. Sign up for my Patreon today, and thank you to all my supporters who already have!" New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

M. R. James's The Tractate Middoth is a classic ghost story  first published in 1911. This short story takes place in a library and is about a mysterious book called the Tractate Middoth. The book holds the key to righting a family wrong, but the evil deceased  has made it as difficult as possible to prolong the agony of his heirs.Follow the main character, a librarian, as he becomes obsessed with finding out the secrets of a book and is pulled deeper and deeper into a dark and scary world. Listen to "The Tractate Middoth" audiobook episode today on The Classic. Ghost Stories Podcast and get lost in the creepy atmosphere of this masterful work. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Step back in time to Victorian Paris, a city of mystery and intrigue, where danger lurks around every corner and secrets are hidden behind every closed door. In this podcast episode, you will be transported to the heart of the City of Lights, where a thrilling tale of suspense and intrigue awaits."A Terribly Strange Bed" is a little gem of a story, published in 1852 by the master of suspense himself, Wilkie Collins. The story follows the protagonist, who is bored of his usual respectable haunts and decides to venture into a low down gambling den, where he begins to win, and win, and win. However, as the night wears on, our protagonist finds himself caught up in a web of danger and intrigue that he could never have imagined. The stakes become higher and higher, until he finds himself in a situation where his very life is at risk.So, if you're in the mood for a thrilling tale of danger and intrigue, look no further than "A Terribly Strange Bed." This little gem of a story is sure to keep you on the edge of your seat, and remind you why Wilkie Collins is considered one of the greatest writers of the Victorian era. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Francis Marion Crawford was an American author and journalist who lived from 1854 to 1909. He was born in Bagni di Lucca, Italy, to a family of art connoisseurs and spent much of his childhood traveling throughout Europe. Crawford attended Harvard University for a year before leaving to pursue a career in writing.Crawford began his writing career as a journalist, working for several newspapers and magazines such as the New York Tribune and the Boston Evening Transcript. He wrote travel books and essays about his experiences living in Italy, and these early works were well received.In 1882, Crawford published his first novel, "Mr. Isaacs," which was a critical and commercial success. He went on to write over 40 novels, as well as numerous short stories, essays, and plays. Many of his works were set in Italy and drew on his experiences living there, including some of his best-known novels such as "Saracinesca," "Sant' Ilario," and "Casa Braccio."Aside from his success as a writer, Crawford was also descended from a long line of artists and writers. His grandfather, William Crawford, was an American portrait painter, and his great-grandfather, Gilbert Stuart, painted George Washington's portrait. Crawford's father, Thomas Crawford, was a successful sculptor who created several prominent public sculptures in the United States, including the statue of Freedom on top of the U.S. Capitol building in Washington, D.C.Crawford's novels explored complex themes such as love, betrayal, and social class, and his characters often struggled with their own personal demons, making them relatable to readers across time and place. Crawford was considered one of the leading writers of his day and was a member of the American Academy of Arts and Letters. He was awarded several honorary degrees from universities in the United States and Europe.Despite his success, Crawford was known for his private nature and his avoidance of public appearances. He was married twice and had four children. Crawford died in Sorrento, Italy, on April 9, 1909, at the age of 54. His works continue to be read and enjoyed today for their vivid depictions of Italian society, their engaging characters, and their ability to transport readers to other times and places.The Upper Berth"The Upper Berth" is a horror story by F. Marion Crawford, first published in 1886. One of the strengths of "The Upper Berth" is Crawford's ability to create a suspenseful and eerie atmosphere. He builds tension throughout the story, gradually revealing more and more about the strange happenings in Brisbane's cabin. The descriptions of the creaking ship, the eerie silence of the night, and the mysterious noises from the upper berth all add to the story's creepy atmosphere.However, one of the flaws of "The Upper Berth" is its reliance on clichés and stereotypes. The story includes many of the standard tropes of horror stories, such as the lone traveler in a strange place, the creepy sounds in the night, and the mysterious disappearance of previous passengers. Additionally, the story relies on stereotypes of sailors as rough and superstitious, which can be off-putting to modern readers.Overall, "The Upper Berth" is a well-written horror story that effectively creates a sense of suspense and unease. While it may rely on some clichés and stereotypes, it remains a classic example of the genre and is worth readi New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

P. G. Wodehouse Sir Pelham Grenville Wodehouse, popularly known as P. G. Wodehouse, was a British humorist and author who was born on October 15, 1881, in Guildford, Surrey, England. He is widely regarded as one of the greatest comic writers in English literature and is best known for his humorous and cleverly written novels and short stories featuring the characters of Jeeves and Wooster, Psmith, and Blandings Castle. Wodehouse was the son of a British judge who worked in Hong Kong. His mother was a talented writer who encouraged his love of reading and writing. Wodehouse was educated at Dulwich College and later at the University of Oxford. However, he left the university without completing his degree and decided to pursue a career as a writer. Wodehouse started his writing career as a journalist and humorist for various magazines and newspapers, including Punch and The Strand Magazine. His first book, The Pothunters, was published in 1902, and he went on to publish over 90 books, including novels, collections of short stories, and plays. In 1914, Wodehouse moved to the United States, where he continued to write and became a popular figure in the literary and social circles of New York. During World War II, Wodehouse was living in France, and he was taken prisoner by the Germans. He spent several months in a detention camp and was later released, but the controversy surrounding his imprisonment caused him to leave England and move permanently to the United States. Throughout his career, Wodehouse's writing was celebrated for its wit, humor, and impeccable comic timing. His characters, such as the hapless Bertie Wooster and his valet Jeeves, became iconic figures in popular culture and are still widely recognized today. Wodehouse was awarded numerous honors during his lifetime, including knighthood in 1975, but he is perhaps best remembered for his contributions to the world of humorous literature. Wodehouse continued to write until his death on February 14, 1975, at the age of 93. Today, his works are still beloved by readers around the world and are considered timeless classics of English literature. Despite his immense popularity as a writer, Wodehouse was not immune to controversy. In particular, his decision to continue writing and publishing works during World War II while living in France was criticized by some as being unpatriotic. This controversy led Wodehouse to leave England and move permanently to the United States. Despite this controversy, Wodehouse continued to write and remained a prolific author throughout his life. He was married twice in his life, first to Ethel Wayman in 1914 and later to Ethel's former secretary, Edith de Selincourt, in 1947. It's true that P.G. Wodehouse never officially divorced Ethel Wayman, but after they separated in 1921, they essentially lived separate lives. In 1947, Wodehouse married his second wife, Edith de Selincourt. Ethel Wayman was still alive at the time of their marriage, but she had been living in a psychiatric hospital for several years and was reportedly unable to communicate.  In 1914, Wayman married P.G. Wodehouse, who was working as a lyricist for musicals at the time. The couple had a turbulent marriage, and they separated in 1921, but they never officially divorced. After their separation, Wayman continued to work as an actress, appearing in films and on stage. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Joseph Sheridan Le Fanu was an Irish writer born on August 28, 1814, in Dublin, Ireland. He was the third son of a Protestant family with French origins. Le Fanu received his early education at Trinity College, Dublin, but left before finishing his degree to pursue a career in journalism. He quickly established himself as a successful writer, publishing stories in various magazines and newspapers. In the 1840s, Le Fanu began to focus more on fiction writing, and his works began to gain wider recognition. His most famous novel, "Uncle Silas," was published in 1864 and is considered a classic of Victorian Gothic literature. Other notable works include "In a Glass Darkly" and "Carmilla." Le Fanu's writing style was characterized by a strong sense of atmosphere and suspense, often incorporating supernatural elements. He was known for his ability to create vivid and memorable characters, particularly his strong female protagonists. Despite his success as a writer, Le Fanu's personal life was marked by tragedy. He lost his wife and infant daughter to childbirth complications, and his health began to decline in the late 1860s. He died on February 7, 1873, at the age of 58, leaving behind a legacy as one of Ireland's most important literary figures. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

n this classic ghost story by E.F. Benson, two friends rent an idyllic country house for a month of fishing, only to find themselves haunted by a malevolent presence. As the strange occurrences escalate, they begin to uncover the dark secrets of the house and its former occupants. This eerie tale will keep you on the edge of your seat until the very end. Narrated with audiobook quality, this reading of "The House With The Brick-Kiln" is perfect for fans of classic horror and ghost stories. Sit back, relax, and let the haunting tale unfold in your ears. Hashtags:#horror #ghoststory #audiobook #classicliterature #EFBenson #hauntedhouse #spooky #creepy #reading #narration #horrorfiction #audiobooks New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

David H. Keller was an American author known for his contributions to science fiction and pulp magazines during the early 20th century. He was born on December 23, 1880, in Philadelphia, Pennsylvania. Keller pursued a career in medicine and graduated from the University of Pennsylvania with a medical degree in 1903. He worked as a general practitioner, specializing in the treatment of mental disorders. Despite his medical profession, Keller had a strong passion for writing. He began his literary career by submitting stories to various pulp magazines, where he gained recognition for his unique blend of science fiction, horror, and fantasy elements. Keller's writing often explored psychological and sociological themes, displaying his background in medicine and his interest in human behavior. In 1928, Keller published one of his most famous works, a novella titled "The Revolt of the Pedestrians." The story depicted a future society where automobiles ruled, and pedestrians were marginalized. It was highly regarded for its social commentary and futuristic vision. Keller continued to write and publish numerous short stories, novelettes, and novellas throughout his career, earning him a dedicated following. One of Keller's notable contributions to the science fiction genre was his series of short stories featuring the character T.H.E. Cat. T.H.E. Cat, an acronym for The Human Electro, was a scientist with the ability to transfer his consciousness into different bodies. These stories often explored ethical and philosophical questions related to identity and consciousness. Keller's writing career slowed down in the 1940s and 1950s as he faced personal and financial challenges. He struggled with health issues and experienced difficulties in finding publishers for his work. Despite these setbacks, Keller's influence on the science fiction genre remained significant, as his stories often delved into psychological and societal aspects that were ahead of their time. David H. Keller passed away on July 13, 1966, in Stroudsburg, Pennsylvania, leaving behind a legacy as an early pioneer of science fiction and a writer who explored the human condition through his imaginative tales. While his work may have been overlooked by mainstream literary circles, Keller's contributions to the genre continue to be appreciated by science fiction enthusiasts and scholars who recognize his unique voice and forward-thinking ideas. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to Gavin Critchley for sponsoring this episode!Ted Hughes (1930-1998) was an English poet and writer who is widely regarded as one of the most important and influential poets of the 20th century. He was born on August 17, 1930, in Mytholmroyd, Yorkshire, England. Hughes had a deep connection with nature from an early age, which played a significant role in his poetry. He attended Mexborough Grammar School and later won a scholarship to study English at Pembroke College, Cambridge. During his time at Cambridge, he met fellow poet Sylvia Plath, whom he married in 1956. In 1957, Hughes' first collection of poetry, "The Hawk in the Rain," was published to critical acclaim. The collection established him as a major poetic voice and set the tone for his subsequent work. His poetry was often marked by its visceral and powerful imagery, exploring themes of nature, myth, and the human experience. Hughes and Plath had two children together before their marriage ended in separation in 1962 and later in divorce in 1963. Tragically, Plath took her own life in 1963. The events surrounding their relationship and Plath's suicide deeply affected Hughes and became a central theme in his work. Hughes served as the Poet Laureate of the United Kingdom from 1984 until his death in 1998. Throughout his career, he published numerous collections of poetry, including "Wodwo" (1967), "Crow" (1970), and "Birthday Letters" (1998), which explored his relationship with Plath. His work often drew inspiration from mythology, folklore, and the natural world, and he had a distinctive and powerful voice that resonated with readers and fellow poets. In addition to his poetry, Hughes also wrote plays, prose, and children's literature. His most famous children's book is "The Iron Man" (1968), which has been adapted into various forms, including a stage play and an animated film. Ted Hughes received numerous awards and honors for his work, including the Queen's Gold Medal for Poetry in 1974 and the T. S. Eliot Prize for Poetry in 1998. His contribution to English literature continues to be celebrated, and his poetry remains influential to this day. Sadly, Ted Hughes passed away on October 28, 1998, in London, England, but his legacy as one of the most significant poets of the 20th century lives on. Regenerate response New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Sir Arthur Conan Doyle was a renowned British writer and physician, best known for creating the famous detective character Sherlock Holmes. He was born on May 22, 1859, in Edinburgh, Scotland, to Charles Altamont Doyle and Mary Foley Doyle. Doyle's early education took place at the Jesuit preparatory school of Hodder Place and Stonyhurst College. Later, he studied medicine at the University of Edinburgh and graduated in 1881. After completing his medical studies, Conan Doyle worked as a ship's doctor on various voyages, including a whaling expedition to the Arctic. He also served as a surgeon on a British steamship traveling to West Africa. These experiences provided him with a rich source of inspiration for his future writing. Conan Doyle's career as a writer took off when he began publishing short stories and novels. His most notable creation, Sherlock Holmes, made his first appearance in the novel "A Study in Scarlet" in 1887. The character of Holmes, with his keen powers of observation and deductive reasoning, quickly became immensely popular among readers. Sherlock Holmes' popularity led Conan Doyle to write numerous stories and novels featuring the detective and his loyal companion, Dr. John Watson. The adventures of Sherlock Holmes, including classics like "The Hound of the Baskervilles" and "The Adventures of Sherlock Holmes," made Conan Doyle one of the most widely read and celebrated authors of his time. Despite his success with the Sherlock Holmes stories, Conan Doyle felt constrained by the detective's popularity and wished to focus on more serious literary work. In an attempt to distance himself from Holmes, he famously killed off the character in the story "The Final Problem." However, due to public outcry and popular demand, Conan Doyle eventually resurrected Holmes in later stories. Apart from his detective fiction, Conan Doyle also wrote historical novels, science fiction, plays, and non-fiction works on a variety of subjects. He was a prolific writer, producing over fifty books, countless short stories, and numerous articles throughout his career. In addition to his literary pursuits, Conan Doyle was deeply interested in spiritualism and the supernatural. He became a prominent advocate for spiritualism, even participating in seances and investigating alleged paranormal phenomena. This interest often brought him into conflict with skeptics and critics. Sir Arthur Conan Doyle's contributions to literature and popular culture were widely recognized during his lifetime. In 1902, he was knighted by King Edward VII for his services as a volunteer army doctor during the Boer War. Conan Doyle passed away on July 7, 1930, at the age of 71, leaving behind a rich legacy of detective fiction and captivating storytelling that continues to captivate readers worldwide. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare to be captivated by E.F. Benson's haunting tale, 'Negotium Perambulans.' Join us as we journey into the depths of a mysterious fishing village in West Cornwall, where supernatural forces lurk in the shadows. In this chilling story, a young man's return to his childhood home unearths dark secrets and encounters with a malevolent creature known as 'Negotium Perambulans.' With elements of Gothic horror and psychological suspense, this atmospheric narrative explores themes of sin, punishment, and the blurred boundaries between the natural and the supernatural. Join us for a spine-tingling reading that will leave you questioning the nature of evil itself.  New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Prepare for a chilling journey as we delve into the eerie world of Joseph Sheridan Le Fanu's "An Account of Some Strange Disturbances in Aungier Street." This Victorian ghost story, set in a haunted house in Dublin, is a masterclass in suspense and terror. Two medical students move into an old house, only to be plagued by nightmares and haunted by the apparition of a cruel old man. As the terror escalates, they must confront the sinister legacy that lingers within the house's walls. Le Fanu's ghost is not a typical Victorian specter seeking justice, but a malevolent entity that continues to inflict harm even after death. This departure from the norm adds a unique twist to the tale, making it a standout in the genre. Le Fanu's view of the world as chaotic and unpredictable is reflected in his portrayal of the supernatural. In his universe, the supernatural is not a force for justice or equilibrium, but a source of further chaos and violence. Join us for a captivating narration of one of the most compelling ghost stories of the Victorian era. Will the students escape the horrors of Aungier Street? Tune in to find out.LinksMy new book: The Poisoned Rose (affiliate)https://amzn.to/3ro9StDTourlough Conmee's Dublin Dialect Channelhttps://www.youtube.com/@dublindialect3168My Late Night Sleep Radio Channelhttps://www.youtube.com/channel/UCprCE02DXiC1f3chbtnZFqQ New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Walter de La Mare (1873-1956) was an English poet, novelist, and short story writer known for his imaginative and evocative works. Born on April 25, 1873, in London, de La Mare began writing poetry and short stories during the 1890s while working as a bookkeeper. Despite not being a regular churchgoer, he held strong cultural Christianity and drew upon biblical themes and imagery in his writing.De La Mare's literary career took off with the publication of his first major work, the poetry collection "Songs of Childhood" in 1902. This collection showcased his romantic sensibilities, emphasizing intuition, deep emotion, and spiritual truths often associated with childhood. His poetic style was marked by rich imagery, lyrical language, and a sense of mystery. De La Mare's work gained recognition for its exploration of the supernatural and the depths of the human psyche. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Arthur Conan Doyle's "The New Catacomb" is a chilling exploration of the themes of revenge, betrayal, and obsession, all set against the haunting backdrop of Rome's ancient catacombs. With its strong atmospheric build-up and a shocking climax, the story delivers a compelling narrative, though it falls short in terms of character development and narrative clarity.Conan Doyle masterfully employs the theme of revenge, manifest in Burger's calculated plot against his friend and rival Kennedy. It's an example of karma, with Kennedy becoming the victim of the same callous behavior he displayed towards Mary Saunderson, Burger's fiancée. Burger's obsession with his revenge plot, which he meticulously executes under the guise of archaeological discovery, adds another layer of complexity to his character.Betrayal is a constant undercurrent in this tale. Kennedy's betrayal of Mary Saunderson and, by extension, Burger, sets the stage for the dramatic climax, while Burger's act of leaving Kennedy alone in the catacomb is a striking mirror image of this betrayal. The irony of Kennedy, the heartbreaker, accusing Burger of mistreating Mary Saunderson is not lost on the reader and adds an interesting dynamic to the plot.The story excels in creating a palpable sense of claustrophobia and tension within the catacomb's dark confines. However, the intricacies of the catacomb's layout can become confusing, causing disorientation and detracting from the overall narrative experience.One of the strengths of this story lies in the surprising revelation about Mary Saunderson's engagement, which adds a twist to the narrative. This unexpected element of surprise showcases Conan Doyle's ability to keep readers on their toes.The characterization, however, leaves room for improvement. While Kennedy is convincingly portrayed as an obsessed but callous archaeologist, his motivations remain unclear, making him a less sympathetic protagonist. Similarly, Burger's vengeful rigidness, though compelling, could benefit from additional depth.The ending, while providing a neat closure with Burger's false newspaper story, also seems to tie the narrative too abruptly. Further exploration of Mary Saunderson's perspective would have added a valuable dimension to the story.In conclusion, "The New Catacomb," while not Conan Doyle's most nuanced work in terms of character development, remains an engaging short story. Its gripping narrative, marked by an atmospheric setting and a plot filled with revenge, betrayal, and irony, ensures an entertaining read. The story's major strengths lie in its sense of atmosphere and suspense, while its character development and narrative clarity could use some refinement. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edith Wharton was born Edith Newbold Jones on January 24, 1862, into a wealthy New York family. She was a prolific writer, known for her insightful and critical portrayal of the American upper class. Her most famous works include "The Age of Innocence," "Ethan Frome," and "The House of Mirth." Wharton was the first woman to win the Pulitzer Prize for Literature in 1921. She was also a keen designer, traveler, and a dedicated supporter of French efforts during World War I, for which she was awarded the French Legion of Honor.The Story and Its Context: "The House of the Dead Hand" was published in 1904, a time when Wharton was beginning to establish herself as a serious writer. This was a period of significant personal and social change for Wharton. She was beginning to question the constraints of her privileged New York society, and these themes of societal constraints and personal freedom are evident in the story. The story also reflects Wharton's love for Italy and her deep knowledge of art and culture. "The House of the Dead Hand" by Edith Wharton is a compelling exploration of power dynamics, personal freedom, and the enduring influence of the past. The story centers around Miss Lombard, a woman trapped by her father's control and his obsession with a Leonardo da Vinci painting. Even after her father's death, she remains ensnared by his influence, symbolized by the painting she cannot sell. This narrative can be seen as a critique of patriarchal control, reflecting Wharton's own questioning of societal constraints. From a Freudian perspective, Miss Lombard's complex relationship with her father can be interpreted as a manifestation of the Elektra complex. The story also incorporates elements of Jungian psychology, with the painting serving as a powerful symbol of the unconscious. Wharton's narrative structure effectively builds tension, foreshadows dramatic events, and delivers a chilling twist, leaving a lasting impression of Miss Lombard's despair and entrapment. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Joseph Sheridan Le Fanu Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer and one of the leading ghost story writers of the 19th century. Born into a literary family in Dublin, he studied law and became a journalist. Le Fanu's first published story appeared in 1838. In 1844, he married Susanna Bennett and had four children. Following his wife's death in 1858, Le Fanu withdrew from society for a period of time. However, during the 1860s and 1870s, he produced his most notable supernatural fiction, including the acclaimed short story collection "In a Glass Darkly" (1872) and the vampire novella "Carmilla" (1871). Le Fanu's ghost stories, such as "Green Tea," "The Familiar," and "Mr Justice Harbottle," earned him admiration from fellow writers like M.R. James. Although he also wrote novels, journalism, and poetry, Le Fanu's reputation predominantly rests on his chilling tales of the supernatural. He passed away in Dublin in 1873 at the age of 58. Today, Le Fanu is regarded as one of the pioneers and masters of supernatural horror fiction. His work greatly influenced subsequent writers, including Bram Stoker, who drew inspiration from Le Fanu's vampire story, "Carmilla."Schalken The Painter Analysis In "Schalken The Painter," Vanderhausen can be seen as a representation of the shadow archetype, embodying the dark, repressed, and sinister aspects of the characters Douw and Schalken. The shadow is a psychological concept in Jungian theory that represents the hidden, suppressed, and often undesirable aspects of the psyche. It holds the unacknowledged fears, desires, and weaknesses that individuals may project onto others.Full analysis and links herehttps://www.ghostpod.org/2023/07/15/schalken-the-painter-by-j-sheridan-le-fanu/ New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the mysterious realm of Eugene Field's short story "The Werewolf." 🌕 This narrative unfolds a tale of love and lycanthropy, revolving around a haunting love triangle. The characters of Harold, Alfred, and the captivating Saxon maiden Yseult are entwined in a complex dance of emotions. Harold, cursed to carry the lineage of a werewolf, traces his ancestry back to the legendary Siegfried. With a unique twist on the traditional werewolf motif, Field's story takes us on a journey through love, curses, and the eerie legacy of lycanthropy.Meet the creative mind behind "The Werewolf," Eugene Field. 🖋️ Renowned as an American writer, Field's artistic journey flourished from his St. Louis roots. A master of children's poetry and humorous essays, he left an indelible mark on literature. Field's life led him through the realm of journalism, where his wit shone in his articles. His legacy extends beyond his words, with statues, parks, and institutions honoring his influence. Join us in exploring the life of Eugene Field and his captivating tale of "The Werewolf."#EugeneField #TheWerewolf #LoveTriangle #Lycanthropy #SiegfriedLegacy #AmericanWriter #LiteraryLegacy #CreativeMind #LiteraryTale #LoveAndCurses New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

People have been asking for more of my own stories, so here's one. However, I have to warn you that I use the f-word in it and it is rather dark. It's possibly as dark as my Whitehaven Bodysnatcher, plus it has swearing (though it is necessary for the character I feel). So, if you prefer my sweeter stories, or don't like that word being used, I would avoid this one. It all starts with a man going walking in the Black Forest in Germany... New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Fitz James O'Brien (1828 – April 6, 1862) was an Irish-American writer, best known for his works in the genre of science fiction and fantasy. Born in Cork, Ireland, he migrated to the United States in 1852 after squandering his inheritance. O'Brien settled in New York City and began his writing career which took off with his contributions to Harper's Magazine and the New York Saturday Press. He quickly gained popularity for his strange and imaginative stories. His most recognized works include "The Diamond Lens" and "What Was It? A Mystery", both of which are considered early contributions to the science fiction genre. While O'Brien's literary career was on the rise, the American Civil War broke out. He joined the Union Army in 1861 and was commissioned as a second lieutenant. Despite his talents as a writer, his military career was short-lived. In February 1862, he was injured in a skirmish and contracted tetanus from his wounds. He died on April 6, 1862, leaving behind a significant body of work that continues to be admired for its innovative and imaginative qualities. Visit us here: www.ghostpod.org Buy me a coffee if you're glad I do this: https://ko-fi.com/tonywalker If you really want to help me, become a Patreon: https://www.patreon.com/barcud Music by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Murray Gilchrist, born on November 29, 1867, in Sheffield, England, was a Victorian writer whose literary contributions remain an intriguing enigma within the realm of Gothic and Decadent fiction. Educated at Sheffield Royal Grammar School and privately tutored, Gilchrist's inclination toward reclusiveness and introspection shaped his literary style. Despite publishing 22 novels and around a hundred short stories, his work, set predominantly in the early 1700s, reflects a unique blend of Gothic, Decadent, and weird sensibilities.An Analysis of "The Crimson Weaver" Story Through the Lens of Jungian Archetypal Psychology"The Crimson Weaver," one of Gilchrist's haunting tales, can be analyzed through the lens of Jungian archetypal psychology, revealing the story's hidden depths. The story's archetypal elements align with Carl Jung's concepts of the collective unconscious and its symbols. The Master and the servant, symbolizing conscious and unconscious aspects of the psyche, embark on a journey into the unknown, entering the Domain of the Crimson Weaver. The old woman's warning echoes the archetype of the wise crone, guiding them toward a confrontation with the Shadow—a dark, repressed aspect of the self.The Crimson Weaver herself embodies the anima archetype, representing the feminine and intuitive aspects of the unconscious. Her seductive allure and her weaving of lives on a loom point to her role as a life-giving and life-taking figure, reflecting the anima's dual nature.The setting, including the Domain and the enchanted land, symbolizes the liminal space between conscious and unconscious realms, akin to the archetypal threshold where transformation occurs. The strange beasts and grotesque creatures evoke the presence of the Shadow, embodying repressed fears and desires.The Master's lost love that he keeps as a shrine in his heart appears to be a kind of sacrifice. Is it this hankering that the Crimson Weaver feeds on???The Master's disappearance and the servant's encounter with the Weaver can be interpreted as a confrontation with the anima's transformative power. The Master's forgotten memory echoes the loss of the conscious ego in the face of the unconscious. The final union with the Weaver and the image of the vulture-legged woman signify a symbolic death and rebirth—a transformation of the ego through embracing the anima's influence.In "The Crimson Weaver," Gilchrist weaves a narrative that taps into the profound archetypal currents of the human psyche. His story becomes a tapestry of psychological symbols, inviting readers to explore the deeper layers of their own unconscious and engage with the universal themes that lie beneath the surface of the narrative. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Elizabeth Braddon (4 October 1835 – 4 February 1915) was a renowned English novelist of the Victorian era, celebrated for her sensational works. Her most famous creation, "Lady Audley's Secret," published in 1862, achieved both literary acclaim and multiple adaptations on stage and screen.Born in Soho, London, Braddon received a private education. Her parents, Henry and Fanny, separated when she was just five years old due to her father's infidelity. At the age of ten, her brother Edward Braddon departed for India and later became the Premier of Tasmania. To support herself and her mother, Mary worked as an actress for three years, befriending Clara and Adelaide Biddle during this period. Although they had minor roles, acting provided her with a means of livelihood until her growing interest in writing novels led her away from the stage.In April 1861, Mary met John Maxwell (1824–1895), a publisher of periodicals, and moved in with him. However, Maxwell was already married to Mary Ann Crowley and had five children with her. While Mary and Maxwell lived together as a couple, Crowley resided with her family. In 1864, Maxwell attempted to legitimize their relationship by publicly claiming they were married, but this was refuted by Richard Brinsley Knowles, Mary's brother-in-law, who revealed that Maxwell's true wife was still alive. Mary acted as a stepmother to Maxwell's children until 1874 when Maxwell's wife passed away, and they were finally able to marry at St. Bride's Church in Fleet Street. Together, they had six children: Gerald, Fanny, Francis, William, Winifred Rosalie, and Edward Herry Harrington.Fanny Margaret Maxwell, their eldest daughter, married the naturalist Edmund Selous in 1886. In the 1920s, they resided in Wyke Castle, where Fanny established a local branch of the Woman's Institute in 1923 and served as its first president.The second eldest son, William Babington Maxwell, went on to become a novelist in his own right, leaving his mark in the literary world.Mary Elizabeth Braddon passed away on 4 February 1915 in Richmond, then in Surrey, and was laid to rest in Richmond Cemetery. Her former residence, Lichfield House, situated in the town center, was replaced by Lichfield Court, a block of flats, in 1936. A plaque in Richmond parish church commemorates her as "Miss Braddon." Additionally, several nearby streets are named after characters from her novels, as her husband was involved in property development in the area. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Graveyard Rats" stands as a testament to Henry Kuttner's exceptional storytelling prowess. This eerie tale, originally published in the March 1936 issue of Weird Tales, immerses readers in the haunting atmosphere of ancient Salem cemeteries. Kuttner expertly crafts a narrative that blends elements of horror and the supernatural, skillfully intertwining the unsettling presence of abnormally large rats with whispered legends of subterranean, inhuman entities. As readers venture deeper into the story's dark recesses, they are drawn into a world where the boundary between the natural and the supernatural blurs, evoking an eerie sense of foreboding and eldritch horror.Henry Kuttner, the creative genius behind "The Graveyard Rats," was a prolific American writer celebrated for his contributions to the science fiction and fantasy genres during the mid-20th century. Born in 1915 in Los Angeles, California, Kuttner's literary career began in the 1930s, coinciding with the Golden Age of Science Fiction. His versatility as a writer allowed him to excel in a wide range of speculative fiction sub-genres, from space opera to supernatural horror. Kuttner is particularly renowned for his collaborations with his wife, C.L. Moore, under various pseudonyms, producing a remarkable body of work that left a lasting impact on the world of speculative fiction.While Henry Kuttner's life was tragically cut short at the age of 42 in 1958, his legacy endures through his imaginative storytelling and thought-provoking themes. His work continues to captivate and inspire both fans and scholars, cementing his place as a revered figure in the history of speculative fiction. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Joseph Payne Brennan (1918-1990) was an American writer renowned for his contributions to horror, fantasy, and science fiction. Born in Bridgeport, Connecticut, he nurtured his passion for writing from a young age and later pursued his love for literature at Yale University. Brennan's career as a librarian and researcher allowed him to immerse himself in the world of storytelling. In the 1950s and 1960s, he made a significant impact in the speculative fiction realm with his supernatural and psychologically gripping tales.Brennan was a prolific writer, known for his association with the Cthulhu Mythos, a shared universe created by H.P. Lovecraft and others. His works, such as "The Slime," "Levitation," and "The Feaster from Afar," showcased his mastery of eerie atmospheres and profound understanding of the human psyche. As an editor, he co-founded the influential magazine "Macabre" and also pursued his talents in poetry. Even after his passing in 1990, Joseph Payne Brennan's legacy endures, as his vivid storytelling and terrifying narratives continue to captivate and inspire fans of horror and fantasy literature. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar Wilde (1854-1900) was a renowned Irish playwright, poet, and author known for his exceptional wit, flamboyant style, and profound contributions to late 19th-century literature. Born in Dublin, Wilde attended Oxford University and soon established himself as a prominent figure in London's literary and social circles. His works, including "The Picture of Dorian Gray" and "The Importance of Being Earnest," are celebrated for their clever dialogue, social satire, and exploration of the human condition. Wilde's unique blend of comedy, satire, and poignant commentary on Victorian society made him one of the most influential figures of his time. Unfortunately, his career took a tragic turn when he was convicted of "gross indecency" for his homosexuality, leading to his imprisonment and eventual death in Paris."The Canterville Ghost" is a classic novella penned by Oscar Wilde, first published in 1887. This humorous and haunting tale tells the story of the Otis family, Americans who move into Canterville Chase, a grand old English manor said to be haunted by Sir Simon, a ghost from centuries past. The novella is an exemplary demonstration of Wilde's wit and comedic genius, as he contrasts American pragmatism with British aristocracy and tradition. Wilde's sharp observations and clever humor in "The Canterville Ghost" provide a refreshing take on the traditional ghost story genre, injecting it with a delightful blend of satire and hilarity.Published during Wilde's literary peak, the novella garnered critical acclaim for its innovation and wit, positioning it as a unique departure from the conventional ghost stories of its era. Its humorous exploration of the clash between the Old World and the New World captivated readers. While it did not receive as much attention as some of Wilde's other works, "The Canterville Ghost" remains a cherished piece of literature and a testament to his enduring influence on the literary world. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Arthur Erskine Ellis, born on October 1, 1902, in Bangalore, British India, was a distinguished British biologist and author known for his remarkable contributions in two distinct realms. On the one hand, he was a dedicated scientist who left a lasting legacy in the field of malacology, particularly in the study of non-marine mollusks. His extensive body of work in this area, including numerous publications, established him as an authority in British non-marine malacology. From 1919 to 1961, he also demonstrated his passion for botany by contributing specimens of spermatophytes to various herbariums in Britain. His scientific pursuits reflected his deep appreciation for the natural world and his commitment to preserving its biodiversity. On the other hand, Arthur Erskine Ellis showcased his creative talents as an author, specializing in ghost stories. Notably, one of his notable works, "The Haunted Haven," delves into the supernatural with a chilling narrative set in Ticlas Haven, a fishing village off St. Brides Bay. This story revolves around three surly brothers who commit a heinous act – drowning their parsimonious uncle during a storm at sea in the hopes of inheriting his fortune. However, their plan takes a sinister turn as, within three months of the murder, each brother meets a tragic end. Subsequently, their vengeful, zombie-like spectres terrorize the villagers by embarking on eerie, ghostly journeys in their wrecked fishing smack after dark. The village doctor and innkeeper are compelled to intervene and put an end to the ghostly capers, but the spectres, resentful of interference, continue to haunt the South Haven, creating a chilling and suspenseful tale that is a testament to Ellis's prowess as a writer in the realm of the supernatural. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adrian Christopher Synnot Cole, the celebrated British author, was born in Plymouth, England, on July 22, 1949. His early years were shaped by a family sojourn in Malaya due to his father's military service, which instilled in him a passion for the fantasy and science fiction genres. Influenced by literary classics like Tarzan and King Solomon's Mines, as well as cinematic marvels such as "Earth versus the Flying Saucers" and the original "Classics Illustrated War of the Worlds," and the works of Algernon Blackwood, Lovecraft, and Dennis Wheatley, he developed a deep-rooted love for the extraordinary. Adrian Cole's literary journey began when he discovered "The Lord of the Rings" while working in a public library in Birmingham. This masterpiece inspired him to craft his own epic, the "Dream Lords" trilogy. His writing career expanded to encompass ghost stories, horror, and fantasy, leading to the publication of four novels in England. Notably, his captivating tales received recognition in prestigious collections, and his editorial talents shone through in curations. Beyond his literary pursuits, he held various professional roles, including that of a librarian and an educational administrator. Among his many literary contributions, one particularly intriguing story, "The Horror Under Penmire" (1974), stands out. In this chilling tale, the protagonist, Phil, embarks on a quest to locate the mythical town of Penmire in remote Cornwall, following a plea for help from his friend Roy. However, upon his arrival, he finds Roy missing, and the locals deny any knowledge of his whereabouts. Unfazed, Phil stumbles upon Roy's mysterious notations, one of which alludes to the ominous name "Dagon," a reference that resonates profoundly with fans of H.P. Lovecraft's work. This narrative weaves a web of suspense and Lovecraftian intrigue, adding another layer to Adrian Cole's multifaceted literary career. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hugh and Margaret Grainger rent a lovely old house near a golf course. At the bottom of the garden is a mysterious, well-kept thatched cottage that appears unoccupied.  However, a visitor senses a strange presence within and occasionally sees lights or figures inside. Margaret, fascinated with communicating via planchette, starts receiving odd messages from an entity calling himself "the gardener."  He announces a desire to enter the main house, catapulting the Graingers into disturbing events.  The empty cottage is not so empty after all, and the gardener's unseen presence brings terror to the once-idyllic home.  Through the planchette, Margaret has unlocked a portal between worlds, allowing a malevolent spirit access into the realm of the living. Now the Graingers must confront the implications of meddling with forces beyond their understanding. I was sent the anthology The Dead of Winter https://profilebooks.com/work/the-dead-of-winter/ By profile books. The Gardener by E F Benson is one of ten classic winter ghost stories in that anthology edited by Cecily Gayford.  Thanks to Profile Books for the copy they sent me. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dorothy Kathleen Broster, known by her pen name D.K. Broster, stands as a notable but often overlooked figure in literature, recognized for her exceptional talent in crafting short horror stories. Despite her relative obscurity in contemporary discussions, her contributions to the genre, particularly with works like "Couching at the Door," showcase her prowess in weaving tales of the supernatural. "Couching at the Door," although reprinted numerous times, may not be considered her magnum opus by some. Instead, stories like "Clairvoyance," "The Window," and "From the Abyss" are hailed as hidden gems, overlooked yet deserving of greater recognition. These tales, according to enthusiasts, have stood the test of time, maintaining their eerie allure even in the present day. Born in England in 1877, D.K. Broster led a multifaceted life. Her experiences as a Red Cross nurse during World War I added depth to her writing, and she gained acclaim for her historical novels. However, it is her foray into the supernatural short story genre that captivates readers seeking tales of the macabre. "Couching at the Door" (1933) unfolds the unsettling narrative of a poet haunted by a mysterious fur boa, a spectre from his past misdeeds. The story delves into the psychological realm, employing dream imagery to enhance the eerie atmosphere. The protagonist's desperate attempts to transfer this spectral presence to another add a layer of suspense and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edmund Gill Swain, born on the 19th of February 1861 in Stockport, Cheshire, was a respected English cleric and author known for his contributions to the ghost story genre. Educated at Manchester Grammar School and Emmanuel College, Cambridge, Swain pursued Natural Sciences. Ordained as a deacon in 1885 and a priest in 1886 at Rochester, he served as a curate in Camberwell before assuming the role of chaplain at King's College, Cambridge, alongside the notable scholar and author M. R. James. The two shared living quarters within the college, fostering a collegial relationship that extended beyond their professional roles. Swain's duties included teaching at the college's choir school, showcasing his multifaceted engagement in academic life. His literary legacy reached a notable point with the 1912 publication of "The Stoneground Ghost Tales," a collection that demonstrated his skill in the supernatural and positioned him as an early imitator of James, leaving a lasting imprint on the genre. Within the collection, "Bone to His Bone" stands out as a quietly intriguing narrative. Set on a Christmas Eve, the story follows Reverend Bachtel, seeking matches in the dark, only to encounter a mysterious book on gardening. This spectral tome, once owned by a long-departed rector, subtly guides him to a specific spot in the garden. The unfolding events, marked by an understated approach to bibliomancy, reflect Swain's ability to handle hauntings without sensationalism. "Bone to His Bone" quietly underscores Swain's finesse, blending a touch of gentle humor with the supernatural, presenting a nuanced exploration of the ghostly that avoids overstatement. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlotte Riddell, born Charlotte Cowan in 1832, was a prolific and accomplished British writer during the Victorian era. She was recognized for her contributions to the literary landscape, particularly in the genres of Gothic fiction and supernatural tales. Riddell began her writing career in the mid-19th century, initially publishing under the pseudonym F. G. Trafford. Her early works demonstrated a keen interest in the mysterious and the macabre, drawing inspiration from the popular Gothic tradition of the time. One of her notable early works is "The Moors and the Fens," a collection of supernatural tales published in 1879. However, it was under her own name that Riddell gained widespread recognition. Her most well-known works include novels such as "George Geith of Fen Court" (1864) and "The Race for Wealth" (1865). These novels explored themes of finance, social class, and the changing landscape of Victorian society. Riddell's literary career was not limited to novels; she was also a prolific short story writer. Her short stories often delved into the eerie and uncanny, earning her a reputation as a skilled writer of ghost stories. Notable collections of her short stories include "Weird Stories" (1882) and "The Uninhabited House" (1875). Beyond her success as a writer, Charlotte Riddell faced the challenges of being a woman in a male-dominated literary world. Despite these obstacles, she managed to establish herself as a respected author and editor. Riddell's contributions to the literary landscape of her time were acknowledged, and she became a notable figure in the Victorian literary scene. In addition to her writing, Riddell was involved in editorial work. She co-edited the St. James's Magazine, demonstrating her commitment to fostering literary talent and contributing to the cultural discourse of the era. Charlotte Riddell's literary career spanned several decades, and her works continue to be studied and appreciated by scholars of Victorian literature. Her exploration of the supernatural, combined with astute observations of society, has left a lasting legacy in the realm of 19th-century British literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elinor Glyn, born Elinor Sutherland on October 17, 1864, in Jersey, Channel Islands, was a prominent English novelist and scriptwriter during the late 19th and early 20th centuries. She belonged to a wealthy and well-connected family, and her early life was marked by privilege and education. Glyn began her literary career with the publication of her first novel, "The Visits of Elizabeth," in 1899. However, she gained widespread recognition and success with her scandalous and sensational novel, "Three Weeks," published in 1907. The book, which depicted a passionate love affair between a young English aristocrat and an exotic Balkan queen, caused a considerable stir and established Glyn as a controversial figure in literary circles. Throughout her career, Elinor Glyn continued to write novels that explored themes of love, romance, and societal expectations. Some of her other notable works include "Beyond the Rocks" (1906), "Man and Maid" (1922), and "It" (1927). Her writing often delved into the complexities of human relationships, and her characters were known for their sophistication and sensuality. In addition to her literary pursuits, Glyn ventured into Hollywood, where she found success as a screenwriter during the silent film era. She worked on several film adaptations of her own novels, collaborating with renowned actors of the time. Elinor Glyn's impact on popular culture extended beyond her literary achievements. She was recognized as a style icon and a socialite, known for her wit and charm. Despite facing criticism for the perceived risqué content in her novels, Glyn remained a popular and influential figure, contributing to the changing landscape of literature and entertainment during the early 20th century. Elinor Glyn passed away on September 23, 1943, leaving behind a legacy as a trailblazing novelist who challenged societal norms and captured the imaginations of readers with her provocative and romantic storytelling. Her works continue to be studied and appreciated for their contribution to the literary and cultural landscape of her time. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abraham "Bram" Stoker was born on November 8, 1847, in Clontarf, Dublin, Ireland. He was the third of seven children born to Abraham Stoker and Charlotte Mathilda Blake Thornley Stoker. Stoker spent much of his early childhood bedridden due to an unknown illness, during which he entertained himself with stories and books. Despite his illness, he eventually made a full recovery and went on to study at Trinity College Dublin, where he excelled in athletics and graduated with honours in Mathematics. After graduation, Stoker pursued a career in civil service while also working as a freelance journalist and theatre critic. His passion for writing led him to become the manager of the Lyceum Theatre in London, where he met and formed a close friendship with the renowned actor Sir Henry Irving. Stoker's association with Irving greatly influenced his literary career and provided inspiration for some of his most famous works. Although Stoker wrote numerous novels, short stories, and non-fiction works, he is best known for his Gothic horror masterpiece, "Dracula," published in 1897. The novel, which tells the story of Count Dracula's attempt to move from Transylvania to England in order to spread the undead curse, has become a timeless classic of English literature. "Dracula" introduced many of the vampire conventions still prevalent in contemporary culture, including the portrayal of vampires as charismatic and aristocratic beings with a thirst for blood. Despite the success of "Dracula," Stoker struggled financially throughout much of his life. He continued to write prolifically, producing several more novels and short stories, but none achieved the same level of success as his iconic vampire tale. Stoker passed away on April 20, 1912, in London, at the age of 64. While he did not live to see the full extent of "Dracula's" enduring legacy, his creation has since become one of the most iconic and influential figures in popular culture, inspiring countless adaptations, sequels, and reimaginings in literature, theatre, film, and television. Bram Stoker's contribution to the horror genre and his enduring legacy as the creator of one of literature's most iconic monsters continue to be celebrated by readers and scholars alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Certainly! "The Story of the Goblins Who Stole a Sexton" is a short story written by Charles Dickens as part of his collection titled "The Pickwick Papers." The narrative follows Gabriel Grub, a grumpy and ill-tempered sexton (grave digger) in a small village. Gabriel despises Christmas and all its festivities, choosing instead to revel in his solitude. One Christmas Eve, while digging a grave in the churchyard, Gabriel encounters a group of goblins who emerge from the ground. The goblins, led by their king, force Gabriel to join them in their underworld festivities. In this fantastical realm, Gabriel witnesses scenes from his past and present, highlighting his callous behavior and the impact it has had on those around him. Learn more about your ad choices. Visit megaphone.fm/adchoices

A timid man and his worried wife take a trip through Wales. The weather is awful and they worry they will be late for a Christening. That is the least of their worries. A story of the fairy folk and the Welsh gods and the Welsh weather. One of my own. In the afterword I reveal that this whole podcast was a trojan horse to get you to buy my stories. But hang on.... this one's free. My plan failed! Never mind.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Number 13 by M R JamesNumber 13 by M R James is a spooky story of a missing room and its missing inhabitant. Including old churches, musty documents, secrets, the occult and bookish blokes rummaging aroundUnlucky for some, but not really for Mr Anderson though it gave him quite a shock. This story was commissioned by Gavin Critchley who kindly has allowed me to broadcast it to you all.If You Appreciate The Work I’ve Put In HereIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Babylonish Church. I wonder whether this was James’ own view or he is merely representing the view of his character. James was an Anglican and the protestant view of the Catholic Church was not and in some circles remains not wholly tolerant or kind. I read an article arguing that because James was so drawn to the medieval period that he must be in possession of a Catholic sensibility, in which the whole world is in some sense sacred. I am not sure this correctly represents Catholic dogma or the Medieval European World View. But it’s fun to read about such things.James leaves things out. For example the red light, the dancing figure that might be a man or a woman. I think he deliberately leaves unresolved threads. I think he does the same in Story of a Disappearance And an Appearance in which we have to try to reconstruct the narrative ourselves to figure out what actually went on, rather than James spoon-feeding us the rational explanation (rational though perhaps also supernatural. The two things aren’t exclusive). In this again I think he is a little like David Lynch who allows images to emerge from his subconscious and uses them leaving us to try and make sense like a Rorschach image. I’m not against, this, and I might be wrong.In the end, we might walk away from this story wondering: eh?The dancing, singing androgynous spirit, the portmanteau that vanishes and then reappears with apparently no significance. I think he just throws this weird stuff in to unsettle us. This is eerie (by Mark Fisher’s definition) in that it has an agent who has a purpose, but both are obscure to us therefore unsettling us.The weird arm that reaches out is one of a string of weird arms: Grendel’s arm in Beowulf, the arm that takes the baby Pryderi in the tale of Pwyll in the Mabinogi. I also heard via Jon Gower about some farmers in Carno who believed there was a house where a monstrous arm appeared.The number of windows is a clue. I take from this that there was a Room 13, but that Room 12 and Room 14 were enlarged to gobble it up. Perhaps because of its bad reputation. Nicholas Francken is a bit of a red herring. He is an occultist and I’ve said elsewhere that James’s interest in the occult suggests he knew more about it than he lets on in common with his contemporaries, Arthur Machen, W B Yeats etc who were members of the Golden Dawn. But he leads us to believe that we are going to find Francken’s body buried below the planks and then we just find some kind of occult document that no one can read. Another unresolved riddle. Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyond the Door is a story of a haunting. A man is haunted by visions of something coming out of the well in his cellar and by the scratching sounds in the passages of his old house.If You Appreciate The Work I’ve Put In here you could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Beyond The Door by J. Paul SuterThis story was recommended by Terry Illikainen and this version was from Weird Tales volume 01 number 02, 1923-4.Jospeh Paul Suter wrote pulp tales during the early to middle part of the 20th Century for the magazines that specialised in genre fiction. He wrote mystery, detective, and supernatural stories. He was prolific and had more than two hundred stories published in these magazine.He was an American author born in 1884 who died in 1970. And that’s about all I can find about him.Beyond the DoorIt seems to me that Beyond The Door is one of those stories that leaves it up in the air whether the narrator is insane or haunted. In this it is like The Yellow Wallpaper or The Horla or The Beckoning Fair One. It’s a common sub-type of the ghost story genre. My feeling is that this eccentric driven, bookish man who is focused on his interests in the scientific study of insects cannot tolerate deviation from his routine. He sees the love interest of his Australian lady as a threat to his work, and the anxiety thus provoked drives him to hill her and throw her down the well.If I was meeting him today, I would probably think he had Asperger’s Syndrome and that he couldn’t remember his murder due to dissociation. Clues to the fact it’s a murder not a haunting are that he keeps having visions of a dog and he comments how she nuzzled his hand like a dog. No one else sees or hears anything supernatural, though the freaky house decorated with bugs dose unsettle them. The body is bruised again supporting the coroner’s theory that the stone slab of the well came down on him when his guilt just wouldn’t let him leave the crime scene alone. The coroner’s theory that the slab somehow paralysed him is a nasty end for anyone. Apparently the stone caused an injury that left him paralysed for two days, head down the well and thus he died. He screamed, but no one heard.Suter wrote a whole bunch of crime thrillers, so perhaps he preferred a criminal to a supernatural explanation in this story too.Although listening it again, it seems that the girl killed herself, but then entomologist blamed himself for her death because he had refused to marry her. I don’t think it’s his fault. He apparently covers her up with dirt at the bottom of the well. Out of guilt? The coroner talks about people rarely being punished accurately for his sins, though the entomologist was.I still think it’s a lot to blame him for her suicide. Ghosts however are often the agents or retribution and the paying out of sins. So even if this is a ghost that only appears mentally, it still has the same role. Not supernatural retribution but some psychological expression of karma. As well as the pulp genre, this story reminds me strongly of Edgar Allan Poe, particularly The Tell-Tale Heart, where the subconscious pressure of a crime won’t let the criminal rest until a confession comes out.It is told as is very common in older stories through a frame: we don’t hear the protagonist themselves, but have the story related through a witness or documents. This is much less fashionable these days: I don’t think Steven King or Neil Gaiman for example use this structure, but it was very common in older stories and lots we’ve read on The Classic Ghost S tories Podcast follow this pattern: The Turn of The Screw. H G Well’s Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The beautiful story of a beautiful man living a beautiful life that starts in a beautiful garden and ends this week at a rather splendid lunch with a duchess and a few lesser nobles not giving a fig for the lower orders but enjoying themselves immensely. Beautifully witty and beautifully camp. I hope you enjoy it.This is the first part of Oscar Wilde's famous novel. It has chapters 1-3. Nuff said.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's another hour of Dorian Gray in which Dorian is very excited, Lord Harry is languid, Basil the Painter disapproves, Sibyl Vane is ecstatic, her mother ashamed and her brother cross.Get a pencil and paper. You will want to write down some of Lord Harry's wisdom to deploy yourself when you're speaking to your neighbours.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Picture of Dorian Gray. Dorian is rather unpleasant and comes home to see his portrait knows what he's done. More wit and malice from Oscar WildeSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Picture of Dorian Gray. I have had one of those Mandela Effect mind blips. I have thought and continued to write" A Portrait of Dorian Gray when it was published in 1880 as A Picture of Dorian Gray.In this Dorian goes to the bad. He will get worse, and this is just the beginningSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Picture of Dorian Gray. Here's the latest. For those of you who are loving it, I hope you continue to enjoy this episode. For those of you who aren't into it so much, don't worry, it will soon be over.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Picture of Dorian Gray is now done. Hooray. That's it done. The commentary at the end is slightly nutty because I was tired and slightly manic. Make sure to listen to the very end.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A tale of the New Forest in England where Mr and Mrs Bittacy settle after years abroad. A painter with a certain talent for painting trees awakens something in the old man and he takes to wandering deep in the forest. Mrs Bittacy with her strong, Christian values is appalled by the ancient woodland spirits that her husbands seems to seek out. She loves him and wants to protect him from the ancient force of the forest. But will her love and faith be enough? Algernon Blackwood was a man of many talents and is known still for his disturbing ghost and horror stories. The Man Whom The Trees Loved is one of his classics.If you'd like to support my ongoing work and make free audiobooks like this possible, consider a one off donation via www.ko-fi/tonywalkerOr become a Patreon for ongoing support and members only stories. https://www.patreon.com/barcudSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A man in a car crash starts wondering how come the crowds gather so fast, and then he wonders why they all look so familiar. He researches the answer and is about to go to the police...A short weird tale by the prolific master of the weird tale, Ray BradburyIf You Appreciate The Work I’ve Put In HereYou can become a Patreon of the show for exclusive members’ only stories:https://www.patreon.com/barcud (https://www.patreon.com/barcud)And if you want to thank me (think of a busker’s hat) then you can get me a coffee via http://www.ko-fi.com/tonywalker (www.ko-fi.com/tonywalker)Join my mailing list and get a download: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback (https://bit.ly/somecomeback)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edward John Moreton Drax Plunkett, 18th Baron DunsanyEdward John Moreton Draw Plunkett, or Lord Dunsany was known to his friends as Eddie. Lord Dunsany was born in 1878 in London England and died in 1957 in Dublin Ireland.  Though born in England, he was heir to the oldest inhabited house in Ireland: Dunsany Castle near Tara. In County Meath.He worked to support the Abbey Theatre in Dublin with W B Yeats and Lady Gregory. In addition he was chess and pistol champion of Ireland. He was also a great traveller and, as you can tell from this story: he was a habitual hunter with horse and hounds.He was a prolific writer produced over ninety volumes of fiction, essays, poems and plays. His most famous book is possibly The King of Elfland’s Daughter and he is thought to be the first fantasy writer who set out the later genre that produced the Narnia books and The Lord of the Rings and ultimately Game of Thrones. Thirteen At TableThis story was suggested by Mike Jenkins. We have a beautiful description of the Kent countryside on a spring evening as they follow the fox. This is indeed a fox hunt and may not be to everyone’s taste but is part of the story. I like the idea that a gentleman at hounds may request a bed from any other gentleman who has a gentleman’s house.It’s s simple tale thereafter. We have host, Sir Richard Arlen, who says he has lived a wicked life. What he has done to this succession of women that means he has to dine with them every night for the past fifty years is not explained. But we understand he has wronged them and we guess perhaps he was somewhat of a rake.As the dinner goes on. It is explained that Mr Linton drinks a lot as he is dehydrated. He is also tired. He starts off by humouring the guest and then takes to his story of his wonderful twenty point hunt. The best hunt that ever was and a tale that grows in the telling. I am thinking this is a good humoured dig at huntsmen and their stories. And as he feels the need for an audience to tell his tale, slowly the ghosts become visible to Mr Linton and he begins to treat them as real people rather than as figments of his imagination. It is so slowly and delicately done that it is very effective and smooth. In the end he offends the ghosts by something he said. They are clearly very sensitive and collect slights. He is mortified, but the host is supremely grateful. There is a happy ending in that Sir Richard ArlenIt’s a humorous and pretty story. I haven’t read much Dunsany, but I’m keen to read more now.If You Appreciate The Work I’ve Put In HereIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Music of Erich Zann by H P Lovecraft. I recorded it ages ago and I can't believe I never posted this before!Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Walter de la MareWalter de la Mare is most famous as a poet. He was born in 1873 in Charlton in south-east London not far from Greenwich. It was then part of the county of Kent but has now been gobbled up by Greater London. He was offered a knighthood twice but declined.De La Mare died in 1956, aged 83, in Middlesex.   He had a heart attach in 1947 and was left unwell until his death of another in 1956. He was highly regarded as a poet and  T. S. Eliot wrote a poem for his funeral service. His ashes are buried in the crypt of St Paul’s Cathedral.  His writings were a favourite reading matter of H P Lovecraft and admired by Robert Aickman and Ramsey Campbell.His family were originally French, from the Protestant Huguenots who fled persecution by the Catholic King of France. His ancestors had been silk merchants, but his father was a banker and his mother was the daughter of a Scottish naval surgeon.He disliked the name Walter and his friends called him Jack.When he was 17, he went to work for Standard Oil in the statistics department, but he was already writing and his first volume of work was published when he was twenty-nine.He married his wife, who was impoverished after meeting her the amateur dramatic society of which they were both members. They lived in Anerley, where I once lived, a rather nondescript part of South London next to the more famous Crystal Palace. They were apparently great entertainers and hosted many parties.Most of the fiction he wrote was supernatural fiction.His style is elegant but his sentences are complex with lots of sub-clauses making him nearly has hard to read out as Henry James. This is a story written to be read rather than read out, I think.Out of The DeepThe story unfolds slowly. Jimmie, an orphan boy has not been ill-treated by his uncle and aunt from what we hear, but he disliked their characters and was tormented by their butler Soames. It appears, though were are not told, that after he became a man, he left them and the hated house where he had been so unhappy and was reluctant to go back even after he inherited the house. As well as the physical torment of his time in the attic he had memories of things coming out of the wardrobe and the crab patterned paper that came alive. (Like the Yellow Wallpaper). He seems to have hated everything about his boyhood, including going to church, fatty meat and the ugly old-age of his relatives.  We learn from his aunt that he’s always suffered from anxiety and is timid. There is some tension between him wanting to be good little boy and feeling he never quite managed it. Although in his adulthood, he doesn’t seem to do much that’s bad. He seems to do his best. But he never rises above the pointless misery of the house. It’s all miserable and suffuses the story.He lies awake thinking like a fountain. He has little human company and appears to have cut off what friends he had before moving into the house as he if knew he was preparing for his death.He has his charwoman Mr Thripps who considers the house unpleasant and doesn’t want to sleep a night there for a plate of sovereigns, even though she would out of duty to Jimmie. I warmed to Mrs Thripps and though Victorian and Edwardian writers mostly portray the working-classes as idiots, thugs and criminals, there is a warmness to Mrs Thripps that makes her more likeable than Jimmie, though Jimmie does nothing to offend us really. I don’t know whether De La Mare intended that.Jimmie uses his witty speech to deflect from the deep despair and unhappiness in him.  He is quite nice to the tradespeople he meets and gives the impression of wanting to be cheerful and good tSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Ernst Theodor Amadeus HoffmanE T A Hoffman, as he is known, was born in 1776 in Konigsberg, East Prussia, Germany and died in Berlin, Germany of syphilis, which was extremely prevalent. He was only 46.  He was a romantic author of fantasy and Gothic horror as well as being a composer, music critic and artist. He wrote the Nutcracker and the Mouse King which was the basis of Tchaikovsky’s ballet The Nutcracker and Offenbach’s opera The Tales of Hoffman is based on E T A Hoffman’s works.His parents separated when he was 12. He remained with his mother and aunts. He was very fond of his aunts. He started work in 1796 for his uncle as a clerk. He visited Dresden and was impressed by the paintings in the gallery there.  He lived and worked for his uncle in Berlin from 1798. From 1800 he lived and worked away from home and took to a dissolute lifestyle. He was promoted and got a job in Warsaw in 1804. He was happy in Warsaw, but went back to Berlin which was occupied by Napoleon’s armies. In 1808 he got a job in Bamburg as a theatre manager. He was given to falling in love, once with a young music student Julia Marc and another time with a married woman 10 years old who had six children.  He also appears to had challenges with alcohol most of his adult life. The SandmanThe Sandman is Hoffman’s best loved and most influential story. It was a favourite of Sigmund Freud and we might see some influence of this story on Tim Burton’s films. M. Grant Kellermeyer on his great ghost story site says that the Sandman exists to sow suffering and everything he touches. Coppelius as the Sandman wants to throw hot coals and sparks into the eyes, not the soporific sand.The story begins with a series of letters. This was a common convention and later Hoffman steps in as the author and discusses different ways he had thought of beginning the story. One can’t help think that he was amusing himself with this story as he seems to be satirising certain classes of people, notably Romantics.  The Romantic Movement grew up towards the end of the 18th Century and lasted into the 19th Century, dated to end at the crowning of Queen Victoria in England in 1837.I think the first letter from Nathanael setting out his horrified fantasies about the Sandman Coppelius is to establish him as a credulous and impressionable boy given to neurotic terrors. He seems incapable of distinguishing truth from his fantasies and believes his inward passions rather than objective facts. Again, I think Hoffman is poking fun at Romanticism.There is some theme of eyes. Coppelius seems to want to steal Nathanael’s eyes, and eyes and optics crop up again and again. When Coppelius and Nathanael’s father are working as alchemists, they seem to be building automata. Clara’s letter establishes her (a woman) as level headed and logical and not given to fancies. They are at odds in this and I feel that Hoffman is making fun of the brooding romantics who believed that nature should lead over thinking.  Clara is endlessly forgiving and devoted to Nathanael despite him not really deserving it as he is moody and unfaithful with a robot and then tries to kill her. In the end, we hear that she has found someone more worthwhile to love and have children with.Amusingly, when Clara doesn’t love his gloomy poem he calls her a lifeless automaton. The story is filled with little jokes like this.Nathanael does not believe in free will. Clara does. Nathanael believes that we are controlled by mighty powers greater than ourselves. Clara denies this and says we are fooled by our own fancies if we think this. Ironically, that is what kills Nathanael and drives him mad.SomSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Hounds of Tindalos by Frank Belknap LongFrank Belknap  Long was born in 1901 in Harlem, New York (not the Netherlands) and died in 1992 aged 92 in Manhattan.He was a horror and science fiction writer and is most famous for his contribution to the stories of the Cthulhu Mythos.The Cthulhu Mythos begins with H P Lovecraft, but many other authors have contributed towards the corpus of stories that the faithful call ‘The Canon’.   It was his 1921 story The Eye Above The Mantel that caught Lovecraft’s eye. That story was a pastiche of Edgar Allan Poe and I have elsewhere commented on that histrionic overblown prose that contains many screaming crazy dudes and occult blasphemous horrors which is found first and best in Poe, then Lovecraft and here in this lovely story.Frank and Howard maintained a long correspondence. Lovecraft was famous for his lengthy and multiple pen friendships as he sat shut up and nervous in his room. He became a mentor to Frank. Frank contributed to the pulp magazinesThe Hounds of TindalosChalmers. Prefers illuminated manuscripts to adding machines and leering stone gargoyles to automobiles. Who doesn’t?  He has a long nose and slightly receding chin. His bookcase has medieval pamphlets about sorcery, witchcraft and black magic (surely triple tautology)  but again, what’s not normal in any of this? Although I think that Frank is setting it up for the norms so they get the idea that Chalmers is a bit weird. He has the same name as the Australian Philosopher David Chalmers who famously came up with the term ‘the hard problem’ to describe how in a materialist way of thinking, matter can give rise to subjective experience. It’s as hard a problem as how cows make lollipops. We simply can’t figure either of them out.So, Frank is using ‘modern science’ in the guise of Einstein to undermine the self-confident materialists, particularly regarding time. He throws this is in like spice. He lets us know that Einstein is relative: we each have our own versions.  Our interlocutor is our avatar. Think how hard it would be to write a story with one character? You need two to bring out the exposition. Anyway, on we go, getting more and more theatrical with each sentence. But this idea about curves and angles seems original and it is quite weird. Like Lovecraft’s Colour Out of Space, an abstract idea like a colour or an angle can be jarringly weird. Weird is all about juxtapositions that should not be, and taking things out of context because they are juxtaposed with other, odd contents.It sort of reminded me of H G Wells’ The Time Machine particularly the 1950s film version. The Hounds of Tindalos was the first Cthulhu story written by anyone else than Lovecraft and we have references to Dholes and the Elder Races. Other than that, there is no clear connection, unless a Mythos buff can correct me. The Hounds of Tindalos are not actual dogs in this story. Other Mythos writers like Ramsey Campbell, Lin Carter, Brian Lumley and Peter Cannon reference the Hounds.  The the name Tindalos sounds Greek and there are references ‘The Greeks had a name for them, ‘ I don’t think Tindalos means anything.The name Halpin is one I have only come across before in the work of Ambrose Bierce The Death of Halpin Frayser . Perhaps it is a common name in America, but I’ve heard in speech here. 20lb of plaster of Paris seems a lot. Despite the plaster of Paris smoothing out the corners of the room (I should have liked to have seen that), the Hounds find a way in by causing an earthquake which causes the plaster to fall and thus angles are created…A hopeless maniac. I could tell you about those.   With the lSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

E F BensonEdward Frederic Benson was born in 1867 at Wellington College, where his father was headmaster,  in Berkshire just outside London and died at University College London at the age of 72. His father went on to be Bishop of Truro, and Cornwall features in both his and his brothers’ stories, and then Archbishop of Canterbury, the highest ranking of the Anglican Church. He was the fifth child. His illustrious brother A C Benson wrote the words to Land of Hope and Glory, a patriotic English song and some fine ghost stories, although probably not as good as EF’s. His other brother also wrote ghost stories but he was a committed Catholic and RH Benson’s stories often contain religious lessons rather than being merely fun.His sister Margaret was an amateur Egyptologist and author. Two other siblings died young.E F Benson was educated at Marlborough College and then went to King’s College Cambridge.  His first book was Sketches from Marlborough and he was most famous in his lifetime for the Mapp and Lucia comic novel series. Arguably however his ghost stories are his greatest legacy.  Some of these including this one How Fear Departed The Long Gallery have comic elements, particularly the kind of humour that observes and gently satirises the social class he moved in — otherwise known as the idle rich. A status I aspire to myself, and with your help will one day reach.How Fear Departed The Long GalleryThe story starts with a rather comic picture of a genteel English county family who live in a long occupied ancestral house full of quirky ghosts. Then after the comedy we are told about the scary ghosts: the murdered children, murdered quite horribly by Dirty Dick.  It was one of those murders like Richard III, motivated by a desire to wipe out the line and inheritI think the scariness of children is if I may say like that of a doll. It’s the uncanny valley. They are both like and unlike adults. They look like us, but we cannot be sure they think like us or what they will do. Who is hiding behind the eyes of the child. Anne Rice does this with her child vampire Claudia and there was a child vampire in Skyrim too. Just saying.The servant who first sees the toddlers dies. Then Miss Canning, the great beauty and friend of Voltaire mocks th twins and gets a horrible lichen disease. E F wrote a few horror stories that feature diseases, notably Caterpillars. Colonel Blantyre shot at the poor ghosts. Miss Canning told them to get back into the fire.  When Madge wakes in the Long gallery after dark and gets lost in the furniture and disorientated that’s like the Blind. Man’s Buff story we did. Lighten Our Darkness indeed, and figuratively by mercy.  So it’s a story about redemptionIf You Appreciate The Work I’ve Put In HereIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Crown Derby Plate by Marjorie Bowen is a classic ghost story and much requested. It has a ghost, a remote haunted house, windswept Essex marshes, a set of china and a naive and rather pushy heroine. A fun story that I enjoyed reading out.If You Appreciate The Work I’ve Put In HereA good was is to to spread the word about the podcast!You could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Anthony BoucherAnthony Boucher known as was the pen name of William Anthony Parker White and he was known at Tony. He was born in 1911 in Oakland California and died aged only 56 in Oakland of lung cancer. I guess he liked it there.  He graduated from Pasadena High in 1928 and went to the University of Southern California and did his masters at University of California, Berkely. Boucher is to rhyme with Voucher rather than the French bouche. Boucher was close to his grandfather who had been a steel worker in Glasgow and got free passage to America after signing up to fight in the Civil War. He couldn’t have afforded the passage otherwise. It’s said that the grandfather who made a big impression on Boucher was a rake and a rogue. He was a sickly child with asthma and other illnesses and this made him a voracious reader and later writer. Boucher was a professional writer of fiction who wrote mystery novels, short stories, science fiction and radio dramas. His story Nine Times Nine was voted the best locked room master of all time. He edited anthologies of science fiction and was a translator from Spanish, being the first to translate Jorge Luis Borges (I must do one of his stories). Boucher founded the Magazine of Fantasy and Science Fiction and edited it from 1949 to 1958.  He was a friend and mentor of Philip K. Dick. In addition to other things he was a keen poker player, a sports fan and a big fan of Sherlock Holmes. He collected records of early operatic singers. Apparently he was a friend of the occultist Jack Parsons who also lived in PasadenaHis first story was published in 1927 in Weird Tales when he was 15. It was entitled “Ye Good Olde Ghost Storie”. They BiteThis story was suggested by many many people. I watched a couple of videos on how to do Western accents, but I think I have not succeeded very well and hope that doesn’t detract from the story.This is a classic folk horror story albeit set in the American West, though it references Sweeny Bean a Gaelic cannibal from Galloway.  Boucher’s grandfather was from Scotland. The story is similar to Samantha Hick’s story: Back Along The Old Track, though I don’t think Sam’s story was consciously modelled on this. The similarity is in the trope. Also similar is Lovecraft’s Dreams In The Witch House. It isn’t clear to me why Tallant is climbing the rocks all day or has come here at all. He makes notes of what he sees of the glider training school. Perhaps he is going to sell what he sees to the highest bidder – some sort of freelance spy.Some of the characters I don’t get. The old man who warns Tallant and whose dog is killed by the Carker. The young man with the beard who is a stranger, the Flight Sergeant on the pinball machine and the construction worker being fleeced at poker. I don’t get those, apart from Boucher’s real life love of poker. He only needs one Warner and the bartender really.  He is planning blackmail but I don’t get how the Carker story will help that. I wasn’t surprised when he killed Morgan. I think the dream of him being a superman king narcissist type let me know he was not a bloody good bloke. But it is Morgan’s murder that leads to Tallant’s doom. It is his fiendish plan to attribute Morgan’s death the the Carkers that leads him inside their tumble down adobe.    It has an unreliable narrator. Remember Boucher was a mystery writer and the unreliable narrator became a staple after Agatha Christie. There is no hint that Tallant is a blackmailer. In a sense he is like the Crakers who have come to Oasis opportunistically in search of prey — as has Morgan, a fellow blackmailer. There is a hint to Tallant’s shady pastSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Call of Cthulhu by H P Lovecraft was commissioned by Gavin Critchley for me to read for all of you. Thanks to Gavin!The foundation story of Cosmic Horror and the Cthulhu Mythos. Get a cup of tea, sit comfortably and be prepared to go insane at the revelation of monstrous fate that awaits us all. ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn!If You Appreciate The Work I’ve Put In HereYou can become a Patreon of the show for exclusive members’ only stories:https://www.patreon.com/barcud (https://www.patreon.com/barcud)And if you want to thank me (think of a busker’s hat) then you can get me a coffee via http://www.ko-fi.com/tonywalker (www.ko-fi.com/tonywalker)Join my mailing list and get a download: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback (https://bit.ly/somecomeback)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Secret Of The Vault by J Wesley RosenquestRecommended by Mary Ware in August 2021. Published in Weird Tales, May 1938J WESLEY ROSENQUEST or Rosenquest was an American Sci-fi writer.  That's all we know about him. Unless you have a lead?If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Mean Mr Mullins by Cathu Sahu is an original story by a living author: Cathy Sahu. A tale of a nasty man set in small-town America (at least I think it's small town, maybe suburban). For the post-story discussion, I read out notes sent in by Cathu and ramble a bit on the general themes.Cathy Sahu's book Ghosts & Other Unpleasantries can be found https://www.amazon.co.uk/Ghosts-Other-Unpleasantries-C-S-Sahu/dp/0997578505/ref=sr_1_fkmr0_2?crid=1AVFQU3Z2PLKC&keywords=cathy+sahu+ghosts&qid=1653129438&sprefix=cathy+sahu+ghosts%2Caps%2C81&sr=8-2-fkmr0 (here)This is Amazon UK link, but you should be able to hop to Amazon USA and all the other Amazons from it.If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Middle Toe of the Right Foot by Ambrose Bierce is a ghost story set in the late 19th Century in the American south-west. A tightly crafted tale with at least three twists, even though it's short.Thanks to 23Split23 for recommending it, and Dewayne Hayes for recommending Bierce in general. Amazed it's only the second Bierce story I've done. Well worth it though.If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Catacomb by Peter Shilston was recommended by one of my Patreons but it was hard to get hold of. It was published in the early 1980s in a fanzine for lovers of M R James's stories who wrote stories in a similar vein. This home-produced magazine was called More Ghosts and Scholars and is very hard to get hold of. Then it was reprinted in Best of Ghosts and Scholars and Best Horror Volume 9 edited by Karl Wagner. These are collectors items and expensive so I despaired of getting hold of the story but wanted to because it was so highly recommended. Eventually I bit the bullet and shelled out (see what I did there?) for More Ghosts & Scholars on Ebay. It arrived. I read it. I hope you like it. It is followed by my thoughts about the story which in now typical fashion degenerates into random related thoughts.I hope you enjoy my rendition. You could consider supporting my efforts by buying me a coffee one off or signing up as a Patreon. This latter includes members only readings and early access to regular podcast episodes.If You Appreciate The Work I’ve Put In HereYou can become a Patreon of the show for exclusive members’ only stories:https://www.patreon.com/barcud (https://www.patreon.com/barcud)And if you want to thank me (think of a busker’s hat) then you can get me a coffee via http://www.ko-fi.com/tonywalker (www.ko-fi.com/tonywalker)Join my mailing list and get a download: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback (https://bit.ly/somecomeback)————————Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Amelia B EdwardsBorn in 1831 in London and died in 1892 aged 60 in Weston Supermare at the seaside near Bristol. She was a novelist, traveller and enthusiastic amateur Egyptologist. Her mother was Irish and her father had been an officer in the British Army and then became a banker.  She was married, but her emotional attachments were with women and she lived with and was apparently in love with Ellen Braysher, widow, and Ellen Byrne a school inspector’s wife.A Night on The Borders of the Black Forest was recommended by Nadia Astorga in May 2022This is the third story by Amelia B we’ve done, the other’s being The Phantom Coach and Salome. This is the first of hers that is less a ghost story (if fact not a ghost story at all) and more an adventure.  The collection of stories is also entitled A Night On The Borders of the Black Forests and was published in 1890.For comparison Le Fanu’s Carmilla set in Styria in Austria was published in 1872 and Stoker’s Dracula was published in 1897. Elizabeth Gaskell’s The Grey Woman was published in 1861. It reminded me most of The Grey Woman because it is set in the border area of France and Germany at about the same period and there are brigands in the woods in both.It’s a definite nod to the Gothic but also a right rollicking adventure story and so reminds of The Grey Woman but also the Scottish set  A Journey of Little Profit by John Buchan from 1896, because it is also a tale of wanderings on foot and George Borrow’s Wild Wales was published in 1862, which deals with supposedly true wanderings in the Wild.Mary Braddon’s The Cold Embrace and Hoffman’s The Sandman also have people tramping all over Germany and venturing into France and the Netherlands. It must have been busy on the roads. Wordsworth had an edition of the Prelude out in 1850. This thrilling love for mountainous wild places titillated the middle class urban readers on a trivial level while Wordsworth was aiming for the spiritual, but each to their own indeed.The story structure: Neat. Enjoying the milieu as much as anything. The tramping over the countryside. On his own, meets up with Gustav, on to the village, the coach trip, wandering at night, the inn, suspicions mount.  The innkeeper won’t drink the wine. It tastes bad. It smells funny as does the coffee.Burned! Why not set the dogs on them? Why not just poison them dead rather than drug them with a soporific?  I think that’s a plot hole. And if they don’t sell the stuff they steal (it’s in the granary) what’s the point of murdering strangers? But a good read and nicely written, easy to narrate. A sprinkling of German terms for colour. Gustav shows too much interest in the slow-witted peasant girl Annchen for my liking. After all, he’s got a madchen at home.  She won’t drink the wine either. The beer seems fine though. The landlord checks how much Gustav as drunk. If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruskin BondRuskin Bond was born in 1934 in Kasauli in Punjab, India. His first novel was published when he was 22, A Room on the Roof and it won the John Llewellyn Rhys Prize. He specialised in short stories of which he wrote more than five hundred. He lives in Mussoorie. Bond was born when India was part of the British Empire.. His father taught English to the Indian princesses of the Indian princely state of Nawanagar and bond lived with his family at the palace when he was a boy.  At the beginning of the Second World War, his father Aubrey Alexander Bond joined the Royal Air Force. When Ruskin was only eight his father left his mother Edith Clarke and married an Indian, Hindu woman called Hari. (In the story, which has lots of autobiographical details, he says it was his mother who married an Indian man after his father died). His father arranged for him to come to New Delhi where he was posted and Ruskin was happy there and describes his childhood as magical. But his father died during the War when Ruskin was only 10. He went to an English style boarding school in Shimla and won a number of writing prizes when he was there. After finishing at Shimla he went to the Channel Islands (close to the French Coast but a possession of the English Crown) because his aunt lived there. He then went to London and worked in a photo studio. When his first novel was a success he used the money to pay his fare back to India. He worked as a writer there and has been a writer ever since.Despite his British ancestry he feels India. He has said about being Indian that race did not make him one, religion did not make him one, but history did. Most of his works deal with small town India, particularly the hill stations where he grew up. He has described small town India as his India. If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Most of Ruskin’s stories aren’t ghost stories though he admits a fondness for the work of Lafcadio Haearn, an Irish writer who settled in Japan via the USA and specialised in ghost stories with a Japanese background.  Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Masque of the Red Death by Edgar Allan PoeThe Masque of the Red Death was published in 1842 by Edgar Allan Poe in Graham’s Magazine.  He was paid $12 for it. There is an app on the internet to tell you the value of money today and that calculates $12 in 1842 is worth $482 today.  That is £353 Sterling, or £4,236 Scots.  Good money in anyone’s book for a 16 minute story.It was made into a film in 1964, starring Vincent Price.  As any brief study will tell you, it follows the conventions of Gothic fiction: it’s set in a castle (in fact a castellated abbey so two for the price of one)At the time of the story, Poe’s wife was suffering from tuberculosis and would be coughing blood most likely, and this image may have inspired (if that is a suitable word) the imagery of the story. People have wondered what the actual disease was - bubonic plague or tuberculosis or maybe Ebola virus, but in fact I think it’s most likely he just made it up.There have been many attempts at understanding why there were seven rooms and the meaning of the colours. It may be because he liked the imagery, but of course why did he like the imagery? What subconscious needs and desires do the colours represent. Discuss at your leisure. The story is about how even kings may not escape death, despite their pride and majesty and as such it reminds me of Oxymandias by Shelley and the Dog In Durer’s Etching story we did  by Marco Denevi.It’s a very neat story structure.  Introduce Red Death, introduce Prospero. He retreats from the world, describe the abbey. Now the Masquerade Ball. Now entry of Death. Now he’s dead. Finish. 16 minutes.What’s with the Ebony Clock? Perhaps counting down like a drum roll to increase suspense? Who knows?If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Clark Ashton SmithClark Ashton Smith was an American writer born in Long Valley, California in 1893 who died in Pacific Grove, California in 1961, aged 68.  They are actually four hundred and twenty eight miles apart which is longer than the whole of England.  For comparison I have only made two hundred yards from the place I was born to the place I now live. He lived most of his life in the small town of Auburn, California. He was madly neurotic, agoraphobic and as with Lovecraft, the existential unease he no doubt felt in life, intrudes into his stories, giving them their unsettling quality, I would guess.Because of his nerves, he was educated at home and was intelligent with a fantastic memory and educated himself by reading, including The Encyclopaedia Britannica all volumes cover to cover more than once.He taught himself French and Spanish and translated poetry from those languages, including Baudelaire’s The Flowers of Evil. Naturally.Clark was a weird poet and one of the now defunct West Coast Romantics. I can see him playing guitar for Mazzy Star (if he’d been spared). He was one of the ‘big three’ authors of Weird Tales, the others being Robert E Howard and H P Lovecraft. As a teen (though in those days I wouldn’t have been familiar with that word) I lapped up all three, though I preferred Ashton Smith. There is something more poetic and less rude about his style than either the barbarous, muscle-bound stories of Howard and the off-kilter, prolix and baroque tales of H P.  Though, as I say, I read them all, aye. All.We have done an Ashton Smith story before: https://www.youtube.com/watch?v=fSkA3Hq8qIU (The Maker of Gargoyles).This story: The Nameless Offspring is another tomb story. We seem to have done a run of these recently: https://www.youtube.com/watch?v=2pSp2_ZPOyA (The Catacomb), https://www.youtube.com/watch?v=eC9epxbb-JU (The Secret of The Vault). And previously we did The https://www.youtube.com/watch?v=iC-kCEb_oTE (Fall of the House of Usher).It was published in Strange Tales in 1932, and in those days publishing in these pulp magazine was the standard process.  Many of the writers of pulps purveyed Cosmic Horror. Of course the primary voice here is H P Lovecraft and his  taste seems to have stamped itself on his followers and his approval, given them a significant advantage. Lovecraft was a great admirer of Ashton Smith.You will recall that to write a classic story in this period: first set it somewhere obscure either in time or distance from your average reader> Make the weather bad. Have a gothic edifice: a castle, though in this case and old (Cornish from the name) Manor House will do. Have an aged retainer, an obscure history that is not fully discussed, an aristocrat, poor light then you just need a monster and you’re on. This tale has it all. And let’s face it what Hollywood producers say (though not to me) ‘We want more of the same, but different.”  This is what we have. Smith is great with descriptions. I prefer his prose to Lovecraft. IT was the fashion to use obscure words and lots of them, but he does it in a less awkward way than Lovecraft and one that is not as open to parody.The story begins with a little background that makes sense of what is to follow along with a warning that he never foresaw the terrible truth, etc. he goes on a trip and inadvertently comes across the evil Tremoth Hall. How likely is that actually? The place receives few visitors in common with nearly every Manor House in all the stories we have read. None of them are open to the National Trust. I read one recently by Sarah Perry (author of Melnoth the Wanderer and the Essex Serpent) iSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Entrance by Gerald DurrellGerald Durrell was born in Jamshedpur which was then part of British India, in 1925 and died in St Hellier, Jersey in 1995, aged 70. This story, The Entrance was published in his collection The Picnic and Suchlike Pandemonium in 1979. This title was renamed The Picnic and Other Inimitable Stories though I suspect that someone who didn’t understand the word pandemonium would struggle with inimitable too. But that’s marketing for you.  His family’s life has been the subject of a popular TV series “My Family & Other Animals” taken from the title of one of his books. He was a prolific writer, usually of light, comic fiction and autobiography and a life-long animal lover who set up the Jersey Zoo.  Those of you who read these notes will probably predict offended comments about animals being hurt in The Entrance and how zoos are bad. My only comments are: it’s fiction. There were no animals, and; attitudes change over times. I don’t think he set up a zoo because he was a wicked man who wanted to hurt animals. Zoos were uncontroversial once. Those who don’t make comments on videos expressing their hurt and offence probably won’t read the notes.Durrell’s famous siblings is the author and poet Lawrence Durrell. In his early years, as his family were middle class and British, he had an Indian nurse called an ayah. He ascribes his lifelong love of animals to a visit to a zoo when he was small in India. The family moved to the Crystal Palace area of London (with its concrete dinosaurs) and he avoided going to school by pretending to be ill. In 1939 the family moved to Corfu, Grreece and Durrell began to build his menagerie. This period of his life was an inspiration of his many books.Because of the Second World War, the family moved back to England and he ended up working in an aquarium and a pet store. He was not medically fit to be a soldier but ended up working on a farm. After the war he went to work at Whipsnade Zoo. After that, he got a job collecting animals for zoos by visiting Africa and South America. He was known for treating his animals well, which caused him financial difficulties .He founded his own zoo in Jersey in 1959.The EntranceThe Entrance was recommended to me by Alison Waddell. It is a frame story and thus hearkens back to the classic ghost story tales which are often told as frames and often feature old, occult manuscripts. Gerald Durrell goes to meet his charming, slightly comic friends in Provence. They hand him a manuscript they found in Marseilles that belonged to a strange man called Dr Le Pitre. Dr Le Pitre is another layer to the story that seems quite unnecessary to me, but I might be missing something. The manuscript dated as March 16th 1901 features a lengthy set up of a Victorian (the old queen died  on 22 January 1901, but her influence lingered a few months at least) antiquarian book dealer (very M R James) who is stalked by a strange foreigner  on a foggy night in London (so far so trope, and I suspect that Durrell was doing this to play with the genre). He gets a mysterious warning from his friend about the family, but becomes great mates with this aristocratic frenchman. Ultimately we see that this was a grift and Durrell drops a few ominous sentences along the lines of “If I knew then what I know now”. “That was my gravest mistake” which sort of spoilt the surprise of the twist at the end. But it’s full Gothic. Alone in an ancient chateau in terrible weather, cut off by snow with a lurking monster in the mirrors. Instead of strange old servitors he has some friendly animals. Again he can’t help himself intruding the comic parrot and Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Milk-White Child of Ravenglass by Tony Walker, is one of mine. As I explain in the notes, this is one of my More Cumbrian Ghost Stories book. You can purchase the full book or audiobook (just saying, if you were so inclined, and you liked this one, well maybe you'd like the rest?)Check out the Ko-Fi link. I think it's there. I'm giving you this because I'm off on my hols soon so I will schedule this to come out while I'm away.Yes, there's a Romantic theme to it. Yes it includes the good people. So I'd been reading Wordsworth and Arthur Machen at the time. I was all Romanticked up. I like stories of the fey, fae, whatever you call them. Do I believe in them? That would be telling.If You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ghost Ship by Richard Barham Middleton Richard Barham Middleton was born in 1882 in Staines then in Middlesex, but since 1965 part of Surrey. It calls itself Staines upon Thames now.  I checked the 1864 map and then it was a small town surrounded by fields and woods. Even now looking at the satellite, though I see is is a much bigger urbanisation there is still some nice green land around it. But I digress. He died in 1911 in Brussels by suicide (If You Appreciate The Work I’ve Put In Here - You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for exclusive content here: https://www.patreon.com/barcud) He was educated at Cranbrook school and then went to work as a bank clerk between 1901 and 1907 but lived, the Wiki says ‘affected’ a Bohemian lifestyle at night and joined a club called The New Bohemians. He knew Arthur Machen who much admired his work and wrote a preface to the collection of stories in which I found The Ghost Ship. It’s available on Gutenberg for free. He became a magazine editor but really wanted to be a poet. He met Raymond Chandler who was put off writing almost because Middleton was so talented and he thought he’d never match it. His most famous poem is The Bathing Boy which is a paean to a beautiful young man swimming.  He made very little money as a writer and lived in poverty. He moved to Brussels and aged only 29, he killed himself by drinking chloroform just after his birthday.  We have done his winter ghost story, On Brighton Road which is short but good. The Ghost Ship is his most famous ghost story and, unlike On Brighton Road is humorous.  In his biography by Henry Savage, Middleton is said to have claimed he had a pirate for an ancestor who was hanged at Port Royal. But Savage notes that Middleton was not diligent with facts. If You Appreciate The Work I’ve Put In Here You could buy me a coffee  https://ko-fi.com/tonywalker Become a Patron https://www.patreon.com/barcud And you can join my mailing list and get a  free audiobook:  https://bit.ly/dalstonvampire Music By The Heartwood Institute https://bit.ly/somecomeback*** New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A Pair of Muddy Shoes by Lennox Robinson Lennox Robinson was an Irish author, poet, dramatist and theatre produce who was born in Westgrove, County Cork, Ireland in 1886 the son of a Protestant clergyman, who had previously been a stockbroker. Lennox (fully Esme Stuart Lennox Robinson) was often ill as a child and educated by private tutor and at a Church of Ireland (that is the Protestant Anglican Church) School.  He became interested in drama when he saw a production by W B Yeats and Lady Gregory at the Abbey Theatre in Dublin when he was 21. (If You Appreciate The Work I’ve Put In Here - You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for exclusive content here: https://www.patreon.com/barcud) His play Cross Roads was produced at the Abbey in 1909 and he became manager there the same year. He resigned in 1914 after a poorly reviewed tour of the USA, but came back in 1919 and was appointed to the theatre’s boar din 1923 and served there until his death in 1958. It is said that he was an alcoholic and often depressed.    He was Anglo-Irish but was committed to the Irish nationalist cause (like Yeats and Lady Gregory).  His wife’s mother was a spiritualist.  A Pair of Muddy Shoes is written in a very naturalistic, conversational style which was fun to read and very different from some of the other things we’ve been reading out recently (Poe, I’m looking at you).  It’s all fun, and I like both styles. The story is written from an Irish woman’s voice and I read it as an English man. You will know I debate with myself whether I should do accents (which I enjoy) or read a woman ’s voice. The second I have few problems with to be honest, the first is more of a problem because though I enjoy doing the accent there is always someone who’s ear is so finely tuned that it jars and spoils the story.  So, I decided to do this in my native voice.  The story is about a possession but it’s unusual and fresh in its setting in rural Ireland (I thought of Craggy Island and the big priests’ house looming up from the middle of a bare field, no garden, no path, no nothing leading to it). The spirit of the murderer remains very wicked and his pleasure in the crime infects the shy young woman who is speaking. There is something about weird juxtapositions like the white cat with the narrator’s face and then when she goes into the house, the victim says that she has the face of a girl, but the hands of a rough man.  And you can join my mailing list and get a  free audiobook:  https://bit.ly/dalstonvampire Music By The Heartwood Institute https://bit.ly/somecomeback*** New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Doll by Daphne du Maurier Dame Daphne du Maurier, Lady Browning was born in 1907 in London in 1931 and died in 1989 in Cornwall. She is a famous novelist with such best-sellers as Rebecca, Frenchman’s Creek, The Birds and the novella Don’t Look Now. This story is taken from a collection of short stories written before her famous novels. She was clearly fond of the name Rebecca for the dark-spirited anima-like femme fatale. I did a recording of Don’t Look Now, which has proved to be my most popular recording on Youtube.(If You Appreciate The Work I’ve Put In Here - You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for exclusive content here: https://www.patreon.com/barcud) Her father was an actor and theatre manager who was knighted for her services to the arts.  Her mother Muriel Beaumont was also an actress.   Daphne’s sister Angela was also an author and an actress and her other sister Jeanne who was part of the painter colony in St Ives Cornwall.  Daphne and her sister Jeanne look very like their mother in the photographs on the internet.  Their cousins were the inspiration for the children in J M Barrie’s Peter Pan.  Her great-great-grandmother was mistress of Frederick Augustus, Duke of York and Albany.  She was born when the family were living in a rather grand house on Cumberland Terrace on the eastern side of Regent’s Park in a house that is now a grade I listed building designed by the famous architect John Nash. Her father’s success made this possible.  She was born in a house Daphne du Maurier became more reclusive as she got more famous and spent her time n her beloved Cornwall. As she grew, the family had two houses — one in Hampstead, north London ( a grade II listed building from 1720) and a house in Fowey, Cornwall, where they lived exclusively during the Second World War.  She got married to a prominent soldier and had three children, of whom both girls married prominent soldiers.  The Wiki notes that her marriage was somewhat chilly and she herself could be distant from her children. Her husband died in 1965, when she was 34.  She moved permanently to Kilmarth, Cornwall. She was made a dame (equivalent of a knight) in 1969 but was very reticent about mentioning it and never made much of it. After she died in 1989, biographers discussed whether she was a lesbian. Her sister Jeanne had a close relationship with another woman. She notes that her father always wanted a son and so she was a tomboy. Her children denied that she was a lesbian. When she died of heart failure aged 81, her body was privately cremated.  In her obituary, Kate Kellaway said: “Du Maurier was mistress of calculated irresolution. She did not want to put her readers’ minds at rest. She wanted her riddles to persist. She wanted the novels to continue to haunt us beyond their endings.” The Doll This story was published in 1937, that is two years after the death of her husband, and one year before the publication of Rebecca.   Apparently she was only 21 when she wrote The Doll. And you can join my mailing list and get a  free audiobook:  https://bit.ly/dalstonvampire Music By The Heartwood Institute https://bit.ly/somecomeback*** New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Birds by Daphne du Maurier was adapted into the 1963 horror thriller movie The Birds by Alfred Hitchcock. Daphne du Maurier wrote horror and mystery and crime stories and the birds can be considered science fiction. She was a master of storytelling and character building in English literature. The Birds concerns a bird attack in a horror story version of the near future when nature has been twisted by humankind – a kind of pandemic. Her two other most famous stories which were made into films were Rebecca (also directed by Alfred Hitchcock) and Don't Look Now by Nicolas RoegThis unabridged audio book version is narrated by Tony Walker of The Classic Ghost Stories Podcast with an analysis and summary at the end. #AudioDrama #RadioDrama #TheBirds If You Appreciate The Work I’ve Put In Here  You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for exclusive content here: https://www.patreon.com/barcud) And you can join my mailing list and get a  free audiobook:  https://bit.ly/dalstonvampire Music By The Heartwood Institute https://bit.ly/somecomeback*** New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Brickett Bottom by Amyas Northcote is about a mysterious house deep in the woods that no one but lonely young girls can see. There is a dark secret to this house in the forest, as you will discover. Amyas Northcote was the son of an English aristocratic family. This story was published in his one collection of ghost stories: "Ghostly Company". Though it was published in 1921, I think there is something genuinely eerie and even scary about the fate of the girl. Northcote has been compared to M R James but this story reminded me more of Arthur Machen and Algernon Blackwood's The Man Whom The Trees Loved. Brickett Bottom by Amyas Northcote Jay Rothermel’s blog Easily Distracted Buy Dracula Audiobook for Download Buy it directly from me at a knockdown price £4.99. https://ko-fi.com/s/a7a5c648b8 If You Appreciate The Work I’ve Put In Here Buy me a coffee at https://ko-fi.com/tonywalker, or join as a Patron for members only stories for $5 a month: https://www.patreon.com/barcud Subscribe to my Haunted Place channel here Before you continue to YouTube Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

This story by Nugent Barker comes from his anthology Written By My Left Hand, which I guess is a pointer to the fact that they deal with things that emerge from the night side of the mind, the subconscious. It is a story about the Devouring Mother told in a dream-like way. It's horror for sure. It's short and leaves you scratching your head, yet it is told in a familiar way from ghost stories where gentlemen are sitting in their study around a blazing fire sipping whiskey toddies while they swap scary stories. The content of the story is less than straightforward though. You have the benefit of my thoughts afterwards. Just for you, here's a link to this whole book online as a PDFhttps://s3.us-west-1.wasabisys.com/luminist/EB/B/Barker%20-%20Written%20With%20My%20Left%20Hand.pdf## Get All Episodes Ad Free!$1 a month for the whole back catalog of episodes on Patreon. Download at your leisure. https://www.patreon.com/barcud## Buy Dracula Audiobook for DownloadBuy it directly from me at a knockdown price £4.99.  https://ko-fi.com/s/a7a5c648b8## If You Appreciate The Work I’ve Put In Here You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for members only stories for $5 a month: https://www.patreon.com/barcud)## Late Night Talk RadioListen to my other podcast! Here [Classic Ghost Stories Episodes – The Classic Ghost Stories Podcast](https://link.chtbl.com/late_night)#audiobook #horroraudiobook #freeaudiobook #horror #classicghoststoriesThe story is reminiscent of Robert Aickman or Bruno Schulz for its uncanny unnerving weirdness.#freeaudiobooks #weirdtales #horror  Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Basil Netherby is a masterpiece of brooding supernatural fiction. This unabridged audio book style story narrates a ghost story or a story of possession. Basil Netherby has many of the elements of gothic literature. It was written by Arthur or A.C. Benson, the brother of E. F. Benson. It has elements of M. R. James, who was a personal friend of A C Benson and is even reminiscent of H. P. Lovecraft at times in the idea of immense supernatural forces that cannot be beaten. Or can they?#ClassicHorror #SupernaturalFiction #HorrorAudiobook #ArthurChristopherBenson #GothicHorror #GhostStory #OccultLiterature #shortStory #GothicLiteratureGet All Episodes Ad Free!$1 a month for the whole back catalog of episodes on Patreon. Download at your leisure. https://www.patreon.com/barcudBuy Dracula Audiobook for DownloadBuy it directly from me at a knockdown price £4.99.  https://ko-fi.com/s/a7a5c648b8If You Appreciate The Work I’ve Put In HereBuy me a coffee at https://ko-fi.com/tonywalker, or join as a Patron for members only stories for $5 a month: https://www.patreon.com/barcudLate Night Talk RadioListen to my other podcast! Here https://link.chtbl.com/late_night Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Sardonicus by Ray Russell is possibly the best Gothic horror story written in the 20th century.  Ray Russell's mastery of language elevates this piece of genre fiction into literature.  Russell's reading of character and masterful portrayal of dark nuances are evident. It is such quality even though the author wrote it for Playboy magazine. This tale is perfect for Halloween, but it's captivating all year long. It features a castle with a strange master, a beautiful woman in trouble,  individuals, disfigurement, an isolated setting, and a perplexing plot that our protagonist must unravel. Ray Russell serves as a link between contemporary masters of the dark like Thomas Ligotti and classic goth favourites like Dracula. It was published in 1961 and adapted into the movie Mr Sardonicus the same year, showing that its quality was instantly recognisedSadly, little this gothic masterpiece is little read now, but Sardonicus deserves to be resurrected!#audiobook #freeaudiobooks #audiobooksfulllength #audiobooktube #booklover #audible New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Company of Wolves by Angela Carter is a work of genius. There, I've said it.The Company of Wolves by Angela Carter is a short story from her collection The Bloody Chamber published in 1979 that was made into the 1984 film called, surprisingly The Company of Wolves, by Neil Jordan and starring, amongst others, Angela Lansbury.In summary, the story is a version of the Little Red Riding Hood folk story or fairy tale but with a modern, possibly feminist, certainly gothic twist. It's no secret that it involves werewolves, the threatening kind not the Kindle book kind, of which no more shall be mentioned. There is also a grandmother who gets eaten. A simmering of a young girl's sexual awakening underlies Angela Carter's story, but it's all done in the best possible taste (unlike the Kindle werewolf books of which I promised I would say nothing)Here is a short analysis of The Company of Wolves.The story begins by setting up the milieu: a peasant community in a north European forest that struggles to survive in the winter and has to guard itself against the common predators. Not only are there common predators but there are werewolves too which are the worst combination of the savage wolf and the savage man . The worst wolves are hairy on the inside.The Little Red Riding Hood avatar, a cocky, spoiled young girl goes walking through the dangerous wood. She is savvy enough to carry a knife and keep to the path. Unlike in the myth of Little Red Riding Hood where the Huntsman and the Wolf are separate figures, in this story they are one. The girl is in the cusp of womanhood but still intact. Even so she has an interest in such things as kissing. She has a bet with the Huntsman about who will arrive first at Granny's cottage. If she loses she has to give him a kiss so she dawdles so that she will deliberately lose.He is a hungry wolf and has already not been able to resist snacking on his pheasant. The old granny is no match for him. An old woman at the edge of death, she cannot seduce him so he eats her.It is clear that his initial interest in all these women is culinary not sexual: he wants to eat them only.Red Riding Hood arrives next. She soon guesses that this is the wolf and that he has eaten her granny and that she is in real danger of him doing the same to her.I think Carter had three options here: 1. Little Red Riding Hood as weak woman victim who has to be saved by a man. As someone writing feminist literature, it's not surprising Carter didn't choose this.2. An all men are evil feminist version where the woman kills the wolf herself3. Or far better ending she did choose. Our Little Red Riding Hood is brave and competent and she knows the power she has over werewolves, which is the power she has over the male part of the beast. She knew she was no one's meat and with her seduction, she charms the violence of the male through the realisation and use of her power as a woman. And so the beast is tamed through the Savage WeddingIn this vision, the best relationship between man and woman is one of partnership, and that violence has no place within their loving and physical relationship.However, violence might be needed outside the home where it is proper to protect the people and the community.#AngelaLansbury #NeilJordan #LittleRedRidingHood New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Legend of Sleepy Hollow by Washington Irving is the classic Halloween story. It appears to be a ghost story, but is it? It was published in 1819 and has some classic features of later horror stories and contemporary Gothic tropes.   In summary, a hapless, awkward, greedy, and self-opinionated schoolmaster fancies he has a chance with the coquettish 18-year-old daughter of a local landowner. He wants to marry her as much for the monetary rewards and food as for her own charms.  But this Ichabod Crane had to contend with a headless horseman in this earliest of spooky tales. It's a book in itself, albeit a short one, and the tale is very well written by author Washington Irving, who injects wry humor and who clearly was a great observer of human character and failings.  It was made into a scary movie by Tim Burton New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Magic Shop by H G Wells was published in 1903. "The Magic Shop" is a fantasy short story about a little English boy named Gip who wanted his father to take him into a magic shop they found while walking. They don't know that what they're about to see in the magic shop will permanently change both of their lives.A whimsical story on a similar theme to a previous story we read out on The Classic Ghost Stories Podcast: The Door In The Wall. H G Wells is saying that there is a world of magic and wonder that is always present and can be seen with those who have innocent and wondering eyes and hearts. But our ability to see it gets duller as we get tied up with the necessities of modern living and so we may miss our chance at wonder. A perfect bedtime story.A sweet and lovely audiobook story with only a tiny bit of horror and not much sci fi (science fiction)#audiobook #magicshop #ToyShop #FullAudiobook #Fantasyfiction New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Shadow by E Nesbit is a masterful story of an apparition that signifies death. It is set in a large house with servants in England at the end of the 19th or beginning of the 20th Century.  A Christmas party was held in the old manor house, the men have gone to billiards and left a group of young women to tell ghost stories. Then Miss Eastwich, the housekeeper is invited in and tells a real ghost story of her own.E. Nesbit was a famous and prolific woman writer for children who had a sideline in creepy ghost stories.The Shadow is a great story for Christmas or any other time. I really enjoyed reading it for you. New Patreon Request Buzzsprout - Let's get your podcast launched! Start for FREE Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A Humorous Victorian Ghost Story for Christmas Set against the charming backdrop of Cornwall's picturesque villages and folklore-filled hedges, "The Vicar's Ghost" by Lucy Farmer weaves a tale of intrigue and whimsy. During a Christmas visit, Lucy, her son Charley, and Aunt Martha become embroiled in a series of mysterious events at the vicarage. Charley's sighting of an enigmatic clergyman leads to Aunt Martha revealing a local legend of a vicar who died many years ago and whose ghost is said to return each year, accompanied by eerie disturbances. As a winter storm brews, the story transforms into a light-hearted romp, reminiscent of a Victorian-era adventure, with the community rallying to solve the mystery. Unraveling the tale, Lucy and her companions discover that apparitions might not be as supernatural as they seem, hinting at Victorian times being unexpectedly "progressive." The story unfolds with a blend of humor and suspense, reminiscent of a playful detective story. As secrets hidden as a silver sixpence in a Christmas pudding come to light, it becomes clear that truth is sometimes stranger—and more delightful—than fiction. The captivating conclusion leaves both the characters and readers pondering the charming complexities of reality and folklore. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a subscriber only episode, so come on and sign up at tonywalker.substack.comJohn Buchan: John Buchan, officially 1st Baron Tweedsmuir was born in 1875 in Perth, Scotland and died in 1940 aged only 64 in Montreal, Canada. He was Governor General of Canada until he died in office. His father was a minister of the Church of Scotland. Many of our ghost story writers are children of clergymen. He studied Classics at the University of Glasgow and then moved to Oxford University. After that he went to South Africa where he was private secretary to the High Commissioner of South Africa. Like Kipling, who we read last week, Buchan was a conservative son of the British Empire. He was a bit of a softie for a conservative though because later when MP for Peebles just south of Edinburgh, he supported votes for women, national health insurance for the poor and curtailing the power of the House of Lords.Though a Scot, he was not a Scottish Nationalist, and in common with many Scots of his class and time, he though Scotland was best off within the British Empire.When he returned from South Africa, he was called to the English Bar as a barrister (an advocate in Scotland). He was also editor of the still existing conservative magazine: The Spectator.In 1916, Buchan went to the Western Front, attached to the Intelligence Corps. Just before this he had just published his famous spy story The 39 Steps. In 1935, Buchan went as Governor General to Canada. He had always liked Canada, written about it as a journalist and fought alongside Canadian troops in the First World War. He encouraged a distinct Canadian identity and nationality. He hosted King George VI on the king's tour of Canada. He suffered a stroke at Rideau Hall and then a head injury as he fell. He was treated by the famous neurologist Wilder Penfield. A Journey of Little Profit was published in 1896 in The Yellow Book, so he was just twenty-one at the time. It's a well-regarded story about a bargain with the Devil.Because of its Scottish setting it has echoes with James Hogg's The Private Memoirs and Confessions of a Justified Sinner, and of course with the Faust Legend.The great use of dialogue and language with lots of Scottish dialect words sets this story apart but also the fact that Duncan Stewart becomes fond of the Devil and escapes with his soul. We see him first the older wiser man, now regretful of his wild youth.It's a great story, I hope you enjoyed it too.Download Charles Dickens The Signalman Free Mp3 https://bit.ly/dickenssignalman (Subscribe to our list and keep in touch with the podcast. Learn of new episodes and bonus Content. )Support our work PLUS you get a free story right now!(The Story Link is in the Thank You Email)Show Your Support With A Coffee!https://ko-fi.com/tonywalker (Buy the thirsty podcaster a coffee...)Final Request: The SurveyI want to know what you want. If you have three minutes, I'd be grateful to know what you think of The Classic Ghost Stories Podcast.https://my.captivate.fm/Click%20here%20to%20go%20to%20the%20Survey (Click here to go to the Survey)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

https://tonywalker.substack.com/ (Subscribe here, support The Classic Ghost Stories Podcast and obtain exclusive content.)The Twisted WoodWell, it's the anniversary of the Podcast! The first episode The Yellow Wallpaper went up a year ago, and what a year it has been. The Podcast has succeeded far more than I ever thought. When I started I just wanted to read the stories I enjoyed. It seems that others enjoy them too.We have also done some stories by living writers, so here's another. It's mine! This is the first story I've ever put up on the Podcast, and I'm doing it because it's the Podcast's first birthday. Happy Birthday, my friend!The Twisted Wood is in my new collection https://amzn.to/2RknlgY (Horror Stories for Halloween) Originally, it was going to be a story about the Mothman, but though it contains moths it got rather twisted and turned into a dark fairytale about a conceited community arts manager who is tempted to do a little stealing. We all know you shouldn't steal from the fairies, and we know even better than you must never ever take anything from fairyland. It ends with a bit of cannibalism, and I am struck that a number of the stories in Horror Stories for Halloween have a cannibalistic turn. What does that say about me?The setting is drawn o n an actual wood and the floods are those floods which hit my home area over the past decade and flooded me out of house and home not once but twice. I was once flooded out in Wales, so that's three times. And the third time is the charm, as they say.I was fired by a community arts manager when I was struggling to feed my small children on the basis I didn't "think like we do" which I swear was the reason they fired me. They know who they are. That's over fifteen years ago now, but I've paid him back in a story.This is one of my favourite stories. I allowed myself to go overboard with ornate language because I thought someone as pompous as his would use overblown language. The truth is I like it too. I've just read a Ray Russell story for the Podcast after all.So, if you liked my dark fairytale of someone getting their come uppence, check out my Newcastle Fairies which is somewhere around.I hope you liked my story. I enjoyed writing it, and reading it out!See you next week.Music by https://theheartwoodinstitute.bandcamp.com/music (The Heartwood Institute!) They rock.Download Charles Dickens The Signalman Free Mp3 https://bit.ly/dickenssignalman (Subscribe to our list and keep in touch with the podcast. Learn of new episodes and bonus Content. )Support our work PLUS you get a free story right now!(The Story Link is in the Thank You Email)Show Your Support With A Coffee!https://ko-fi.com/tonywalker (Buy the thirsty podcaster a coffee...)Final Request: The SurveyI want to know what you want. If you have three minutes, I'd be grateful to know what you think of The Classic Ghost Stories Podcast.https://my.captivate.fm/Click%20here%20to%20go%20to%20the%20Survey (Click here to go to the Survey)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Earlier Service by Margaret IrwinThe Earlier Service is a tale of what happens in a remote English church late at night. A Listener suggested I record The Earlier Service by Margaret Irwin. I hunted it down via the internet and found it in an anthology called Bloodstock, published in 1978 by Ian Henry Publications in 1978. I believe the collection was initially published in 1953.Bloodstock is split into three sections: Stories From Ireland (five stories here); Uncanny Stories (four stories) and two ungrouped stories: Mrs Oliver Cromwell and Where Beauty Lies. Margaret Irwin doesn’t include any biographical information in this book so I had to go looking elsewhere.As usual, Wikipedia came up trumps and I gave them $2 for their great work. Margaret Irwin was born in Highgate, London in 1889, and she died in 1967 in London also. Her father was an Australian from Perth and her mother was English and her mother’s father was a colonel in the 16th Lancers, a British Cavalry regiment. She was brought up by her uncle in Bristol after her father died.She started writing professionally in the 1920s and specialised in historical fiction, particularly the Elizabeth and early Stuart periods. As well as historical novels she did ghost stories and two fantasy novels, one about a time slip and the other about a wizard’s daughter.She married a book illustrator who did the covers for some of her books.  The Earlier ServiceThe story seems to hark back to a different England: a rural England of evensong and churchgoing that no longer exists. We have examples from the work of R H Malden and M R James of country vicars going about their business in rural parishes where they and the doctor and the solicitor are the only educated and literary people but where they service and minister to the illiterate throng. Most country churches now in England are dead or dying and this therefore is a picture of a world that once was and is no longer.The story begins with the rector’s family going to church. It’s dad’s job so it is the daughters’ duty to go to each service. The younger daughter Jane has developed an irrational fear of the church, though at the beginning, neither she nor we know why. There is some hint that that gargoyles on the church spire are stretching out their necks to get into her room, but that is not what’s happening and is just a little spooky detail thrown in to create atmosphere rather than foreshadowing proper.In the same way the bits of dried black stuff on the church door is said to be the skin of flayed heathens. Imagine torturing people just because they don’t think the same things you do. How awful. I’m glad we’re not like that now.When I was young, I used to collect plastic figures of crusaders. In films they were great heroes, but apparently they are the bad guys now. In any case, the crusader is a great defender in this story. I’ve been to lots of churches with tombs in them with knights and ladies in relief. There was a chapel near Chilingham Castle that I used to take my ghost tours to, usually in the middle of the night. It was always so cold and it was easy to believe in that quiet, chill atmosphere, that they might come back to life. But of course this is a witchcraft/satanism story. In the old days the two were thought to be the same thing. Of course this is what happened to the old pagan gods—they became demons.Jane sees the little dark man with the sharp object in his hand. Of course this is the old Giraldus atte Welle who was defrocked for demonism back in the day. It seems her mother gets a hint of it, but doesn’t see it as clearly as Jane. This is probably because she is not thSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Bruno SchulzBruno Schulz was a Polish writer. He was born in 1892 in Austrian Galicia. In those days that part of historical Poland was under the control of the Austro-Hungarian Empire. Now it is part of Ukraine. His family were well-off traders who owned a dry goods shop. I'm not wholly sure what that is, though I think I knew when I was younger.After the First World War, Austrian Galicia became part of Poland. Schulz was 26 when that happened. His home town was a drab industrial place, predominantly Jewish, at least until the Holocaust. Schulz lived there most of his life. Schulz was interested in the arts from his youth and studied design in Lviv. He then went to Vienna to study architecture for two years but returned to his home town to the school he had himself attended and became a teacher of arts and crafts. He is said not to have liked teaching much, but he entertained the pupils by telling them stories.He was Jewish, and before the Nazi partition of Poland, there was a thriving Jewish community in his hometown. He wrote in Polish but was fluent in German too. Like many writers, he was inspired to continue writing even though he received little encouragement at first. He gained success after he went to see a famous Polish novelist, who was reputedly not too keen on seeing him at first, thinking him just another wannabe writer. However, after hearing him read out the first page of his work, she asked him from the manuscript and declared she had discovered a new genius of Polish literature.His first collection of stories was published in 1934 called The Cinnamon Shops in English though it is often known as The Street of Crocodiles. Three years later he published Sanatorium Under The Sign of the Hourglass. He illustrated his own books.In 1936, he translated Franz Kafka (1883-1924)'s The Trial into Polish. Kafka who wrote in German was also Jewish and also from territory that had belonged to the Austro-Hungarian Empire.He was awarded the Polish Academy of Literature's Golden Laurel award in 1938.In 1939 the Nazis came. He was writing a novel at the time, but that is now lost. He died tragically in 1942. He was walking home through the so-called Aryan quarter of his hometown. He'd been to buy a loaf of bread when he was shot dead by a Gestapo officer. The story was that this Gestapo officer had a quarrel with an SS officer. The SS officer had shot the Gestapo officer's Jewish slave, so in return, the Gestapo officer shot Schulz, who had been employed by the SS officer to paint murals.Sanatorium Under the Sign of the HourglassReminiscent of the weirdness of Kafka and the bizarreness of Gustav Meyrink (1868-1932) (The Green Face, The Golem), there must have been something in the water in the Austro-Hungarian Empire that these three were born in. All three wrote stories which were oneiric. That's a right word, meaning dreamlike.I just feel like I've watched the third season of Twin Peaks, because like Lynch's work the story, though ostensibly happening in the real world, is dreamlike from the outset. It seems full of symbols, some of which I struggle to decipher. For example, what's with all these cakes and pastries?The guard dog and its kennel, the dog that morphs later into a man, and his Father and his mother (Father gets a capital in the story) are more apparent symbols. They could be Freudian or Jungian, and again we must remember that Freud was a child of Austria-Hungary and also Jewish. In the early part of the 20th Century, there were also the movements of Dadaism and Surrealism, that definitely turned their back on realism. Weirdness was in the air.Most of the story is mysterious tSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

https://tonywalker.substack.com/ (Subscribe here, support The Classic Ghost Stories Podcast and obtain exclusive content.)S0208: The Empty House by Algernon BlackwoodWe did the Kit Bag by Algernon Blackwood as Episode 20, and there I said:Algernon BlackwoodAlgernon Blackwood was an English writer born in 1869 who ended up as a broadcaster on the radio and TV.His writing was very well received at this time and critics loved him. Even the great American author of weird tales HP Lovecraft cited Blackwood is one of the masters of the craft.Blackwood came from a well-to-do family and was privately educated despite that he was quite an adventurous man. He was interested in Hinduism as a young boy and his career was varied. For example, he ran a dairy farm in Canada and also hotel in the country. It became a newspaper reporter in New York City and was also a bartender and a model and also a violin teacher!All of this time, though he was always writing. He liked being outdoors and his stories often feature the outdoors. He was also interested in the occult and was a member of the hermetic order of the Golden Dawn along with such other characters is Arthur Machen and WB Yeats and Alistair Crowley.At one point he was a paranormal researcher for the British Society for Psychical Research and it is said that this story was based on a case that he investigated.The Empty HouseStructurally, the story is simple: our man hears of the house, he visits the house, he explores the house, weird stuff starts to happen, the ghost is revealed to be a replaying of a tragic scene from the house’s past, the protagonist is merely an observer. If he has an arc, it is the transformation of his attitude to his aunt from seeing her as a feeble old lady to a woman who is in some respects braver than he is.Blackwood lays on the dust, the shadows, the moonlight as well as scurrying beetles and some black thing that scurries off (probably a cat, maybe a rat in the dark). He does this well. We are taken right there.Michael Kellermeyer describes the story as an exploration of fear, rather than ghosts and I think that’s a good point. In that it matches some other stories like Marghatina Laski’s The Tower and H R Wakefield’s Blind Man’s BuffThere’s a whole genre of ‘night in a haunted house’ stories.The Empty House Reminds me of a story I recently read from 1835, No. 252 Rue M. Le Prince by Ralph Adams Cram. That is much older, and more decadent. It’s worth a read though.In 252 Rue. Me Le Prince, as in this story, the person visiting the haunted house is merely a witness to past happenings. At least that was my take. Of course, that is like the Stone Tape theory of hauntings, which holds that the fabric of a building somehow records strong emotion and plays these scenes back as hauntings.It is also reminiscent of Blackwood’s own The Kit Bag, in that we have someone lurking out of sight who eventually is seen and in both cases they are the ghosts of criminals.The story also reminded me of Blind Man’s Buff by HR Wakefield, which we read recently , not to mention The Judge’s House by Bram Stoker, which we haven’t yet got round to.One bizarre incident in The Empty House is when he turns to see his aged aunt’s face is transformed into the face she had as a girl. He finds this horrific and turns from out, but I can’t see why it would be horrible and what purpose it has in this story. I had wondered whether she had been transformed into the murdered maid, but this does not seem to be the case.Blackwood with his stories of outdoor adventure and colourful employment history sounds very much like a man’s man and I am familiar with that archSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

S0209 The Maker of Gargoyles by Clark Ashton SmithClark Ashton Smith was born in 1893 in Long Valley, California and died in California in 1961. He began as a poet and wrote decadent, overblown Romantic poetry after the manner of Swinburne. He got early recognition for his work in California.Lovecraft loved him and with Robert E Howard and Howard Philips Lovecraft he was one of the big three writers of Weird Tales. Ray Bradbury was also a fan. A few months ago, I re-read Bradbury's *Something Wicked This Way Comes* , and I can see that Bradbury too was a lover of poetic, sometimes overblown language—like myself!Smith was clear that his use of language and rhetorical stylings as deliberate. He talked of trying to create a "sort of verbal black magic."He uses some obscure words, such as 'vans' for wings and 'ferine' which neither I, nor my spell-checker, had come across before. I must have heard the word before because I read all of these stories as a teenager. But I'd forgotten ferine. Turns out it's a version of feral: savage and untamed.I did enjoy the word 'troublously' and also 'lubricous'.Smith wrote poetry from the age of 11, and his first novel by the age of 14. He began to sell his stories aged 17. His influences were The Arabian Nights, and he was clearly entranced by fairy-tale realms. He is also influenced by Edgar Allen Poe and the Brothers Grimm as well as the classic Gothic novel Vathek. Interestingly, he loved the decadent poetry of Charles Baudelaire. He translated his poetry from French as Baudelaire in his turn had translated the works of Poe into French.He had a period of ill health. He was a correspondent of Lovecraft and also knew Jack London and Ambrose Bierce.Smith and Lovecraft used the strange names and ideas they conjured in mutually influenced stories. This 'open source' was Lovecraft's greatest gift to horror: he allowed other writers to build on his ideas and so the Cthulhu Mythos was created.Smith was a massively prolific author, but more or less gave up writing in the second half of his life.He then turned back to sculpting and painting. He nursed his mother and father during their final illnesses until finally is father died in 1937. Robert H Howard killed himself in 1935 and Lovecraft died of cancer in 1937. It’s thought that these events may have knocked the love of writing out of him.Smith himself had a heart attack in 1953, but he still married aged 61. He set up house with Carolyn Jones Dorman and took on her children, and they moved to Pacific Grove.He had a series of strokes in 1961, and one finally killed him.I must admit that of the 'big three' Weird Tales writers (Lovecraft, Howard and Smith), I prefer Smith. I found Howard mostly preposterous. The HP Lovecraft Literary Podcast did a reading of Robert E Howard's *Queen of the Black Coast* which had me in stitches. You need to check Chad Fifer and Chris Lackey out. They are very good.I loved Smith from my early teens and I think that the creation of the mythical Provencal region of Averoigne is fantastic. I was mesmerised by this medieval city surrounded by werewolf haunted forests. It was merely a matter of time that I managed to sneak a story in, falsely claiming it as a ghost story.It's not a ghost story, but it is a weird tale and it does contain the supernatural and a bit of murder, so I think it's okay.Smith on occasion intrudes sexual themes, and these are mostly absent from Lovecraft's work and Poe's as I can remember. Let me know if I am missing something here. I could be. It's late. I'm tired. I've been working on sales funnels rather than poetry. Pity.Coincidentally, Smith died the year I wSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

S0211 The Turn Of The Screw Part 2I'm not going to say much. James's parenthetical insertions of information interrupt the flow of his sentences. He says something, the elaborates on it, then elaborates on that and sometimes elaborates on that as if his thoughts are sparking tangentially. He always comes back to the main matter, but it makes it hard to read out.That being moaned about, the story is good. He foreshadows well and creates foreboding." It may be, of course, above all, that what suddenly broke into this gives the previous time a charm of stillness—that hush in which something gathers or crouches. The change was actually like the spring of a beast."Nothing has yet happened, but he warns us that it soon will, and we tense up waiting for it.Then he describes a blissful summer evening's walk in the park which is interrupted by her seeing Quint (though she doesn't yet know his name) in the tower. The fact that it is on a beautiful summer night rather than a rainswept Gothic nighttime is well-done and serves to heighten the drama, I think.He ends each chapter with a good cliffhanger.- I wondered why...she was scared.- Mr Quint is .... dead.That's enough rabbiting for me. Check out the Substack newsletter for more news.Sign Up On https://bit.ly/2GgHv9D (The Classic Ghost Stories Podcast Substack Newsletter) For Exclusive Bonus Episodes!https://bit.ly/dalstonvampire (Download A Free Audiobook) of my story: The Dalston VampireMusicStart Music: "http://bit.ly/somecomeback (Some Come Back)" by the Heartwood Institute, Check our their new release for Halloween, Witch Season.End Music: "http://bit.ly/dvoynikdrowning (A Drowning)" by DvoynikSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Turn Of The Screw Part 4, being chapters 9, 10 and 11.Minimal show notes this week as I plough on trying to record and edit this novella.Visit the website at www.ghostpod.org Sign Up on https://bit.ly/2GgHv9D (Substack) For Exclusive Bonus Episodes!Download A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Other LinksStart Music: "Some Come Back" by the Heartwood Institute, Check our their new release for Halloween, https://theheartwoodinstitute.bandcamp.com/album/witchseason (Witch Season.)End Music: "https://soundcloud.com/dvoynik_au/sets/ghost-pieces (A Ghost Story)" by DvoynikDon't you love disturbing music?Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Turn Of The Screw Part 5, being chapters 12, 13, 14 and 15.Hope you're enjoying this. I'm doing lots of recording and editing to finish it before December. I anticipate episodes falling out like apples from a barrel just before 1st December.Sign Up on https://bit.ly/2GgHv9D (Substack) For Exclusive Bonus Episodes!Download A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Contribute a caffeinated beverage, perhaps? https://ko-fi.com/tonywalker (Ko-Fi). There are some free audio stories there by the way. Yours for the taking.Other LinksStart Music: "Some Come Back" by the Heartwood Institute, Check our their new release for Halloween, https://theheartwoodinstitute.bandcamp.com/album/witchseason (Witch Season.)End Music: "https://soundcloud.com/dvoynik_au/sets/ghost-pieces (A Ghost Story)" by DvoynikDon't you love disturbing music?Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue with Henry James's The Turn of the Screw. His language is getting easier. I think he's given up trying to impress me and is just getting on with the story. That is all good because the story is nifty. I do think Quint and Miss Jessel are unfairly maligned. Poor old Mrs Grose. Not sure about those (pesky) kids though. I would be surprised if it turned out they were dead already like in the Sixth Sense.I am knocking out the Turns of the Screw. I think we have about 2 episodes left to do. Should be finished by end November, then I will do Dracula as an exclusive and some Christmas one-offs before starting A Christmas Carol in December.Busy, busy. Hope you all are well. I am well. In any case, I brazenly askhttps://ko-fi.com/tonywalker (Buy me a coffee)? In return you can download some free audio stories. As my old nana used to say: fair exchange is no robbery.I have a stretch goal on the Ko-Fi site that I will buy a laptop for editing the audio, but in fact I have spent all the money on coffee.Download A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Other LinksStart Music: "Some Come Back" by the Heartwood Institute, Check our their new release for Halloween, https://theheartwoodinstitute.bandcamp.com/album/witchseason (Witch Season.)End Music: "https://soundcloud.com/dvoynik_au/sets/ghost-pieces (A Ghost Story)" by DvoynikSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

S02E16 The Turn Of The Screw Part 7Forgive me not saying much in these show notes. We have one last part of The Turn Of The Screw after this. I hope to get it done within a few days.https://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes!)Download A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Start Music: "https://theheartwoodinstitute.bandcamp.com/track/some-come-back (Some Come Back)" by the Heartwood Institute, Check our their new release for Halloween, Witch Season.End Music: "https://soundcloud.com/dvoynik_au/a-drowning (A Drowning)" by Dvoynikhttps://ko-fi.com/tonywalker (Buy me a Ko-Fi) to say thanks for all my hard work. Grab some free stuff while you're there.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

PhewIt's done! This is the final part of our reading of the The Turn Of The Screw novella.While, I'm pleased the job is done, the race is run and I can take a small break before focusing on Christmas ghost stories, I am somewhat sad to leave the sombre glory of Bly.The last part is full of mysteries. I discuss my take on them at the end of the Podcast.The podcast also includes music by the Heartwood Institute. The intro music a snippet of Some Come Back, and the last track is the very haunting We Are The Past.Thanks all the supporters who bought me coffee (and some cakes). Respect and thanks. Remember if you go to Ko-Fi, you can buy my coffee, yes, but there are free audio stories you can snag. That is an Americanism, but like many Americanisms, cute.Other ConsiderationsDownload A Free Audiobook Of My Story https://bit.ly/dalstonvampire (The Dalston Vampire)Start Music: "https://theheartwoodinstitute.bandcamp.com/track/some-come-back (Some Come Back)" by the Heartwood Institute, Check our their new release for Halloween, Witch Season.End Music: We Are The Past by The Heartwood Institute.Please consider that you can https://ko-fi.com/tonywalker (Buy me a Ko-Fi) to say thanks for all my hard work. Grab some free stuff while you're there.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

S02E18 The Ghost of Christmas Eve by J M BarrieJames Matthew Barrie was born in Kirriemuir in Angus in North East Scotland in 1860. His father was a weaver. He was one of nine children, though two died before he was born and Barrie’s brother David died in an ice-skating accident the day before Barrie’s fourteenth birthday. Barrie tried to comfort his mother by wearing his dead brother’s clothes, whistling as his brother used to and taking on his mannerisms.Barrie’s most famous work is of course Peter Pan, and it’s said that his mother took comfort from the fact that his dead brother David would never grow up and leave her.He went to school Glasgow, then Forfar then Dumfries in Scotland. He studied literature at Edinburgh and wrote drama reviews for the local Edinburgh newspaper. He graduated with an MA in 1882.He went to work as a journalist in Nottingham, in England and wrote stories which he submitted to journals. Some fo them were accepted.His short stories and novels were received with what are politely known as mixed reviews.Barrie started writing plays and was drawn to the theatre. He married and moved to London, living in South Kensington. It was his habit to take walks in Kensington Gardens.Unfortunately for Barrie, his wife had an affair with a younger man and they were divorced in 1909. Apparently, Barrie was heartbroken. Even though she had left him, he gave her an allowance every year even after she married her lover.Peter Pan was first performed just after Christmas, on 27 December in 1904. He invented the girls' name Wendy, apparently because a girl called Margaret Henley called Barrie ‘friendy’ but lisped her rs, making it sound like ‘fwendy.’ Apparently.An interesting fact is that Barrie was only 5 foot 3 inches.He gave the copyright of Peter Pan to the Great Ormond Street Hospital for Sick Children and they continue to get royalties from Peter Pan.He was made a baronet in 1913 by King George V, and became Sir J M BarrieBarrie died in London in 1937 aged 77 and was buried in his home village of Kirriemuir with his family.He has two schools named after him, the Sir James Barrie Primary School in Wandsworth, London and the Barrie School in Silver Spring, Maryland.The Ghost of Christmas EveThis story is very short and intentionally so because I felt I deserved a rest after the marathon that was The Turn Of The Screw.It's a neat little story and falls into the tradition of ghosts that weren't ghosts. I tend to prefer stories about ghosts that actually were ghosts, but there is an honourable tradition of stories that debunk the supernatural. Of course, Scooby Doo is the most famous example of this kind of story, but you will remember that https://player.captivate.fm/episode/c2f5324d-9f32-4086-b3a1-3f79ccd702ef (The Open Door) by Charlotte Riddell is mostly a debunking story, though the door is left open (ha ha!) to the possibility that as well as the fraud, there may have been a ghost there as well.And of course Wilkie Collin's The Woman in White is about a ghost who turns out to be a con-trick.A briar is a pipe used for smoking tobacco. The only other mystery is the hint that his room, when he awoke on Christmas Day smelled of tobacco. his recollection of going to fetch his briar from his coat downstairs is a bit hazy, but what does this smell of tobacco suggest? I missed this. Does it mean the he had a sleep-smoke? Or that there was a ghost?? I don't get it, Ted.Thanks for listening.Listen again soon.Tonyhttps://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes!)Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (Ko-Fi)https://bit.ly/dalstonvampire (Download A Free AuSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles DickensCharles John Huffam Dickens was born in Portsmouth, Hampshire, England in 1812. He died in Higham, Kent in 1879, aged only 58 and was buried at Poet's Corner, Westminster Abbey—a high honour indeed.Dickens's writing was very popular during his lifetime and he was recognised as a literary genius by the 20th Century.His first success was The Pickwick Papers in 1836, when he was 24. He had been forced to go to work in a factory rather than school. Dickens worked pasting on labels on pots of boot blacking.Dickens's father was locked up in a debtor's prison. Dickens was not formally educated, though his writing shows formal rhetorical devices so he must have studied himself later. He was a voracious reader of the novels of his time and earlier.One of his great tricks was the cliffhanger ending and this came about because most of his fifteen novels and umpteen other works were published in weekly serial publications. Dickens's characters tend to be larger than life and he is especially good at portraying the great poverty and terrible social situations that those in his close family had experienced .By work, his father was a clerk to the Royal Navy, the biggest employer in his home town of Portsmouth. There were eight children in the family. Dickens' third name Huffman came from his godfather, Christopher Huffman, a rigger in the Navy.Unfortunately, the Dickens family lived beyond their financial means, easy to do with a family of ten I should think.Dickens was massively famous and popular throughout his life and worked immensely hard, leading to ill-health in his fifties.He died of a stroke while writing Edwin Drood, leaving that novel unfinished.A Christmas CarolA Christmas Carol is possibly Dickens's most famous work, though there are so many to choose from. It is the eve of December, and I have wanted to do this story since last year. It is such a delight to read Dickens's clever, lively prose after Henry James's convoluted sentences. Dickens's words always conjure vivid images, while James is more subtle. I am bound to compare the two. James's characters are subtly drawn too and he can reveal a great vista into a character with a little incident. Dickens's character are more like cartoons, but cartoons are very entertaining.I have enjoyed both stories.In this first part, the scene is set for the coming of the first ghost.A Christmas Carol was published in 1843 on 19 December and the first edition sold out by Christmas Eve. Dickens had self-published, in that he paid for the costs of the printing and publication, which was a shrewd financial bet as it turned out. Dickens was only 31 at the time. A Christmas Carol was so popular that a bootleg edition was published in 1844 and Dickens sued the bootleggers. He did public readings of the story from 1849 and went on tour with it, performing it 127 times until his death in 1870.It turns out that Dickens was always a fan of Christmas. In 1835 he published an article on Christmas Festivities. MusicThe opening music is Some Come Back by The Heartwood Institute. Check out their new release https://theheartwoodinstitute.bandcamp.com (Witchseason). Listen to it for many reasons but at least one of those should be to hear the insane comments in Witchphase 1.5 from the King of The Witches, Alex Sanders. Who knew he was so mad?The closing music is The Unquiet Grave by Grey Malkin of https://thehareandthemoon.bandcamp.com (The Hare & The Moon) from their forthcoming album: Widow's Weeds. Check out their ethereal vibe.https://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes!)And/Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (KoSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A Christmas Carol Part 3: The Spirit of Christmas PresentHe brought a tear to my eye and halt to my throat, did Old Dickens in this episode. I think he was a man of great humanity who genuinely did care for those who were not as well-off as he was.The only slight caution I had was Old Topper chasing The Plump Sister and getting her in a corner. We inevitably all view behaviour through the lens of our own time and of course this behaviour reminded me of the #MeToo. I certainly wouldn't want my daughters, mother or my partner cornered like this. But I read it out, because I must make some kind of editorial decisions about which stories I read out. Some, I suppose, I will choose not to read, and if I read them out, I won't abridge them.Except, I recall changing single offensive words that would just be a jolt to the reader. I suppose if the word is not used by the writer to be offensive... but that might be a cop out. It's all up for debate I know.But yes, this was a lovely episode. The descriptions are wonderful and lots of episodes are superfluous to the narrative, but great fun. The other observation is about the degree to which Dickens is reporting the Christmas festivities of his period or is actually encouraging them, and in measure therefore creating them. Were Christmasses as Christmassy as Dickens portrays them? Maybe not before, but certainly afterwards as we all began to emulate what we read and heard in this book, even if we didn't read it or hear it ourselves but only obtained it via the TV.Enjoy your plum pudding. More Christmas Ghost Stories Ebook & PaperbackOh, did I mention my https://amzn.to/3olobIJ (More Christmas Ghost Stories) it out? The paperback and ebook are done and the audiobook is being approved now. So you can get it if you want. The stories are good, and improved by the attention of my Beta Readers. I have had the most wonderful 5 star review. Thanks a million Emhack from Torquay for that. Also had a splendid and rather humbling review for the podcast from Sandra Quintal from Canda.Thanks also to my Substackers and Patreons for your ongoing support. Dracula soon, just for you. MusicThe opening music is Some Come Back by The https://bit.ly/somecomeback (Heartwood Institute). At the end I've added The Heartwood track: From The Forest, From The Furrows, From The Fields which is on their Secret Rites album. As I say in the episode, this is a canonical folk horror track.The last piece of music is from The Hare & The Moon and is called https://bit.ly/midnighfolk (The Midnight Folk). I talk about my love of John Masefield's book of that name. Of course the Midnight Folk was the sequel to The Box of Delights and that was made into BBC series which I think is enjoying its 36th anniversary this Christmas.Both Jonathan of The Heartwood Institute and Grey Malkin (ex Hare & The Moon) allow me to use their music free of charge, so if you fancy popping over to Bandcamp and getting some of their stuff, I (and I'm sure they) would be very pleased.Begging Bowlhttps://bit.ly/2GgHv9D (Sign Up For Exclusive Bonus Episodes and Get Episodes As Soon As I Make Them!)And/Or Buy A Thirsty Podcaster A https://ko-fi.com/tonywalker (Ko-Fi)And you could always https://bit.ly/dalstonvampire (Download A Free Audiobook Of My Story The Dalston Vampire)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A Christmas Carol Part 4: The Spirit of Christmas Future & The End of ItThe Ghost of Christmas Future is the scariest of the ghosts. No jovial sprite he! He's just a heap of black cloak and a pointing hand. At the end, the spirit's hand quivers kindly, but he gives Scrooge no answers. Scrooge, even unanswered, intuits that he will be okay if he mends his ways. I thought that the first scene with the lowly char-folk and undertakers men and old Joe with his greasy fat and mouldy bones was a masterpiece of dialogue. The attitude of the working folk to Scrooge reveals tons about the man. It is this scene that breaks Scrooge even though he thinks it's some other skinflint that has met his end. Dickens withholds the information in a neat little device that we twig who the dead man is far sooner than Scrooge does. We are shouting out, 'Scrooge, it's you lying there you damn fool!' All the while as he wonders why he doesn't see himself. It's darned obvious. Then the last walk to the walled graveyard (and the fact it's walled adds something) to the graveside when we see from Scrooge's faltering steps that at last he realises what the name on the stone will be. The last section, the denouement with happy jokey Scrooge is a nice bit of comic Dickens that I enjoyed reading out. I enjoyed reading the scary bit of the Ghost of Christmas Future too.So that's that. A job well done, I thought, if only that it's done and nothing else. You see I am getting quite Dickensian in my ramblings!I promise you a bit of M R James for Christmas, but if I don't see you before, have a Merry Christmas or a happy Hanukkah. It's a bit late for Diwali, but may any Festival of Light you choose be truly marvellous. And for those of you who don't prefer light, your Festival of Darkness. Actually, I love the winter dark in its stillness and brooding. I love the dark and star-spangled winter skies. I've never seen the Northern Lights, though Sheila says she has. Me, I think it was Dumfries.MusicStart and Middle Music by The Heartwood Institutehttps://bit.ly/somecomeback (Listen on Bandcamp)End music is The Drowning by Dvoynik. Listen and download for https://bit.ly/dvoynikdrowning (free)Free Download Audiobook https://bit.ly/DalstonVampire (The Dalston Vampire)My New Collection of Christmas Ghost Storieshttps://amzn.to/3lViZKg (More Christmas Ghost Stories)The Classic Ghost Stories Podcast Newsletterhttps://bit.ly/substacklanding (On Substack)***If you'd like to show your appreciation for the Podcast, you can buy me a coffee!http://bit.ly/ghostiest (Ko-Fi)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

THE STORY OF A DISAPPEARANCE AND AN APPEARANCE by M R JamesThe Story of a Disappearance and an Appearance is one of the few M R James stories actually set at Christmas. He was well-known for reading out his stories at Christmas, but few of them are actually set over the festive period. It was first published the June 4, 1913 issue of the Cambridge Review. It then appeared in his anthology A Thin Ghost and Others in 1919. First of all some explanations of words which may be strange to some listeners. Bands are a kind of white tie worn by Anglican clergymen. A bagman is a commercial traveller, a salesman or pedlar. Clearly he'll be late home if he's still on the road on Christmas Eve. So what happened?It appears that Uncle Henry got murdered, his head bashed in and his corpse buried in the sandpit. My reading was that the two Punch & Judy men killed him. These two who were masquerading as Italians but who were English rogues really. The bagman told W R that he had not seen any suspicious characters on the road: no gipsies, tramps or wandering sailors. This all happened not long after the Napoleonic wars and out of work sailors and soldiers had to wander the countryside looking for a living. No Help for Heroes for them. The bagman did see a most wonderful Punch and Judy show. These travelling showmen or 'carnies' as such folk would later be called in the USA are inherently dubious, so it's no wonder that they would murder an innocent clergyman. It is heresy to say anything against the great M R James, but I would only observe that he throws a few 'portents' and 'omens' into the story that seem to have no real bearing on the narrative. They aren't clues or anything, unless I'm missing some subtlety. I mean the owl that wakes our man W R from sleep, the Toby Dog running off and howling, the organ wolving during the funeral and the odd ringing of the bell. These are all signs that something unnatural and eerie is afoot. There is also mention of the bier being put out by mistake and the moth-eaten pall taken out and having to be folded on Christmas Day. Most inappropriate, but they seem more what we would have called 'dungeon dressing' in my D&D days—something to create atmosphere that is not essential to the plot. But again, I may be missing something.The mention of the Toby Dog reminds me of Cole Hawkins and the Toby Dog in John Masefield's Box of Delights that I will be re-reading, or at least watching the 1980s BBC version this Christmas. Punch and Judy is a ghastly tale of murder played out for children and so it has its own horror lurking not far below the surface. It seems that the dead Uncle Henry came as visitation to the two murderous Punch & Judy chaps, like a proper vengeful ghost and cause the first to die of fright inside the Punch and Judy set-up, while the other runs to the sandpit, breaks his neck and reveals the resting place of Uncle Henry, up until now hidden. Mr Bowman the inn keeper seems only there for comic effects, and to show that Uncle Henry was rather serious and straight-laced. I think that M R James has put in the comic inn-keeper and the portents and omens to entertain the audience rather than to drive the narrative. W R also at one point alludes to a vague reason why he's writing everything out in longhand, but this is well before anything supernatural or even out of the ordinary occurs. Again, I can't help but suspect that this is just to gee-up the reader because it comes to not much.James has a way or inserting the jarringly weird into his stories, and it is this weirdness that really unsettles the reader. We have it in the flapping shirt and advancing figure in Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Richmal Crompton Richmal Crompton was born in Bury, Lancashire in 1890 and died in Bromley, Kent in 1969, aged 78. She was the daughter of a clergyman who though he was ordained worked as a teacher of Greek and Latin at Bury Grammar School. She was not born into the aristocratic world portrayed in this story.She was educated at a private school for the daughters of clergymen in Lancashire. She trained as a schoolteacher like her father and got a BA in Classics from the Royal Holloway College in 1914. She was a supporter of Women's Suffrage. She worked as a teacher until 1923 when she became a full-time writer. She never married and had no children.She contracted polio and had to use a wheelchair for the rest of her life.She had moved to Bromley in Kent, just outside London when she was twenty-seven to teach at the school there. She never left the area and her writing was so successful she had a house built for herself on the Common.She was a successful novelist and published forty one novels. Her most famous series of novels was for children and featured the comic figure of William, a rather feckless schoolboy. The first of these Just William was published in 1922. The stories are hilarious and were a great favourite of mine when I was a small boy.She wrote several ghost stories and these were published in 1928 as Mist and Other Stories.Rosalind by Richmal CromptonIn Rosalind, we are plunged once more into that Edwardian world of the leisured rich of England such as we see in the stories of E F Benson. However, the story is also about an artist and his model, such as we heard in The Yellow Sign. It's quite a different story to the Yellow Sign for all that.I think this is one of the best ghost stories we have ever read. The characterisation is very poignant. Our unnam med narrator paints such a picture of Heath as the bored, but talented rich boy to whom everything comes to easily and for whom everything is therefore shallow.He takes Helen, our man's beloved, with no thought. He doesn't even consider our narrator at all. It's not selfishness, it's blindness to the existence of other people. He falls in love with Rosalind but there is no question that an artist's model will every be a life match for the future Viscount of Evesham. It would have been easy for Crompton to suggest Rosalind wished this but she is subtle enough to have Rosalind accept it too. I guess that Rosalind is willing to accept being his mistress and mother of his illegitimate child.Heath is the selfish narcissist that he sees the pregnancy only as an interruption to his idyll. He is bad tempered about this, and we see him pleased that his child and Rosalind have died so as to put an end to the possibility that it will ruin his well-planned marriage to Helen.But Heath is sentimental too. Once he realises he's lost Helen, and is unfulfilled by his planned marriage, he starts to mope and goes over the top bringing down armfuls of orchids and roses in a sentimental but ironically cheap gesture.He is so sentimental that Rosalind gestures him to his death. We can look at this in several ways. First that this is Rosalind's revenge from beyond the grave and that her ghost has connived at this and timed it perfectly just before his wedding. We remember Rosalind's vow that se won't let Helen have him.Or, it might be seen as the workings of a greater Fate, in that Heath's marriage to Helen was untenable because it was in bad faith, and that it could not be allowed to go ahead.Presumably, Helen is going into this marriage with her eyes open. She knows what it will entail and is willing to take it on as a job in order to obtain the posSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Story of Salome by Amelia B EdwardsWe did https://player.captivate.fm/episode/9913ad9b-e382-4acb-a42a-1000157a734c (The Phantom Coach )by Amelia B Edwards as Episode 8, which seems a long time ago now.That was a splendidly written story too. To remind ourselves:Amelia Edwards was born in 1831 in London, England. As such she is one of the oldest writers we’ve read so far in this podcast. She died aged only 60 in Weston Supermare, a seaside resort in the west of England.She came from a wealthy background and didn’t have to work, but she was a very successful writer based on her own talents. She was born in London to an Irish mother and a father who had been a British army officer before becoming a banker.She was in fact a very talented woman and had the potential to be a professional artist though her father, a banker, frowned on that as a career. She also made home with a woman, long before such things were accepted by polite British society.She was also an Egyptologist and after a cruise down the Nile and a long stay among the monuments, she devoted all of her efforts to saving the Egyptian monuments and took a lecture tour over several years in the United States to promote the cause.I found this Story of Salome in the https://amzn.to/3nfbbDJ (Virago Book of Ghost Stories)Edited by Richard Dalby. Richard Dalby had great taste in stories and there are lots of good ones in this anthology.You may, or may not, know that I have a fondness for Venice. I have read this Story of Salome, on the podcast as well as Ray Russell’s https://tonywalker.substack.com/p/s0202-vendetta-by-ray-russell (Vendetta) and Vernon Lee’s https://player.captivate.fm/episode/b2eed482-997c-4621-9f2a-42361174312f (A Wicked Voice).I have also written my own Christmas ghost story set in Venice which is available in my More Christmas Ghost Stories, soon to be out as an audiobook once Audible get their finger out. If you can’t wait for Audible, Audiobookstore has it https://audiobookstore.com/audiobooks/more-christmas-ghost-stories.aspx (here)The subject of the story is Salome, daughter of Isaac. She is Jewish and inevitably this throws up attitudes that make me uncomfortable. I do not think this is an anti Semitic story though it does have the theme of converting Salome to Christianity. It is of its period but better than many in its attitudes.I think it very well written and was easy to narrate without the tripping syntax of James or the excitable lists and adjectives of Dickens.Edwards performs the trick of portraying a main character who is reasonably convinced that the grave belongs to Salome’s aged father Isaac, rather that to her. In the end, when the truth is almost impossible to ignore she had a nice little run of him convincing himself that there must be another Salome, that his Salome can’t be dead. We’ve all been there, trying to kid ourselves that something isn’t true when we know fine well it must be.And the description of his flighty friend, Coventy Turnour, loving Salome followed by a disinterested account by our main character only to slowly reveal that he himself is infatuated with her. This is the same trick as him believing the grave is Salome’s fathers. We the readers and listeners know before he admits it to himself both that he loves Salome and that she is dead.And he finds her more beautiful as a ghost, though he doesn’t know it. He talks about her more spiritual beauty.One mystery is why Turnour left Venice. He lost hope in winning Salome quite suddenly, and left. She in her turn converted secretly to Christianity. It’s not explained why, but I wonder whether it was something to do with Turnour? DidSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Music Hath Charms by LTC RoltLionel Thomas Caswall Rolt, was an English writer born in 1910 and who died in 1974, therefore for us, he's a recent writer! He was a prolific writer who had an interest in engineering and that shows in this story in his description of the tunnels and the knowledge of ventilation shafts which are integral to the plot of the story. In keeping with this love of engineering, he wrote biographies of major engineers such as Isambard Kingdom Brunel and Thomas Telford. He had a major enthusiasm for vintage cars, heritage railways and was a pioneer of the canal cruising industry. From 1936, Rolt decided he wanted a life afloat and he converted his uncle's old boat Cressy into a boat he could live in and spent his time mooching up and down the canals of England.During the Second World War, he went to work for Rolls Royce and made Spitfire engines, the Royal Airforce's legendary fighter plan. After the war, Rolt teamed up with Robert Aickman, another major ghost story writer to form the Inland Waterways Association to promote the use of the canals and restore them. L T C or Tom Rolt was an accomplished author and an inland waterway enthusiast, and together with the another famous ghost story writer, Robert Aickman, and their wives, formed the Canal Restoration Trust which was responsible for bringing back the industrial waterway network of England and Wales back into service for leisure travel.When we know Rolt's love of machinery we understand the detailed description of how the musical box works in Music Hath Charms. I now know all about them. He also gives more detail than many would to about bus timetables.The story is set in wild Cornwall, which because of its remoteness and its Celtic past is a suitably remote setting for a ghost story. Cornwall has a history of smugglers and wreckers and this is the background to this story. We also see that another author who set her work in Cornwall, Daphne Du Maurier often used smugglers and indeed Frenchmen in her stories. La Pucelle means a maiden or a girl. This is of course a Faustian story. The smuggler, the Count Pierre Henneze de Hou. There is a French name Hennezel, and a De Hou, but no Henneze that I could find, so Tom Rolt may have miscopied the name. I suspect the title 'count' is a self-styling. I have often fancied called myself Count Tony Walker, but don't have the brass neck to get away with it.Carn Zawn doesn't exist, though the name is good Cornish. Carn is a heap of stones and Cornish 'sawan' means 'throat' and is used for a narrow inlet of the sea. Trevarthan is a real Cornish surname as well, arising from two separate places in West Cornwall. The only mistake Tom Rolt makes with his Celtic nomenclature is to have his housekeeper called Penrice. It sounds Cornish, but is in fact a Cumbrian surname arising from the place-name Penrith. Of course Cumbric and Cornish were closely related languages, so we can excuse him. Of course, it's also possible that the Penrices were Cumbrian immigrants to Cornwall. In fact, there were many Cornish who came to Cumbria to work in the mines, but not so-much the other way. This is proved by the fact there are two Cornish pasty shops in Keswick alone, but not a single Cumberland sausage shop in Truro, or Penzance.But back to the Devil. We presume that the shadowy creature in the engraving is Old Nick, gamboling and pranking. The Music Box conjures him. Count Pierre is presumed to have traded something, likely his soul as the De'il is found of those, for a life of opulence and the lusty company of La Pucelle, our Jeanne. She has a husky voice after all, surely a euphemism, or at lSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Spider by Basil Copper@stuieburley on Twitter put me onto Basil Copper. He had recommended the Janissaries of Emilion. I'd never heard of Basil so I got a Kindle Edition of The Collected Macabre Tales of Basil Copper which includes that story. However, it is long. I may do it another time, but for this week I selected a shorter story. But it's a good one.Basil Copper was born in 1924 and lived until 2013 when he died aged 89! He was born in London, England.His first story was published in March 1938, the Magazine of the Tonbridge Senior Boys School. Tonbridge is in Kent, and when I was a boy we went on an exchange visit to Kent. Most schools in England went to foreign countries but the trip from Cumberland to Kent, England's most northwesterly county to England most southeasterly county, was enough of a culture shock for us.He is most famous for his stories featuring the character Solar Pons. This character was created by August Derleth, H P Lovecraft's protege, and is very much in the Lovecraftian tradition of authors sharing worlds and characters between their stories. Copper was published by the Arkham House publishing house, run by August Derleth. Many of Copper's stories feature the Cthulhu Mythos. Despite his links with the Cthulhu Mythos, Copper admitted that his influences were M R James and Edgar Allan Poe and he was interested in Gothic literature. The Spider is a phobia story. It's very cleverly written, neat and effective. In that it reminds me of Marghatina Laski's The Tower where the phobia is vertigo. Here it is arachnophobia. Turns out that the landlord of the wayside auberge just south of Paris has a skin for picking up on a visitor's fears and killing the visitor via heart attack by inducing the phobia. The insect horror theme is of course featured in Boomerang by Oscar Cook.This story appears in the 1964 Pan Book of Horror Stories. He was paid £10 for the story. Copper lived at Sevenoaks in Kent and founded the Tunbridge Wells Vintage Film Society. He was a movie buff and a member of several societies related to films. His wife was French and he is clearly familiar with the county in which The Spider is set. Apparently the story idea came from a spider that was in a room in a hotel he and his wife stayed in while on holiday in Paris. He met his wife and married in her in 1960 when she was in England learning English.His first novel was actually a detective storyCopper was very prolific and in addition to his weird tales and novels he wrote 58 detective novels set in LA. When he wrote the first novels, he had never visited the city and used maps and films to provide background. He worked as a journalist, running a county paper at the age of 17. He served in the Royal Navy during the Second World War and took part in the D-Day landings. Music byhttps://bit.ly/somecomeback (The Heartwood Institute)The final tune is by Michael Romeo of https://bit.ly/dvoykinbandcamp (Dvoynik)Support the Podcast Any Way You Can!http://bit.ly/ghostiest (Buy the thirsty, hyperactive podcaster a cup of Java)Sign up For Exclusive Stuff and Early Bird Exposures on http://bit.ly/barcudpatreon (Patreon)Get the https://bit.ly/substacklanding (Substack Newsletter) with ExclusivesMy Ghost StoriesGet my free audiobook download, The Dalston Vampire https://bit.ly/dalstonvampire (here), and you may consider purchasing my https://bit.ly/HorrorStoriesForHalloween (Horror Stories For Halloween), which is now long past.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Elizabeth BraddonAnother accomplished woman novelist of the Victorian period. Mary Elizabeth Braddon was born in 1835 in London and died in Richmond, Surrey (now part of London) in 1915.She wrote more than eighty novels, one of which, Lady Audley's Secret, was a great success. A number of her stories have supernatural themes, and she lived in the heyday of the ghost story so that is not surprising.When she was 25 she moved in with a publisher whose wife was locked away in an Irish mental asylum. She lived with the man and was stepmother to his existing children, marrying him finally in 1874, fourteen years after she first moved in, now allowable because his wife had passed away. She had six children by him.Her husband was also a property developer and a number of the streets in Richmond are named after characters from her novels.The Cold EmbraceThe Cold Embrace was published in is a very accomplished story both in form and in prosody. It has the feel of a folk-tale and its theme surely is that promises made in love should be kept and that the flighty and arrogant will be punished for breaking them.It was a delight to read because of the use of formal rhetorical forms like the repeated use on anaphora where the beginning of a sentence is repeated, usually three times to create a tricolon. Often an ascending tricolon where each phrase is longer building towards a climax.It almost reminded me of Tim Burton's Corpse Bride in its atmosphere. The final masked ball with the young lady on his arm who fades slowly into the corpse bride.We the readers are aware that the boisterous gaiety he feels at the ball, which he mistakes for his old light-heartedness is a return of the fever that will, this time, kill him.And the picture of stage coaches (the diligence) and hordes of labourers walking across Germany with their meerschaum pipes and dogs was like scenes out of Goethe, or William Wordsworth's account of his traipsing across Europe at a similar time. Braddon herself was born later than this, so this is historical fiction and we have the device that M R James endorses too: set the ghost story in the past, not too distant past, but enough that there is a mist of history which allows us to suspend our disbelief (although that phrase belongs to Tolkein). Music byhttps://bit.ly/somecomeback (The Heartwood Institute)The last track with the lovely violin is Under The Rose by https://bit.ly/midnighfolk (The Hare & The Moon,) whose lead performer is Grey MalkinWe also feature music by Michael Romeo of https://bit.ly/dvoykinbandcamp (Dvoynik)Support the Podcast Any Way You Can!http://bit.ly/ghostiest (Buy the thirsty, hyperactive podcaster a cup of Java)Sign up For Exclusive Stuff and Early Bird Exposures on http://bit.ly/barcudpatreon (Patreon)Get the https://bit.ly/substacklanding (Substack Newsletter) with ExclusivesMy Ghost StoriesGet my free audiobook download, The Dalston Vampire https://bit.ly/dalstonvampire (here), and you may consider purchasing my https://bit.ly/HorrorStoriesForHalloween (Horror Stories For Halloween), which is now long past.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Orne JewettThis episode is a real treat for me for a number of reasons. One is that this was my first commission! Susan Foust very kindly introduced me to this story and even paid me to read it out. Win-win-win. If you would like a commission, it would be remiss of me not to point out, you can get me to read any story under 10,000 words here. https://ko-fi.com/tonywalker/commissions (Order A Story!)So back to Sarah Orne Jewett. She lived her life on the southern coast of Maine in New England. She was born in 1849 in South Berwick and died in 1909 aged only 59 in the same year. She wrote a few collections of short stories, the most famous of which is The Country of Pointed Firs and you can get all of her work for free via the marvellous Project Gutenburg. Her family were Mainers going a long way back. The family home was built in 1774. Her father was a doctor who specialised in obstetrics and gynaecology. Her mother suffered from rheumatoid arthritis so the young Sarah spent many hours walking in the local countryside. She often visited Boston but her stories feature the small towns she was familiar with, even when she disguises their names.She had an interested in the Swedish mystic Swedenborg and she believed, apparently in Divine immanence: that god is in all things, though she was a firm believer in individual responsibility, which I always imagine as being a big thing in New England.I am struck by how different her New England is to that of Lovecraft of even of Russell Kirk whose Behind The Stumps we read out ages ago. I must do more of his stuff. I must do more of lots of people's stuff: there are outstanding calls for more Poe, which I will get to.Sarah Orne Jewett published her first story aged only 19 and her reputation grew in the 1870s and 1890s. People commented that her stories were driven by a focus on local colour more than plot, but I think Lady Ferry has an interesting, if gentle plot.She never married a man but had a close friendship with a married woman and the woman's husband and when the husband, a publisher died, the two women moved in together. Of course this was a time when certain types of love were not allowed to speak their name. They travelled together through America and Europe until in 1902 she had a carriage accident which ended her writing career. This was compounded when she had a stroke in March 1909 and she died soon after. Lady FerryThis is a delightful story and I am grateful to Susan Foust for bringing it to my attention. We see everything through the eyes of a young girl and the mystery is framed by her youth and her maturity as later she comes back to satisfy her curiosity.It appears to be a supernatural story but is very subtle. Lady Ferry haunts the garden as a ghost, but she is corporeal though no one knows her origin. It is hinted that she cannot die and that she is ancient. For example from the dresses she wears taken from the original builder of the house's chest at least a century or more earlier, by the fact she claims to have known Marie Antoinette and the grandfather of Mr McAllister. This puts her origin well back into the 18th Century. And she must have been born at least in 1750 if not earlier. She also references The Spanish Main, which might even suggest memories of the 17th Century.But this is explained away by her wandering mind. These are just fancies, surely? But there are a number of gothic touches which throw doubt on this. Firstly the visitors who come for the ball in the middle of the night. Though this is just a dream, surely? But then the boats are missing. I loved the funeral arrangement and I loved the descriptions of mSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

His Beautiful Hands by Oscar CookThis will be the second of Oscar Cook's stories we have read, the first being Boomerang. Boomerang is https://player.captivate.fm/episode/f7098556-f342-4667-b9f2-65424796b616 (here)It was danged hard to find a copy of His Beautiful Hands, but I succeeded. HBH is rated as one of the best horror stories in those inevitable lists that pop up on the Internet, almost certainly compiled by people who never read it because print copies of the anthologies it was in are either out of print or cost hundreds of cash units (dollars, pounds, euros, roubles, take your pick). Cook's work, I realise now, is characterised by graphic body horror rather than the supernatural so it is a horror story rather than a ghost story. He deliberately sets out to shock us, but shocks modern listeners most probably by accident.What I mean is that we have become inured to graphic horror, after all we have had The Saw and The Human Caterpillar (neither of which I've seen) and the horrid bit in Midsommer when the old folks jump off the cliff and are then finished off... but let's not go into that. Then he throws in a bit of incest. That's never nice and I think even modern listeners find that shocking. As an aside, I actually deplore the race for shock that you see in detective series on TV. Once theft was enough (if you go back far enough), then murder became a staple, then we had serial killers, serial rapists and now we have a regrettably frequent addition of paedophilia sometimes with incest thrown in. I prefer Miss Marple personally, and I'd say to the TV companies: don't pander after these most base shock-jock tactics, you're better than that. I saw the Dig on Netflix recently with Ralph Fiennes. How brilliant that was. And I like the Detectorists also. But back to Oscar Cook.Oscar Cook BiographyRichard Martin Oscar Cook was born in London in 1888 and died also in London in 1952. His father owned an athletic goods company and they were fairly well-off. He seems to have been brought up in Broxbourne just outside London and his first job was a clerk there but very shortly afterwards he went to make his fortune in a rubber planation in Borneo. Unfortunately he did not get on well and was sacked, but remained in Borneo and got another job in the British Colonial Service.He was an administrator of the British Empire and worked in North Borneo from 1911 until 1918 and then had District Officer posts. This was a position in the British Colonial Service and these administrators and often magistrate was at the heart of colonial administration in the British colonies.He was married in 1924 to Christine Campbell Thomson but got divorced in 1938.When he returned to England he wrote an autobiography of his time in Borneo and thereafter wrote supernatural stories, many of which appeared in various anthologies. This story appeared in the 2nd Pan Book of Horror. I used to read those books when I was a kid, which may explain a lot.Cook bought a controlling interest in a publishing company which produced a series of horror anthologies called Not at Night which ran to twelve books.His Beautiful HandsStarts like Boomerang I think with the device of the urbane Englishman in his club in the Far East. This fellow has few adventures and relies on his unsteady journalist friend Warwick to tell him the ghastly tales. He even warns us it is going to be horrible. And it is. As the story goes structurally, it's pretty neat. It has at least two twists, probably three: that the manicurist poisoned him so his fingers drop off (ideal revenge on a violinist); that she is his daughter; and that the child is his. It is gSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edgar Allen PoePoe was an American writer born in 1809 in Boston who died aged only forty in Baltimore in 1849. He is one of the best-known American writers of his generation and famed all over the world for his Gothic and macabre tales. This is the third of his stories we've done on The Classic Ghost Stories Podcast.Others are https://player.captivate.fm/episode/08a6766c-18ad-4ec7-9c1c-a6918e7306a6 (The Tell-Tale Heart) and https://player.captivate.fm/episode/704f4f35-a5c5-44f6-b4c2-f08313ac3870 (The Fall of the House of Usher)The Black Cat by Edgar Allen PoePoe sets up his character as a mild, animal-loving child and I guess this is to show how out of character his later muderous rage is. When he talks of an animal as a brute it is not a derogatory term and merely equivalent to the word animal. Beast is the same though in the intervening years both beast and brute have become tainted by usage connecting them with the vilest of human beings rather than dumb animals. Did you see what I did there?Near the beginning he mentions his wife's joking belief that all black cats are witches in disguise. This is a little foreshadowing the for the supernatural powers of the black cat that are revealed towards the end of the story.We aren't far into the story before the narrator reveals the cause of his change of character: it is through intemperance with drink. Remember the Temperance Movement (of which my grandmother was a proud supporter). Poe himself had a problem with alcohol. His death was very likely related to his alcohol abuse. In 1849, he was due to catch a ferry from Richmond, Virginia to Baltimore, Maryland. He visited a doctor in Richmond the night before he was due to travel, complaining of a fever. He arrived in Baltimore and is next seen in a tavern three days later when he was found in an alcoholic stupor wearing someone else's clothes: a cheap suit and a straw hat, not his usual black wool suit. Perhaps he had sold his own clothes for money for drink?He was admitted to hospital and died four days later. He was drifting in and out of consciousness, hallucinating and talking nonsense. This sounds to me like Delirium Tremens from alcohol withdrawal. For people who drink heavily over a long period they can develop Wernicke-Korsakoff's syndrome which is a neurological condition caused by deficiencies of B vitamins, particularly Thiamine. It is also known as Korsakoff's Dementia.At the time of his death Poe had recently joined a temperance society. The doctor who saw him in the tavern thought he had been on a bender and was intoxicated, but the doctor in the hospital stated Poe had not been drinking. Of course, that is what causes the withdrawal: heavy drinking with a sudden stop. The most common causes of sudden death in people who abuse alcohol are through a seizure induced by the withdrawal, or by the bursting of blood vessels in the throat leading to catastrophic loss of blood. There is no report of a seizure, but that doesn't mean it didn't happen. Other theories are that Poe was assaulted and had a head injury in the tavern or that he was in late stage syphilis. This late stage syphilis filled mental institutions in the days before antibiotics and was very common—known as General Paralysis of The Insane. The doctors would have recognised this condition easily.Getting back to the story. He mentions that Pluto was becoming old, "And consequently peevish". On the eve of my sixtieth birthday I know exactly how Pluto felt. He is very nasty to the old cat though, and like others of Poe's protagonists, but not all (I quite like the protagonist from the House of Usher) he loses our sympathy. Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Pickman's Model by H P LovecraftThis story was written in September 1926 and first published in the October 1927 edition of Weird Tales. The narrator opens by disclosing that he is frightened to go underground, into the subway or even into a cellar. Then he explains why.It's to do with Pickman, an artist with an unsavoury reputation.There are hints that Pickman, whose ancestor was a witch, is related in some sense to the ghouls. Pickman's ancestor was a Salem witch and in the painting where the changeling is being read to by the Puritan, the narrator suggests that the changeling's ghoulish features are reminiscent of Pickman's own. This suggestion of cursed ancestry is also found in other Lovecraft stories like the case of Charles Dexter Ward.Lovecraft's ghouls appear in other stories as well. The ghouls honeycomb the hills of Boston are like the Dream Quest of Unknown Kadath. In this story, which was written later, we find Pickman the artist now a fully-fledged ghoul. These ghouls come up through wells and into cellars and basements. Ghouls in Arabic folklore haunt the graveyards and feed on the newly dead.In The Music of Erich Zann, an artist can summon the creatures of this devilish world that underlies our reality. There is something about the super-sensitive artist who can see into more rarefied worlds than ours. Erich Zann was trying to drive out the evil things from other worlds while Pickman welcomes them, or at least tolerates them. He feels himself superior to them I think because he takes his pistol to one of them at least. In the Music of Erich Zann the narrator cannot find the house again, and this is so in this story. These strange parts of modern cities lurk like shadows, over a river, or in a little-visited and hazardous neighbourhood. Boston's North End is like Brooklyn's Red Hook. These neighbourhoods are populated with foreigners and honeycombed with tunnels. These edge places are clearly manifestations of Lovecraft's Shadow. These monsters come from places that are liminal and other.The narrator suggests that Pickman is a relentless enemy of all mankind to take such pleasure in the torture of others as depicted in his art, yet he is a true artist because his art was the art that convinced. Like Lovecraft himself, Pickman is no sentimental friend of mankind and sees no kindness or joy amongst his fellow humans, only torture and disgust. Lovecraft appreciates that others shun people with this vision, though he depicts them as small-minded and unappreciative of great art and thought. It's a little bit Nietzschean, the superman or Uber-mensch.The narrator Thurber says that as well as being monstrous, Pickman was a great artist because he painted the truth. The implication is that the truth is that our daylight world lives on a foundation of terrible evil. That is of course a very Lovecraftian view. It's the opposite view of the Romantics like Wordsworth and Thoreau and Voltaire, and if fact the Green movement, who believed that our technological world is the aberration and that the natural world is the source of purity and joy. Of course for most of human history, survival has been a battle against the horrors of the natural world and in a sense then Lovecraft is a traditionalist and anti-Romantic. Lovecraft's escape is not through nature but through imagination and at times, though not here, his fantasies have a great beauty to them.The story form is a classic short story with a twist. We, the readers, realise ahead of the narrator (who only twigs when he looks at the photo) that Pickman's monstrous images were not imagination but reality. He presumed that the ghoul was paiSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Fergus HumeFergus Hume was born in Powick, Worcestershire in England in 1865. He died in Essex in 1932.  His given first name was Ferguson, which was his mother Mary’s maiden name.His Glaswegian father Dr John Hume , was the doctor at the County Pauper and Lunatic Asylum there. Hume was only three when his father emigrated to Dunedin on the South Island of New Zealand, where he set up a lunatic asylum, Ashburn Hall.Hume went to Otago boy’s school and then studied law at the University of Otago in Dunedin. (Otago is the name of the region). He became a barrister in 1885 but then moved to Melbourne in Australia where he became a barrister’s clerk.All the while , he had literary ambitions, primarily as a playwright, but was repeatedly rejected. The first time he came to public notice was when a play he had written was put on by someone else under their name.He turned then to writing mystery novels, and his first and most famous novel was The Mystery of a Hansom Cab which was set in Melbourne, in the poor areas that Hume himself lived in around Little Bourke Street. Because he couldn’t get a publisher to look at it, he printed five thousand copies at his own expense. This first edition sold out in three weeks.Even though the book was very popular he made no money from it because he sold the rights before it became the best -selling mystery novel of the Victorian era. It was this novel that inspired Arthur Conan Doyle to create Sherlock Holmes. However, Doyle was not complimentary about The Mystery of A Hansom Cab. Hume went back to England in 1888. He lived in Thundersley in Essex and wrote over a hundred and fifty novels. Hume never married and avoided publicity. He was said to be very religious. Despite his prolific output, he lived very modestly.The Sandwalkerhttp://gutenberg.net.au/ebooks17/1700531h.html#TheSandwalker (Link) to the ebook on Project Gutenberg The Sandwalker is the last story in Hume’s collection The Dancer in Red. It’s a bit of a yarn. In theme it is a fairly straightforward revenge ghost story. Those who do wrong are punished by the dead. There is a nice twist at the end which delivers a satisfying ending. Young Lottie was not disgraced by Amber and therefore it was in no sense just that Mrs Jarzil killed him in revenge. The twist is that she is a very religious woman with the emphasis on Old Testament style justice where sinners are punished and cast into the pit and it is always an eye for an eye and a tooth for a tooth. Despite her protestations, she does not leave vengeance to the Lord but takes it into her own hands.I am guessing it is set in either Norfolk or Lincolnshire though I used the narrator’s job working for a Yorkshire woollen firm to allow me to be slightly more northern in accent than Norfolk certainly. It was nice that the hero was a plain man working for a living: a commercial traveller or ‘bagman’. We had a bagman appear in one of M R James’s stories that we read recently.So his preoccupations are pleasantly down to earth. He does not have weekends in the country or houses in London, he has to work for a living.The characters are caricatures. The writing is clearly accomplished. It is easy to read and unambiguous with clever rhetorical use of repetition (anaphora and epistrophe) so Hume was clearly a smart man. I presume then that the one-eyed wicked schoolmaster Abrams and the Lurch-like Mrs Jarzil are drawn so boldly on purpose. They are almost comic, but we must remember that this is exactly what Dickens did too so there was public taste for it.All in all a fun yarn. I hadn’t read any of Humes’ work before. He reminded me a little of R H Malden, thougSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Minuke by Nigel KnealeNigel KnealeNigel Kneale was born in Barrow in Furness in 1922, which was then part of Lancashire “North of the Sands”, and since 1974 part of the modern county of Cumbria. He died in 2006 in London. Neale’s family came from the Isle of Man, which is clearly visible from the coast of Cumbria. I saw it yesterday but not today as it was too rainy.The family went back to the Isle of Man when he was six (finding Barrow too rich for their blood no doubt) and was educated in Douglas, the island’s capital. His father was editor of the local newspaper.Kneale went to study law but got bored with the legal profession. Apparently he tried to join the British army at the start of the Second World War but was declared medically unfit due to photophobia. He wrote short stories and read out his own story Tomato Cain on the BBC in 1946. Inspired by the reception his story got, he went to London to study acting at the Royal Academy of Dramatic Art.  He then got involved in a voice acting and writing melange of a career on the broadcast media, writing his first script in 1950.His most famous work was the Quatermass Series, a horror science fiction drama series on the BBC which was a massive success. You can find this and his later great success The Stone Tape on Youtube.He did an adaptation of Susan Hill’s The Woman in Black in 1989. He adapted some of the Sharpe novels in the 1990s which were also a great success.He was invited to write for the X-Files but declined that job.So, Neale was a big cheese up until recent times. His work, particularly Quatermass and The Stone Tape are canons of British hauntology these days.MinukeOr, if I hadn’t done it northern ‘my nook’. But ‘nook’ it is to us. This story is from the collection Tomato Cain and Other Stories published by Collins in 1949.The book is out of print and second-hand copies are going for nearly £400. I didn’t buy one.It was requested by a listener and I was only too happy to oblige.The story is told as a frame story. It begins in media res where a man has gone to an estate agent (a realtor) interested in a property. By the end we learn that not only is the property cursed and haunted an on an old Norse burial site, but it is demolished and its site occupied by a scrap metal yard, so why would the guy be interested in it? He clearly doesn’t know it’s a scrap metal yard because the estate agent has to tell him.This does seem to a plot hole, but we shall forgive Nigel Kneale this. It is also possibly that someone cleverer than me will point out how I have misunderstood this point.It seems like a poltergeist story. We remember the Enfield Poltergeist from the 1970s which received a lot of publicity, but this story pre-dates that case, so couldn’t be influenced by it.There was a recent long documentary on BBC Sounds about the Battersea Poltergeist, but that dates from the 1950s, so again can’t have influenced Neale.The other hint is the old Norse (or even older) burial ground that underlies Minuke.This idea was picked up and used in several Hollywood horror movies. It features in The Shining where the Overlook Hotel is built on an old Native American burial ground. But this came out in 1980, so again cannot be an influence on Neale.We see this idea of archaeology creating apparitions and other supernatural events in Neale’s classic TV programme The Stone Tape which I recently watched. This came out in 1972, but the idea of archaeology holding records of strongly emotional events and replaying it, is hinted at in Neale’s story “You Must Listen” about a haunted telephone line.There is a haunted telephone line in this story, as well as a Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Oke of Oakhurst by Vernon LeeVernon LeeDespite sounding so masculine, Vernon Lee was actually a woman called Violet Paget, born in France in 1856 and died in Italy in 1935. Despite these location she identified as English. Her biographer Vineta Colby says that Lee was English by nationality, French by an accident of birth and Italian by choice.As well as the ghost stories for which she is most famous, Vernon Lee, was an essayist who wrote about travel and art and especially aesthetics. Her parents were globe-trotting, or at least Europe-trotting intellectuals and in 1873, when Vernon or Violet was 17, they settled in Florence Italy. She stayed living in the vicinity of Florence until her death in 1935.Violet published her first collection of essays when she was 24. These dealt with Italian writers and dramatists and she later wrote on William Shakespeare and Renaissance Italy. She made fun of English artists, particularly the Pre-Raphaelites in her 1884 novel Mrs Brown.Politically, she was a convinced pacificst. She published under a masculine name because she feared that as a woman her writing would not be taken seriously. She was a feminist and mostly dressed as a man. Though she didn’t come out, she did have crushes on women and was probably Lesbian. She suffered from health anxiety.She also fell out with other writers by making fun of them in her work; notably Henry James and Edith Wharton.Henry James wrote to his equally talented brother William warning him about Vernon Lee: the most able mind in Florence, ‘as dangerous and uncanny as she is intelligent.’Oke of OakhurstIn Part 1, the story begins with our narrator, the artist, talking to an unknown interlocutor about a painting assignment he had. He begins to talk about the wonderful and strange Mrs Alice Oke of Oakhurst, Kent. We learn that the stay with the Okes left an indelible impression on the painter, whose name I have not yet learned.We get the impression that the Okes are gone, possibly dead. Certainly, he will never be able to paint her. Some disaster has fallen. The painter painted the husband and the wife and he has no idea who know owns the portrait of Mr Oke. This suggests their home has been broken up as if in some terrible fate has befallen them.He didn’t even finish the portrait of Mrs Oke. Vernon Lee withholds information to whet our appetite. She creates suspense.“I suppose the newspapers were full of it at the time.”So it was a scandal. “It really was stranger than anyone could have guessed.” Alice Oke is dead and her end was strange, but fitting. Lee tantalises us all the way.  She was sent to our painter from heaven, “or the other place.”Who is this woman!?? I want to know.The narrator doesn’t normally retell the story, but luckily for us, he chooses to on this occasion.Lee paints a very sympathetic picture of Mr Oke, very much in awe of his wife, but a decent sort and not without feelings and sensitivities. But she sets him up through the painter’s eyes as the very antithesis of what the London Bohemian painter would admire. The painter sets off presuming Oke is the dullest of the dull, the very pinnacle of boring Tory county life.He had been a lieutenant in the Blues which is a nickname of the Royal Horseguards, a prestigious cavalry regiment in the British Army who had been, as its name suggests a royal bodyguard.In part 2 we get the background to Mr Oke. The painter is very disparaging. He portrays Oke as a dull young Kentish Tory with no imagination and no style. He refers to him as a ‘squireen’ (which my spellcheck prefers to render as ‘squirrel’) I guess this is a pejorative diminutive of ‘squire’ with the Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A comic ghost story from Edwardian London–perfect to relax to and not scary at all.The Lost Tragedy by Denis MackailDenis Mackail was born in 1892  in London. His mother was the daughter of the famous pre-Raphaelite painter Edward Burne-Jones.  His father was Scottish, born on the Isle of Bute, and later Professor of Poetry at Oxford University and a specialist in Latin Literature and also President of the British Academy.  His sister was also a novelist. He was more distantly related to Rudyard Kipling and Stanley Baldwin, a British prime minister.Denis Mackail was born into some privilege. His most famous novel Greenery Street deals with social manners in the upper-middle class London he knew. As such, this story is interesting as it deals with the doings of lower middle class tradesmen such as book-dealers.  Mackail must have known something of the trade to paint it so well.Mackail suffered from ill-health when he was a young man and though he worked as a stage-set designer in the theatre in London, he was not fit enough to fight in the First World War.  I am not clear what his physical health problems were but he suffered from anxiety himself and had what is called a ‘nervous breakdown.’Despite his comfortable early start he had some financial troubles and had to write to supplement his income. He published a novel every year from 1920 until 1938. He moved in literary circles and was a friend of A A Milne and P G Wodehouse, both famous for their light-hearted and comic writing. He wrote the official biography of J M Barrie (the author of Peter Pan) and but after the death of his wife in 1949 he never wrote another thing. Despite that he lived another twenty-two years, dying in London in 1971 at the age of seventy-nine.Genre expectations. Writers can expect to get excoriated if they defy genre expectations. If you write a Romance be that clean or mucky (I don’t really read either to be honest)  or Space Opera that is not huge in scale, or Heaven Forbid ‘LitRPG’ that doesn’t have enough stats in it, then the hard-core genre reader will cut you down to size with a one-star review.I say this because this may be a ghost story, but it is a comic ghost story and that genre has its own tropes and conventions, not least the wise cracking spectre as in the Ben and William show in this story.  I hope listeners were not too disappointed.The Lost Tragedy is a well constructed tale. We have the set up of Shakespeare as someone they recognise but whose name they can’t place, who speaks with a ‘west-country’ accent, which might relate to the Warwickshire accent of Stratford Upon Avon.It is very common for ghost stories to be related as ‘frame stories’ where the events are told to an unconnected person by someone who has first-hand, but now long previous association with the events. It is also in keeping with M R James’s dictum that ghost stories should be removed from the every day by placing them remotely in distance or time in that it happened when Mr Bunstable was a young man.There is a tradition of the comic ghost story. This story reminded me somewhat of the Ghost Ship by Richard Middleton. This humorous tale of a ghostly pirate ship was published in 1912 but as Middleton killed himself in 1911, was written before that. I only mention the date because it was part of a trend of ghost stories with jokey spectres which perhaps began with Oscar Wilde’s The Canterville Ghost  published in 1887 and have a noble tradition through Casper The Friendly Ghost who first appeared in 1945 and  the film Bedknobs and Broomsticks 1971.I also liked the description of the bookshop. It reminded me both of Black BooksSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Grey Woman by Mrs Elizabeth GaskellElizabeth GaskellElizabeth Cleghorn Gaskell was born in London in 1810 and died in the country in Hampshire in 1865. She was one of the most famous women novelists of the Victorian period. As well as being a novelist, she was a biographer and wrote a biography of Charlotte Bronte which was published in 1857. Apparently she did a bit of editing and only put in the nice things in Charlotte Bronte’s biography, judging herself that certain aspects should be left out. Her most famous novels are Cranford, published between 1851 and 1857, North and South between 1854 and 1855, and Wives and Daughters published in 1865—the year of her death. Her father was Keeper of the Treasury Records and she was born in Cheyne Walk in Chelsea, London which is now a billionaires row and was probably for the well-to-do even in 1810.Her mother was from the North of England which may have prompted her interest in the division between the North of England dominated by the Industrial Revolution and the south of England which did not have the heavy industries of coal and iron extraction. She spent much of her childhood in Cheshire in the North. She also spent time in Newcastle upon Tyne. When she was married she lived in Manchester. She visited Edinburgh and Whitby and then when she visited a house she had both in Hampshire, died suddenly of a heart attack.Unlike some women of her class, she did attend school and was educated privately at Stratford Upon Avon. She read the classics and travelogues sent to her from her brother in the navy. The Grey WomanThis story was published by Mrs Gaskell in 1865 in London in a collection known as *The Grey Woman & Other Tales*. By this time, Mrs Gaskell was a the very famous author of a number of blockbuster novels. This was also the year in which she suddenly died.She was influenced by German literature and travelled in Germany in 1841. A number of her short stories, not just her ghost stories, have a German theme or setting.One of the themes of the story is the difference between the sophisticated and effete French and the simple straightforward Germans and the rivalry and mistrust between them.The first thing that strikes our ear (or our eye) is the vivid descriptions of the mill, the gardens, the scoured dishes, the red-tiled floor and the river Neckar murmuring outside the mill. Gaskell is a great writer of descriptions and talented at the ancient rhetorical art of *enargia*—which is the skill of drawing the listener into a scene by activating each of their senses through well-written description.This description of the rain in the garden of the mill turned cafe strikes me that it might have been lifted from a real incident that happened to Gaskell while she was in Germany and borrowed into her writing.Again we see the distance device. To quote M R James (again) — ghost stories should be distanced from the reader through placing them at a pint in the past far enough away so we can believe things we wouldn’t accept if they were set in our modern world but close enough so that we can still identify with the situations in it —so this story written in the late 1840s say at the earliest has its incident in 1789.Early on we get a little foreshadowing: we are told that the portrait of Anna Scherer shows she was very beautiful, which is important later in the story as explaining how she married the French nobleman, even though only from a miller’s family, and also that in the portrait she is full of colour, but lost that colour due to fright. The details of this fright are not available when they are mentioned.That sets us up for a ghostSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Brief NotesTrusty Amanate is someone she can talk to.The expedition by candlelight through the castle passagesThe withheld lettersShe is a prisonerAnna bites out a chunk of her hand to keep her fear from overcoming her while she’s under the table. She later breaks one of her front teeth. She’s rough.The spying servantsThe Chauffeurs are not drivers but robbers. The gendarmes are gendarmes though.A rollicking boys own story, but for girls because it includes love.Amante is fearless, she can beard Lefebvre, but she is scared of the servants as she knows about them. Her husband buys her gifts and makes her a flower garden. So, he must love her in his own way. I think he probably does, or why entertain her?We find the reason for M. De La Tourelle’s frequent absences. He is not away at some distant estate at all.If You Appreciate The Work I’ve Put In Here https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr  https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music)  by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Grey Woman Part 3In which Anna and Amante go on the run, meet some good souls, some bad ones and accomplish miracles with corks and home-made walnut dye, thus saving their lives. Will it all go right in the end? You will have to listen, won't you?Random Notes For Part 3Disguises. Victorians loved disguises. Think of Sherlock HolmesThe beautiful Ann breaks one of her front teeth! No one later remarks on this.Amante has corks in her cheeks to alter the shape of her face. A great idea, but did she keep them in all the time? It might make talking tricky. I think Mrs Gaskell got too carried away with the fun of disguises to think about its sustainabilityIn the blacksmith’s smithy, when M. De La Tourelle turns up, he describes his wife as having run off with a base profligate woman from Paris. It’s a good job he didn’t say she was Norman as that would have been more likely to give the game away. Phew.The Countess de Roeder (for it is she) shies away from the common room “full of evil smells and promiscuous company”. I’ve been in pubs like that. We are set up for this by the description of her being a fair-haired young woman speaking German French who had hair that Amante reminds Anna is the same colour as hers used to be before they cut it off and burned it in the stove.The Murder of the Countess De Roeder sets up the fate of M. De La Tourelle as we ultimately find out. However, in a modern novel, or film, it would be urged that the protagonist confronted and brought about the doom of the villain, not some minor character never seen (the Baron de Roeder).We get word of the crooked jeweller a few times just dropped in. I think the subtle hinting at this is very well done “Ainsi le Chauffeurs se vengent” means “Number 1: Thus the Bandits Revenge Themselves”Amante’s father was a tailor in Rouen, but earlier, Mrs Gaskell told us that Amante’s father was a Norman father.And then her complexion goes from roses and lilies to ashen grey. It’s a nice touch that M. De La Tourelle looks up and doesn’t recognise her. This emphasises her unfair transformation into The Grey Woman.I guess the daughter can’t marry Maurice de Poissy because her natural father killed his father? She slips this in at the end as an additional, but arguably unneccesarry other than for the sheer joy readers take in twists. But it also allowed me to finish in true thriller style with a revelatory sentence with a duh-duh-duh rhythm.The way this is written made me narrate it in short rhythmic bursts. I think this is due to her sentence structure.I’ve only been to Heidelberg once, but I liked it immensely and would like to go back.Next week we are reading another listener request. If You Appreciate The Work I’ve Put In Here... https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr  https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music)  by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

H G WellsHerbert George Wells was born in 1866 in Bromley, Kent just outside London. He Died aged 79 at his grand house in Regent’s Park in London.He was a scientist by training having got his degree at Imperial College London (the Royal College of Science).  He was a biologist with a strong interest in Darwin and Natural Selection.  His early adult life was one of financial insecurity and job after job teaching and he earned his Bachelor of Science in 1890 through the University of London’s external teaching scheme.  In 1893 while teaching A A Milne (author of Winnie the Pooh) at a school in London, he published a biology text book.By 1895 he was contributing stories and articles to different periodicals. Politically, he was a Socialist. His mother was a domestic servant and his father had been a servant gardener though later became a professional cricketer for the Kent county team and who had a sports shop which didn’t do very well.   Because his family struggled financially, they put him out as an apprentice as a draper. He worked a thirteen hour day and slept in a dormitory and his later novels Kipps and The History of Mr Polly describe this lower middle class or tradesmen’s life.He suffered from Diabetes and founded the Diabetic Association in 1934.He was a progressive futurist who foresaw many modern developments such as tanks, space travel, nuclear weapons and satellite TV. His books deal with time travel (The Time Machine) and alien invasion (The War of the Worlds).The Door in The Wall by H G WellsThe Door in the Wall was first published in The Daily Chronicle in 1906, when he was forty, and reprinted in Wells’s collection The Door In The Wall And Other Stories published in 1911. It is one of Wells’s most well-known stories, and he wrote at least a hundred short stories, mostly in the early part of his career.The story is told to Redmond, and this device of having a story introduced to an otherwise blank hearer, who then learns of the ending of the story and makes his own conclusion, is well known. In fact more Victorian and Edwardian supernatural stories than not begin in this style (e.g. The Turn of The Screw, many stories of M R James) and it was copied by Ray Russell in the 1960s in his Sardonicus series when he wanted to write as if the story were Victorian.The way Wallace recounts the story to Redmond is set out from the beginning as questioning whether Redmond should believe him. He says early on that he does, and at the end confirms this again. On balance, as fabulous as the story is, he chooses to believe Wallace.The hero of the story, is Lionel Wallace a successful politician. And it is this success that is the central theme to the story, which to me is about putting off spiritual contentment in favour of worldly obligations time after time, until in the end, he makes the right, and final choice.Every time he passes by the door and chooses a worldly goal rather that trying the door he is sure in his heart the door is unlocked and only waiting for him to step inside. The first time he goes in, he is a child. The second time he is a busy schoolboy intent on not being late for school. The third time he is on his way to his Oxford entry exam, the fourth time he is on his way to an important appointment, which seemed to be to be with a lover. There is a long gap and he is finally a successful politician, overworked with a tarnish beginning to spread on this world and he becomes more receptive to the message. He sees the door three times just when he is finding this world burdensome. He is determined that he would go in through the door.  Wallace at this time is around forty yeaSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edith BagnoldEdith Bagnold, later Lady Jones was born in 1889 in Rochester, Kent and died in 1981 in London . She was most famous for her novel *National Velvet* published in 1935, which was made into a famous film that starred Elizabeth Taylor.  Her father was a Colonel in the  British Army, and she was mainly brought up in Jamaica.  She loved riding horses when she was in Jamaica and that inspired National Velvet.  She went to art school in London and worked for Frank Harris, an Irish-American novelist and had an affair with him. She was very Bohemian and mixed with artists and free-thinkers.During the First World War she became a nurse but was critical of the way the hospitals were won and got sacked. She became a driver for the army in France and wrote a memoir of her time dung that. In 1920 she became the wife of Sir Roderick Jones and therefore became Lady Jones.  they lived on the south coast of England near Brighton. They had a house in London and were neighbours of Winston Churchill and Jacob Epstein.Her great-grand-daughter was Samantha, wife of the recent British Prime Minister, David Cameron.  Virginia Woolf called her ‘a scallywag who married a very rich man.’ Woolf thought that Bagnold had begun as a rebel and Bohemian but ended up being conventionally rich with a butler. Read this article about Bagnold.https://www.theguardian.com/books/2008/may/31/biography.theatre (Upstairs, downstairs | Margaret Drabble | The Guardian)If You Appreciate The Work I’ve Put In Here https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr  https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music)  by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Joan AikenJoan Delano Aiken was the daughter of Conrad Aiken, whose story Mr Arcularis we read out on The Classic Ghost Stories Podcast. Her elder sister Jane was a writer and her brother John was a chemist. Her father, being a poet presumably appreciated the para-rhyming of their names.Joan was born while her father was domiciled in England,  on Mermaid Street in Rye in East Sussex in 1924. She died in Petworth West Sussex in 2004.She went to a private school in Oxford but did not go to University. Instead she wrote stories. Her first story appeared on the BBC Children’s Hour in 1941 when she was seventeen. After the death of her first husband she went to work as an editor on magazines.She is most famous for her children’s fiction, notably The Wolves of Willoughby Chase and Black Hearts in Battersea. Her stories have almost a magical realism feel (a term which of course really belongs to South American literature) in that she uses what appear to be genuine historical settings subtly twisted to become fantasy. Many of her novels have supernatural themes, such as the Shadow Guests and the Haunting of Lamb House.She won many awards for her fiction during her lifetime. The Lodgers is in her collection of short supernatural stories A Touch of Chill.   Not knowing what to make of it, I went on Good Reads and found it got an average of three stars out of five with most reviewers not being clear about what the story is about.The best I can do is to suggest that this is a mid-20th Century story where small town life is subverted into the weird as people like Robert Aickman were doing. I wonder whether the deliberate cultivation of the irrational is taking place here where the weird is not meant to be understood rationally, but there to create atmosphere.The weird slovenly, drunken Colegates come from the Middle East. They have odd paraphernalia such as the 'collecting jar' which seems to be vaguely occult. The reference to the Egyptians and the black and white pillars put me in mid of the ritual magic of the Order of the Golden Dawn. It seems that the Colegates collect the souls of children. In the end, I think young Bob's soul flies out of the window and Desmond Colegate pursues it like a butterfly hunter into the graveyard where the exertion gives him a stroke of a heart attack. But I may be wrong. The boy, and the vet's boy who the Colegate also taught games of cards to (the cards seem important -- Tarot???) both die of natural causes. Are the Colegates then a drunken version of the Grim Reaper? They don't cause the death, they are just around to harvest the souls?If you know, tell me!If You Appreciate The Work I’ve Put In Here [Become A Patreon](https://www.patreon.com/barcud (https://www.patreon.com/barcud)) For Bonus StoriesOr [buy me a coffee](https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)) , if you’d like to keep me working. [Music](https://bit.ly/somecomeback (https://bit.ly/somecomeback)) by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

In which a writer starts to receive mysterious and increasingly menacing postcards from an apparent stranger. He asks his friends what to do. He goes to the police. And then it all becomes clear.L P HartleyLeslie Poles Harltey was born in Cambridgeshire in England in 1895 and died aged 76 in London England.L P was  educated first at  home and then a Preparatory School before going to  Harrow School–— a private school in North London, where he had won a scholarship. His father was not particularly high class, he was a solicitor and owned a brickyard. After Harrow, L P went to Oxford to study (or ‘read’) as they say at Oxbridge, Modern History. This was in 1915. In 1917 he joined the army. I think he was conscripted. He was commissioned as an officer in the Norfolk Regiment but never saw active service due to having a weak heart.He was a famous hypochondriac in fact and had what we would call these days a health anxiety.  In 1922 he suffered a nervous breakdown and soon after this started spending long periods in Venice in Italy where he owned his own gondola.He had a particular male friend David Cecil. And this was in a time when being gay was illegal and punishable by time in prison so gay people did not come out. It was believed that he was gay. After the war he returned to complete his degree Oxford, and even at that time he had an ambition to be a writer.   His first published work was in Oxford Poetry.  And he became editor of Oxford Outlook. He was a lifelong friend of Cynthia Asquith who, as we know, was a famous author of ghost stories and editor of the Pan Horror series for a while. He mixed in aristocratic circles after graduation and worked as a book reviewer, but his own work did not initially find success and he was depressed. In 1924, his first volume Night Fears was published and it was well received critically and his work was supported by many influential writers including Cynthia Asquith.He had moderate to good success with later novels, but his major success was with The Go-Between.He was named after Virginia Woolf’s father. Hartley as a youngster was a fan of Edgar Allen Poe.  He named his influences as Nathaniel Hawthorne, Henry James and Emily Bronte, but I find his straightforward style different from all of these. His most famous quote is possibly:The Past Is Another Country. They do things differently there.W SThis is a cracking little story and very simple in structure. We have a writer, and like all writers, he is neurotic about his work. He has had some success, but still harbours doubts. Then he starts getting postcards from someone with the same initials as himself, though he doesn’t notice the initials as being significant at first.The story uses the ticking clock technique of modern thrillers.  Danger is approaching step by step getting closer and closer: think Die Hard. Though if you didn’t know British geography you might not know that Forfar is distant and Coventry close to the West Country town where Walter Streeter lives.  Nevertheless, each postcard brings the doom closer.There is some nice foreshadowing.  The postcard writer keeps promising a hearty handshake and it is only at the end we are told the character William Stainsforth has only one hand.  The comment that the author doesn’t give any depth to his characters is also a piece of foreshadowing.We are told near the end that the character is a policeman in the story.  This is after the policeman has arrived outside to keep guard. The twist is in the phone call from the real police who apologise for not sending an officer. Who then is the policeman outside? I wonder if it would not have been more effSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

In rural Pakistan, a rickshaw driver stops by a Peepal Tree and a beautiful bride steps out from the shadows. Of course, at first he thinks she must be a churail, but despite his mother's warnings, he knows he must help this distressed woman. How will his kindness be rewarded?A story by modern British author Iqbal Hussain. After the story I had the great pleasure of interviewing Iqbal and talking about this story and his writing in general.Iqbal HussainIqbal is one of seven writers chosen for the 2021/22 Megaphone scheme for YA/children’s writers. He is one of fifteen emerging writers to feature in the Mainstream anthology by Inkandescent, with his short story “The Reluctant Bride”, publication date mid-2021. His short story “A Home from Home” won gold prize in the Creative Future Writers’ Awards 2019. He is a recipient of the inaugural London Writers’ Awards 2018 and was shortlisted for the Penguin Random House WriteNow scheme 2017. Iqbal is working on his first novel, Northern Boy, about being a “butterfly among the bricks”. https://www.ihussainwriter.comIqbal's Twitter @ihussainwriter Mainstream by Ikandescent This collection brings thirty authors in from the margins to occupy centre-page. Queer storytellers. Working class wordsmiths. Chroniclers of colour. Writers whose life experiences give unique perspectives on universal challenges, whose voices must be heard. And read.Mainstream by Inkandescent is here: https://amzn.to/2XURiKZ (https://amzn.to/2XURiKZ) (my affiliate link)If You Appreciate The Work I’ve Put In Here https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr  https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music)  by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Well after midnight in a newsroom high up above the city, a strange story comes tip-tapping in down the night wire. John Morgan, the night wire expert, turns the morse code into words and the words reveal a mystery. A town no one has heard of is brought to a standstill by a weird fog. This weird fog rolls right out of the graveyard and in it are seen twisted wailing forms. But this tale is stranger even that that. But you'll have to listen to find out why. This pulp story from 1926 was a favourite of HP Lovecraft. Even its author is an enigma. Or is he? The story inspired Stephen King to write The Mist in 1981 which was made into the 2007 movie of the same name."H. F. Arnold was an American pulp-era writer who wrote only three published stories. Despite this low output, ‘The Night Wire’ (1926), first published in Weird Tales, is considered the most popular story from the first golden age of that magazine. Lovecraft is said to have loved this story. "Arnold’s only other published stories were The City of Iron Cubes in the March/April 1926 edition of Weird Tales, and When Atlantis Was in the October and December 1937 issues of Amazing Stories.  Who is who is an enigma. The content of The Night Wire suggests he was a newspaper man in a big city in the USA.We have dates for his life as 1902 until 1963, making him 61 at the time of his death, and 24 when The Night Wire was published. How we know  his dates, I’m not certain.If you read most anthologies, we don’t even know if he was really called H F Arnold.  But then someone called William Russo did some research and found out a lot about him.Here’s a link to the full storyhttps://www.goodreads.com/book/show/18131763-the-night-wire (https://www.goodreads.com/book/show/18131763-the-night-wire)It turns out that he was Henry Ferris Arnold who graduated from the Mid-West and went to work in Hollywood working in publicity (we’d call it marketing now) for movies. He started at Goldwyn Studies and became Sam Goldwyn’s Director of Publicity. There’s something about that night radio DJ thing. Play Misty for me. Other associations are being on night shift.  Film noir. The Weird Anthologyhttps://amzn.to/3kF1LSr (https://amzn.to/3kF1LSr)The Night Wire read by by E F Frenchhttps://youtu.be/-SyT6Xga0Eo (YouTube)William Russo’s review on Good Readshttps://www.goodreads.com/book/show/18131763-the-night-wire (The Night Wire by H.F. Arnold)Story suggestions by email [email protected] You Appreciate The Work I’ve Put In Here https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr  https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music)  by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Towards the end of the American Civil War in north west Arkansas, an old woman is faced with a dilemma. Her son is dead after falling in battle, and her son's wife went missing in the woods on hearing the news. Something happened to her in the woods, something that means the old woman's precious grandson is sick. He's sick, and something is coming over the hill.This story is followed by an interview with the author of the story Dragoon.Get a great discount on my Horror Stories For Halloween audiobook & ebook bundlehttps://spirit.ghostpod.org/horror-stories-for-halloween (https://spirit.ghostpod.org/horror-stories-for-halloween)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Get a great discount on my Horror Stories For Halloween audiobook & ebook bundlehttps://spirit.ghostpod.org/horror-stories-for-halloween (https://spirit.ghostpod.org/horror-stories-for-halloween)The Pomegranate SeedThe pomegranate seed is a reference to the myth of Persephone and Demeter. Winter and Spring and the Lord of the Underworld. In a sense Mother and daughter are the same, and one aspect of the woman spends time in the world of the dead, while the other walks the world of the living.Kenneth disappears to see about ‘their passages.’ It is clear that it is his passage over the river Styx to the underworld that he finally arranges. He has been so attached to the ghost of his late wife, that he cannot escape her as she dominated him in life. He wants to escape, he wants to live with his new wife and have new experiences, but he is simply not strong enough to make it so.Charlotte represents the living, mortal world while Elise Ashby represents death. In that sense it is a story about a choice that all of us have to make: to live in this world and be of it and do what work it sets before us or spend our time dreaming of the underworld whence we came and to which we shall return. Deep for a Monday morning, I feel.However, Wharton’s skill as an observer of human behaviour also shines in this story, and for most of the time it is the skilful chronicle of that commonplace (sadly) or married life—the suspicion that our lover’s heart is tethered elsewhere. Trivial, but profoundly upsetting. Charlotte spends a lot of time arguing this when then that way that her husband is having an affair, trying to convince herself in a way that rings very true.Old Mrs Ashby plays the role of the mother goddess who loses her son in this case to the Underworld. This doesn’t totally fit. But she is on the side of life, despite her age, and she supports Charlotte and regrets her son’s attachment to his late wife.In construction there are four parts. We begin with a scene of Charlotte’s unsettledness, standing at the door. What had been her haven now disquiets her and she finds no comfort in modern New York or inside in her home that she once loved. She coveted the house when it was Elise’s and of course it has always remained Elises and again this is the story of the second wife who is dutiful and loving but is reminded by the possessions and moments and indeed children that she can never really supplant the first. Iff the first wife had been unfaithful then it would be easier, but by dying while he still loved her this has made the second wife’s job impossible. She can never win.Wharton raises questions throughout: what are the letters? Who are they from? Did he love this other woman? But she lays hints as the tension builds that these are not normal letters, they are grey, the handwriting is androgynous (perhaps because Elise is not a woman but a spirit? And therefore neither male nor female in that vague gray underworld?)But its a slow burn and the tension is that of a story about adultery, until it is revealed at the end to be a story about death’s hold on the living. Depressed now?She uses a lot of Britishisms: holiday for vacation, fortnight for two weeks —I don’t think Edith Wharton played Fortnite.The ending is ambiguous. Wharton prefers subtle hints rather than clear resolutions in her ghost stories, listen to Bewitched or Mr Jones on this channel for that.But it seems to me that both the Old Mrs Ashby and Charlotte are creatures of the daylight world and so they pretend that Kenneth’s disappearance is a daylight occurrence when they know that he has gone down into the night world. Still, they act as isSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Backwoods, they do Bad Things. or "Be A Sport, Tessie!"My reading and analysis of The Lottery by Shirley JacksonJackson's 1948 masterpiece of naturalistic horror gone bad. Small town America shows its horrific side. Folk Horror before there was folk horror. The Purge before there was The Purge. Listen, enjoy, understand and come along with me on the journey. Meet Jack too.If you want to download my own audiobooks at an insanely discounted price that ensure no cut goes to the big boys (you know who they are) and you support my work, then check out Horror Stories For Halloween by Tony Walker: https://spirit.ghostpod.org/horror-stories-for-halloweenBy the by, if you want to sign up as a Patreon, that would be good. https://www.patreon.com/barcudIf you want to just buy me a coffee to keep me awake (though these days I don't need much help to do that) then hit here: https://ko-fi.com/tonywalkerGet a free audiobook and ebook here: https://bit.ly/dalstonvampireSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A dark fairytale set in the wild moors of the North of England. A foolish girl falls in love with a tall, dark handsome stranger who stepped out of the woods these days. He says he's a fine lord, and she sees his golden sash and his silver sword and his black velvet jacket. An old wise woman warns her not to take a gift from him, nor eat a morsel of his food, nor yet cross running water to stand beside him. But will she listen?Get a great discount on my Horror Stories For Halloween audiobook & ebook bundlehttps://spirit.ghostpod.org/horror-stories-for-halloween#audiobook #horrorpodcast #shortstories #literature***Merchandise https://my-store-5618003.creator-spring.com (https://my-store-5618003.creator-spring.com)Get my audiobooks at an insane deal. London Horror Stories https://mailchi.mp/tonywalker/london-horror-storiesBuy me a coffee to show appreciation: https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker )You can get a free ebook and audiobook:https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Listen to audio only versions of my podcast:https://bit.ly/vurbl (https://bit.ly/vurbl)It is all greatly appreciated.#classicghoststories #classicstories #horrorpodcastSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of a female vampire, a femme fatale, a girl who just one day walks into a photographer's studio and wants to do some modelling.Get my audiobooks at an insane deal. London Horror Stories https://mailchi.mp/tonywalker/london-horror-stories (https://mailchi.mp/tonywalker/london-horror-stories)If you want to say thank you for all the stories please don’t buy me a coffee (I’m wired enough), buy a book! Get an ebook here: https://www.kobo.com/us/en/ebook/the-haunting-of-tullabeg (https://www.kobo.com/us/en/ebook/the-haunting-of-tullabeg)Get a paperback here: https://www.bookdepository.com/Haunting-Tullabeg-Tony-Walker/9798736978946 (https://www.bookdepository.com/Haunting-Tullabeg-Tony-Walker/9798736978946)Join my mailing list and get a download: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback (https://bit.ly/somecomeback)Fritz LeiberFritz Reuter Leiber Jr was born in 1910 in Chicago, Illinois and died in San Francisco, California in 1992 when he was 81. His parents were actors and when he was a child he toured with them when they were acting. He got his degree in 1932 in psychology and then after graduating went to be a minister in the Episcopal Church. But didn’t finish and went back to do postgraduate studies in philosophy.He is best known for his fantasy, horror and science fiction stories but he was also a chess master. He was one of he fathers of the Sword & Sorcery genre along with Robert E Howard and Michael Moorcock and it was Leiber who coined the term.His early career was as an actor, following in his parents’ footsteps. But he did write some stories. His literary career seems to have been spurred on when he entered into correspondence with H P Lovecraft in 1936 (Lovecraft died in 1937) and he published his first Fafhrd and The Gray Mouser sword and sorcery story in 1939 in a pulp magazine. He had been a pacifist but when the Second World War broke out he was convinced that the struggle against fascism was worth fighting and he went to work for Douglas Aircraft corporation but still wrote fiction.He married Jonquil Stephens in 1936 and she died in 1969. Leiber had a life-long battle with alcoholism and long period of addiction to barbiturates was a member of Alcoholics Anonymous. Despite the success of his novels he was extremely poor and lived in a down at heel hotel surrounded by bookshelves with a manual typewriter. Things looked up towards the end of his life when he began to get royalty checks from TSR who were the publishers of the successful Dungeons & Dragons games and who had licensed his work.Leiber died in 1992 of a stroke but he married Margo Skinner in the last year of his lifeThe Girl With The Hungry EyesLieber published this story in 1949 and it was made into an episode of The Night Gallery in 1972 and has been made into a film twice, once in 1967 and then in 1995. It was also the title of a. Son by Jefferson Starship in 1979 on their album Freedom at Point Zero.Our protagonist is a down at heel commercial photographer when The Girl seeks him out. Is this an act of philanthropy? In fact as deadly as she is to all other men who covet her she seems to have a soft spot for our photographer and let’s him live, repeatedly rebuffing his attempts to engage in fatal lovemaking. This seems a very male story. It is uncomfortable to read after the #MeToo revelations because it suggests that slapping the chops off The Girl would be an appropriate and even positive thing to do and that making a pass at a girl in an empty office is exactly what all men would and should do.She is the only female in the sSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Haunting of Unit 409 is an original horror story by me, Tony Walker and will be part of my forthcoming More Cumbrian Ghost Stories collection. This is a taster, a teaser, an early release. I hope you like it and enjoy your Halloween listening!If You Appreciate The Work I’ve Put In HereHate watching me? Listen to audio only versions of my podcast:  https://bit.ly/vurbl (https://bit.ly/vurbl)Get my audiobooks at an insane deal. London Horror Stories https://mailchi.mp/tonywalker/london-horror-stories (https://mailchi.mp/tonywalker/london-horror-stories)If you want to say thank you for all the stories please don’t buy me a coffee (I’m wired enough), buy a book! Get an ebook here: https://www.kobo.com/us/en/ebook/the-haunting-of-tullabeg (https://www.kobo.com/us/en/ebook/the-haunting-of-tullabeg)Get a paperback here: https://www.bookdepository.com/Haunting-Tullabeg-Tony-Walker/9798736978946 (https://www.bookdepository.com/Haunting-Tullabeg-Tony-Walker/9798736978946)Join my mailing list and get a download: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback (https://bit.ly/somecomeback)————————Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A man driving home on a winter's night thinks he sees a big cat stalking the moor. He crashes his car and then the weirdness really begins. An original story by Northumberland author Rowan Bowman.#audiobook #horror #northumberland #blanchlandFurther notes sent me by Rowan after our discussion:Influences in my writing:Raymond Chandler. He writes as a film director, intent on the reader seeing the view clearly in front of them.Daphne du Maurier. Partly because of her sense of place, but also because of the subtlety of the ghosts in some of her stories, Rebecca in particular, the writing is haunted by the melancholy of the nameless narrator, and the actual haunting, the influence that Rebecca has from beyond the grave, is superbly handled. Mandalay was based on du Maurier's own house. I often set books in or around houses I have known intimately.Shirley Jackson. The best writer of mad protagonists and unreliable witnesses in my opinion.Favourite authorsThe first proper ghost story I ever read was A Christmas Carol, I think that's where a lot of people start. As a teenager I suffered from terrible nightmares and took solace in Poe and Lovecraft and progressed to Ray Bradbury (Something Wicked This Way Comes still gives me the shudders). Then I went on to James Herbert, Shirley Jackson and lots of crime stories and thrillers, anything that confirmed it's normal to be scared and okay not to be okay. Life sorted itself out and I was busy raising my children. The nightmares eased and I read anything I could reach while doing something else. Danielewski's The House of Leaves was the first book in years to actually scare me. I still enjoy Robert Harris thrillers and the Cormoran Strike novels, but I'm back in this stage of my life to seeking out the weird and scary.Dan Simmons is always a good read, I recommend Drood. The atmosphere is intense and like most of his stories the landscapes suck you in. I enjoyed Michelle Paver's Thin Air, but prefer Dark Matter as a supernatural horror, again the landscape is one of the characters, the real horror in Thin Air comes from mundane self-interested cruelty which rather overshadows the supernatural element for me. The landscape in The Loney is brilliantly evoked. There have been several novels since set around the area, but none capture it in the same way.My favourite China Meiville novel is The City and The City, its fantastical landscape is so well drawn that it seems more real than room you are sitting in.The best book I've read since the start of Lockdown has been Piranesi. I loved Johnathon Strange and Mr Norrell; this is very different, but equally good. The reader understands what is going on just before it is revealed, set in a fantasy world that is so well drawn that it's utterly convincing. If you've ever been asked, 'What is wrong with you?' when admitting to a love of the macabre or frightening, then I recommend Noel Carroll's accessible The Philosophy of Horror (1990) and Lovecraft's collection of essays Supernatural Horror in Literature. Hope this may be of some interest.Thank you for reading The Beast of Blanchland. All the best,RowanSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Gerald KershFirstly, I need to thank Gavin Critchley who commissioned me to record this for his birthday in August and then very generously allowed me to broadcast it to you all on the podcast.Gerald Kersh was born in Teddington (just outside Central London) in 1912. He was born into a poor Jewish family and during his life had to turn his hand to many jobs to survive. These included being a cinema manager, body guard, cook in a fish and chip shop, French teacher, travelling salesman, night club bouncer and professional wrestler. It is said he began to write when he was only eight and did all the other jobs to keep him going while he tried to make a living as a writer. His first book was autobiographical and a family member sued him for libel so he withdrew it. His third novel was his most famous one. This was Night And The City which was published in 1938 and made into a film twice. Robert de Niro played the main role in the 1992 film.Kersh joined the British Army during the Second World War and went into the Coldstream Guards but ended up working for the army film unit. He was discharged from the Army in 1943 after having both his legs broken in a bombing raid. While in France, after the liberation that many of his Jewish relatives had died in the Nazi concentration camps.Kersh wrote in a variety of genres after the war and he moved to the USA because he disliked the British tax system which he felt took too much money. He became an American citizen in 1958. He died in New York in 1968.His biography on the Villancourt Books site states:Kersh was a larger than life figure, a big, heavy-set man with piercing black eyes and a fierce black beard, which led him to describe himself proudly as “villainous-looking.” His obituary recounts some of his eccentricities, such as tearing telephone books in two, uncapping beer bottles with his fingernails, bending dimes with his teeth, and ordering strange meals, like “anchovies and figs doused in brandy” for breakfast. Kersh lived the last several years of his life in the mountain community of Cragsmoor, in New York, and died at age 57 in 1968 of cancer of the throat.Whatever Happened to Corporal Cuckoo?This is a story of immortality. If we think of the alchemists who spent their lives, their fortunes, their reputation and their health to find the Elixir of Life and historical figures such as Emperor Rudolf II who, in Prague, funded lots of alchemists to produce such a tincture, then in Whatever Happened To Corporal Cuckoo, we see all of this is turned upon its head.Cuckoo gets the Elixir of Life by accident, it is invented by accident by the French surgeon who treats him. Ambroise Pare was a real military surgeon from this time.After becoming immortal, Cuckoo then spends the rest of eternity looking for get rich quick schemes in order to fund his buying what sounds like a low rent clip joint with girls and booze for low rent customers. He squanders every gift that eternity could have given him, not least by saving a little of his pay (and putting into attacker account as Warren Buffet would have you do). His answer when asked, is that he can’t be anything other than he is. He will do what his character makes him do. This is his dharma. This Indian term means duty but has come in some circles in the West to mean that what you do and can do no other. I often reflect on this these days. Could I be anything other than I am? I think within a limited circle of actions I can change the way I am, but like Cuckoo that is severely limited by my circumstances and my physical, mental and temperamental make up.I ramble about this and more in the audio notes to thisSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

An Irish story told by Douglas Hyde, first president of Ireland and the craoibhinn aobhinn himself. I thought it was about time we did an Irish story and this is hits all the targets.A wastrel boy compromises the reputation of a local girl and when he goes out on the road to think, he meets a party of the fairy folk and they give him something to carry, and something to bury.Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Harry by Rosemary TimperleyThank you to Steve Cuff for suggesting I read this story. Rosemary Timperley was born in 1920 in North London and died in November 1988. Her father was an architect and her mother a teacher. Timperley went to her local girls school and became a teacher herself. She taught English and History in a state school. Her pupils said she was a very dramatic figure (she ran the drama club) and wore long swirling black dresses with long drop or hoop earrings. While she was a teacher she began to submit her stories to magazine and they began to be accepted. She became a staff writer and agony aunt on the magazine Reveille. She lived in Richmond, Surrey (a well-heeled suburb of London now) for many years. Many of her stories are set in London.During the Second World War she worked at the Citizens’ Advice Bureau in Kensington, London. She got married to a. Physics teacher in 1952 and they lived in Essex just outside London. They separated in the early 1960s according to some sources, but they appear to have been officially married until his death in 1968.In 1961 she mentions she is living in an old-fashioned flat and living on coffee, pink-gin and cigarettes. In 1964 she became seriously ill and had a long spell in hospital. I’m not surprised hearing about her diet. She was very prolific and was the author of 66 novels as well as radio plays and short stories. She was also editor of the 5th to the 9th Ghost Books. Harry has been filmed several times. She described herself as a recluseIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback (https://bit.ly/somecomeback)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A man who has lost everything goes to a remote part of the country for Christmas. In that beautiful landscape it seems the air is full of spirits: both of nature and of those long gone. A heart-warming ghost story for Christmas.If You Appreciate The Work I’ve Put In HereIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A short Christmas Ghost story. A couple move into an old house, a house whose foundations go back centuries. Once in there they begin to suspect it's haunted. A short, sweet ghost story for Christmas where a couple get an opportunity to remember things that have been forgotten.If You Appreciate The Work I’ve Put In HereIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Sir Gawain & The Green KnightSir Gawain and The Green Knight is the original Christmas Ghost Story. Or technically a supernatural story set at Christmas in the kingdom of Logres ruled by King Arthur. It's pretty gothic.This is a prose translation of a Middle English poem called Sir Gawain and The Green Knight. The translation by Jessie Weston was published in 1898 and though it is certainly not Middle English she has left enough archaic words in to keep that flavour.Jessie Weston herself was born in 1850 in Surrey, England, the daughter of a tea merchant. When she was young the family moved to Bournemouth off England’s south coast and she began writing there. She studied in Hildesheim in Germany and in Paris and at the Crystal Palace School of Art in South London.  She was most famous for her studies of Arthurian romances and the Grail legend where she put forth the ideas that the material was actually pre-Christian and pagan in origin. T S Eliot’s The Wasteland was influenced by Weston’s Arthurian studies. The Green Knight as it stands was composed no later than the end of the 14th Century (the date of the manuscript) and may be much older. The language is Mercian influenced Middle English, probably from Lancashire. The boundary between Mercian and Northumbrian Old English runs through Lancashire and its dialect is influenced by both, but South Lancashire and Cheshire have Midlands’ such as pronouncing the ‘g’ in ‘king’ and ‘thing’.If you’re interested in Old English dialects, check out Simon Roper’s Youtube Channel for a real treat. The poem shows signs of oral storytelling with the rich, detailed descriptions that run in sequences and would probably delight an audience as they were elaborated. The themes are of honour and courage, as befitted the courtly audience, but also of love and fashion, which traditionally interest ladies. Tricky subject these days, but that was the established view for centuries. Things change. I for one embrace change, while I mourn what it lost. I’m a bit like the VoiceOver by Galadriel at the start of the Fellowship of The Ring movie.There are folkloric features which Weston perhaps emphasis because she was interested in them: He bears a holly bough to symbolise life and rebirth. He pole vaults over water as fairies can’t normally cross running water. The bargain is for a year and a day which is in all good fairy tales. The motif of the talking head appears again and again in Celtic stories: Bran the Blessed, and Bricriu’s Feast from the Ulster Cycle where the beheading challenge is seen. Of course the severed head is seen on a platter in the Perceval/Parsifal/Peredur Stories.The old lady in the castle is the famous with Morgana La Fee.“I trow” is “I think” or “I believe”“In sooth” is “truly”, “really” ‘fo sho’“Wit, wot, witen’ are ’to know’ . So “ I wit” is cognate with the German “Ich weiss” or the Dutch “ek weet”“List” is “like” or “please” “As he may list”  “As he pleases”“Welkin” is sky.“Hearken” is “hear, or listen to”Going through the recording as I edit, it strikes me that perhaps the green lace on the axe is the one that Gawain later gets from the lady and transpires to have been the knight’s. It was the magic of this lace that allowed him to survive the blow. Not sure why I didn’t figure that before. This is just what a modern author would be: place an item and bury it in detail so its significance isn’t grasped until much later.It’s mainly showing not telling too. We get some insight into Gawain’s thinking, but mostly the situations are simply described and we infer internal motivations and ruminations from what we hear. Described.I also think it’s Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Thrawn or Twisted Janet is a tale of devilish possession written in broad Scots. A chilling tale, if you can understand it. My commentary at the end has very little to do with Thrawn Janet, but does go on at length about the sound 'r'. Fascinating.If You Appreciate The Work I’ve Put In HereIf You Appreciate The Work I’ve Put In HereYou could buy me a coffee https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker)Become a Patronhttps://www.patreon.com/barcud (https://www.patreon.com/barcud)And you can join my mailing list and get a free audiobook: https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire)Music By The Heartwood Institutehttps://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pleasure Pilgrims by Ella D’ArcyThe Pleasure Pilgrims can be seen as a love story, a murder tale or a sort of Christmas Story (though it’s not set at Christmas). But most of it all it is a story that lays bare the differences between British and Americans. They speak the same language, but they mean different things and seem incapable of understanding what the other really means.We’ve done another of Ella D’Arcy’s stories on The Classic Ghost Stories Podcast: The Villa Lucienne. That too deals with the wealthy elite who skipped around Europe staying in grand houses. There is a ghost in that story, there is one in this too—ultimately.Observations as we go along are that the hosts, the Ritterhausens, and Germans in general don’t make much of an appearance in The Pleasure Pilgrims. They add a little local colour. The setting of a grand old German castle near Hamelin with its pied piper is delightful set-dressing. Ella D’Arcy really brings this out with the snowy train journey, the old bridge choked with ice floes, the German servant in the horse-drawn carriage in his second-best livery. The main character, Campbell is a successful novelist. However, he is a bit of an innocent. He has some funny ideas about the purity of love and we wonder whether he has ever kissed a girl. D’Arch makes two remarks on the British character, one at the beginning when Campbell is forced to share the carriage with the two American girls. They only ride with him out of kindness to the German servant to stop the man making two trips. Campbell is, like most British people, shy, D’Arcy says. Then at the end, when the deed is done, she refers to the ‘cold, complacent British unresponsiveness’. I don’t think this pairing at the beginning and the end is accidental. In fact, the whole story is a study of British versus American character, and the British don’t come out of it so well. Campbell has his cynical second Maynes, who won’t believe a single good thing about Lulie and when Campbell himself starts to relent, Maynes is always there to convince him she’s putting it all on. Campbell comes over was a cold-hearted, vain, prig, and Maynes as simply a monster.D’Arcy gives us a short passage where she explains that Maynes really did think Lulie was putting it on and that he wasn’t just an evil pig. At the end, she also explains that Lulie has led the loveless, homeless life of a poor little rich girl. Rich people are people too, you know in case you are ready to dismiss her suffering as not being as valuable as the suffering of a poor person.  Lulie also has her second, Nannie Dodge who appears to be complicit in Lulie’s shameless seduction. If we believe Maynes’s version of the story.Throughout, Lulie’s ostentation and lack of reserve are emphasised, from her flamboyant and luxurious clothes to her persistent warmth and affection.I was reminded of the case of the English nanny Louise Woodward. There is a great article herehttps://www.newyorker.com/magazine/1997/11/24/here-and-there-3 (Here and There | The New Yorker)Woodward was never seen to cry. In court she sat, hunched, deferential, submissive, lowered eyes and voice. This was seen apparently by American eyes as indicating her guilt. However, this deference and submission in an English court is exactly what would show her innocence. The writer makes the point that in America if you are telling the truth, you meet your questioners eyes, you throw your shoulders back, you have nothing to hide. The the British Woodward was appropriately modest and self-effacing as she should be in court being judged by a judge, who might well be a lord. In America, she was shifty andSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

A gothic story of a wronged bride who returns from beyond the grave to right the injustice visited upon her. Written by Paula Readman an award-winning living writer from England.The story reading is followed by an interview with Paula ReadmanAuthor of Seeking The Darkhttps://mybook.to/seekingthedark Stone Angels, https://mybook.to/stoneangelsThe Funeral Birds https://mybook.to/thefuneralbirdsDays Pass Like a Shadowhttps://mybook.to/dayspasslikeashadowBlog: https://paularcreadmanauthor.blogFacebook: https://facebook.com/paula.readman.1Twitter: Paula R C Readman@Darkfantasy1If you want to support the channel to keep me going, become a Patreon for bonus storieshttps://www.patreon.com/barcudFor a one time thank you, you can buy me a coffee https://ko-fi.com/tonywalker Music is by The Heartwood Institute https://bit.ly/somecomebackSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Over in the Wild West of Wales, (despite him calling it England, the village is Croes y Ceiliog after all), strange signs appear, a girl disappears and it takes a man from London to work out the evil truth.This is the audio extracted from the edited version of my live reading of the Shining Pyramid by Arthur Machen.All the audio is there (some of the live cut out) and it is as polished as well as I can do. There are two microphones in this: the streamed version which is compressed and a little fuzzy and the camera microphone which is tinny.With those warnings, listen if you dare. PS. An end of summer bargain for you:You can still get my London Horror Stories Full Audiobook plus the Ebook at the insanely discounted price of £2.99, which is not much dollar, and if you buy from my directly, then we don’t give the non-tax paying giants (you know who I mean) their fat cut.https://mailchi.mp/tonywalker/london-horror-stories (https://mailchi.mp/tonywalker/london-horror-stories)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

The First Sheaf is a folk horror story set in the backwaters of rural England. A new vicar goes to a rural parish that has suffered a terrible drought. The local folk shun him and want nothing of his god. He fears they have other gods of their own. Then a young girl goes missing, and the vicar's son must search out the mystery of the round field and pay a terrible price for the knowledge he gains. Think The Wicker Man meets John Barleycorn. Folk horror before they invented the term 'folk horror'Download a my free audiobookhttps://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire) https://www.patreon.com/barcud (Become A Patreon) For Bonus StoriesOr https://ko-fi.com/tonywalker (buy me a coffee) , if you’d like to keep me working. https://bit.ly/somecomeback (Music) by The Heartwood InstituteSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

https://tonywalker.substack.com/about (Subscribe For All Episodes!)Charlotte Perkins Gilman, nee Charlotte Perkins, was born in 1860 in Hartford, Conneticut. Sadly, she committed suicide in 1935 in Pasadena California. Her father’s family was relatively well connected, but her father left the family when she was young, leaving her mother to bring up the two children. Her mother was forced to move around a lot to find work and Charlotte’s education suffered because of that. Perhaps because of her challenging childhood, Charlotte became a social reformer and feminist and was interested in furthering the political interests of women. She founded a feminist journal The Forerunner from 1909.The Yellow Wallpaper is her best known story and was published in 1892. She also wrote non-fiction most notably, Women and Economics which was published in 1898. The Yellow Wallpaper was actually Episode 1 of the Classic Ghost Stories Podcast.Her first marriage was to an artist called Charles Stetson in 1884 at the age of 24. The marriage was not happy and she suffered from depression. It is said that this illness provided much of the material for The Yellow Wallpaper, and if she was suffering from depression with psychotic features, this would tie in very well with the bizzarre delusions about the wallpaper and the things in it. This is reminiscent of The Horla by the French writer Guy de Maupassant, which is Episode 35 of the Classic Ghost Stories Podcast. The Horla was published in 1887, but there is no evidence that Charlotte was familiar with The Horla, and the earliest translation into English that I can find is 1903.She married her cousin George Gilman in 1900 and stayed with him until 1934. In that year she discovered she had terminal breast cancer. She committed suicide after that.The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John, may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?The horror in the story revolves around the Yellow Wallpaper and like many of us, she sees to have seen patterns in the abstract wallpaper that eventually evolve into characters. She ultimately can enter the wallpaper and more disturbingly, the woman from the wallpaper can come out into her room. The bizarreness of the crouching, creeping figures serves to unnerve the reader.MusicMusic is by the marvellous https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (Heartwood Institute)Download Charles Dickens The Signalman Free Mp3 https://bit.ly/dickenssignalman (Subscribe to our list and keep in touch with the podcast. Learn of new episodes and bonus Content. )Support our work PLUS you get a free story right now!(The Story Link is in the Thank You Email)Show Your Support With A Coffee!https://ko-fi.com/tonywalker (Buy the thirsty podcaster a coffee...)Final Request: The SurveyI want to know what you want. If you have three minutes, I'd be grateful to know what you think of The Classic Ghost Stories Podcast.https://my.captivate.fm/Click%20here%20to%20go%20to%20the%20Survey (Click here to go to the Survey)Support the show Visit us here: www.ghostpod.org Buy me a coffee if you're glad I do this: https://ko-fi.com/tonywalker If you really want to help me, become a Patreon: https://www.patreon.com/barcud Music by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edward Frederic Benson was born in 1867 at Wellington College in Berkshire, England and died in 1940 in London of throat cancer aged 73. Benson’s father was E W Benson who was Archbishop of Canterbury, the highest office in the Anglican Church and the Anglican version of the Pope! His father had been bishop of Truro in Cornwall and Benson sets some of his horror stories in Cornwall.Benson’s elder brother wrote the words for that famous English patriotic song: Land of Hope and Glory. He went to the private Marlborough School and then studied at King’s College in Cambridge. After he graduated in 1892, he went to Athens where he worked for the British School of Archaeology and then in Egypt also engaged in the promotion of archaeology. His elder sister Maggie was an Egyptologist.He was also a good figure skater, and represented England.In 1883, he published his first novel which was very successful. He was most famous for his Mapp and Lucia satirical novels. As well as his Mapp and Lucia novels and his ghost stories, Benson wrote biographies, including of Charlotte Bronte.Benson was upper class and wealthy and also a confirmed bachelor, meaning he was gay, though not publicly in those days. In his diary he noted he fell in love with Vincent Yorke, a famous cricketer, who apparently did not return his affections. He shared a villa in Capri, Italy for while with another John Ellingham Brooks a pianist who moved to Capri apparently fearing prosecution for being gay.His lifestyle of leisure; of country house parties and taking shooting lodges in the Scottish Highlands forms the background for many of his stories.Benson is a good writer of ghost stories and this one, The Room in the Tower, is particularly unnerving. The scene is set by the story of a recurring nightmare, followed by an apparently innocuous invitation to a weekend at a country house, where element after element matches his nightmare, down to repeated phrases. The tower, where he is set to sleep, is apparently haunted by a vampire; Mrs Stone.The story has an air of real experience about it and I wonder whether Benson himself had a recurring nightmare, or poached the idea from the real experience of a friend. I was told a similar story by a young woman I met and this dream, and Benson’s story The Room in The Tower were the inspiration for my own story: He WaitsMusic is by the marvellous https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (Heartwood Institute) Download Charles Dickens The Signalman Free Mp3 https://bit.ly/dickenssignalman (Subscribe to our list and keep in touch with the podcast. Learn of new episodes and bonus Content. )Support our work PLUS you get a free story right now!(The Story Link is in the Thank You Email)Show Your Support With A Coffee!https://ko-fi.com/tonywalker (Buy the thirsty podcaster a coffee...)Final Request: The SurveyI want to know what you want. If you have three minutes, I'd be grateful to know what you think of The Classic Ghost Stories Podcast.https://my.captivate.fm/Click%20here%20to%20go%20to%20the%20Survey (Click here to go to the Survey)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

M R James is known as the father of the English ghost story. He wasn’t the first to write ghost stories, but he was the finest of his generation whose work continues to be published and re-presented as TV shows and radio plays.He was born in 1862 at Goodnestone in Kent. His father was a clergyman and was rector of Livermere in Suffolk. East Anglia features as the setting of many of M R James’s stories. James’s ‘proper job’ was as an academic and he had a distinguished academic career at King’s College in Cambridge where he became dead in 1889 and finally provost in 1905. He was awarded a doctorate in literature by Cambridge in 1895 and honorary doctorates by Trinity College Dublin and St. Andrews University in Scotland.He moved to become provost of the famous Eton College, supplier of many prime ministers of Great Britain and Northern Ireland, in 1918. He was a trustee of the British Museum from 1925.In 1893, James began his tradition of reading ghost stories at Christmas by candlelight to a hushed circle of his colleagues and friends. His geographical background in East Anglia is evident in many of his stories, as well as his bicycling trips to Europe. Many of his heroes are fumbling academics and Latin and old manuscripts and church architecture also features strongly.He clearly had a knowledge of the occult and demonology, though he was not known to be a member of the Hermetic Order of the Golden Dawn, as were other writers of ghost stories such as Algernon Blackwood and Arthur Machen. Oh Whistle And I’ll Come To You, My Lad! Is the title of a poem by the Scottish poet Robbie Burns, and James borrowed this title though Burn’s story concerns a jilted lover. Perhaps he borrowed it because the central item in the story is the ancient whistle found in the sand covered ruins of the old abbey, which when blown, seems to summon the spirit that haunts the narrator.The Latin inscription: Quis est qui venit? Means ‘Who is this who comes?’ The other inscription around the plus sign, or cross, is a puzzle of a Latin proverb: Fur Flabis Flebis which means, ‘Thief, if you blow; you will weep.” And in one sense, though a finder, our man is a thief, and when he blows, he certainly does weep.It is the sheer weirdness of the ghost that is unnerving, and James is the master of this disturbing oddness which is not quite the same as Lovecraft’s Cosmic Horror in his weird tales or later Robert Aickman’s unnerving unnaturalness in his ghost stories.The closest parallel I find to James’s inexplicable and disturbing weirdness is in David Lynch’s movies, particularly Inland Empire and the Third Season of Twin Peaks.Support Us!https://tonywalker.substack.com/about (Subscribe For All Episodes!)MusicMusic is by the marvellous https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (Heartwood Institute) Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edith Wharton, nee Jones, (born New York 1862, died aged 75 in France) was a famous American novelist. Her nickname interestingly was P***y Jones. She was very high society and was a debutante and socialite. She was also a very good writer.Wharton wrote best-sellers such as The Age of Innocence, which won the 1921 Pulitzer prize, and Ethan Frome. She also wrote short stories, and among those short stories were several ghost stories.I think the first scene shows Wharton's mastery of her art. She introduces the three ordinary, taciturn men who are summoned without knowing why to the house of stern mrs Rutledge. She sets the scene: it's an isolated, rural area with primitive customs. Even more isolated at this time of the year because of the snow. Then she introduces the issue of her husband dilly-dallying with a revenant to much consternation and anger. The first scene ends with the dramatic entry of Mr Rutledge, who has precious little to say for himself. The characters are so well drawn and we end with a promise.The themes of rural isolation and old customs held by primitive folk is echoed throughout the later weird literature with Lovecraft making judicious use of it in the same New England, and then the Folk Horror films of the 1970s do the same in rural Old England (and Scotland for The Wicker Man). We see the same theme of rurality and superstitious ancient customs in this year's folk horror movie Midsommar, set in Sweden.And then the party breaks up. By chance they go to the scene of the haunting earlier than planned. There, Brand shoots someone in the ruined house (another trope). They've seen footprints on the snow both too light to be human and the snow too cold to be borne by a living person, so that seems to set up the ghost as real. But who does Brand shoot?Then the ghost's sister dies. Did Brand shoot his own daughter? If he did, then this is no ghost story, but presumably the Rutledge's knew the difference between the dead and living daughter? Unless old Saul Rutledge is just an old dog and knows fine well that the flesh he's enjoying is warm and alive but it suits him to portray it as a haunting...I don't know. After the funeral, Mrs Rutledge's plain ordinary words seal the community as a coming back to their plan old ordinary ways, the "forbidden things" as the Deacon repeats, put away (but not forgotten)Next week, I think I'm going to do Lovecraft's Dagon, though I am being pulled towards Le Fanu's Carmilla, which is quite long and would need a couple of episodes.We shall see.https://tonywalker.substack.com/about (Subscribe For All Episodes!)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

August HeatW F Harvey was a Yorkshireman, born in 1885 and died in 1937. He was a Quaker and suffered from ill health all his life. He joined an ambulance unit in the First World War but then went to work as a surgeon-lieutenant in the Royal Navy. He actually won a medal for saving lives but suffered from lung trouble the rest of his life from that rescue, though that didn’t stop him smoking a pipe.He published his first collection of short stories called The Midnight House in 1910 and his second in 1928 called The Beast with Five Fingers.The Beast With Five Fingers is a splendid story was was made into a film in 1946 starring Peter Lorre. I remember watching it at home with my parents and being really creeped out. The next time I watched it as an adult, I realised it was a comedy.This is a short piece of fiction. We’d almost call it Flash Fiction these days. August Heat is strong in its depiction of atmosphere of the hot August weather. The weird coincidence of the two men encapsulating each other in their own particular forms of art is strange. These days, it isn’t really unnerving. And the long established trope of leaving the reader to wonder whether he will actually die that night before midnight - and he’s got less than an hour left, is fun, but wouldn’t satisfy the modern reader.I’ve tried it and you get one starred into oblivion if you try that kind of trick on Amazon.I would be most grateful for any shares, ratings or reviews on the Podcast Channels and if you would like to, there are links to support the show through a small donationhttps://www.patreon.com/barcud (Support the show) (https://www.patreon.com/barcud)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlotte Riddell was born in 1832 in County Antrim, Northern Ireland. After she married she moved to London where she lived most of her life and died in Ashford in Kent in 1906. Riddell was a very prolific novelist and well known in the Victorian period. She actually owned and ran a Literary Magazine in the second half of the 19th Century. The Open Door is considered a classic Victorian ghost story and it reminds me of some of Wilkie Collin’s stories which are more or less contemporary. The Open Door is both a ghost story and not a ghost story. It has elements in it reminiscent of Scooby Doo and if hadn’t been for the pesky sacked insurance clerk, maybe you know who would have got away with itBut for all that the opening of the door does appear to be supernatural. It simply won’t stay shut and breaks of the handle of the gimlet. We don’t use gimlets much these days, but once I looked up what a gimlet was the phrase ‘gimlet eyed’ became more understandable.And then there is the monstrous figure that appears at the end. This seems to truly be a ghost and the apparition reminds us that the function of ghosts in stories is often a warning and a demand that murder or other outrages be put right and justice be done.Banquo’s Ghost in MacBeth and Hamlet’s father in Hamlet do much the same. It’s all about revenge.The story is a pretty straightforward adventure but there are a couple of nice touches. Phil Edlyd’s uncle seems a nice chap. He uses dialect thee and thou, which is a nice homely touch. Another endearing feature is that Phil longs to be a country boy. He loves horses such as old Toddy and he luxuriates over the descriptions of the beautiful summer countryside outside Ladlow Hall. In the end he gets to be a farmer with his beloved Patty.The Victorian ghost story was an outgrowth of the Gothic novel, a specialist sub-branch if you like. Ladlow Hall functions as the ruined castle/abbey etc of the Gothic novel.All in all a nice piece. Unpretentious but sweet. Not scary.But then ghost stories are really scary. They’re not horror stories you know. And besides after the Human Caterpillar there’s not much can scare we moderns anyway.Support Us!https://tonywalker.substack.com/about (Subscribe For All Episodes!)MusicMusic is by the marvellous https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (Heartwood Institute) Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Edith NesbitEdith Nesbit was an English novelist born in 1858 in Kennington, which was then Surrey and is now part of London. She died in 1924 in the next county from where she was born.Nesbit is most famous for her children’s books and her most famous work The Railway Children is well beloved. I loved her Five Children and It stories which I read in a Victorian house all decked out for Christmas one year. That was splendid as the owner of the house had a great sense of interior decoration (though she was also rather too fond of a drink as I found out when I grew up)Like most Victorian novelists she had a dabble in ghost stories. They sold well at the time. This one, Man Sized in Marble appears in a lot of anthologies.It’s a story that is more impressive on the second reading (or hearing). The first time through you don’t pick up on all the little hints and foreshadowings that something dreadful is going to happen. In fact, Laura’s death wasn’t foreseen by me, which is the sign of a good story.There is a lot of nice Gothic description of the woods and the moon and the church as well as the house lit by candles and tallow tapers. I was going to do The Nurse’s Tale this week, but this took precedence. I am going to do The Phantom Coach next week, but I’m itching to do something American again to perfect my accent. I appreciate it may take more than one story to do that.So, I’m thinking Ambrose Bierce. Any suggestions welcome.My new book is out. Hard copies arrived today. Very exciting. I’m still doing voiceover and narration work if you need any of that done. I find most people don’t.As ever, still spending more on the podcast than I earn, so if you fancy helping me out, check outTo show your appreciation, why not subscribe to Substack. Free gets all the free stuff and $5 a month gets you all the exclusive stories and episodes.https://tonywalker.substack.com/ (Subscribe)Support the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices