Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Jessie Ware has always moved between worlds. She's a British soul singer who spent the early part of her career making intimate, understated records. Then, in 2020, she released What's Your Pleasure? and morphed into a full-blown disco goddess. The record received widespread critical acclaim, earned Jessie her first top-three album on the UK charts, and was nominated for British Album of the Year at the BRITs. Today Jessie traces that sonic evolution back to an especially ripe creative period in her life, when she launched Table Manners, the podcast she hosts with her mom Lennie. Table Manners has become one of the UK's most beloved shows, racking up over 60 million listens, and in turn gave Jessie a new kind of confidence. This month Jessie is releasing Superbloom, her sixth album. As she has since What's Your Pleasure?, Jessie A&Rs the record herself, staying carefully in control of every creative decision. Her production team included core collaborator James Ford, the producer behind landmark records with Arctic Monkeys, Depeche Mode, Florence and the Machine, and Blur. As well as three-time Grammy winner Stuart Price, best known for producing Madonna's Confessions on a Dance Floor and The Killers' Day & Age. On today's episode, Leah Rose talks with Jessie Ware about how Superbloom was born after a particularly difficult year filled with illness and loss, and how that led to an album that sounds like pure joy. Jessie also talks about channeling Grace Jones to slip into a sexy persona to record sultry new songs like "Ride" and "Sauna," and she explains how Minnie Riperton and Stevie Wonder inspired her to make her private life public like never before. You can hear a playlist of some of our favorite songs from Jessie Ware HERE. See omnystudio.com/listener for privacy information.

Patrick Watson first came to international attention in 2007 when his album Close to Paradise won the Polaris Music Prize, Canada's most prestigious award for a Canadian album. Over the course of his career, the Montreal-based singer and composer built a devoted following through his orchestral pop arrangements, his remarkable voice, and live performances that blend intimacy with a theatric sensibility. Watson's music has found a second life far beyond his core fanbase. His song “Je te laisserai des mots" became a viral phenomenon years after its release, accumulating over a billion streams after being discovered by a new generation on social media. His film and television work has brought his sound to audiences worldwide, including his score for the acclaimed French-Canadian series Les Pays d'en haut. Today Bruce Headlam talks to Patrick Watson about making his playful and adventurous new record, Uh Oh—an album he recorded after recovering from a vocal chord hemorrhage on tour. Because of his injury, Patrick chose to feature a ton of guest artists on his new album in the style of hip-hop features. Patrick Watson and Ariel Engle, also known as La Force, kick off the episode with a beautiful live performance of the song, House On Fire.  You can hear a playlist of some of our favorite songs from Patrick Watson HERE. See omnystudio.com/listener for privacy information.

There are a few artists we wish could've come on Broken Record, people who were sometimes misunderstood or hassled by the press and would have had the opportunity to be heard. One such artist is George Michael. Since that's unfortunately not a possibility, we're doing the next best thing—sharing a preview of a new podcast, Big Lives, and a special episode about George Michael. Every week on Big Lives, hosts Kai Wright and Emmanuel Dzotsi dig into the BBC archive to explore the story behind the icons who shape our culture—trailblazers like David Bowie, Amy Winehouse, Muhammed Ali, and Tina Turner—and better understand how each legend set the stage for our contemporary cultural landscape. George Michael was more than scandal headlines and tabloid punchlines. He was one of the defining pop artists of his generation. Kai and Emmanuel trace his transformation—teen heart‑throb, closeted superstar, grieving partner, activist, and ultimately a gay icon who reclaimed the narrative with wit, rage, and dazzling talent. If you like what you hear, find more episodes of Big Lives wherever you get podcasts. See omnystudio.com/listener for privacy information.

Charlie Puth is a meticulous songwriter whose knowledge of pop music runs deeper than your average chart topper. Charlie, who studied music production and engineering at Berklee College of Music, first gained widespread attention in 2015 with "See You Again," his collaboration with Wiz Khalifa for the Furious 7 soundtrack. The song earned him his first three Grammy nominations. Since then, he's released hits like "Attention," "We Don't Talk Anymore," and "One Call Away," while also writing and producing for other artists, including co-writing and co-producing "Stay" for The Kid Laroi and Justin Bieber. His fourth album, Whatever's Clever!, comes out next month. It's his most honest work to date, and as he'll reveal on this episode, the songwriting is far more personal than anything he's released in the past. On today's episode, Justin Richmond talks to Charlie Puth about making Whatever's Clever! and the process of recording a song with Michael McDonald and Kenny Loggins. He discusses the clever way he convinced Kenny G to appear on the album. And he sits down at the piano to demonstrate how gospel chords always find their way into pop music, revealing the harmonic foundations that shape his songwriting. You can hear a playlist of some of our favorite songs from Charlie Puth HERE. See omnystudio.com/listener for privacy information.

The Black Crowes are one of the great rock bands of the last 30 years, and now they're finally getting their flowers: a 2026 Rock and Roll Hall of Fame nomination, alongside Lauryn Hill, Phil Collins, Wu-Tang Clan, and Oasis. To mark the occasion, we're re-running Justin Richmond's 2024 conversation with lead singer Chris Robinson, recorded around the release of their album Happiness Bastards. In the interview, Justin and Chris get into what it was like growing up in Georgia with his brother Rich, their dad's rockabilly career, and how life on the road looks a little different these days — less champagne and substances, more Herman Melville. You can hear a playlist of some of our favorite songs from Chris Robinsons HERE. See omnystudio.com/listener for privacy information.

Tommy Emmanuel is an Australian guitarist who has spent over six decades mastering the art of fingerstyle acoustic guitar. He's now widely regarded as one of the best acoustic players in the world. Born in 1955, he received his first guitar at age four and he recalls that not long after he knew he wanted to dedicate his life to playing music. He left home to pursue his dream as a teenager and eventually became known for his remarkable ability to make a single guitar sound like an entire band—simultaneously playing bass, rhythm, lead, and percussion. In 1980, Tommy toured with Stevie Wonder as part of the opening act, an experience he's described as enlightening. He's since played hundreds of shows a year and collaborated with artists including Eric Clapton, Chet Atkins, and Tina Turner. On today's episode, Justin Richmond talks to Tommy Emmanuel about his unique fingerstyle technique and how he developed the ability to make one guitar sound like multiple instruments. He tells the story of opening for Stevie Wonder in 1980 and walking in on him jamming with an early LinnDrum machine. And Tommy plays examples of his songs throughout the years, demonstrating the evolution of his remarkable approach to the acoustic guitar. You can hear a playlist of some of our favorite songs from Tommy Emmanuel HERE. See omnystudio.com/listener for privacy information.

Rodney Crowell has been a fixture in Nashville's songwriting community for over 50 years. Born in Houston in 1950, he was influenced early on by songwriters Guy Clark and Townes Van Zandt. In 1975, he joined Emmylou Harris' Hot Band as a guitarist and harmony singer, playing with her for three years. Rodney became known for his own work with his 1988 album Diamonds & Dirt, an album that made history by producing five consecutive number-one singles. Over his career, he's written songs for Johnny Cash, Willie Nelson, Bob Seger, and countless others, earning him a place in the Nashville Songwriters Hall of Fame. Last August, Crowell released his twentieth studio album, Airline Highway, produced by Tyler Bryant and recorded at Dockside Studio in Louisiana. Just a few months ago, Willie Nelson released What a Beautiful World, an entire album of Crowell covers. On today's episode, Bruce Headlam talks to Rodney Crowell about making Airline Highway and the emotional experience of hearing Willie Nelson's tribute album. He discusses his formative years in Nashville's songwriting community. He opens up about his difficult childhood in Houston, including his mother's epilepsy and his father taking him to see Hank Williams perform when he was just two years old. And he talks about working with his ex-wife Rosanne Cash, and meeting his father-in-law Johnny Cash for the first time. You can hear a playlist of some of our favorite songs from Rodney Crowell HERE. See omnystudio.com/listener for privacy information.

FKA twigs has spent over a decade redefining the boundaries of pop music through her innovative blend of electronic production, experimental R&B, and striking visual art. Her albums LP1 and Magdalene earned widespread critical acclaim, establishing her as one of the most forward-thinking voices in contemporary music.  Last November, she released EUSEXUA Afterglow, a companion to her Grammy-winning, dance-forward album EUSEXUA. Twigs' new album addresses identity, bodily autonomy, and resistance. On today's episode, Justin Richmond talks to FKA twigs about her experiences growing up mixed-race in rural England and how going to Jamaican clubs as a teenager inspired her 2022 mixtape CAPRISONGS. She also explains why she's not a fan of TikTok dances, and she breaks down the precise moment when all of the forces align at a rave that have brought her to the realization that this is the most important moment in culture. You can hear a playlist of some of our favorite songs from FKA Twigs HERE. See omnystudio.com/listener for privacy information.

Ben Bridwell has led Band of Horses for over two decades. He describes the band's sound as "y'all-ternative," a genre that tips its hat to Southern rock's deep myriad of musical influences. Next month, Band of Horses is celebrating the 20th anniversary of their debut album, Everything All the Time, with an expanded reissue featuring previously unreleased demos and live recordings. The album, recorded in 2005 with producer Phil Ek, who's known for producing albums by Built to Spill, Modest Mouse, and The Shins. When Band of Horses started working with Phil, Ben had only been writing songs for a couple of years. He was also new to Seattle, where he'd relocated from Tucson, a city he moved to at 16 after dropping out of high school in his native Irmo, South Carolina. On today's episode, Leah Rose talks to Ben Bridwell about recording Everything All the Time. He opens up about hitting rock bottom in South Carolina before moving to Seattle. He also talks about recently breaking the generational curse of alcoholism in his family, getting his life together post-divorce, and he explains why the upcoming Band of Horses album may sound aggressive despite the fact that he's in such a happy place. You can hear a playlist of some of our favorite songs from Ben Bridwell & Band of Horses HERE. See omnystudio.com/listener for privacy information.

Grant-Lee Phillips first made his name in the ‘90s as the frontman of Grant Lee Buffalo, a critically acclaimed band that released four albums and toured with Pearl Jam, the Smashing Pumpkins, and R.E.M. Rolling Stone named Grant-Lee "Best Male Vocalist" in 1994, and his band became known for their folk-infused rock sound and their reflections on American history. After Grant Lee Buffalo disbanded in 1999, Phillips launched a solo career, eventually becoming familiar to a wider audience through his recurring role as the town troubadour on Gilmore Girls. Last September, he released his 12th solo album, In the Hour of Dust. The album's title was inspired by an ancient Indian painting Grant-Lee saw at a museum in Pasadena that depicts the twilight moment when cows are led home and kick up dust as night falls. On today's episode, Bruce Headlam talks to Grant-Lee Phillips about making In the Hour of Dust. He tells the story of how a trip to the La Brea Tar Pits with his old friend Michael Stipe inspired his song "American Lions." And he discusses his songwriting process and how he approaches writing lyrics that balance the personal with larger societal themes. You can hear a playlist of some of our favorite songs from Grant-Lee Phillips HERE. See omnystudio.com/listener for privacy information.

Peaches has spent more than two decades pushing boundaries in electronic music and performance art, inspiring the look and sound of edgy pop artists like Lady Gaga and Grimes. But long before she was known for her outrageous stage shows, Peaches got her start as part of a folk trio in Toronto. In the mid-'90s, after discovering she could become a one-woman band with her Roland drum machine, Peaches began developing a provocative new persona. In 2000, she moved to Berlin and released The Teaches of Peaches, featuring the song "F**k the Pain Away." The track has been cited by Thom Yorke as an inspiration while making Radiohead's In Rainbows, and has appeared in countless movies and TV shows including Lost In Translation, The Handmaid's Tale, and even South Park. Peaches has spent the last several years creating works for stage and screen, including serving as the subject of two recent documentaries. Now, after more than a decade, she's returning with No Lube So Rude, her first album in over 10 years, recorded in Berlin with producer The Squirt Deluxe. On today's episode, Leah Rose talks to Peaches about making No Lube So Rude and how the album addresses identity, bodily autonomy, and offers an antidote for all the friction in the world. Peaches also discusses how she recently discovered her dad pleaded with a bar mitzvah band to give her her first shot performing live on stage. And she shares her deep love of '70s rock and roll trivia. You can hear a playlist of some of our favorite songs from Peaches HERE. See omnystudio.com/listener for privacy information.

Jacob Collier has built a remarkable career as a multi-instrumentalist and arranger known for his complex harmonic approach and collaborative spirit. He first gained attention as a teenager posting multi-track videos from his childhood bedroom in North London. In 2013, his cover of Stevie Wonder's "Don't You Worry 'Bout a Thing" caught the eye of Quincy Jones, who began mentoring him and helped launch his career. Over the past seven years, Jacob’s released four albums in his Djesse series—ambitious, wide-ranging projects featuring collaborations with artists ranging from Coldplay to Tori Amos. He's won multiple Grammy Awards and developed a following through his inventive live performances and his willingness to share his deep knowledge of music theory with fans online. Now, Jacob has made a dramatic shift with his new album, The Light for Days. Recorded in just four days using only a custom five-string guitar, it's a stripped-down, intimate collection that explores folk, classical, and jazz influences with notable restraint. On today's episode, Bruce Headlam talks to Jacob Collier about why he decided to limit himself to a single instrument after years of layered, maximalist production. He discusses the custom five-string guitar built for him by Taylor's master luthier Andy Powers and how its unique tuning opened up new harmonic possibilities. He also talks about working with Joni Mitchell, the influence of artists like John Martyn and Brian Wilson, and how growing up singing Bach chorales with his family shaped his approach to harmony. And he performs several songs from the new album live in the studio. You can hear a playlist of some of our favorite songs from Jacob Collier HERE. See omnystudio.com/listener for privacy information.

Don Was has had a remarkable career moving between different corners of the music world. In the 1980s, he fronted the eclectic band Was (Not Was), mixing funk, rock, and pop in unexpected ways. As a producer, he's helped shape landmark albums for artists like the B-52's and Bonnie Raitt, and worked with Bob Dylan and become a regular producer for the Rolling Stones. For the past decade, Don has led Blue Note Records as its president, bringing new energy to the storied jazz label. Now, Don has released his own album, Groove in the Face of Adversity, a tribute to Detroit and the music that came out of the city where he grew up.On today's episode, Justin Richmond talks to Don Was about his wide-ranging career and why his new album is his first under his name. Don also talks about how working with musical heroes like Willie Nelson, Leonard Cohen, and Brian Wilson in the '90s initially shut down his own creative ambitions. And he reflects on his time at Blue Note and how his experience as a touring artist himself allows him to relate to the label's roster in a completely different way. You can hear a playlist of some of our favorite songs from Don Was HERE. See omnystudio.com/listener for privacy information.

When Patty Griffin released Crown of Roses earlier this year, she delivered something both timeless and urgent. It’s an album that draws on gospel, folk, and soul to explore themes of faith, doubt, and resilience. It's a return to the stripped-down intimacy of her earliest work, but with the wisdom and craft of an artist who's spent nearly three decades refining her voice. That voice first emerged in 1996 with Living with Ghosts, recorded on a simple four-track in her Boston apartment. The album introduced a songwriter who could turn personal pain into something universal. Over the years that followed, Griffin’s songs have been covered by everyone from The Chicks to Solomon Burke, while her own recordings have earned her multiple Grammy nominations and a reputation as a songwriter's songwriter. On today's episode, Bruce Headlam talks to Patty Griffin about the inspiration behind Crown of Roses and how grit has shaped her songwriting throughout her career. They also discuss her early days in Boston's folk scene and the stories behind some of her most enduring songs. And she reflects on how finally getting to know her mother at the end of her life inspired her to see her mother's story in a whole new light. You can hear a playlist of some of our favorite songs from Patty Griffin HERE. See omnystudio.com/listener for privacy information.

Joe Henry and Mike Reid brought two distinct but complementary legacies to Life & Times, their new collaborative album. Joe is a celebrated producer and songwriter known for his atmospheric, deeply literary approach to Americana. Over the decades, he's produced albums for artists like Solomon Burke, Bonnie Raitt, and Elvis Costello, while crafting his own work that blurs the line between folk, jazz, and rock. Mike Reid, a former NFL defensive lineman turned Grammy-winning country songwriter, has written hits like "I Can't Make You Love Me" and has long explored the tender spaces between strength and vulnerability. Their album, Life & Times, captures conversations between two seasoned storytellers, their voices and perspectives interweaving across songs that examine memory, mortality, and the passage of time with unflinching honesty. On today's episode, Bruce Headlam talks to Joe Henry and Mike Reid about how they developed a deep friendship over their shared love of poetry at a songwriter's retreat. They also discuss the artists and songs that first drew them to songwriting. And they reflect on their individual creative processes and how they've found new ways to inspire each other's work. You can hear a playlist of some of our favorite songs from Joe Henry & Mike Reid HERE. See omnystudio.com/listener for privacy information.

Since getting his start in the late ‘60s, Labi Siffre has had an unflinching commitment to writing exactly what he feels. The result was a debut album that announced a singular talent: a British singer-songwriter who could move seamlessly from jazz-inflected soul to tender love songs, all while addressing themes of love, identity, and justice that most pop artists wouldn't touch. Over the next decade, Siffre built a catalog that defied category. Still, his 1972 song "Crying Laughing Loving Lying" became an international success, and his song "Something Inside So Strong"—written years later in response to apartheid—also became a big hit, revealing the true scope of his artistry. And then there's "I Got The..." from his 1975 album Remember My Song that would quietly become one of the most sampled songs in hip-hop history, most famously by Dr. Dre on Eminem's "My Name Is." On today's episode, Justin Richmond talks to Labi Siffre about growing up in 1950s London and the music he discovered that set him on his particular artistic path. Labi also talks about how he wants music to enliven him and how much it annoys him when people tell him to chill. And he explains why, after decades in the music industry, he's never regretted choosing honesty over commercial compromise. You can hear a playlist of some of our favorite songs from Labi Siffre HERE. See omnystudio.com/listener for privacy information.

When Chicago released their debut album in 1969, they blended brass, jazz sophistication, and rock power into something completely their own. By 1975, when Chicago IX: Chicago's Greatest Hits arrived, the band had already amassed an extraordinary catalog of songs that captured both the experimental spirit of the late '60s and the pop sensibility of the '70s. That compilation became one of the best-selling albums of the decade, introducing new listeners to the band's range while cementing their legacy. Now, Chicago is celebrating the 50th anniversary of that landmark release with an expanded edition that offers fans a deeper look at this pivotal moment in the band's history. On today's episode, Bruce Headlam talks to Lee Loughnane and Jimmy Pankow of Chicago about recording their early albums. They also discuss how they came up with the idea of incorporating a horn section into a rock band. And they explain why after being on the road since the 70’s they don’t even bother to unpack their suitcases anymore. You can hear a playlist of some of our favorite songs from Chicago HERE. See omnystudio.com/listener for privacy information.

Justin joined You'll Hear It's Adam Maness and Peter Martin to talk Still Crazy After All These Years. Paul Simon's Grammy-winning album was born out of divorce, and produced some of his greatest songs of all time, like "50 Ways To Leave Your Lover," "My Little Town," and "I Do It For Your Love." They dive into the story behind this remarkable album, including Steve Gadd's famous drum beat and how Stevie Wonder's Innervisions may have been the catalyst for Paul Simon's divorce?! And, we ask: Is this the ultimate sad boy album? Find You'll Hear It wherever you get podcasts. See omnystudio.com/listener for privacy information.

In July, Malcolm Gladwell taped a live episode of Broken Record at the Cherry Lane Theatre in New York City. It was a wonderful night of conversation and music. Drew Holcomb—a Memphis native who has spent the past 20 years performing with his band, The Neighbors—joined Malcolm onstage for the taping. On today’s episode, you’ll hear how growing up with strict Christian parents shaped Drew's artistic sensibilities through the handful of secular artists he was allowed to listen to, and how the crisis of faith he faced after his brother’s death led him to leave seminary and pursue life as a singer-songwriter. You’ll also hear stripped-down performances of Drew's songs live. And you’ll get a taste of his favorite Bruce Springsteen track, “Highway Patrolman,” with impromptu background vocals from Malcolm Gladwell. See omnystudio.com/listener for privacy information.

When S.G. Goodman released her debut album, Old Time Feeling, in 2020, critics hailed it as a stunning introduction to a bold new voice in Americana. Co-produced with Jim James of My Morning Jacket, the album showcased Goodman's ability to balance classic Southern sounds with progressive ideas, earning widespread acclaim and landing on numerous year-end best-of lists.  S.G. was raised in Hickman, Kentucky, in a family of row crop farmers and storytellers. That upbringing shaped her worldview and her songwriting—she sings about small-town living with both deep affection and clear-eyed critique. Now, with her third album, Planting By The Signs, S.G. continues to mine rich themes like love, loss, and reconciliation. The record is inspired in part by the ancient tradition of farming according to the cycles of the moon—a practice passed down through generations in her family. On today's episode, Bruce Headlam talks to S.G. Goodman about growing up in a family of storytellers and how that tradition makes its way into her songwriting. She also discusses co-producing her latest album and how she was able to make a bigger, more atmospheric-sounding record. And she performs the song "I'm In Love" live. You can hear a playlist of some of our favorite songs from S.G. Goodman HERE. See omnystudio.com/listener for privacy information.

We’re excited to share an episode from one of our favorite podcasts, Heavyweight, a new addition to the Pushkin slate of shows. Heavyweight, hosted by Jonathan Goldstein, creates space for difficult conversations and resolving long-standing regrets and unanswered questions. Balancing humor and empathy, host Jonathan Goldstein helps his subjects pinpoint the moment things went wrong and joins them on a quest to make them right.  This episode features Michael, who, as a high school senior got his lucky break—the chance to star in a big-budget movie. Shooting wrapped, a premier date was set…and then he found out that his success was all based on a lie. Find Heavyweight on Apple Podcasts, Spotify or wherever you get your podcasts. See omnystudio.com/listener for privacy information.

Joe Boyd has spent more than six decades as a producer, label executive, and writer whose influence extends far beyond the studio. From producing Nick Drake's luminous folk albums to working with Fairport Convention, Pink Floyd, and R.E.M., Boyd has shaped some of the most enduring recordings in modern music history. But Joe Boyd isn't just a behind-the-scenes architect of sound—he's also a chronicler of the music he loves. In his 2007 memoir, White Bicycles: Making Music in the 1960s, he offered an insider's perspective on a transformative era, while his latest book, And the Roots of Rhythm Remain: A Journey Through Global Music, published in 2024, takes readers across continents in search of the traditions that continue to shape contemporary sound. From Cuba to Mali, from Brazil to Bulgaria, Boyd traces the connections that bind global music together and celebrates the artists who keep these traditions alive. On today’s episode Justin Richmond talks to Joe Boyd about working with famed Warner Brothers CEO Mo Ostin in the ‘60s. He also talks about the exhaustive research he did in writing his latest book and why he decided to pinpoint three specific Global regions as the genesis for all popular music. And Joe recalls how he came to produce the seminal 1973 documentary on Jimi Hendrix. You can hear a playlist of some of our favorite songs from Joe Boyd HERE. See omnystudio.com/listener for privacy information.

Jensen McRae writes songs that cut straight to the bone—intimate, unflinching examinations of identity, relationships, and the complexities of coming of age in today's world. Since releasing her debut EP, Who Hurt You?, in 2021, she's garnered attention for her literary approach to songwriting and her ability to balance vulnerability with sharp observation. Her music often grapples with difficult subjects: navigating mixed-race identity, processing heartbreak, and confronting the uncomfortable truths we tell ourselves. But there's also warmth and humor in her work which can be heard that today when she performs three songs live—"Savannah" and “Let Me Be Wrong” from her new album I Don't Know How But They Found Me, and "White Boy" from her 2022 full-length release, Are You Happy Now? On today’s episode I talk to Jensen McCrae about her journey as an artist, why she gravitates toward niche communities online like Reddit, and her list of goals that include both winning the Grammy for Album of the Year and a mayoral run in her native Los Angeles. You can hear a playlist of some of our favorite songs from Jensen McRae HERE. See omnystudio.com/listener for privacy information.

David Gilmour is one of the most influential guitarists in rock history. Since joining Pink Floyd in 1967, his songwriting, vocals, and distinctive guitar tone have helped shape classic albums like The Dark Side of the Moon and The Wall. In 1978, he began releasing solo material, and over the past four decades has recorded five solo albums. His most recent, Luck and Strange (2024), became his third solo record to reach number one on the UK Albums Chart—following On an Island (2006) and Rattle That Lock (2015). The album features lyrics by his wife and longtime collaborator, Polly Samson, along with contributions from their children. One of those collaborations—with his daughter, Romany Gilmour—is particularly stunning, both on record and in live performance. Fans can now experience it on the newly released concert film David Gilmour: Live at the Circus Maximus and its companion live album, The Luck and Strange Concerts, available now on all major streaming platforms. On today’s episode, Justin Richmond speaks with David Gilmour, who joined him over Zoom for a rare conversation about writing songs with Polly, mastering his latest album aboard his houseboat studio, and why he can never truly recreate a guitar solo—even when playing it note for note. You can hear a playlist of some of our favorite songs from David Gilmour HERE. See omnystudio.com/listener for privacy information.

We're sharing an episode from another podcast we think you'll enjoy, The 500 with Josh Adam Meyers. Adam counts down Rolling Stone's 500 greatest albums of all time with musicians, comedians, and actors. The second (and last) studio album by rock supergroup Crosby, Stills, & Nash and their first as Crosby, Stills, Nash & Young, contains songs that span from soft folk to hard rock. Jeff Daniels makes his debut to discuss how the album impacted the music he writes.   See omnystudio.com/listener for privacy information.

John Oates—one half of Hall & Oates, one of the best-selling duos in pop history—is going back to his roots with his new self-titled solo album. Before forming Hall & Oates, John was steeped in folk and Delta blues, and this record pulls from those early influences while showcasing the guitar chops and songwriting skills he’s honed over years of playing with top Nashville musicians. On today’s episode, Justin Richmond talks with John about the making his new solo album. John also shares the story of playing Mississippi John Hurt’s acoustic guitar on the first two Hall & Oates records, and the moment backstage at the Apollo Theater, after performing with The Temptations, when he realized Hall & Oates had truly come full circle. You can hear a playlist of some of our favorite songs from John Oates songs HERE. See omnystudio.com/listener for privacy information.

Chino Moreno is the lead singer of Deftones, the Sacramento band experiencing a resurgence as a new generation discovers their ’90s hits on social media. This year, Deftones have been selling out arenas while putting the finishing touches on their latest album, Private Music. During the recording sessions, guitarist Stephen [Stef-in] Carpenter’s health took a turn when he was diagnosed with type 2 diabetes. Chino stepped in to handle more of the guitar parts, approaching the album with newfound clarity after getting sober. On today’s episode, Leah Rose talks with Chino about the band’s early days living with their late bassist, Chi Cheng. He reflects on the story behind the Around the Fur album cover and shares his post-show ritual—which often includes winding down with rom-coms in his tour bus bunk. You can hear a playlist of some of our favorite Deftones songs HERE. See omnystudio.com/listener for privacy information.

Miguel, the Grammy-winning alt-R&B pioneer is back with a new album, Caos—his first full-length in eight years. It’s the latest step in a career that’s always pushed the boundaries of R&B, from his 2010 debut through albums that blended in psychedelia, dance music, and now touches of ’80s industrial and even ranchera rhythms. On today’s episode, Miguel talks with Leah Rose about his unreleased 2023 album Viscera and how suspending himself from piercings in his back during its rollout helped him surrender control. He also shares the story of controversial imagery for his single “New Martyrs.” And, despite collaborations with Travis Scott, Mariah Carey, and Tame Impala, Miguel explains why he’s happiest just making music with his friends. You can hear a playlist of some of our favorite Miguel songs HERE. See omnystudio.com/listener for privacy information.

30 years ago, Sublime released the album that defined Southern California’s music scene for a generation. Now the band is preparing to put out their fourth full-length, and for the first time, Bradley Nowell’s son, Jakob Nowell, is stepping up as lead singer. Bradley, Sublime’s original frontman, died of a heroin overdose in 1996, just a couple of months before the band's breakthrough album came out. Jakob was still an infant then, but he grew up surrounded by the lasting influence of a band that blended ska, punk, reggae, and hip-hop into a sound that dominated Southern California in the ‘90s.  After Bradley’s passing, bassist Eric Wilson and drummer Bud Gaugh launched Long Beach Dub Allstars in 1997 and stayed active with different projects. In late 2023, they shared the stage with Jakob at a benefit for Bad Brains’ singer H.R., and the spark between them was immediate. On today’s episode, Justin Richmond talks with Jakob, Bud, and Eric about how this new chapter of Sublime came together. They also revisit the band’s scrappy early days, when they had to beg, borrow, and steal just to keep going, and share memories of recording the self-titled album at Willie Nelson’s studio outside Austin. Big thanks to InterTrend and Creative Class Collective for letting us record at their facilities in Long Beach, CA. You can hear a playlist of some of our favorite Sublime songs HERE. See omnystudio.com/listener for privacy information.

Word first broke about the band The Favors back in February, when cryptic posts revealed that Billie Eilish’s producer and brother, Finneas, was making new music with singer Ashe. Soon after, both artists began performing these songs live, introducing The Favors to audiences even before an official release. Now, the band is set to drop their debut album, The Dream. They call it “a real chemistry album,” the product of free-flowing writing and jam sessions with their close friends David Marinelli on drums, and Ricky Gourmet on guitar. On today’s episode, you’ll hear Finneas and Ashe perform two standout tracks from The Dream—“Times Square Jesus” and “The Hudson.” Justin Richmond also digs into their collaborative process, exploring how their creative partnership shapes not only the music but even the way they present themselves to the world. You can hear a playlist of some of our favorite songs from The Favors HERE. See omnystudio.com/listener for privacy information.

What was meant to be an hour-long interview with Gene Simmons turned into one of the stranger conversations we’ve had on Broken Record. As co-founder, bassist, and co-frontman of KISS alongside Paul Stanley, Simmons created one of the most outrageous personas in rock history: The Demon. On stage, he breathed fire, spit blood, and wagged his famously long tongue. Off stage, he and KISS became merchandising pioneers, selling everything from comic books and lunchboxes to KISS-branded coffins. Now 76, Simmons remains as enigmatic as ever. This November, he’ll headline KISS Kruise XII: Landlocked in Vegas, a three-day fan gathering at Virgin Hotels Las Vegas. In the lead-up, he joined Justin Richmond to talk about the Beatles’ unmatched songwriting, why KISS never chased radio singles, and to deliver a few of his trademark off-color remarks. You can hear a playlist of some of our favorite songs from KISS and Gene Simmons HERE. See omnystudio.com/listener for privacy information.

In 2022, at 75 years-old, Loudon Wainwright III released Lifetime Achievement—an aptly titled album from a songwriter whose debut came more than fifty years earlier. Over the decades, Loudon has built a reputation for his confessional style, writing candidly about the struggles and absurdities of family life, failed relationships, and the scars of parental abandonment. While his subject matter can be heavy, he often balances it with wit and humor. You’ll hear that today when he performs “Fam Vac” and “Back in Your Town” from Lifetime Achievement. In this conversation with Bruce Headlam, Loudon reflects on how he leaned into his upper-class upbringing when he first began performing professionally, what it was like collaborating with guitar virtuoso Richard Thompson in the 1980s, and the magical feeling of stepping on stage for the very first time. You can hear a playlist of some of our favorite Loudon Wainwright III songs HERE. See omnystudio.com/listener for privacy information.

Great musical chemistry often starts at home. Think of family bands like Sly and the Family Stone, The Beach Boys, the Bee Gees, Haim, Oasis, AC/DC, and The Jacksons. Infinity Song, our guests today, carry on that tradition. Siblings Momo, Abraham, Angel, and Israel Boyd grew up between Detroit and New York City, sharpening their sound wherever they could: in church, in the park, on subway platforms, even around the kitchen table. Their devotion to performing eventually carried them to bigger stages, guided by their father and manager John Boyd and supported by Jay-Z’s Roc Nation. Along the way, they’ve developed a unique blend of R&B and folk that they describe as modern-day soft rock. For today's episode, Justin Richmond sat down with the Boyd siblings live at the Tribeca Festival in New York. They talked about the role music has always played in their family, the pivotal moment when their dad saved the day in a high-stakes meeting with Jay-Z, and they performed a couple of tracks from their album Metamorphosis Complete. You can hear a playlist of some of our favorite tracks from Infinity Song HERE. And you can hear our Fall playlist HERE. See omnystudio.com/listener for privacy information.

Margo Price’s new album, Hard Headed Woman, was recorded in the heart of Nashville at the legendary RCA Studio A—the very place where the “Nashville Sound” was born, and where greats like Merle Haggard, Dolly Parton, and Charley Pride have all recorded. It’s the perfect setting for Margo, who’s as much a student of country’s rich history as she is a fan of its fearless rule breakers. She’s never taken the straight path herself, a journey she tells in her 2022 memoir, Maybe We’ll Make It. On today’s episode, Bruce Headlam talks with Margo Price about the making of her new album and her creative partnership with her husband and longtime collaborator, Jeremy Ivey. Margo also shares her thoughts on the inauthenticity of mainstream country, and why she continues to stay committed to pouring both extreme craft and care into every song she writes. You can hear a playlist of some of our favorite Margo Price songs HERE. See omnystudio.com/listener for privacy information.

Soaring, lush and steeped in soul, Annahstasia has a voice that feels distant and intimate all at once. She was scouted in high school for a career in pop music but after some strange dealings set out down the road of self discovery. You can hear what she uncovered about herself and her artistry on her serene new album, Tether. The album was recorded live in studio and is stripped to the bone allowing her voice and poetry to shine through unencumbered by any hint of pop production. Justin Richmond spoke to Annahstasia about her journey through music, which includes earning a four-year degree, opening for the great Lenny Kravitz, and co-starring in Kendrick Lamar’s “Luther” music video. You can hear a playlist of some of our favorite Annahstasia songs HERE. See omnystudio.com/listener for privacy information.

Chrystia Cabral is the experimental, often mystically-inclined Oakland artist who records as Spellling. Since her 2019 debut, she’s built a reputation for richly imaginative music that defies easy categorization. Her third album, The Turning Wheel, earned a rare perfect 10 from notoriously discerning online critic Anthony Fantano, who called it “stunning and beautiful.” Today, Spellling joins Justin Richmond to talk about the making of her latest release, Portrait of My Heart—a bold evolution that deepens her blend of avant-garde, pop, and rock by adding new layers of mysticism and theatricality. She also reflects on her transition from teaching to touring, the intention behind every element of her sound, and the early days of her music-making, when she first began experimenting with gear. You can hear a playlist of some of our favorite Spellling songs HERE. See omnystudio.com/listener for privacy information.

Daron Malakian first made his name as the enigmatic guitarist and songwriter behind System of a Down. Between 1998 and 2005, the band released five albums—three of which debuted at number one on the Billboard charts. In 2006, System announced an indefinite hiatus. Eager to keep creating, Daron launched a new project: Scars on Broadway. Their debut album arrived in 2008 to critical acclaim. Since then, he’s reunited with System for a series of live performances—including a recent South American tour that drew massive crowds. Their final stop in São Paulo, Brazil, attracted an estimated 75,000 fans. Now, after seven years in the making, Daron is releasing Addicted to the Violence, the third Scars on Broadway album—featuring what he considers some of the best songs he’s ever written. On today’s episode, Leah Rose sits down with Daron to talk about why he believes he was destined to be a rock star, and how his parents’ journey from Baghdad to Hollywood helped make that dream possible. He also explains what people often misunderstand about his relationship with System frontman Serj Tankian—and reveals the surprising contrast between his outrageous onstage persona and who he really is offstage. You can hear a playlist of some of our favorite Daron Malakian songs HERE. See omnystudio.com/listener for privacy information.

Today, we’re joined by one of the most inventive and electrifying vocalists in modern soul music: Bilal.  Since the release of his debut album 1st Born Second in 2001, Bilal has defied categorization by design and by circumstance. With a voice that shifts effortlessly from a whisper to a wail, and from jazz to gospel to outer space, he’s carved a singular path through the world of music. Whether lending hooks to Kendrick Lamar or collaborating with Erykah Badu, Bilal has long been your favorite singer’s favorite singer. Now, he’s back with a brilliant new project: Adjust Brightness. Bold, cinematic, and emotionally raw, it’s his most cohesive work since his debut—a swirling, psychedelic blend of soul, jazz, hip-hop, and feeling. And as if that weren’t enough, Bilal has also just released Live at Glasshaus, an intimate and explosive set that captures the unpredictable energy of his live shows. Today, Bilal opens up to Justin Richmond about the making of Adjust Brightness, how he prepares for those electrifying live performances, and why chasing musical and spiritual freedom has always been his true north. You can hear a playlist of some of our favorite Bilal songs HERE. See omnystudio.com/listener for privacy information.

Mike Shinoda took a bold step last fall when he reintroduced Linkin Park with a new lineup featuring drummer Colin Brittain and singer Emily Armstrong as lead vocalist—taking on the role once held by Chester Bennington, who died by suicide in 2017. Mike, who co-founded Linkin Park in 1996, has long served as the group’s de facto producer, as well as its MC and keyboardist. The band rose to massive success in the 2000s, with a run of genre-blending albums that have collectively sold more than 100 million copies worldwide. In November, Linkin Park released From Zero, their eighth studio album and the first with Emily Armstrong as frontwoman. The record has already surpassed three billion streams online. On today’s episode, Leah Rose talks to Mike Shinoda about why he chose not to retire Linkin Park—and instead took the creative risk of reinventing the band nearly 30 years after its formation. Mike also shares his favorite Linkin Park songs of all time and explains how the band managed to stand apart from the bro-centric, frat-boy culture that defined much of early-2000s nu-metal. You can hear a playlist of some of our favorite songs from Mike Shinoda and Linkin Park HERE. See omnystudio.com/listener for privacy information.

Jesse Malin quite literally came of age onstage in the gritty clubs of New York City. At just 12 years old, he fronted Heart Attack—one of the earliest hardcore punk bands. After the band broke up in ‘84, Jesse went on to play in other groups, including Hope, and later co-founded D Generation, a glam-punk band that toured extensively through the '90s, opening for acts like Kiss, the Ramones, and Social Distortion. In the early 2000s, Jesse launched a solo career, trading hardcore for a more singer-songwriter-driven approach. As a solo artist, he’s collaborated with a wide range of musicians, including Bruce Springsteen, Lucinda Williams, and Billie Joe Armstrong. A true musician’s musician, Jesse has long been a beloved figure in the rock community. So when he suffered a rare spinal stroke in 2023 that left him temporarily paralyzed from the waist down, that community rallied around him. The result was Silver Patron Saints: The Songs of Jesse Malin—a 2024 tribute album featuring covers of his songs by friends and admirers. Jesse is also debuting a musical this fall called, Jesse Malin’s Silver Manhattan: A Musical Guide To Survival, at the Gramercy Theatre in New York. On today’s episode, Bruce Headlam talks with Jesse Malin about his colorful upbringing in Queens, how he found the nerve to try out for a gig at CBGB’s at age 12, and what it was like during the formative years of New York’s hardcore scene. Jesse also shares how his “positive mental attitude” helped him through the toughest chapter of his life—recovering from the stroke that nearly ended his ability to walk. You can hear a playlist of some of our favorite Jesse Malin songs HERE. See omnystudio.com/listener for privacy information.

The youngest Haim sister, Alana, started playing music with her older sisters, Danielle and Este, when she was just four years old. Back then, the three of them were part of their family band, Rockinhaim, playing charity gigs all over L.A. and the San Fernando Valley where they grew up. After high school, Danielle was jamming in Laurel Canyon when Jenny Lewis spotted her and invited her to join her touring band. Not long after, she hit the road again—this time playing guitar and drums for Julian Casablancas. But eventually, Danielle came back home, ready to start a band with her sisters. In 2012, Haim dropped their first EP, Forever, to critical acclaim. Pretty soon they were opening for A-listers like Taylor Swift, Rihanna, and the Red Hot Chili Peppers. On today’s episode, Leah Rose sits down with Alana, Danielle, and Este to talk about their new album, I Quit—co-produced with longtime collaborator Rostam. The album dives into the highs and lows of single life in your 30s. The sisters also share why they still think like an opening band—even when they’re headlining stadiums—and the moment they realized not everyone grew up playing in a band with their parents. You can hear a playlist of some of our favorite Haim songs HERE. See omnystudio.com/listener for privacy information.

Today on Broken Record, we’re joined by the one and only Bootsy Collins. Bootsy burst onto the scene in the early ’70s as James Brown’s young, electrifying bass player. But it was with Parliament-Funkadelic that he truly found his voice—or rather, his voices—balancing raw, uncut funk with a psychedelic, intergalactic persona that would go on to inspire artists from Prince to Thundercat. In this conversation with Justin Richmond, Bootsy reflects on what it’s been like to navigate life as both William Collins—the introspective, spiritually grounded man from Cincinnati—and Bootsy, the rhinestone-rimmed avatar of groove. He also opens up about his legendary songwriting partnership with George Clinton and keyboard genius Bernie Worrell, and how the three of them helped create some of the most joyful and mind-bending music in American history. Even now, more than 50 years into his career, Bootsy remains on the cutting edge—embracing new technology, collaborating with a new generation of artists, and continuing to spread The One with his latest release, Album of the Year #1 Funkateer. You can hear a playlist of some of our favorite Bootsy Collins songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Today, Justin Richmond is joined by the Starchild himself—KISS co-founder and frontman, Paul Stanley. Born and raised in New York City, Paul fell in love with music at an early age, attending shows at iconic venues like the Fillmore East. Over the course of more than 50 years with KISS, he helped build one of the most devoted fan bases in rock history, turning theatrical spectacle into an art form. Now that KISS has officially retired from touring, Paul reflects on life beyond the stage. He opens up about what continues to fuel his creativity, and what it means to celebrate the 50th anniversary of the KISS Army. He also shares his personal top five KISS albums—and gives us a preview of KISS: Storms Vegas, the upcoming Las Vegas residency that proves the end of touring doesn’t mean the end of the show. You can hear a playlist of some of our favorite songs from Paul Stanley and Kiss HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Shirley Manson rose to '90s fame as the magnetic front woman of Garbage, but she was already a seasoned singer when guitarist Steve Marker spotted her in a music video for her previous band, Angelfish. She joined the Garbage in 1994. The band was made up of Steve Marker and producers Duke Erikson and Butch Vig—renowned for his work with Nirvana and Smashing Pumpkins. Nearly 30 years and over 17 million albums later, Garbage is preparing to release their eighth studio album, Let All That We Imagine Be The Light. Shirley’s voice remains as sharp and compelling as ever. On today’s episode, Leah Rose sits down with Shirley Manson to discuss how an unexpected piece of advice from an acting coach during her time on the Fox sci-fi series Terminator: The Sarah Connor Chronicles continues to shape her creative process. Shirley also opens up about the challenges of communicating with her bandmates—and shares a hilarious story about meeting one of her musical heroes, Patti Smith—only to discover she had green curry smeared across her face. You can hear a playlist of some of our favorite songs from Shirley Manson & Garbage HERE.  Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Today, we're revisiting a gem from our archives. In late 2020, Wilco's frontman and acclaimed songwriter Jeff Tweedy released his compact yet powerful book, "How to Write One Song" – a remarkable guide for unlocking anyone's creative potential through songwriting. This exploration of creativity immediately resonated with Broken Record host Malcolm Gladwell, leading to a fascinating conversation about the book and examining what has established Tweedy as one of the most distinctive songwriters of the 21st century so far. You can hear a playlist of some of our favorite songs from Jeff Tweedy & Wilco HERE. See omnystudio.com/listener for privacy information.

For close to three decades, Ben Kweller’s been crafting deeply personal indie rock that's both intimate and expansive. From his early days fronting the band Radish as a teenager in the '90s to his acclaimed solo career that began in the early 2000s, he's consistently delivered songs that feel raw, honest and almost conversational. But his latest album, Cover the Mirrors, finds Ben in a different place entirely. It's an unflinching examination of grief, healing, and the complicated process of moving forward after unimaginable loss. In today’s episode we’ll talk with Ben about the death of his teenage son, Dorian. How Ben and his family embraced grief and managed to not retreat from their lives and work. And what it means to return to making and releasing music. You can hear a playlist of some of our favorite Ben Kweller songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Over the past few years, Kali Uchis has released three standout albums: Red Moon in Venus, Orquídeas, and now her latest, Sincerely. Each has made a powerful contribution to the evolving legacy of R&B and Latin music—but Sincerely marks a striking leap forward in her artistic journey. So it’s no surprise that in her conversation with Justin Richmond, Kali reveals she took a different approach this time—writing most of the album on her own before stepping into the studio. It also, heartbreakingly, makes sense that Sincerely was shaped in the shadow of a traumatic, life-altering experience involving her mother. In today’s episode, Kali opens up about that experience, along with her reflections on parenthood, her family’s immigration story, and the challenges of her first tour. You can hear a playlist of some of our favorite Kali Uchis songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Rico Nasty is a genre-defying force in contemporary hip-hop, known for her raw, unapologetic style and fearless experimentation. Rico started releasing mixtapes while still in high school in Maryland, with early tracks like “iCarly” and “Hey Arnold” catching fire online. After dropping five mixtapes independently, she signed with Atlantic Records in 2018 and introduced the world to her signature “sugar trap” sound—a blend of aggressive nu-metal energy and trap production—on breakout tracks like "Smack a Bitch" and "Rage." Today, Leah Rose sits down with Rico as she prepares to release her fourth studio album, Lethal. They dive into everything from the beautiful chaos of female-heavy mosh pits at her shows, what it was like to suddenly come into lots of money as a teenager early, to how she landed her first acting role in the upcoming A24/Apple TV series Margo’s Got Money Troubles. You can hear a playlist of some of our favorite Rico Nasty songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Daryl Hall stands as one of the greatest pop songwriters in music history. As the iconic half of Hall & Oates, his classic tracks like "Sara Smile," "Rich Girl," and "Maneater" earned the duo coveted spots in both the Songwriters and Rock & Roll Hall of Fame. Yet beyond his chart-dominating success throughout the '70s and '80s, Daryl remains a profoundly gifted, soulful creator whose musical talents transcend genres. On today's episode, Justin Richmond talks to the legendary Daryl Hall about his early career with Gulliver on Elektra Records—where he shared a label with The Doors—and diving into the creative process behind classics like "She's Gone" from the seminal album Abandoned Luncheonette. Daryl also talks about his latest artistic endeavor, D, a collaborative album he made with Eurythmics co-founder Dave Stewart. This episode is brought to you by Defender – A vehicle engineered to meet challenges head-on, so you can explore with confidence. Adventure seekers and risk-takers can explore the full Defender lineup at LandRoverUSA.com. You can hear a playlist of some of our favorite Daryl Hall songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Richard Thompson is a London-born guitar virtuoso whose career started in 1967 as part of the groundbreaking folk band Fairport Convention. The following decade Richard formed a duo with his former wife Linda Thompson, and together they released six albums, including the critically acclaimed, I Want To See The Bright Lights Tonight. Richard then struck out on his own, writing songs that have since been covered by artists like Robert Plant, Elvis Costello and Bonnie Raitt. On today’s episode Bruce Headlam talks to Richard about his love of traditional Scottish music, and how he’s reworked old folk songs over the years. Richard also plays examples of his unique playing style on the guitar and talks about the time he played alongside Jimi Hendrix. You can hear a playlist of some of our favorite Richard Thompson songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Jim James, the frontman of My Morning Jacket, has lived many lives over the band’s 27-year career. He started as a hopeful young musician, chasing the magic of his musical heroes—while secretly fearing he’d never measure up. Later, he spiraled into heavy drinking and self-doubt, teetering on the edge of leaving the band. But today, Jim is in a much different place. Healthier, more grounded, and full of self-acceptance, thanks in part to a mix of traditional and psychedelic therapies he turned to during the pandemic. This month, My Morning Jacket returns with Is, their tenth studio album—and their first made entirely with an outside producer, the legendary Brendan O’Brien. On today’s episode, Leah Rose sits down with Jim to talk about the ayahuasca journey that helped him learn how to truly love himself. He also looks back on writing the band’s ambitious second album, At Dawn, and recalls the surreal moment he saw Bob Dylan disappear into the music while playing with him live. You can hear a playlist of some of our favorite My Morning Jacket songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows.  Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Join us for an intimate conversation with legendary producer and songwriter Daniel Lanois, captured live at Brooklyn's premier podcast event, On Air Fest. Host Justin Richmond sits down with Lanois before an audience filled with musical luminaries—including Prince's former guitarist Donna Grantis, performance artist Laurie Anderson, and ambient music pioneer Laraaji. In this special episode, Lanois shares fascinating insights from his storied career producing albums with Neil Young, Bob Dylan, and The Neville Brothers. He also delves into the creative process behind his exceptional solo work, punctuating the conversation with a mesmerizing live pedal steel performance that showcases his unique musicality. You can hear a playlist of some of our favorite Daniel Lanois songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Justice, the French electronic music duo composed of Gaspard Augé and Xavier de Rosnay is the gift that keeps on giving. They just released an incredible new album called Hyperdrama that not only sounds like the best possible night out in Paris, but brings in touches of jazz and experimentation that feel new for the group. They also just co-produced the opening track of The Weeknd’s latest album, a song called “Wake Me Up” that finds a  brilliant way of harkening back to Michael Jackson's “Thriller.” Today Justin Richmond discusses the creative process behind The Weeknd track, Justice's new album, and whose drums they sampled on their first album Cross. You can hear a playlist of some of our favorite Justice songs HERE. See omnystudio.com/listener for privacy information.

Adam Duritz is no stranger to the spotlight. Counting Crows’ 1993 debut album, August And Everything After, sold over seven million copies in the U.S. Singles released from the album including “Mr. Jones” and “Round Here” dominated radio and MTV at the time. But all the exposure wasn’t great for the band, and  according to Duritz, it led critics to focus more on Durtitz’s star-studded dating life, than the band’s music. Regardless, Counting Crows have continued to release music over the last three decades and this month they are putting out their latest album, Butter Miracle, The Complete Sweets! Today we’ll hear Adam Duritz talk in-depth about his life-long struggle with mental health and how his dissociative disorder has impacted his ability to connect with people off-stage. You can pre-save The Counting Crows new album here. And check out their new video for “Under The Aurora” here: https://www.youtube.com/watch?v=QMzFO8CAmK0&feature=youtu.be  You can hear a playlist of some of our favorite Counting Crows songs here.  Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows.  Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Join Justin Richmond and Ben Walter, CEO of Chase For Business, for a special conversation about finding success in the music industry through non-traditional means. Ben shares his insights on balancing risk while scaling a business, as they talk about how the indie label XL Recordings built a sustainable business model by making unorthodox business decisions. He also shares how artists often have an edge in creating original business ideas like when music titans Dr. Dre and Jimmy Iovine built Beats by Dre and later sold it to Apple Music for $3 billion.  This episode was made in partnership with Chase for Business. Listen and subscribe to Ben Walter's podcast The Unshakeables here.  See omnystudio.com/listener for privacy information.

A month ago at the Grammys, Alicia Keys gave a beautiful speech while accepting the Global Impact Award. Part of her speech was dedicated to the women producers who power the industry, women like Patrice Rushen, Missy Elliott, Linda Perry, and others. This was top of mind for Justin Richmond when he sat down with esperanza spalding at the Blue Note club in New York, where she was in the middle of a residency. Not only because she just produced a gorgeous new collaborative album by the unheralded Brazilian genius, Milton Nascimento, naturally called “Milton + esperanza.” But she’s also self produced just about all of her own projects from the very beginning. esperanza and Justin talk about why she’s been producing herself from the jump in this episode, what it’s been like working so closely with master mentors like Milton Nascimento, but also Wayne Shorter and Herbie Hancock. And esperanza talks about the rocky beginning of her career. Listen to the songs of Milton Nascimento as curated by esperanza spalding Listen to Milton + esperanza’s collaborative album Listen to a collection of songs by esperanza spalding Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows.  Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

Alice Randall is a country music songwriter, a New York Times bestselling author, and a newly minted memoirist. She calls her new book, My Black Country, a love letter to Black country music. In addition to her memoir, Alice also released the album, My Black Country: The Songs of Alice Randall, that includes a rendition of the song, “The Ballad of Sally Anne” performed by Rhiannon Giddens. The song, which confronts the harsh realities of lynching in the American South was nominated for a Grammy last year in the Best American Roots Performance category. On today’s episode Bruce Headlam talks to Alice Randall about her lifelong love of country music. And how growing up in Detroit during the height of Motown influenced her musical sensibilities. She also traces the countless contributions African Americans have made to country music and why she believes that history has been ignored. You can hear a playlist of some of Alice Randall's favorite songs HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows.  Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

In the 30-plus years since Billy Corgan hit it big as the lead singer/songwriter of The Smashing Pumpkins, he’s become many things including the owner of the National Wrestling Alliance, a father and a husband, and an outspoken advocate of free speech through appearances on divisive podcasts hosted by Alex Jones, Joe Rogan, and Bill Maher. Proving to be both eloquent and controversial, Billy is now hosting his own long form interview podcast called "The Magnificent Others" where he interviews music industry heavyweights like Tom Morello, Sharon Osbourne, and Gene Simmons. On today’s episode Leah Rose talks to Billy Corgan about his approach to interviewing, why he rejected the alternative-music ethos in the 90s, and the subset of his fanbase that he calls “Siamese zombies.” You can hear a playlist of some of our favorite songs from Billy Corgan HERE. Get ad-free episodes to Broken Record by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. Pushkin+ subscribers can access ad-free episodes, full audiobooks, exclusive binges, and bonus content for all Pushkin shows. ' Subscribe on Apple: apple.co/pushkinSubscribe on Pushkin: pushkin.fm/plus See omnystudio.com/listener for privacy information.

The Black Keys are gearing up to release their latest album, No Rain, No Flowers. The Akron, Ohio duo consisting of Dan Auerbach on lead vocals and guitar, and Patrick Carney on drums, have released 12 studio albums since their indie debut, The Big Come Up in 2002. On today's episode Justin Richmond talks with Dan and Patrick about their process of mixing the new album. They also share memories growing up together in a town filled with eccentric characters, and they explain their newfound love of DJing parties where they challenge themselves to make people dance to an eclectic mix of unknown songs. You can hear a playlist of some of our favorite songs from The Black Keys HERE. See omnystudio.com/listener for privacy information.

Tunde Adebimpe is a creative powerhouse. He's a cartoonist, a painter, a director, a Hollywood actor, and for the past 20 years, he’s been the lead singer of the band TV On The Radio. His latest offering—another of his many artistic pursuits—is a solo project called Thee Black Boltz. Tunde began writing these songs back in 2019. And after a stint composing music for the PBS Kids show “City Island” with producer Wilder Zoby, the two decided to set their sights on Tunde’s growing collection of solo songs. Both Jaleel Bunton and Jahphet Landis of TV On The Radio also contributed to the album, which sounds every bit as fresh and thrilling as Tunde’s past work. On today’s episode Leah Rose talks to Tunde Adebimpe about how staying steeped in creative projects keeps him sane. He also recalls his days working as a stop-motion artist on MTV’s Celebrity Death Match, and why he thinks TV On The Radio isn’t cool enough to be considered “indie sleaze.” You can hear a playlist of some of our favorite songs from Tunde Adebimpe HERE. See omnystudio.com/listener for privacy information.

The British funk band Cymande released their self-titled debut in 1972. The album’s deep calypso and reggae rhythms are inspired by its member’s West Indian roots. And decades after its release, samples taken from Cymande’s albums would find their way into songs that now define hip-hop’s golden era from artists like De La Soul, Gang Starr and The Fugees. While Cymande has found a second life through sampling during the late ‘80s and ‘90s, its primary members, bassist Steve Scipio and guitarist Patrick Patterson had long since moved on from their artistic life in London, and both moved back to the Caribbean to become lawyers. But the desire to make music never left them and last month Cymande released a new album called Renascence, a project their label describes as a “spiritual and sonic follow-up” to their 1974 album, Promised Heights. On today’s episode Justin Richmond talks to Steve Scipio and Patrick Patterson about their early band days in London, and about the early calypso tracks that helped launch Cymande’s sound. They also reminisce about touring the U.S. and opening for Al Green in the '70s, and how they came to collaborate with artists like Jazzie B. and Celeste on their new album. You can hear a playlist of some of our favorite Cymande songs HERE. See omnystudio.com/listener for privacy information.

Big Willie is back! He's traded his larger than life, excessively positive raps for something more dark and complex but equally inspiring. Anyone following Will’s trajectory the last handful of years, or those who've read his wonderful autobiography knows he’s been on a journey of self-discovery and healing. That’s left him wide open to be a bit of a different artist than he’s been in the past. It also drew him back into music. Will’s new project Based On A True Story will be coming out in three parts this year with part one dropping in March. Justin Richmond discusses where Will's at as a creator on this new album, and goes through his decades long career in music, which dates back in his teen years in Philly. You can hear a playlist of some of our favorite Will Smith songs HERE. See omnystudio.com/listener for privacy information.

Nothing says romance like a perfect playlist—except, maybe, a special network-wide episode about love songs. In this Valentine’s Day special, Broken Record hosts Justin Richmond and Leah Rose make their cases: is R&B the undisputed sound of love? Are sad songs more romantic? Can country win the day? Plus, the legendary songwriter Babyface talks about how young love shaped his most enduring ballads, Malcolm Gladwell breaks down the perfect break up song, and Ben Naddaff-Hafrey writes a love song of his own.  Whether you're mid-swoon or nursing a broken heart, this episode is our valentine to you. Listen to Broken Record’s interview with Babyface. Listen to a Revisionist History episode about sad songs. And hear more from Ben’s band, Rookin. Plus, our battle of the playlists continues… here’s Leah’s sad songs playlist. And Justin’s for love songs. Pick your fighter and… enjoy! See omnystudio.com/listener for privacy information.

As if having one of the most beautiful and distinctive voices of all time weren’t enough, Smokey Robinson is also one of the greatest songwriters ever, a top-notch producer, engaging performer, and an indispensable part of Motown's legacy. In other words: he’s an institution of American music unto himself. On February 19th, Smokey turns 85, and as he prepares to head out for another run on the road including a three night engagement at the Venetian in Las Vegas, Smokey sat down with Justin Richmond for a conversation about his incredible life and legacy. You can hear a playlist of some of our favorite Smokey Robinson songs HERE. See omnystudio.com/listener for privacy information.

Indie rock band Nada Surf first hit big on college radio in 1996 with their driving, guitar forward song, “Popular.” The band started playing together four years earlier while attending college in Vermont. But they’re perhaps best known as a New York City band, where their lead singer and primary songwriter, Matthew Caws came of age. Caws is known as a vulnerable, and often reflective songwriter who tackles everything from social anxiety to politics in his work. Nada Surf’s latest album, Moon Mirror, is the band’s tenth studio album. It's both introspective and at times, and hard hitting. On today’s episode Bruce Headlam talks to Matthew Caws about growing up on Manhattan’s Upper West Side in a house filled with baroque music, and how he thinks some of the classical instrumentation may have influenced his own writing. Mathew also recalls the time Nada Surf backed up Joey Ramone and played a full Ramones set at Coney Island High. And he performs two songs from Nada Surf’s latest album, Moon Mirror, for us live. You can hear a playlist of some of our favorite Nada Surf songs HERE. See omnystudio.com/listener for privacy information.

Jerry Cantrell has been the lead guitarist and songwriter for Alice in Chains since the band formed in 1987. By the mid ‘90s after a run of multi-platinum albums, Alice secured their spot as one of Seattle’s “big four” grunge bands along with Pearl Jam, Soundgarden, and Nirvana. Legend has it that Alice In Chains’ early whirlwind of commercial success wreaked havoc on the personal and professional lives of the band. In 2002, lead singer Layne Staley overdosed and died after more than a decade of battling drug addiction. Amidst the turmoil, Jerry Cantrell found solace in continuing to write and release music both as a solo artist and as a member of Alice In Chains. And he’s never stopped playing. In 2021, he released his critically acclaimed solo album, Brighten, followed by last year's hard rock opus, I Want Blood. On today’s episode Leah Rose talks to Jerry Cantrell about how he's drawn to art that exists in the shadows. He also talks about how getting sober over 20 years ago has influenced his songwriting, and he remembers the time he tried to pass a demo tape to Axl Rose, only to see his security guard toss it in the trash. You can hear a playlist of some of our favorite songs from Jerry Cantrell HERE. See omnystudio.com/listener for privacy information.

Today Justin Richmond has a quick chat with Laura Segura, the Executive Director of MusiCares—a Recording Academy non-profit that's currently offering support to musicians and music professionals affected by the ongoing fires in L.A. MusiCares can provide assistance with costs related to evacuation, relocation, instrument replacement, home damage, medical care, mental health services, and other essential living expenses. For more information or to apply for support, contact MusiCares at [email protected] or call 1-800-687-4227. To donate, please visit musicares.org/firerelief.  See omnystudio.com/listener for privacy information.

Coming off the loss of Quincy Jones, Benny Golson, Roy Haynes and Lou Donaldson at the end of 2024, it’s truly a treat to bring you a fresh interview with one of the last musicians of the Bebop era, the saxophone colossus himself, Sonny Rollins. Since we last spoke, a couple interesting artifacts from Rollins life have surfaced: "The Notebooks of Sonny Rollins" and "Rollins in Holland." We discuss those releases, his spirituality and the loss of some of his comrades in 2024. You can hear a playlist of some of our favorite Sonny Rollins songs HERE. See omnystudio.com/listener for privacy information.

Alejandro Escovedo is a Texas-born singer/songwriter who comes from a rich family of musicians including his niece, Sheila E. Alejandro started out in the pioneering San Francisco punk band the Nuns in 1975. From there he moved to New York, and then eventually settled in Austin where he started playing rootsy rock with bands like Rank and File, as well as The True Believers. In March, Alejandro Escovedo released his latest album, Echo Dancing, a retrospective of his career that spans five decades. Inspired by artists like Brian Eno and Suicide, Alejandro Escovedo both re-imagines and re-records his previous work on the new album. On today’s episode Bruce Headlam talks to Alejandro Escovedo about his upbringing in San Antonio and Huntington Beach, where he’d sometimes pretend to be Hawaiian to avoid getting beat up. He also tells some great stories about his swings through Austin and San Francisco—like being on the bill for the Sex Pistol’s final show. You can hear a playlist of some of our favorite Alejandro Escovedo songs HERE. See omnystudio.com/listener for privacy information.

2024 has been a career-defining year for St. Vincent. In April she released her self-produced seventh album, All Born Screaming. Then in November she released the Spanish language version of the same album, called Todos Nacen Gritando, as a tribute to fans she met in Spain and Latin America. The album doesn’t serve to replace the English language version, but instead supplements it brilliantly and provides a renewed listening experience. Of all the St. Vincent projects dating back to her debut album in 2007, this is the one that feels the most steeped in a singular vision On today's episode St. Vincent talks to Justin Richmond at Amazon Music’s Studio 126 about the difficult production process behind her latest release. She also sheds light on her experience touring the album, which continues well into the new year with some dates featuring Olivia Rodrigo and Nick Cave. And she talks about how she developed what she describes as her high-level taste despite growing up in the middle of the country pre-internet. Check out the full video version of this episode HERE. You can hear a playlist of some of our favorite St. Vincent songs HERE. See omnystudio.com/listener for privacy information.

This week we're sharing an episode from one of Slate's podcasts called Hit Parade. A decade ago, Rolling Stone magazine called 1984 “Pop’s Greatest Year.” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be. Join Chris Molanphy in this episode of Slate's Hit Parade as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” You can listen and subscribe to the Hit Parade podcast on your favorite podcast player.  See omnystudio.com/listener for privacy information.

Conor Oberst's music is dynamic, deeply smart, captivating, funny, and sometimes biting. His extensive catalogue dates back to the early '90s and includes music with Bright Eyes, Desaparecidos, the Mystic Valley band, the Faint, Commander Venus, Monsters of Folk, a collaboration with Phoebe Bridgers, and of course his solo material. On today's episode Justin Richmond and Conor Oberst discuss Conor's deep catalogue, and Conor recalls how he got his start by sending valentines to his favorite indie labels. He also explains how he was able to build an independent musical movement in his native Omaha, Nebraska. You can hear a playlist of some of our favorite Conor Oberst songs HERE. See omnystudio.com/listener for privacy information.

Hiatus Kaiyote is an incredibly talented group of four Australian musicians—vocalist and guitarist Nai Palm, drummer Perrin Moss, bassist Paul Bender and Simon Mavin on keys. But those aren’t permanent stations for any of them, they often move between instruments and all contribute to writing some of the most beautiful soulful music of the last decade. Their latest album, Love Heart Cheat Code, came out earlier this year. It's the group’s fourth proper album and features some of their strongest songwriting yet while still managing to weave in some of the incredibly complex musical ideas they’re known for. For today's episode, Justin Richmond met up with Hiatus Kaiyote at NRG Studios in Los Angeles, at the end of their US tour to talk through their new album. They also touch on their role as collaborators within—and outside of—the group, and we'll hear them perform a live set. To see the full video version of this episode along with the band’s performance, visit YouTube.com/BrokenRecordPodcast. You can hear a playlist of some of our favorite Hiatus Kaiyote songs HERE. See omnystudio.com/listener for privacy information.

Today we have Aoife O’Donovan on the show who was nominated for two Grammy awards this year: Best Folk Album for her latest release, All My Friends, as well as Best American Roots Song for the album’s title track. Aoife is a wonderfully prolific singer and songwriter from the Americana tradition—who also has an academic background, having studied improvisation at the New England Conservatory of Music. Her latest album is a gorgeous set of songs inspired by the life and work of suffragist Carrie Chapman Catt, and it celebrates the 100 year anniversary of women securing the right to vote in the United States. In Aoife’s conversation with Bruce Headlam on today’s episode you’ll hear her perform some songs live and hear her talk about how this project crystallized for her, and some of the challenges it posed. You can hear a playlist of some of our favorite Aoife O’Donovan songs HERE. See omnystudio.com/listener for privacy information.

Kim Deal is an indie-rock icon. In the mid-80s, she joined The Pixies as the band’s original bassist and co-vocalist. After the release of their debut album Come On Pilgrim in 1987, followed by the alt-rock classics Surfer Rosa and Doolittle, Kim took a break from The Pixies to form her own band, The Breeders. With the help of Kim’s twin sister Kelley on lead guitar, The Breeders released a couple EPs and four studio albums, including the platinum-selling ‘90s hit, Last Splash. This year after a run with The Breeders opening up for Olivia Rodrigo's worldwide Guts tour, Kim Deal is once again heading out on her own with the release of her first solo album, Nobody Loves You More. The album was recorded by the late Steve Albini, a close friend and longtime collaborator of Kim’s, and it features a slew of her other old friends and collaborators, including Slint’s Britt Walford on drums, and The Breeders Josephine Wiggs, Jim Macphearson, and of course Kelley Deal. On today’s episode Leah Rose talks to Kim Deal about working with Steve Albini on The Pixies Surfer Rosa, and why he always regretted a specific contribution to that album. Kim also recalls recording The Breeders’ first two albums, and she remembers how a group of surfers on a druggy trip to Nantucket helped inspire her new lead single, Coast. You can hear a playlist of some of our favorite Kim Deal songs HERE. See omnystudio.com/listener for privacy information.

Soccer Mommy is one of the stand-out singer/songwriters to emerge over the last half decade. She was born Sophia Allison and raised in Nashville, Tennessee where she started playing guitar at six years-old. Sophia started posting her songs on Bandcamp in 2015 under the name Soccer Mommy the summer before moving to New York to study the music business at NYU. Two years later she dropped out after signing her first record deal with Fat Possum. Since then she has released four albums and toured with artists like Vampire Weekend, Phoebe Bridgers and Mitski. Soccer Mommy’s latest album Evergreen is a reflection on grief and loneliness, and was described recently by Pitchfork as the, “most laid back and pastoral music of her career.” You can hear a playlist of some of our favorite Soccer Mommy songs HERE. See omnystudio.com/listener for privacy information.

Billy Bragg came up in East London—Barking, Essex to be exact. It's fitting given the characteristic howl of his vocals. Listening to him these days, it’s hard not to recall the late-great Joe Strummer or the modern brilliance of Archy Marshall, a.k.a. King Krule. In the mid-80s, a musical era driven by production, Billy Bragg was all about songs. He was one of the great standard bearers of political music carried on from both the folk and punk traditions. On today's episode Bruce Headlam talks to Billy Bragg about using music as a political tool, and whether it can truly affect change. Billy also reminisces about his first trip to the U.S. in ‘84 opening for Echo & the Bunnymen, and his collaboration with Wilco to bring unpublished Woody Guthrie songs to life. You can hear a playlist of some of our favorite Billy Bragg songs HERE. See omnystudio.com/listener for privacy information.

We occasionally field emails and DMs from Broken Record listeners telling us who they’d like to hear on the program. The past handful of years, one name has come up more than others: Julian Lage. Now, if you’re not part of the converted, not a member of one of his devoted legion of fans that may come as a surprise. But if you get the chance to spend some time with his music after listening to this episode… I have one word for you: welcome. Julian’s path in music has been as unique as his gifts. He picked up the guitar at five years old and quickly became obsessed with the instrument. That obsession and what must be some level of innate abilities led to his designation as a “child prodigy” and, as you’ll hear, the opportunity to play live on stage with Carlos Santana live at eight and live on a Grammy telecast at 13. But it’s his development as an artist, over the course of four albums in four years on Blue Note that’s most impressive. His album Speak to Me came out earlier this year and is impressionistic in its beauty rather than prodigious, often quiet, rather than flashy. For the last episode in our series celebrating the creative legacy of Blue Note Records over 85 years, Don Was and I spoke with Julian Lage in front of a live audience at the Blue Note club in NYC. We talked about his upbringing as a prodigy, about the writing and recording of his new album and about his unique approach to learning and playing guitar. Oh, and he plays a little too. You can hear a playlist of some of our favorite Julian Lage songs HERE. See omnystudio.com/listener for privacy information.

A conversation with Charles Lloyd feels like a veritable interaction with the pages of history. I was continuously surprised throughout my conversation with Charles, along with Don Was, about the depth of his experiences…and the wisdom too. Charles is an inordinately beautiful tenor player from Memphis, Tennessee - who grew up at a time where the region was brimming with talent… Elvis Presley, Howlin' Wolf, Junior Parker, Billy Lee Riley, B.B. King and so many more were from there or made their careers there. It was also a popular destination for touring artists giving a young Charles an incredible musical education. On today’s episode of Broken Record, another in our series celebrating the 85th anniversary of Blue Note Records… I have Don Was as my co-host and we talk to Charles Lloyd about his colorful upbringing in Memphis and about the early Los Angeles jazz scene he became a part of after moving to California to attend USC. This conversation goes a lot of places… from Elvis to Quincy Jones to the Beach Boys and far beyond. And please be sure to check out his wonderful new album out on Blue Note, The Sky Will Still Be There Tomorrow. You can hear a playlist of some of our favorite Charles Lloyd songs HERE. See omnystudio.com/listener for privacy information.

Meshell Ndegeocello doesn’t fit neatly into any “jazz” label - or any label of any kind for that matter. She’s a phenomenal bass player, deep songwriter, beautiful interpreter of song, wonderful band leader and has had one bad ass career. It’s fitting that after a circuitous journey through the industry that started as one of the premiere artists on the Madonna helmed Maverick Records in the early 90s, that she’s now released two albums on Blue Note Records under Don Was. The first was last year’s The Omnichord Real Book — a project with a fascinating origin we’ll be discussing on today’s episode. The latest is 2024’s No More Water: The Gospel of James Baldwin … a tribute to two of the great Black American writers and thinkers of the last century: James Baldwin and Audre Lorde. That might sound heady but consider the source: Meshell is the product of a Washington DC upbringing … a city awash in culture like Go-Go Music and also politics, think tanks and the like. Like her DC home, Meshell’s a great synthesizer of music and ideas. Joining Meshell, Don Was and myself in our chat is Abe Rounds … an in-demand drummer and musician who’s been playing with Meshell since she picked him out of Berklee College of Music. And has also worked closely with Andrew Bird, Nick Hakim, Blake Mills and many more. In today’s episode he helps us gain some valuable insight into what it’s like to be a close collaborator of Meshell Ndgeocello’s. You can hear a playlist of some of our favorite Meshell Ndegeocello songs HERE. See omnystudio.com/listener for privacy information.

We’re continuing our celebration of Blue Note Records’ 85th Anniversary this week with a conversation with a certified living legend: Ron Carter. For starters Ron Carter was a key member of a group that’s on the shortlist for greatest band of all time: The Second Great Miles Davis Quintet featuring Mr. Carter, Herbie Hancock, Wayne Shorter, Tony Williams and, naturally, Miles Davis. And although many conversations with Ron start and end with that period of his life from 1964 to 1968, at 87 years of age and as a life long seeker, there’s a lot more to the Ron Carter story. Blue Note president Don Was and Justin Richmond interviewed Ron Carter on stage at the Blue Note club in NYC. They set out to learn about his life growing up in Detroit, and his classical aspirations. Maestro Carter delivered an emotional stream of consciousness response as well as insights into a few key people from the Blue Note's esteemed history. You can hear a playlist of some of our favorite Ron Carter songs HERE. See omnystudio.com/listener for privacy information.

Blue Note is one of the first and longest standing institutions of Jazz music. Since its formation in 1939 the label has put out albums by Robert Glasper, Lee Morgan, John Coltrane, Wayne Shorter, Gergory Porter, Bobby McFerrin, and so many more. To celebrate 85 years of music from this iconic label, Justin Richmond and Blue Note’s current President Don Was recorded a series of interviews with the label’s past present and future: Ron Carter, Meshell Ndegeocello, Charles Lloyd, Julian Lage and today, Norah Jones. Norah has been with Blue Note Records since releasing her juggernaut 2002 debut album, Come Away With Me. Her latest album, Visions, was created with New York’s Leon Michels of El Michel’s Affair. Their two distinctive sounds blend beautifully to make an album that stands out not only as a new texture in her discography, but some of her strongest work to date. On today's episode, Norah Jones details her musical upbringing and what it was like striking it big with her debut album. She also performs for us, and talks about the musical freedom she's found as part of the Blue Note family. You can hear a playlist of some of our favorite Norah Jones songs HERE. See omnystudio.com/listener for privacy information.

We have a two-part episode for you today in honor of the great Stevie Wonder. First we will hear the Pulitzer Prize winning writer Wesley Morris talk about the making of his new Audible original, The Wonder of Stevie. Then, Justin Richmond talks to the pioneering electronic music producer Robert Margouleff, who in 1968 together with Malcolm Cecil, built the world's largest analog synthesizer known as TONTO. Over a four year period, Stevie Wonder worked closely with Robert, Cecil, and TONTO to record a string of albums now known as Stevie’s “classic period:” Music Of My Mind, Talking Book, Innervisions, and Fulfillingness’ First Finale. On today’s episode Robert Margouleff talks about recording those classic albums, and Stevie’s creative process. Robert also remembers how Stevie changed after surviving a near-fatal accident in 1973. You can hear a playlist of some of our favorite Stevie Wonder songs HERE. See omnystudio.com/listener for privacy information.

At just 8 years-old, Lainey Wilson announced to her family that she was destined to become a country music star. There were no other musicians in her family to speak of—for five generations her people had been farmers in a tiny Northern Louisiana town with the population of 180. After graduating high school, Lainey drove North to Nashville in a camper trailer that she lived in alone for three years. Success did not come easy. In those first three years, Lainey wrote over 300 songs, and it wasn’t until year eight that she finally signed a record deal. All of her hard work finally paid off in 2021, when her debut single “Things A Man Oughta Know” raced up the country music charts. Several radio hits followed, and last year Lainey swept the award season, winning a ton of trophies including the Grammy for "Best Country Album" and “Entertainer Of The Year” at the Country Music Awards. In August, Lainey scored her first crossover hit with the release of her latest album, “Whirlwind,” which debuted at number three on Billboard, and became the highest-selling album of her career. On today’s episode, Leah Rose talks to Lainey Wilson about how grit and determination became one of the central pillars of her success. Lainey also opens up about being physically objectified online, and the reality of playing alongside some of her musical heroes like The Rolling Stones and Dolly Parton. Check out the full video of this interview and other recent episodes at youtube.com/brokenrecordpodcast. You can hear a playlist of some of our favorite Lainey Wilson songs HERE. See omnystudio.com/listener for privacy information.

Crowded House had one of the most enduring hits of the 80s with “Don’t Dream It’s Over.” The commercial and critical success of that song launched the Australian-New Zealand band and its esteemed Kiwi songwriter, Neil Finn, to pop stardom. The band made three more critically acclaimed albums before breaking up in ‘96. But over the years the band has come back together at various times to put out new projects including their latest, Gravity Stairs. You can hear a playlist of some of our favorite Crowded House songs HERE. See omnystudio.com/listener for privacy information.

Raphael Saadiq is one of the great R&B writers and producers of the last 30 years. He started out fronting and playing bass in the group Tony! Toni! Toné! with his brother D’Wayne Wiggins on guitar. The Tony’s had an amazing four album run from ‘88 through 1996 with hit singles like "It Never Rains (In Southern California)," "Feels Good," "Anniversary," and "If I Had No Loot." Raphael’s also released five solo albums starting with 2002’s Instant Vintage. His most recent album, Jimmy Lee, is a collection of very personal songs about the real traumas he and his family experienced growing up in Oakland, CA. Raphael’s also done some amazing work behind the board. He’s produced and written for the likes of D’Angelo, TLC, Mary J. Blige, Solange, Earth Wind and Fire and just recently he worked on a handful of songs on Beyoncé’s Cowboy Carter. He’s also earned an Academy Award nomination for his work as a film composer. This week Justin Richmond talks with Raphael Saadiq from his studio in Los Angeles about some of the incredible work he’s done recently. Raphael breaks down his collaboration with D’Angelo on the classic track “Lady,” and how Sly Stone bassist Larry Graham influenced a generation of musicians coming up in the Bay Area.  To see the full video version of this episode, visit: https://www.youtube.com/@BrokenRecordPodcast/videos You can hear a playlist of some of our favorite Raphael Saadiq songs HERE. See omnystudio.com/listener for privacy information.

Suki Waterhouse started professional life as a model and actress in the UK. A full-fledged music career might’ve seemed far-fetched but she quickly found an authentic voice as a singer-songwriter. And put out some beautiful demos that caught the attention of the legendary Sub Pop label which put out her first album, I Can’t Let Go and her latest, Memoir of A Sparklemuffin. Suki’s music first started catching on with audiences through TikTok. But her sophomore album wasn't made for social media audiences. It’s an eighteen song journey through the life of a thirty year old woman who had some wild times in her twenties, survived the sadness memorialized on her first album and has come to find happiness and even a family on the other side. On today’s episode Justin Richmond talks with Suki Waterhouse from Amazon's Studio 126 about building an organic career in music, what it was like opening for Taylor Swift at Wembly stadium just last month and she tells a great Jack White story that inspired one of my favorite lines from her first album. To see the full video version of this episode, visit: https://www.youtube.com/@BrokenRecordPodcast/videos You can hear a playlist of some of our favorite Suki Waterhouse songs HERE. See omnystudio.com/listener for privacy information.

This week we're sharing an episode from one of our favorite podcasts, One Song. You'll hear hosts Diallo Riddle and Luxxury tackling “Cherub Rock” by The Smashing Pumpkins. The guys go deep on the early 90’s indie rock scene, band frontman Billy Corgan’s quest for musical family, and the Pumpkins’ complicated relationship with the indie rock community. On each episode of One Song friends Diallo Riddle (Emmy-nominated star and creator of HBO Max’s South Side and IFC’s Sherman’s Showcase) and Blake "LUXXURY" Robin (Music Producer & TikTok creator) hilariously break down one song from the pop music canon that you know - or need to know - but have never heard quite like this. Listen and subscribe on your favorite podcast platform. See omnystudio.com/listener for privacy information.

Madeleine Peyroux is a jazz-inspired singer songwriter who got her start singing in street bands in Paris as a teenager. In 1996, Atlantic Records released Madeline’s debut album where she covered tunes from the ‘30s and ‘40s by artists like Bessie Smith and Billie Holiday—and then later she recorded songs by Bob Dylan and Leonard Cohen. This year Madeleine Peyroux released Let’s Walk, her first album of all-original songs co-written with her long-time touring guitar player, Jon Herington. On today’s episode Bruce Headlam talks to Madeleine and Jon Herington about their creative process throughout the pandemic and they play a couple songs from their new album. Madeleine also remembers her early days busking with a bohemian ex-pat named Dan William Fitzgerald who became her musical mentor. And she explains how Dr. Cornel West became her guiding light during a recent bout of personal despair. You can hear a playlist of some of our favorite Madeleine Peyroux songs HERE. See omnystudio.com/listener for privacy information.

Singer, songwriter Remi Wolf burst out of the pandemic like a ray of light, spreading joy with her infectious production, capricious outlook and jaunty hooks. She appeared to come to us fully formed. But Remi’s been working hard on her craft for the last decade. She started performing with local bands around the Bay Area during high school and she eventually wound up studying music in LA at USC where she met many of the people she still collaborates with. On today’s Broken Record, Remi Wolf talks with Justin Richmond live from Amazon’s Studio 126 about finding her musical footing in Los Angeles, walks us through the writing of her new album “Big Ideas,” and talks about her summer experience opening up for Olivia Rodrigo in Europe. Check out the full interview on YouTube HERE. You can hear a playlist of some of our favorite Remi Wolf songs HERE. See omnystudio.com/listener for privacy information.

Captain Kirk Douglas is the longtime guitarist for The Roots. Over the past 21 years he’s seen the group evolve from a touring act, to the house band for The Tonight Show Starring Jimmy Fallon, to having their own successful music festival in Philly. All the while continuing to record albums for themselves and others. Between The Roots' many commitments, Kirk has also found time to record a solo project under the name Hundred Watt Heart. His most recent offering “New Unknown”  was recorded in the basement of his childhood home on Long Island where he first fell in love with the music of Van Halen, Hendrix, Sly and the Family Stone, and so many others. On today’s Broken Record Justin Richmond talks with Captain Kirk from the Roots’ green room in 30 Rock about the seductive pull he felt as a little kid seeing electric guitars on the cover of an old Kiss album. He also reminisces about his early days gigging around New York City in the ‘90s while also working as a preschool teacher. And he recalls the elation he felt when Prince played one of his guitars on the Tonight Show, only to smash it onstage at the end of the performance. You can hear a playlist of some of our favorite Captain Kirk Douglas & The Roots songs HERE. See omnystudio.com/listener for privacy information.

While Paul Banks is technically the lead singer of Interpol, he sees himself more as a member of a gang of musicians. Interpol formed in 1997 after lead guitarist Daniel Kessler invited Paul—who was a student at NYU at the time—to watch the band rehearse. In 2002 Interpol released their era defining album, Turn On The Bright Lights, to widespread critical acclaim. At the time they were lumped together with New York City’s emerging “indie sleaze” movement with bands like The Strokes, and the Yeah Yeah Yeahs. Their sophomore album Antics in 2004 surpassed critics' expectations and further evolved their sound. September marks the 20th anniversary of Antics, and to celebrate, Interpol is embarking on an international tour where they will play the album in full. On today’s episode Leah Rose talks to Paul Banks about how he wrote the lyrics to key tracks on Antics. Paul also explains why he hasn’t listened to rock music in over 20 years. And he remembers watching a boxing match with John Frusciante and RZA from Wu-Tang, and how John forever changed the way Paul thinks about musicality in hip-hop. You can hear a playlist of some of our favorite Interpol & Paul Banks songs HERE. See omnystudio.com/listener for privacy information.

Tinashe’s changing what success in pop music can look like. Back in 2014 her song "2 On" featuring Schoolboy Q hit big on Billboard. With major success looming, Tinashe released projects that missed the charts but gained her a strong, loyal fanbase. In 2019 she left her major label to go independent. And judging from her massive online following today, her fans have stuck behind her. In April, she dropped the highly meme-able track "Nasty" that many are calling the song of the summer. “Nasty” comes from her album Quantum Baby, the second part in a trilogy of new albums. Justin Richmond spoke to Tinashe from Amazon Studio 126 about her new albums and what it took to go independent. They also talk about her role in The Polar Express and working with Tom Hanks. You can hear a playlist of some of our favorite Tinashe songs HERE. See omnystudio.com/listener for privacy information.

True to her Texas roots, Edie Brickell can seemingly find a song anywhere—including out of thin air. Here It Comes is the new album from Edie and her collaborators, CJ Camerieri and Trever Hagen who are known as Heavy MakeUp. Heavy MakeUp is, of course, only the latest musical iteration for Edie who’s found herself ever evolving over her career. From her first hit with the New Bohemians, co-writing their massive 1988 single “What I Am,” she’s never stopped looking for songs. She even spent the better part of a decade writing and performing with Steve Martin on their very own musical—Bright Star—that ran on Broadway in 2016. On today’s episode, Bruce Headlam talks with Edie, CJ and Trever about the origins of Heavy MakeUp and the recording of their new album. We'll also hear a short performance demonstrating the unique improvisational nature of their work. You can hear a playlist of some of our favorite Heavy MakeUp & Edie Brickell songs HERE. See omnystudio.com/listener for privacy information.

Shannon & The Clams were long time regulars in the Bay Area music scene. The band’s two main songwriters—Shannon Shaw and Cody Blanchard met in college in Oakland, California. They remained there for about a decade until a number of events set them adrift physically and spiritually. The band’s new album, The Moon Is In the Wrong Place, is taken from a phrase Shannon’s fiancé, Joe Haener uttered shortly before his passing. Much of the album is anchored around Shannon’s grief. On today's episode Justin Richmond talks to Shannon Shaw and Cody Blanchard about moving away from Oakland, the aftermath of losing a loved one, and about their Dan Auerbach-produced album, The Moon Is In The Wrong Place. You can hear a playlist from Shannon's late fiancé, Joe Haener, HERE. See omnystudio.com/listener for privacy information.

Randy Bachman is the Canadian guitarist and songwriter behind a slew of hits with the bands The Guess Who and Bachman Turner Overdrive. Although he was based far from the '60s powerhouse music scenes of Laurel Canyon and Swinging London, Bachman first made a name for himself performing across the Great White North. On today’s episode Bruce Headlam talks to Randy who dissects his hits including “American Woman” and “These Eyes.” He also explains how he became one of the great guitarists of his generation. You can hear a playlist of some of our favorite Randy Bachman songs HERE. See omnystudio.com/listener for privacy information.

Serj Tankian made his first foray into public life as the idiosyncratic lead singer of the late ‘90s metal band System Of A Down. After releasing five platinum-selling albums with the band, and establishing himself as one of modern-day music’s most outspoken human-rights activists, in 2007, Serj left System to pursue his own artistic pursuits. Since then he’s released solo albums, composed symphonies, scored documentaries, and most recently started producing a line of Armenian coffee. In May, Serj also released a memoir called “Down With The System” that details his personal story that starts in Beirut before his family emigrated to Los Angeles during the Lebanese Civil War in the ‘70s. Serj’s memoir also details his family's history in Armenia, and their chilling plight during the genocide of 1915. On today’s episode Leah Rose talks to Serj Tankian about why he always felt like an outsider—including in System Of A Down. He also explains why it was so essential for him to exercise his demons on stage, and the one fundamental change that needs to take place in order for him to record new music with the band. You can hear a playlist of some of our favorite Serj Tankian songs HERE. See omnystudio.com/listener for privacy information.

Camila Cabello is in the midst of a creative revival. Her brand new album, C,XOXO was recently dubbed “hyper-pop” by Rolling Stone in the wake of the frenetic first single, “I Luv It,” featuring Playboi Carti. The track is an entirely new direction for Camila who first rose to fame in 2012 as a member of the girl group Fifth Harmony. On her new album Camila is racing into uncharted territory with her sound. She enlisted producers Jasper Harris and El Guincho, who’s known for his work with Rosalia. Together they introduce a variety of new sounds into Camila’s orbit including the newest sounds in hip-hop. The result is Camila’s edgiest album yet. Today Justin Richmond talks to Camila about the very particular set of creative influences that inspired her new album, including a book by Joan Didion. She also talks about having features from Drake on her album, why she wanted to make music for Miami Spring breakers. You can hear a playlist of some of our favorite Camila Cabello songs HERE. See omnystudio.com/listener for privacy information.

John Leventhal is a bit of a secret weapon in music. Though he started out as a session musician in the '80s, he quickly found writing and producing music for other artists was his true calling. That gift has led to six Grammy Award wins and songs like “Sunny Came Home” by Shawn Colvin, Marc Cohn’s “Walk Through the World” and “Crossing to Jerusalem” by his wife Rosanne Cash. John and Rosanne have been married for almost 30 years and over the course of their union have become great collaborators. Bruce Headlam talks to John Leventhal on today’s episode about the beginnings of both his musical and romantic relationship with Rosanne, and also about stepping out from behind the scenes to release his very first debut album. A beautiful instrumental project called Rumble Strip. You can hear a playlist of some of our favorite John Leventhal songs HERE. See omnystudio.com/listener for privacy information.

"Genesis" the new work from RAYE discussed in this episode is out now: https://raye.orcd.co/genesis RAYE is an English pop singer/songwriter whose debut album, My 21st Century Blues, snagged Album Of the Year at this year’s Brit Awards. One of a historic six wins that evening. For a 26 year old artist who's already survived a tumultuous ride through the music industry, the ceremony was a coup. On today’s episode Justin Richmond talks to RAYE about how a quote from Nina Simone gave her the courage to take control of her career and she explains the inspiration behind her sprawling new, multi-part single, “Genesis.” You can hear a playlist of some of our favorite RAYE songs HERE. See omnystudio.com/listener for privacy information.

Michael McDonald’s husky baritone is one of the most instantly recognizable voices from the ‘70s and ‘80s. As a member of The Doobie Brothers, Steely Dan, and a hitmaking solo artist, Michael McDonald’s career is one for the books. Enter Paul Reiser—the comedic actor and writer behind New York Times best-selling books, popular movies and TV shows. Before the start of the pandemic, Paul met Mike McDonald at a party and the two became fast friends. Listening to Michael’s incredible stories, Paul found himself trying to piece together the arc of Michael’s career. They began recording their conversations and soon they had over 600 pages of stories that they eventually turned into the memoir, What A Fool Believes. The book chronicles the highs and lows of Michael’s career, his struggles with addiction, and his lifelong insecurities. On today’s episode Justin Richmond talks to Michael McDonald and Paul Reiser about their unlikely working relationship. Michael also talks about why his proposed Quincy Jones-produced solo album never materialized. And he remembers the time one of his childhood heroes—Ray Charles—chewed him out while wearing a bathrobe. You can hear a playlist of some of our favorite Michael McDonald songs HERE. And you can grab your copy of this fantastic memoir HERE. See omnystudio.com/listener for privacy information.

Sarah Jarosz is a singer/songwriter who also happens to be a killer banjo, guitar, and mandolin player. The Wimberly, Texas-native's latest album, Polaroid Lovers, was produced by former Broken Record guest Daniel Tashian. It’s her seventh album and so far the best at highlighting the power of Sarah’s songwriting over her virtuosity. In this episode you’ll hear Sarah Jarosz tell Bruce Headlam about the Friday night bluegrass jams that shaped her playing, and why she’s turned down co-writing songs with artists she respects. You'll also hear her dabble with some of her instruments and maybe even perform a song or two. You can hear a playlist of some of our favorite Sarah Jarosz songs HERE. See omnystudio.com/listener for privacy information.

DJ Premier is one of the most celebrated producers in hip-hop history. Known as the architect of hip-hop’s venerated boom-bap sound, Preemo first caught people’s attention with Guru in Gang Starr in the late ‘80s. Guru’s lyrical precision over Premier's jazzy, sample-based beats made Gang Starr one of the most influential rap duos of the next decade. Outside of Gang Starr, DJ Premier has produced classic records for a long list of hip-hop luminaries including New York’s big three—Biggie, Jay-Z, and Nas. His expert ability to create a patchwork of musical and lyrical samples is both instantly identifiable and impossible to replicate. On today’s episode we’ll hear a live conversation Justin Richmond recorded with DJ Premier for the On Air podcast festival. Premier talked in detail about hanging out and working with his late friend, The Notorious B.I.G. He also reminisces about when he and Guru lived with Branford Marsalis in Brooklyn, and he recalls what it was like to work with D’Angelo on that fateful night at Electric Lady Studios when they recorded “Devil’s Pie.” You can hear a playlist of some of our favorite DJ Premier songs HERE. See omnystudio.com/listener for privacy information.

Corinne Bailey Rae independently released one of our favorite albums of 2023: Black Rainbows. Justin Richmond spoke to Corinne over Zoom at the end of the year about the place that inspired the album, the Stony Island Arts Bank in Chicago. And then when she came to Los Angeles around Grammy time they decided to meet up to discuss Reflections / Refractions At the Stony Island Arts Bank, a beautiful new book Corinne put together to catalogue the items that inspired her new music and creative awakening. The conversation touches on Corinne recording her third album, The Heart Speaks in Whispers, at Capital in Hollywood, to finding her spiritual home in Chicago, to discovering a mid-century New York subway pageant that inspired her raucous song, “New York Transit Queen.” You can hear a playlist of some of our favorite Corinne Bailey Rae songs HERE. See omnystudio.com/listener for privacy information.

Ann Wilson is the powerhouse lead singer of the band Heart, whose celebrated classic debut album, Dreamboat Annie, came out nearly 50 years ago. Last week we featured an interview with her sister and longtime bandmate Nancy Wilson, so make sure to check that out if you haven’t already. Today we’ll hear from Ann, who’s responsible for belting out and co-writing some of Heart’s most iconic early hits, like “Magic Man,” “Barracuda,” and “Crazy On You.” Four years older than Nancy, Ann was the first Wilson sister to join Heart, a band that started out as a cabaret cover band. Despite undergoing multiple lineup changes since the '70s, Heart has released top 10 albums in nearly every decade in the last 50 years, and sold over 20 million albums worldwide. Outside of Heart, Ann has also released solo material, including an album in 2023 with her band, Tripsitter. On today’s episode Leah Rose talks to Ann Wilson about Heart’s current world tour, and the Elton John album she sings before every show to warm up her voice. Ann also explains how she would strategically place guitars around her house when having parties at her Seattle home in the '90s to encourage jam sessions with guests like Lane Staley and Chris Cornell. And she remembers singing on stage with Grace Slick and Stevie Nicks, who Ann says really is a good witch. You can hear a playlist of some of our favorite Heart songs HERE. See omnystudio.com/listener for privacy information.

Guitarist and songwriter Nancy Wilson is one half of the rock band Heart, along with her older sister Ann Wilson. Nancy and Ann have been the face of the band since the mid-70s. Heart’s first album, Dreamboat Annie, was released in 1976 right as the band was making traction opening for big acts like Rod Stewart and The Bee Gees. Soon their songs, like “Magic Man” and “Crazy On You,” started to take off in the States, and Heart quickly became a headlining act. Nearly 50 years since their debut album, Heart has experienced career highs—like a string of chart-topping hits and an induction into the Rock N Roll Hall Of Fame—as well as their fair share of personal and professional adversity. Today Ann and Nancy remain steadfast in continuing Heart’s legacy. This month they embarked on a world tour—their first in five years. To celebrate Ann and Nancy Wilson’s massive contribution to rock n roll history, we will feature conversations with both sisters over the next two weeks. Today we’ll hear Leah Rose talk to Nancy about how the popular drugs of the ‘70s and ‘80s influenced Heart’s sound. She also describes how being accepted by the musicians of Seattle’s grunge scene helped her overcome Heart’s fraught experience recording power ballads in the ‘80s. And she describes the lo-fi setup she used to score the soundtracks of her ex-husband Cameron Crowe’s hit movies: Almost Famous, Vanilla Sky, and Jerry McGuire. You can hear a playlist of some of our favorite Heart songs HERE. See omnystudio.com/listener for privacy information.

Stone Gossard and Jeff Ament are two of the Seattle scene’s most foundational musicians from the 80’s and 90’s. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney. Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy’s death, Jeff and Stone started recording with Soundgarden’s Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder. Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years. Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne. On today’s episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt’s encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem. You can hear a playlist of some of our favorite Pearl Jam songs HERE. See omnystudio.com/listener for privacy information.

16 years have passed since The Black Crowes released an album of new material. The world has changed a lot since then—and so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the band. They started playing together back in Georgia in 1984 as Mr. Crowe’s Garden before moving to NYC, signing to Def American, and changing their name to The Black Crowes. The band’s debut album, Shake Your Money Maker, set them up as the torchbearers of Southern rock for the '90s and beyond. As you’ll hear in today's conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years. But now they’re back united and seemingly in it for the long haul with their new album, Happiness Bastards. On today’s episode Justin Richmond talks to Chris Robinson about his growing up in Georgia with Rich, their dad’s rockabilly career, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville. You can hear a playlist of some of our favorite songs from Chris Robinson & The Black Crowes HERE. See omnystudio.com/listener for privacy information.

Famed drummer for the Police and composer Stewart Copeland has one of the more fascinating bios in modern music. His father was a founding member of the CIA and his mom worked in British Intelligence. After playing in the successful UK prog rock band Curved Air in the mid 70s, Stewart started a new band called the Police with bassist and lead singer, Sting—and eventually guitarist Andy Summers. Over the next decade the Police would go on to become one of the top-selling rock bands of all time, selling over 75 million records. Last year Stewart released the book, “Stewart Copeland’s Police Diaries,” which includes his personal notes dating back to the band’s formation in 1976 through 1978, when they started to take off. On today’s episode Bruce Headlam talks to Stewart Copeland about the first time he saw Sting play and how he was able to successfully lure him into his then non-existent band. Stewart also explains why he and Sting eventually had a musical falling out, and how the Arabic rhythms he heard growing up influenced his highly lauded drumming style. You can hear a playlist of some of our favorite songs from Stewart Copeland and The Police HERE. See omnystudio.com/listener for privacy information.

Justin Timberlake is one of the most high achieving pop phenomenons of the past three decades. In 1993 he helped relaunch the Mickey Mouse Club where he sang and danced alongside Rylan Gosling and other now luminaries. Then he broke records and sold over 70 million albums worldwide with *NSYNC. And if that weren’t enough, he launched an incredibly successful solo career in the early aughts where he found a musical soulmate in Timbaland who Justin's worked with in some capacity over the course of his six solo albums. So with all that hard earned success behind him, it’s been interesting to see the online drubbing JT's taken the last couple of years. Curious about how he might respond musically, it turns out, his new album Everything I Thought It Was, is everything you’d hope to hear from JT including a surprise *NSYNC reunion. On today’s episode Justin Richmond talks through Justin Timberlake’s new album with him as he dissects key tracks from it. JT also recalls how Micheal Jackson helped inspire his solo career, he breaks down the motivation behind each one of his solo albums, and he talks about why he felt now was the right time to reunite with his boy band brothers in ‘NSYNC. This episode was recorded at Amazon’s Studio126. You can hear a playlist of some of our favorite Justin Timberlake songs HERE. See omnystudio.com/listener for privacy information.

Brandi Carlile’s knack for uplifting the musicians she loves is exemplary. After her own hard-earned ascent to fame over the course of seven studio albums, Brandi started to turn her sights to producing albums for artists she deeply admires, including Tanya Tucker who she’s been on Broken Record with in the past but also Brandy Clark. Then there’s Joni Mitchell—who, thanks to Brandi’s encouragement—has recently made a glorious return to performing live. Brandi’s passion for the projects she works on is infectious. The latest is an EP she produced for 18-year-old singer/songwriter Tish Melton called, When We’re Older. Over the course of the five-song collection, Tish pulls influence from artists like Phoebe Bridgers and Lucy Dacus. Tish, whose mom is the New York Times bestselling author Glennon Doyle, is teeming with talent on her EP, which includes heartfelt songs that expertly capture a wise-beyond-her-years self assuredness. On today’s episode Leah Rose talks to Tish Melton and Brandi Carlile about their creative partnership and the impermeable sense of self Brandi has found in both Tish and Joni Mitchell. And Brandi teases her upcoming collaboration album that she calls “monumental,” plus she talks about why she thinks Beyonce might be country music’s saving grace. You can hear a playlist of some of our favorite songs from Tish Melton and Brandi Carlile along with all the tracks mentioned in this episode HERE. See omnystudio.com/listener for privacy information.

Natalia Lafourcade is a force. As you’ll hear when she sings during our conversation today she has a gorgeous voice. But she’s also a deft songwriter who’s able to weave together traditions that feel both modern and old at once. And she’s also a beautiful interpreter of song—take for instance the phenomenon that was the song “Remember Me” from Pixar’s film Coco. Or take the many instances where she’s recorded some of the classic songs from across Latin America—performing on songs by greats like Violetta Parra from Chile and Agustín Lara from Natalia’s home state of Veracruz, Mexico. After spending the last seven years interpreting those masters, Natlia’s released De Todas Las Flores, her first album of originals since 2015. On today's episode Justin Richmond talks to Natalia Lafourcade about the evolution of her artistry over the last 25 years. She recalls the time a hummingbird inspired her to move past a creative rut, and how the logistical challenges of recording her latest album to tape wound up creating an urgency that ultimately fueled the creative process. You can hear a playlist of some of our favorite Natalia Lafourcade songs HERE. See omnystudio.com/listener for privacy information.

In recognition of this month's World Happiness Day, we are presenting one of our favorite episodes from last year with Janelle Monàe and her longtime collaborator, Nate Wonder. Janelle's latest album, The Age Of Pleasure, was created in part as a celebration of black love and community. And as Nate Wonder shares in this interview with Justin Richmond, one of his guiding principles when making the album was to make Janelle smile. As part of Pushkin Industries' network-wide celebration of World Happiness Day, we will also be sharing an episode of The Happiness Lab from our brilliant colleague, Laurie Santos later this month. See omnystudio.com/listener for privacy information.

At 70 years-old, Kim Gordon—the former bassist and founding member of Sonic Youth—is just now making the most abrasive music of her career. She just dropped her second solo album, The Collective, with producer Justin Raisen, who’s previously worked with artists like Drake, Lil Yachty, and Charli XCX. Kim’s spoken-word-like vocals on The Collective are the perfect accompaniment to Justin’s distorted trap-style beats. On today’s episode Leah Rose talks to Kim Gordon about her latest solo album, as well as her memoir, Girl In A Band, that detailed her split with ex-husband Thurston Moore. Kim also delves into why she always felt like an outsider in New York City’s thriving downtown art scene. And she recalls Sonic Youth’s storied tour in the early ‘90s opening up for Neil Young. You can hear a playlist of some of our favorite Kim Gordon songs HERE. See omnystudio.com/listener for privacy information.

To kick off our month-long celebration of Women's History Month, today we're featuring an interview with Polly Jean Harvey, a.k.a. PJ Harvey, who is without question one of the most gifted songwriters of our time. Her debut album, Dry, came out in 1992 and was what the LA Times called a near “instant classic.” The same with her sophomore release, Rid of Me—which became an inspiration for Nirvana’s last album: In Utero. Ten albums later and Polly continues to be not only a remarkable songwriter on her new album “I Inside the Old Year Dying” but...maybe more impressively...continues to find new musical territory and new voices to write from. Keeping her songs and artistry as interesting as it was when she first put music out 30 years ago. John Parish, who’s been a frequent collaborator of Polly’s since the 1980's produced the new album—along with Flood—and joins Justin Richmond in conversation with Polly to discuss their process of working together, the beauty of Polly’s last few albums and how they bonded long ago over Captain Beefheart. You can hear a playlist of some of our favorite PJ Harvey & John Parish songs HERE. See omnystudio.com/listener for privacy information.

For the last installment of our Thursday Black History Month drops, how could we not revisit our episode with the incomparable Sonny Rollins? Listening to Sonny is like history coming right off the page. He’s living, breathing black history and one of the greatest tenor players of all time. See omnystudio.com/listener for privacy information.

The last couple of years have been huge for Jason Isbell. The Alabama-born singer-songwriter’s latest album Weathervanes won the Grammy for Best Americana album this year. He also snagged a role in Martin Scorsese's film, Killers Of The Flower Moon, which is up for Best Picture at this year’s Oscars. There was also a critically acclaimed HBO documentary released last year about the making of Isbell’s previous album with the 400 Unit, Reunions, that put his personal life on full display. On today’s episode I talk to Jason Isbell about his exhilarating experience filming Killers of the Flower Moon and how he prepared to act in scenes opposite Leonardo DiCaprio (heads up—there are some major spoilers in this conversation). Jason also contemplates how he will write about the dissolution of his marriage, and why he struggles to write a balls-out rock song. You can hear a playlist of some of our favorite Jason Isbell songs HERE. See omnystudio.com/listener for privacy information.

We’re halfway through Black History month and although we didn’t intend to rerun some of our older conversations to celebrate the month, after realizing we needed to do something to mark Usher’s Super Bowl performance and the release of the new Bob Marley biopic “One Love,” we figured we might as well keep going and celebrate the whole month long…because now we have a country album from Beyonce on the way. Beyonce released two songs from her upcoming album the night of the Super Bowl—“16 Carriages” and “TEXAS HOLD ‘EM”—to a rapturous response. Not only are the songs good. But they sparked a lot of meaningful conversations about the usefulness of genres, the way marketing shapes our listening and gatekeeping in music. Those are all things very close to Rhiannon Giddens’ heart. As a black banjo player, steeped in the Americana tradition—and its Transatlantic roots—she’s been living this conversation her whole career. Rhiannon also happens to play on the song “TEXAS HOLD ‘EM” with Beyonce. Which just this week hit number one on the country chart, making her the first time a black woman has ever held that spot. So let’s flash back to when we had Rhiannon on Broken Record back in 2021 to speak with Bruce Headlam about her album They’re Calling Me Home. See omnystudio.com/listener for privacy information.

Since releasing their critically acclaimed debut album, Brutalism, in 2017, the British band IDLES have dropped four other albums in quick succession. The band’s bombastic sound brilliantly balances joy, chaos, and an often critical take on the powers that be. IDLES latest album, TANGK, was produced by the band's guitarist Mark Bowen, Kenny Beats, and Radiohead producer, Nigel Godrich. On today’s episode Justin Richmond talks to Joe Talbot and Mark Bowen from the greenroom of the Tonight Show with Jimmy Fallon about their tumultuous creative partnership. They also explain how Mark helps temper Joe’s sometimes passionate rage, and Joe breaks down why he will forever despise England’s monarchy. You can hear a playlist of some of our favorite IDLES songs HERE. See omnystudio.com/listener for privacy information.

Last week we revisited our conversation with Usher to celebrate his Super Bowl performance and the incredible career resurgence he’s had over the last couple of years. In thinking about our catalog, I thought there was another conversation worth revisiting - Malcolm Gladwell speaking with Ziggy Marley about the cultural influence the tiny country of Jamaica and Ziggy’s dad, Bob Marley, have had over the last half a century. The Bob Marley biopic One Love was released in theaters yesterday. I hope anyone familiar with Bob Marley will go see it at some point. If only to keep the conversation about his songs and his political thinking alive and to guard against his legacy becoming further whitewashed and commercialized. So listen Malcolm’s conversation with Ziggy from a couple of years back, see the movie and then spend some time with the Marley catalog and with some of the other great music to come out of that era from Prince Buster to Alton Ellis and beyond. See omnystudio.com/listener for privacy information.

In the minds of many rock fans, Duff McKagan will forever be known first and foremost as the bassist for Guns N' Roses. The band’s white-hot reign in the late '80s through the early '90s is the stuff of hedonistic, hard rock legend. And for anyone interested in reading a detailed account of that wild ride, check out Duff’s memoir, “It’s So Easy and Other Lies.” After turning 30, Duff got sober, eventually left GNR, and then went on to play stints in Alice In Chains and Jane’s Addiction—and he helped form the supergroup, Velvet Revolver. In 2016, he rejoined Guns N' Roses following their induction into the Rock N Roll Hall of Fame. Outside of his contributions to big name rock bands, Duff has also been releasing solo material since the early '90s. His latest album, Lighthouse, signals a new musical direction for Duff—one that focuses on reflective, personal lyrics and stripped-down rootsy-rock. On today’s episode Leah Rose talks to Duff McKagan about his decision to leave the heroin-infested punk rock scene in his hometown of Seattle for LA. He also shares stories about Axl Rose and Slash while recording Appetite For Destruction. And he reminisces about the time his musical idol Prince was trying to get Duff to reveal the real reason why Guns N' Roses broke up. You can hear a playlist of some of our favorite Duff McKagan songs HERE. See omnystudio.com/listener for privacy information.

Four decades into his career, Usher is at the peak of his powers. In the year since he was on Broken Record, Usher became the king of the Las Vegas strip. According to Billboard, he grossed over $100 million dollars during his beloved Vegas residency. To celebrate his much anticipated halftime performance at this year's Super Bowl, along with his upcoming arena tour, and the release of his new album “Coming Home,” here's Justin Richmond's conversation with the one and only, Usher. See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles’ ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles. Season Two of McCartney: A Life in Lyrics comes out weekly starting February 7th, and features the stories behind songs like Yesterday, Band on the Run, Here, There and Everywhere, Picasso’s Last Words (Drink to Me) and many more. Follow the show to learn more about Paul McCartney’s songwriting process, the creation of Wings, the development of McCartney’s bass playing over the life of The Beatles and more! Binge the entire season early and ad-free starting February 7th by subscribing to Pushkin+ on our Apple show page or at pushkin.fm/plus. “McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries. The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger. Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. See omnystudio.com/listener for privacy information.

James Fauntleroy is one of the most prolific pop songwriters of the past 15-plus years. Some of his most prized placements include writing songs for Beyoncé, Rihanna, Justin Timberlake and Bruno Mars. He’s also contributed background vocals to songs by Travis Scott, Jay-Z and his longtime friend, the late Nipsey Hustle. Similar to his music industry idol and mentor Babyface, James Fauntleroy is also an artist in his own right. While his songs have lived on streaming platforms over the past decade, in December James released his official debut album, The Warmest Winter Ever—a Christmas album put through the Fauntleroy filter. On today’s episode Justin Richmond talks to James Fauntleroy about why he decided to drop his debut album well over a decade into his career. He also explains how hundreds of his songs were stolen and posted online by international hackers. And why he considers both Weird Al Yankovic and John Mayer among some of his biggest musical influences. You can hear a playlist of some of our favorite James Fauntleroy songs HERE. See omnystudio.com/listener for privacy information.

The Baltimore-based synth-pop band Future Islands was first thrust into the national spotlight in 2014 after making their TV debut on The Late Show With David Letterman. The band’s unassuming frontman Samuel T. Herring danced ecstatically around the stage seething with emotion. The performance quickly went viral, making it one of Letterman’s most memorable live appearances of all time. At the time of their big break, Future Islands had already released three albums and been touring relentlessly for nearly a decade. And while they would become one of the most prominent bands on the festival circuit for the next several years, Future Islands has always maintained a sense of unparalleled raw vulnerability on-stage—in part because of the deeply confessional nature of Sam’s songwriting and electric stage presence. On today’s episode Leah Rose talks to Future Islands lead singer Samuel T. Herring about the band’s latest album, People Who Aren’t There Anymore. Samuel also describes the physical toll his energetic performance style has taken on his body over the years. And his long-held gripe with guitar-based music. You can hear a playlist of some of our favorite Future Islands songs HERE. See omnystudio.com/listener for privacy information.

Sleater-Kinney has long been a safe space for band members Carrie Brownstein and Corin Tucker. What started as a group born out of the feminist punk riot grrrl scene in Olympia, Washington in the early 90s, has grown into a life-affirming artistic endeavor. In late 2022, tragedy struck when Carrie’s mother and stepfather were killed in a car accident overseas. In the months after, Carrie found a respite from her immense grief by playing the guitar for hours on end, and writing new music. Sleater-Kinney’s latest album, Little Rope, is in part a meditation on Carrie’s grief, but it’s also proven to be a triumph for the band. Corin Tucker, who handles the bulk of the singing on the new album, has been racking up rave reviews, including one from the New Yorker who noted that Corin’s performance is the most dynamic and flexible of her career. On today’s episode, Bruce Headlam talks to Carrie Brownstein and Corin Tucker about their intimate recording relationship, and how their sometimes opposing approaches to creative work complement one another. They also talk about the matriarchal nature of the early Olympia music scene, and why they wanted their new album to sometimes sound gross and obnoxious. You can hear a playlist of some of our favorite Sleater-Kinney songs HERE. See omnystudio.com/listener for privacy information.

2023 has been a helluva year for singer/songwriter Noah Kahan. Just three years ago he started uploading snippets of his indie-folk songs to TikTok while waiting out the pandemic at his dad’s house in rural Vermont. Those songs quickly caught fire across social media and eventually turned into Noah’s most recent album, Stick Season. After releasing collaborations with Kacey Musgraves, Hozier, and Post Malone, Noah has amassed 4 billion streams globally. It’s no surprise that last month he was nominated for the Best New Artist Grammy. On today’s episode Leah Rose talks to Noah Kahan about navigating his often overwhelming new-found success, and how he feels about being labeled the new “sensitive woodsman” singer/songwriter du jour. Noah also opens up about initially being embarrassed about his singing voice, and his plans for evolving his sound on his next album. You can hear a playlist of some of our favorite Noah Kahan songs HERE. See omnystudio.com/listener for privacy information.

Ludwig Göransson is one of the most accomplished and distinctive film composers of the 21st century. In 2020, after working on the movie Tenet together, acclaimed director Christopher Nolan hired Göransson to score what has become one of the biggest movies of 2023: Oppenheimer. Ludwig, who emigrated to Los Angeles from his native Sweden in 2007, has racked up dozens of writing, producing and scoring credits. He started out working in TV and he eventually started scoring films with his old college friend Ryan Coogler. Ludwig composed music for all of Coogler's hit movies including Fruitvale Station, the Creed series, and both Black Panther films—the first of which won him the Academy Award for Best Original Score in 2019. On today’s episode Justin Richmond talks to Ludwig Göransson about his incredible body of work as a composer and producer. He explains how his rigorous musical training in Sweden prepared him to write the complex sections of the Oppenheimer score. Ludwig also plays some of the more moving sections of the score for us in effort to show us how he came up with one of the best soundtracks of the year. You can hear a playlist of some of our favorite Ludwig Göransson songs HERE. See omnystudio.com/listener for privacy information.

Janelle Monáe has had a lot to smile about this year. After a run of successful albums over the last decade, in June she released her fourth album, The Age of Pleasure. The album was just nominated for two Grammys including Album of the Year. This project is important—it signaled a big tone shift for Janelle whose past albums have centered in part around a recurring character named Cyndi Mayweather, an android who represents society’s new “other.” Esthetically Janelle has always been buttoned up. For her first few album releases she made a point of always appearing in public in some iteration of a tuxedo. For The Age Of Pleasure though, she literally stripped down to almost nothing, flaunting a newfound freedom centered around Black joy and acceptance. On today’s episode Justin Richmond talks to Janelle Monáe and her long time music partner Nate Wonder poolside, at their creative home base in the Hollywood Hills called Wondaland. Nate explains how The Age Of Pleasure album started with the simple conceit of making Janelle smile. Janelle also talks about why she decided to ditch a career in musical theater after college, and how THE Grace Jones ended up topless in Wondaland’s now-infamous pool. You can hear a playlist of some of our favorite Janelle Monáe songs HERE. See omnystudio.com/listener for privacy information.

Corinne Bailey Rae is an English singer/songwriter whose career started with a bang. In 2006 her debut album topped UK charts and was certified triple platinum with the help of her first hit single, “Put Your Records On.” A slew of awards and other “best new artist” distinctions followed. As she released subsequent albums, Corinne aspired to stretch herself as an artist beyond neo-soul pop-music success. In September, Corinne Bailey Rae released her excellent, genre-hopping fourth album, Black Rainbows. It’s an album inspired by her time spent exploring Chicago’s historic Stony Island Arts Bank—a vast collection of Black cultural relics and writing. On today’s episode Justin Richmond talks to Corinne Bailey Rae about the years she spent in the Arts Bank archives and the stories that inspired her new work. She also talks about her record label’s exhaustive effort trying to push her to recreate the success of her first album. And how an indie skateboarding magazine helped clarify the look of her new album. You can hear a playlist of some of our favorite Corinne Bailey Rae songs HERE. See omnystudio.com/listener for privacy information.

David Paich is a prolific musician and songwriter who’s perhaps most well known for writing and co-producing Toto's classic song, “Africa.” Before David co-founded Toto with drummer Jeff Porcaro in 1977, he was an innovative keyboardist and session player. David honed his chops early growing up in L.A. where he worked under the tutelage of his father Marty Paich—an esteemed composer who worked with artists like Ella Fitzgerald, Ray Charles and Mel Tormé. While in college at USC David started playing keyboard professionally and touring with Sonny & Cher. From there he went on to co-write and play on Boz Scaggs’ multi-platinum album Silk Degrees. He also worked extensively with Quincy Jones, playing on multiple iconic albums including Michael Jackson’s Thriller and Bad. All throughout his work as a session musician, David also served as Toto’s principal songwriter and wrote chart-topping hits like “Rosanna,” “Hold The Line,” and of course, “Africa.” On today’s episode Justin Richmond talks to David Paich about what it was like to be such an accomplished player at such a young age. He shares crazy stories about working with Michael Jackson and Quincy on Thriller, and how he came up with the intro to Michael Jackson’s “Human Nature,” a song written by Toto’s drummer, Jeff Porcaro. He also plays parts from some of the best songs he’s written, and talks about how they came to be. You can hear a playlist of some of our favorite David Paich songs HERE. See omnystudio.com/listener for privacy information.

As a founding member of the iconic all-girl band The Bangles, Susanna Hoffs is perhaps most associated with 80s hits like “Manic Monday,” “Eternal Flame,” and “Walk Like An Egyptian.” After releasing three platinum-selling albums, in 1989 The Bangles broke up. Two years later, Susanna started to release solo material before reuniting with The Bangles at the end of the 90s. Over the years Susanna has continued to release music and act in movies. She even appeared in all three Austin Powers films as part of a fictional Mod band. This year Susanna has added another creative pursuit to her repertoire—she’s now a published novelist. Her first book, This Bird Has Flown, was released in April. And she put out her latest collection of cover songs on the album The Deep End produced by the great Peter Asher. On today’s episode Justin Richmond talks to Susanna Hoffs about how Bruce Springsteen helped The Bangles secure a record deal after seeing them play at an amusement park in Southern California. She also tells the story of first listening to Prince’s demo of “Manic Monday.” You can hear a playlist of some of our favorite Susanna Hoffs songs HERE. See omnystudio.com/listener for privacy information.

Marty Stuart has dedicated his life to playing and preserving old country music. During his 40-plus years as a solo artist, Marty has released more than 20 albums and racked up numerous honors, including five Grammys, and an induction into the Country Music Hall Of Fame. Marty started his career at the age of 12 playing mandolin in a gospel band. By 21, he’d joined Johnny Cash’s touring band, and eventually became a solo artist who combined classic rockabilly sounds with bluegrass and cosmic country. His latest album has a sweeping, spacious feel that's meant to conjure up visions of desert horizons and endless stretches of two-lane highways. For today’s episode, Bruce Headlam met up with Marty Stuart at Bridge Studios in Brooklyn. Marty shared stories about first going on the road with the Sullivan Family Gospel Singers, and the very first show he ever played backing Johnny Cash where Marty pretended to know how to play the fiddle. Marty also talks about how a star-studded studio session with Roy Orbison, Carl Perkins and Jerry Lee Lewis gave him the confidence to pursue a solo career in country music. You can hear a playlist of some of our favorite Marty Stuart songs HERE. See omnystudio.com/listener for privacy information.

Lol Tolhurst, drummer and co-founder of The Cure, first met lead singer Robert Smith when they were just five years-old. Together with their other Catholic school friend Michael Dempsey, they would go on to make dark, brooding music that reflected the isolation they felt as the only punks living in their small English town. As The Cure’s sound developed in the 1980s, they released a string of three albums that Lol now defines as the band’s “goth period.” Today we’ll hear Lol talk in detail about making those albums. Last month Lol released the book “Goth: A History,” which explores the architects of the post-punk genre—bands like Siouxsie and the Banshees, Joy Division, and Bauhaus. In addition to his book “Goth,” Lol is also releasing a new album with his old friend Budgie, the drummer from the Banshees. The album’s called Los Angeles and it features an all-star guest list including U2's The Edge and LCD Soundsystem’s James Murphy. On today’s episode Leah Rose talks to Lol Tolhurst about growing up an outcast in post-WWII England and how he and Robert Smith first bonded over a Hendrix record. Lol also talks through the creation of The Cure’s goth albums—Seventeen Seconds, Faith, and Pornography.  You can hear a playlist of some of our favorite Lol Tolhurst songs HERE. See omnystudio.com/listener for privacy information.

The lead singer and keyboardist for Devo, Mark Mothersbaugh, is an avant-garde, new wave pioneer. Although critics sometimes classify Devo as a joke band, the Akron, Ohio art-punks’ ethos was created in response to a very serious event—the 1970 shooting at their college, Kent State. Following the incident, the band took on the name “Devo,” short for what they felt was organized society’s “de-evolution.” Throughout the ‘70s and ‘80s Devo helped lay the groundwork for DIY, anti-establishment bands by releasing bizarre and left-of-center music and conceptual films that helped usher in the music video revolution. In addition to his work with Devo, Mark Mothersbaugh has also created a long and successful career scoring for TV and film. His credits include, Pee-Wee’s Playhouse, The Rugrats TV show and movies, and he’s scored several classic Wes Anderson-directed films including The Royal Tenenbaums and Rushmore. On today’s episode Justin Richmond talks to Mark Mothersbaugh about how he developed his quirky sensibility as one of five kids growing up in a chaotic household with exotic animals. Mark also tells a story about the time Richard Branson suggested that Johnny Rotten join Devo after the Sex Pistols broke up. You can hear a playlist of some of our favorite Mark Mothersbaugh songs HERE. See omnystudio.com/listener for privacy information.

Laufey’s fast rise to fame is a pandemic success story. During lockdown, the 24-year-old multi-instrumentalist built a substantial following on social media where she was known as “jazz girl.” Since then the Icelandic-Chinese singer/songwriter has released two studio albums that blend classical, pop and jazz. The first single from her most recent release, Bewitched, has been streamed over 20 million times globally since its release a couple months back. Raised in Iceland, Laufey started playing cello and classical piano when she was four years old. By 15 she was performing with the Icelandic Symphony Orchestra as a cello soloist. The Chinese side of her family has been studying classical music for generations—Laufey’s mom is a professional violinist and her maternal grandfather taught violin at China’s Central Conservatory of Music. And while Laufey’s classical training runs deep, perhaps the most surprising thing about her ascent to stardom is the fact that she's now known as a singer/songwriter as much as a musician. On today’s episode I talk to Laufey about how she started singing jazz standards online, and what inspired her to write her own songs as well. She also talks about the great sacrifices her Chinese family made during the Cultural Revolution when there was a strict ban on playing classical Western music. And she sings two original songs for us including her single, “From The Start.” You can hear a playlist of some of our favorite Laufey songs HERE. See omnystudio.com/listener for privacy information.

Hermanos Gutiérrez may be an instrumental guitar band, but they have zero interest in shredding. Instead the Swiss-Ecuadorian brothers, Estevan and Alejandro Gutiérrez, take a minimalist approach to playing. They create hypnotic, sweeping compositions inspired by classical Latin guitar and film scores from old Spaghetti Westerns. In 2022, after releasing three albums independently, Hermanos Gutiérrez signed to Easy Eye Sound, a label owned and operated by Dan Auerbach, guitarist and vocalist of The Black Keys. Last October they released the album, El Bueno Y El Malo to critical acclaim. The album features the song “Tres Hermanos,” where Auerbach joins the brothers on guitar. Today we’ll hear Estevan and Alejandro play that song, along with a couple other songs live from Auerbach’s studio in Nashville, TN. Justin Richmond also talks to Hermanos Gutiérrez about how their brotherly spats sometimes fuel their playing. Then they recall a recent performance in Mexico City where they played during a volcanic eruption. And how Dan Auerbach knew he wanted to meet with Hermanos Gutiérrez after seeing them play for just 15 seconds. You can hear a playlist of some of our favorite Hermanos Gutiérrezsongs HERE. See omnystudio.com/listener for privacy information.

Pete Townshend, the legendary guitarist and songwriter for The Who, is one of the most decorated rock stars alive. He’s been inducted into the Rock N Roll Hall of Fame, received Kennedy Center Honors, and lifetime-achievement awards from both the Brit Awards and the Grammys. Pete's iconic power chord-guitar style and early use of synthesizers established him as a musical innovator in the '60s and '70s. After a string of chart-topping singles in the early '60s, Pete set to work writing the first-ever rock opera, a project that became the double album Tommy. Tommy is widely recognized as The Who’s breakout record, and is considered a masterpiece by many critics. Following its release, Pete started writing songs and a script for a sci-fi epic called Life House. After that project was scrapped, the songs wound up on different releases from the band over the next decade including their 1971 classic, Who’s Next. Last month The Who released an epic box set called Who's Next/Life House that contains 155 tracks, 89 of which are unreleased. The set also includes a graphic novel, unheard demos, complete live concerts, posters and collectable pins. On today’s episode Justin Richmond talks to Pete Townshend about how some of the ill-fated effects of technology that he predicted on Life House have come to pass. Pete also explains why he decided to target a specifically male audience when writing music for The Who. And he gives an unexpected take on the Grateful Dead and San Francisco’s music scene in the '60s. You can hear a playlist of some of our favorite Pete Townshend songs HERE. See omnystudio.com/listener for privacy information.

Today we are sharing a very special project we've been working on at Pushkin, a new podcast with the one and only, Sir Paul McCartney. The show’s called McCartney: A Life in Lyrics and it's full of insightful conversations between Paul McCartney and his friend, the Irish poet Paul Muldoon. Together they taped years of conversations digging into Paul’s lyrics and songwriting process. And because it’s impossible to separate the art from the man, a lot of McCartney's personal life gets revealed along the way, like insight into his family life in Liverpool, the success and breakup of the Beatles, Wings and so much more. McCartney: A Life in Lyrics dropped with two episodes today—one on The Beatles "Eleanor Rigby," and the one we're presenting here for you today on "Back In the U.S.S.R." If you love music and songwriting and have ever wanted to be a fly on the wall for in-depth conversations with a Beatle, then McCartney: A Life in Lyrics won’t disappoint. You can binge the entire first season now by subscribing to Pushkin+ on Apple Podcasts. See omnystudio.com/listener for privacy information.

Amanda Shires is a Texas-born singer/songwriter who got her start at 15 when she joined Bob Wills & His Texas Playboys on fiddle. After starting her solo career in 2005, Shires continued to play with a number of other bands including her husband Jason Isbell's band, the 400 Unit. In 2019, she started the all-female country supergroup The Highwomen, which includes Brandi Carlile, Natalie Hemby and Maren Morris. After the 2022 release of Amanda Shires’ seventh solo album, Take It Like A Man, she released an album of covers with the late Bobbie Nelson—who’s primarily known for playing piano in her younger brother Willie Nelson’s band. Amanda initially enlisted Bobbie to play on her version of Willie’s classic, “You Were Always On My Mind,” but they continued to record together. The resulting collection of songs became the album Loving You, which was released this past June, nearly a year after Bobbie’s death. On today’s episode Justin Richmond talks to Amanda Shires about Bobbie Nelson’s unfortunate start in the music business. Amanda also talks about why she feels more comfortable singing about society’s big issues alongside The Highwomen. And she remembers the time she went to Vegas and gambled away all her band’s tour money—only to win it all back after playing craps through the night. You can hear a playlist of some of our favorite Amanda Shires songs HERE. See omnystudio.com/listener for privacy information.

Today we are sharing an episode of one of our favorite shows on the Pushkin network, Talk Easy, hosted by Sam Fragoso. In this episode Sam talks to the renowned Swedish music producer and composer, Ludwig Göransson. Ludwig is a Grammy and Academy award winning producer and composer who scored Ryan Coogler’s Black Panther, The Mandalorian, and most recently he scored Christopher Nolan's epic, Oppenheimer. He’s also produced records and wrote songs for HAIM, Rihanna, Adele, and Childish Gambino. He's a truly talented musician who's reenergizing modern films compositions. We hope you enjoy this chat as much as we do! See omnystudio.com/listener for privacy information.

DJ Drama is one of the most iconic mixtape DJs of all time. His legendary Gangsta Grillz tapes helped propel artists like T.I. and Young Jeezy to stardom. His classic Dedication series reinvigorated Lil’ Wayne’s career in the early and mid-2000s. By 2007, the underground mixtape market was booming. But in January of that year DJ Drama and his longtime business partner Don Cannon were arrested by federal agents and charged with bootlegging and racketeering. The much publicized raid only boosted DJ Drama’s profile. In the years since, DJ Drama has built a successful record label and he’s continued to make mixtapes. Tyler The Creator even crafted his latest album, Call Me If You Get Lost, with DJ Drama’s classic adlibs all over it. It won the Grammy for best rap album in 2022. That same year though, while DJ Drama was professionally at the height of his success, personally he was battling an addiction to opioids—an ongoing struggle he’s only recently started to talk about publicly. On today’s episode Leah Rose talks to DJ Drama about how he got sober after being what he calls “a functioning junkie” who spent six figures a year on opioids. He also tells the story of how Lil Jon recorded his iconic “gangsta grillz” drops in Drama’s laundry room. And Drama explains why he decided to sign Lil Uzi Vert and Jack Harlow to his Atlantic Records imprint, Generation Now. You can hear a playlist of some of our favorite DJ Drama songs HERE. See omnystudio.com/listener for privacy information.

Johnny Marr is an acclaimed British guitarist who’s played with a ton of bands including, most famously, The Smiths. Marr started playing guitar as a young teenager growing up in Manchester. When he turned 15 he dropped out of school and moved to London to join the band Sister Ray. A couple years later he would help form The Smiths with Morrissey, Mike Joyce, and Marr’s friend and bassist, Andy Rourke. After The Smiths broke up in 1987, Marr went on to collaborate with an array of different musicians and play in bands like The Pretenders, The The, and Modest Mouse. In the early aughts, Marr started releasing solo material, and he’s on the brink of releasing a new album of his greatest hits. On today’s episode Justin Richmond talks to Johnny Marr about his exciting work scoring movies with Pharrell and Hans Zimmer. Marr also recalls the terror he felt performing live in front of stadiums full of fans with The Pretenders on U2’s Joshua Tree tour. And he talks about the time he bought a Fender Stratocaster while hanging out with Oasis’ Noel Gallager. That Strat has nine pickups and it eventually led to him writing one the best songs of his solo career. You can hear a playlist of some of our favorite Johnny Marr songs HERE. See omnystudio.com/listener for privacy information.

Today we are sharing an episode from one of our favorite podcasts, Norah Jones is Playing Along. Norah is a multi-grammy winning artist who loves to collaborate with other musicians, so she started a podcast to do just that. Today's episode features the legendary Mavis Staples. You’ll hear stories from her time as a member of the iconic Staples Singers. We will also hear Mavis and Norah play a gospel classic, as well as pay homage to Mavis’s father, Pops Staples, along with a few other surprises. Listen, follow, and subscribe to Norah Jones is Playing Along wherever you get your podcasts, to hear more great episodes, with fantastic guest artists. See omnystudio.com/listener for privacy information.

Since his major-label debut in 2011, James Blake's haunting vocals and brilliantly edited, collage-style tracks have helped usher in a new sound in popular music. James has both produced and contributed vocals to a ton of artists including Travis Scott, Jay-Z, and Spanish megastar, Rosalia. He even earned a Grammy for best rap performance alongside Kendrick Lamar, Jay Rock and Future on the song “King’s Dead” from the Black Panther soundtrack. This month James is releasing his sixth solo album, which is a nod to his electronic music roots. It’s called Playing Robots Into Heaven—a title inspired by the modular synth James built for the album that creates sounds meant to evoke a spiritual experience conjured by machines. It’s a heady concept that translates into some of the most heartfelt and energized tracks James has made to date. On today’s episode, Leah Rose talks to James Blake about how he and his longtime collaborator Dom Maker constructed key tracks on the new album. James also recalls how a conversation with Rick Rubin changed his life. And he reveals how he spent months making new music with Andre 3000 only to learn on this podcast that it may never be released. You can hear a playlist of some of our favorite James Blake songs HERE. See omnystudio.com/listener for privacy information.

Of all the groundbreaking musicians to come out of the ‘60s, few were as engaged socially and politically as Joan Baez. A lifelong proponent of non-violent activism, Joan marched with Dr. Martin Luther King Jr. and has continued to advocate for non-violent, civil disobedience ever since. With the release of her debut album in 1960, Joan Baez became the preeminent female folkie. With just her exquisite soprano and her guitar, she reworked classic American folk songs and eventually wrote songs that helped fuel her activism. By the time she helped launch Bob Dylan’s career by inviting him on stage with her in the early ‘60s, Joan was already an international sensation. In 2019, after a career that spanned nearly six decades, Joan announced she was no longer performing live. In recent years, she’s turned her creative attention to visual art. Her new book of drawings titled “Am I Pretty When I Fly” features sketches rooted in humor, freedom, and sorrow. But, in classic Joan Baez style, her drawings defy convention—they were all drawn upside down. On today’s episode you’ll hear a live conversation Justin Richmond had with Joan Baez at the Chicago Humanities Festival in May. Joan spoke about the emotional catharsis she finds in drawing. She also talked about juggling music and activism as a young artist, and what happened when she handed over access to her personal storage unit to a group of documentary filmmakers who are making a movie about her life. And despite giving up live performance, she took a moment to serenade the crowd all with her beloved voice. You can hear a playlist of some of our favorite Joan Baez songs HERE. See omnystudio.com/listener for privacy information.

In honor of Robbie Robertson’s passing, we’re replaying an old episode of Broken Record featuring Robbie in conversation with Rick Rubin, Malcolm Gladwell and Bruce Headlam. When Robbie Robertson turned a house perched above a Malibu beach into a home studio in the 1970's, he had no idea it'd remain a refuge for artists decades later. In this episode, Robbie returns to Shangri La—now the home of our own Rick Rubin—to discuss creating the studio, helping Bob Dylan go electric with The Band, writing "The Weight" and collaborating with Martin Scorsese on his films. See omnystudio.com/listener for privacy information.

Today we're sharing an episode from another Pushkin podcast we love called The Last Archive. The fourth season of The Last Archive just dropped and it's full of truly unexpected stories and big ideas. The episode you will hear today, "Player Piano," is an audio biography of one of the most famous composers of the 20th century who most people have never heard of: Raymond Scott. He wrote tons of hits in the '30s and since then his music has been sampled by Lizzo, J. Dilla and the Gorillaz. Aside from being an avid composer, Scott was also an inventor. And later in his life, he was hired by Motown Records to create a machine that could help people write songs. He called it The Electronium. Today's episode is a crazy piece of musical history, and just a wild story. Be sure to subscribe to The Last Archive to hear other episodes about time travel, invasive species panics, freelance wiretappers-turned-evangelists, and secret science fiction family histories, and more. See omnystudio.com/listener for privacy information.

Santigold is an artist who exists at the cross-section of punk, dub, new wave and indie pop. Long frustrated with attempts like these to classify her style, Santi has always been a proud outlier among the restrictive categories used to divide music. Santi’s anti-establishment bent was in part a reaction to working as an A&R for Epic Records’ black music department. Frustrated with what they categorized as “urban music” in the early aughts, Santi left her job, went home to Philly, and started a punk band called Stiffed. After honing her chops for a few years as a lead singer, Santi released her debut solo album, Santigold in 2008. The album’s lead singles “Creator” and “L.E.S. Artistes” were a revelation when they came out, and led to Santi headlining tours around the world and even opening shows for Bjork, Coldplay, Jay-Z and the Beastie Boys. Now with three other albums to her credit, including last year’s soul-stirring Spirituals, Santigold is celebrating the 15th anniversary of her debut release. And today she’s expanded her artistic endeavors to include a podcast called Noble Champions where she mines the creative life with friends like Olivia Wilde, Questlove and Yasiin Bey. On today’s episode Leah Rose talks to Santigold about the unique path she took to build her solo career. Santi also shares why she decided to cancel her tour last year with a heartfelt public letter that shared insight into the financial and emotional toll of touring post-pandemic. She also recalls finding out that she was included in a list of influential black female artists on Beyonce’s “Break My Soul” remix. You can hear a playlist of some of our favorite Santigold songs HERE. See omnystudio.com/listener for privacy information.

Albert Hammond Jr. first rose to prominence as the lead guitarist of The Strokes—a band at the forefront of New York City’s indie rock renaissance in the early aughts. In 2007 Albert Hammond Jr. launched his solo career, putting his songwriting and abilities as a frontman to the test. He’s now released five albums, including, Melodies On Hiatus, which came out just a couple months ago. It’s a double album that he co-wrote with Canadian singer Simon Wilcox, and features collaborations with GoldLink and Matt Helders from the Arctic Monkeys. On today’s episode, Albert Hammond Jr. and Justin Richmond talk about how he was dramatically impacted by his parents’ recent divorce, despite the fact that he’s in his early 40’s. Albert also reminisces about his past life as a champion roller skater who was once scouted by Kristi Yamaguchi’s Olympic ice skating coach. And he explains why he’d never been a fan of Radiohead or Led Zeppelin. You can hear a playlist of some of our favorite Albert Hammond Jr. songs HERE. See omnystudio.com/listener for privacy information.

Paul Simon is one of the greatest living songwriters. Since debuting with Art Garfunkel in 1957, Paul Simon has written countless songs quintessential to the American psyche. This year, at 81 years old, he’s released the latest addition to his beloved catalog, Seven Psalms, to an outpouring of critical acclaim. In 2021, Malcolm Gladwell and Bruce Headlam released the audiobook, Miracle And Wonder: Conversations with Paul Simon. It’s an intimate look into Simon’s songwriting alongside never-before-heard live studio versions of hits including “The Boxer," “The Sound of Silence," and “Graceland.” This fall, we'll also be releasing an updated version of the audiobook with a brand-new chapter featuring even more from Malcolm and Paul's newly-recorded deep dive into Seven Psalms, some of which you'll hear today. To celebrate the latest chapter in Paul Simon’s 65-year-career, on today’s episode Malcolm Gladwell sits back down with Paul to discuss the creation of his latest album. Paul explains why he feels music reviews are more about the writer than the piece of music being critiqued, and he talks about why many of his lyrics take a conversational bent. He also recalls how the title came to him in a dream after he considered never writing again. You can hear a playlist of some of our favorite Paul Simon songs HERE. Check out the Miracle And Wonder audiobook at miracleaudiobook.com See omnystudio.com/listener for privacy information.

Over the course of his 35-year career, Damon Albarn has reached international fame with two very different bands. In 1988, Damon created the rock band Blur with three friends in his native London. Blur started out as what Damon calls a “classic art school band.” They quickly moved to the forefront of the ‘90s Britpop explosion along with their formal rivals, Oasis. After a series of successful albums with Blur, Damon started Gorillaz in 1998 with cartoonist Jamie Hewlett. Dubbed as the world’s first virtual band, the Gorillaz rotating lineup includes collaborations with De La Soul, Stevie Nicks, Bobby Womack and Lou Reed. The band pulls influence from electronic music, hip-hop and world music, and over the last 25 years, Gorillaz has been wildly successful—selling over 30 million albums worldwide. Despite having found such success, Damon has never stopped exploring his artistic potential. He’s written an opera, released solo and side projects, and recently, he reunited with Blur to release the band’s latest album called The Ballad Of Darren. On today’s episode Leah Rose talks to Damon Albarn about what it’s like for Blur to headline international music festivals in 2023. Damon also reveals how Gorillaz are about to undergo a major paradigm shift. And he explains how, according to family lore, John Lennon and Yoko Ono first met at his dad’s counterculture art gallery in London. You can hear a playlist of some of our favorite Damon Albarn songs HERE. See omnystudio.com/listener for privacy information.

In September, Ben Gibbard, the founder of Death Cab For Cutie, will set out on a nationwide tour to celebrate the two very different albums that have come to define his career. Both albums came out in 2003. The first was called Give Up, and it was a collaboration with his friend and producer Jimmy Tamborello. They’d made it while Gibbard was taking a break from the relentless cycle of touring and releasing music with Death Cab. They called their new band The Postal Service. Give Up steadily built momentum, found critical acclaim, and eventually became Gibbard’s first platinum selling record. Musically, the Postal Service incorporated various synth and new wave-inspired elements behind Gibbard’s confessional songwriting style, which set a precedent for many of the indie releases over the following decade. Later that same year, Gibbard went back to his band roots and released Death Cab For Cuties’ breakthrough album, Transatlanticism. This fall Gibbard and his band will play both Transatlanticism and Give Up in their entirety. And today we’ll hear him play three acoustic renditions of his classic songs. On today’s episode Justin Richmond talks to Ben Gibbard about the conditions that led to the most successful year of his career. Gibbard also gets candid about the woman who inspired multiple songs on Transatlanticism, including the brutally honest, “Tiny Vessels.” You can hear a playlist of some of our favorite Ben Gibbard songs HERE. See omnystudio.com/listener for privacy information.

Long regarded as pop music’s resident party animal, Kesha is now dead-set on slowing down and speaking up. Since debuting on the hook of Flo-Rida’s mega smash “Right Round” in 2009, Kesha has released five albums—two of which debuted at number one. And until very recently, she was involved in a decade-long court case with her former producer and label head. Somehow despite the bitter legal battle and a public struggle with an eating disorder, Kesha has remained steadfast in sharing her art with her fans, who she affectionately refers to as her “animals.” On today’s episode Justin Richmond talks to Kesha about how working with Rick Rubin on her new album Gag Order provided the safe space she has longed for when making music. She also talks about how she channels Dolly Parton, Iggy Pop and Beyonce when she’s in promotional mode, and how early in her career she lived in a castle with roommate Devendra Banhart. You can hear a playlist of some of our favorite Kesha songs HERE. See omnystudio.com/listener for privacy information.

Rickie Lee Jones hit it big with her debut album in 1979. The following year she won the Grammy for Best New Artist, and over the course of the next four decades, she released numerous albums that pulled inspiration from jazz, rock, electronic music, and even musical-theater. In late April, Rickie released her latest album, Pieces Of Treasure, where she sings songs from the American songbook with a jazz slant. Producer Russ Titelman, who produced Rickie’s first two albums, reunited with her on her latest and helped inspire Rickie to find comfort in a lower register. The result is an oftentimes sultry meditation on aging and survival. On today’s episode Bruce Headlam talks to Rickie Lee Jones about her decades-long fight to sing jazz even though she is often viewed as an outsider. She also tells stories about leaving home as a young teenager, and the abuse she endured while trying to survive on her own. And she plays songs from her career including one she wrote after seeing John Lennon appear in a dream. And just a note before we get started – this episode contains descriptions of sexual abuse, and might not be appropriate for all listeners. You can hear a playlist of some of our favorite Rickie Lee Jones songs HERE. See omnystudio.com/listener for privacy information.

Singer/songwriter Caroline Rose has always been a character. Her music videos often feature Caroline as the screwball lead, navigating ambition, desire and super stardom. Now, on her latest album, The Art of Forgetting, Caroline is shedding all of the past pretense and offering up an unflinching look into her inner life in the midst of personal turmoil. The result is an album packed with clever lyricism and soaring arrangements produced by Caroline with help from Nick Sanborn of Sylvan Esso. On today’s episode, Broken Record producer Leah Rose talks to Caroline Rose about why she wanted to set her living room on fire for the sake of her album art. Caroline also shares an early demo of a song she wrote under a starry desert sky, and she explains how aside from herself, Caroline’s parents are her harshest critics. You can hear a playlist of some of our favorite Caroline Rose songs HERE. See omnystudio.com/listener for privacy information.

Hip-hop super producer Hit-Boy has helped create some of the biggest hits of the last decade. His discography includes classic songs with Jay-Z and Kanye West, Travis Scott, Kendrick Lamar, Beyonce, and Rihanna. His crowning achievement however are the series of albums he's produced for Nas including King's Disease and Magic. On today's episode Justin Richmond talks to Hit-Boy about how he recently introduced a new, but old, piece of equipment into his beat-making process. He also talks about the years-long process of making a beat on Beyonce's Renaissance, and he explains his creative process with Nas and how they have been able to lock in and create some of the best work of Nas's career. You can hear a playlist of some of our favorite Hit-Boy songs HERE. See omnystudio.com/listener for privacy information.

Moby never stops working. His first taste of mega-success came in the early aughts after the release of his multi-platinum album, Play. In the years since, he's released 19 more studio albums including his latest, Resound, NYC, where he re-orchestrates songs he recorded between 1994-2010. Moby has also spent a good deal of the last two decades unpacking his own unconventional upbringing and his meteoric rise to fame. He’s released two extensive memoirs, and he recently directed “Punk Rock Vegan Movie,” which explores the connection between two of his greatest passions: punk rock and animal rights. On today’s episode Leah Rose talks to Moby about his compulsive desire to make music and why he’s cut out nearly all IRL socialization as a result. Moby also reminisces about the massive party pad he bought in upstate New York that led to years of all-out debauchery. You can hear a playlist of some of our favorite Moby songs HERE. See omnystudio.com/listener for privacy information.

Arlo Parks is one of the most compelling voices of her generation. Born in London, the 22-year-old snagged the Best New Artist trophy at the Brit Awards in 2021 in part because of her breakout single “Eugene,” about an unrequited crush. Arlo’s songwriting is a vivid exploration of the euphoria and heartbreak that comes with being young and in love. This month, Arlo Parks will release her sophomore record, called “My Soft Machine.” She collaborated with producers who worked with Brockhampton, SZA and Frank Ocean. The album unpacks the anxiety of feeling lost in your 20s, and navigating the uncertainty of life with grace. On this week’s episode, Justin Richmond talks with Arlo about how seeing Black creators pushing the boundaries of popular music inspires her. She also explains how taking long drives around LA shaped the sound of her new album, and how she first started writing songs at just seven years old. Plus, we’ll hear Arlo play three of her singles live from the Village Studios in Los Angeles. You can hear a playlist of some of our favorite Arlo Parks songs HERE.  See omnystudio.com/listener for privacy information.

Canadian-born singer/songwriter Feist has been one of the most dynamic indie voices of the last two decades. Last month she released her sixth album, Multitudes. She recorded it in the aftermath of tremendous personal loss and change. In late 2019 Feist adopted a baby just months before the pandemic started. About a year later, her father died suddenly. Multitudes is a raw, intimate look at how she grappled with deep-seated grief and a new kind of love. On today’s episode Leah Rose talks with Feist about how being assaulted in high school ultimately led to her gaining resilience. Feist also remembers the day her music career began when was asked to front a hardcore punk band, and how screaming on stage–and ultimately blowing out her voice–forced her to develop her intimate, career-defining singing style. You can hear a playlist of some of our favorite Feist songs HERE. See omnystudio.com/listener for privacy information.

Kenny “Babyface” Edmonds is a pillar of contemporary R&B. As a producer and songwriter, Babyface’s discography includes hits for powerhouse vocalists like Aretha Franklin, Whitney Houston, Beyonce, Ariana Grande, and Stevie Wonder. Although Babyface’s career is most often associated with pop hits, he started writing songs in the singer/songwriter tradition, pulling influence from James Taylor and The Beatles. On today’s episode Justin Richmond talks to Babyface about the childhood crushes he had that continue to inspire his songwriting today. He also plays a song he wrote in high school that he considers one of the best songs he's ever written. And he reveals how he was on the verge of making new music with Whitney Houston a month before she died. You can hear a playlist of some of our favorite Babyface songs HERE. See omnystudio.com/listener for privacy information.

Today, we’re bringing you a preview of a new audiobook, So Many Steves. Steve Martin is more candid than he’s ever been about his creative life in this engrossing audio-biography centered around a series of conversations recorded over many afternoons at home with his friend and neighbor, writer Adam Gopnik. You can get So Many Steves, exclusively on audio, now at https://www.pushkin.fm/audiobooks/so-many-steves-afternoons-with-steve-martin or wherever you get your audiobooks. See omnystudio.com/listener for privacy information.

Today we have part two of our run of interviews with The National in celebration of their new album, First Two Pages of Frankenstein. Last week Broken Producer producer Leah Rose talked to guitarist and composer Aaron Dessner, and today Leah picks up the conversation with the band’s lead singer, Matt Berninger. Matt, whose fear and anxiety are often on full display in his songwriting, talks about overcoming a debilitating bout of depression in the period before he started writing songs for the new album. He also explains how the combination of weed and iced tea help him spark creativity. And why he hopes his songwriting impresses Phoebe Bridgers and Taylor Swift. You can hear a playlist of some of our favorite songs from Matt Berninger and The National HERE. See omnystudio.com/listener for privacy information.

Today we’re kicking off a two-part series of interviews with members of The National, who just released their ninth album, First Two Pages of Frankenstein. Today’s conversation is with Aaron Dessner, The National’s guitarist and oftentimes lead composer. Outside of The National, Aaron is also a prolific producer, having worked with a slew of artists, including, most famously, Taylor Swift. During the pandemic Dessner and Swift teamed up to write music that would eventually become Taylor’s critically acclaimed indie-leaning albums Folklore and Evermore. On today’s episode Broken Record producer Leah Rose talks to Aaron Dessner about how an invitation to open an arena tour for Bon Iver led to him writing the music that he would eventually share with Taylor Swift. Aaron also talks about how The National almost came to a breaking point after a grueling tour schedule, and he opens up about his battle with depression as a teenager and how his twin brother Bryce carried him through it. You can hear a playlist of some of our favorite songs from Aaron Dessner and The National HERE. See omnystudio.com/listener for privacy information.

Roger McGuinn is best known as the driving force behind The Byrds. But McGuinn is also a preservationist of traditional folk music. For the past 27 years he’s been re-recording traditional folk songs and sharing them on  a section of his website called The Folk Den. On today’s episode Rick Rubin talks to Roger McGuinn about his decades-long career, which started in the early ‘60s at Greenwich Village cafes where he played with the likes of Bob Dylan and Richie Havens. McGuinn reminisces about the vibrant music scene in LA, and he also talks about meeting his Byrd’s bandmate David Crosby. We’ll also hear Roger McGuinn play his guitar throughout the interview, and talk about how playing basketball with Bob Dylan helped inspire Dylan’s storied tour, the Rolling Thunder Revue. You can hear a playlist of some of our favorite Roger McGuinn and The Byrds songs HERE. See omnystudio.com/listener for privacy information.

Today, we’re sharing a fantastic episode from a podcast we love, Louder Than A Riot from NPR Music. Louder Than A Riot connects the stories of hip-hop's biggest artists to socio-political changes we’re going through right now. This season, Louder Than A Riot is tackling the connection between hip-hop and misogyny. Hosts Sidney Madden and Rodney Carmichael dig into the unwritten rules of rap that have marginalized Black women for decades, and highlight the rule breakers who refuse to play nice. Today's episode tells the story of the first female MC, MC Sha-Rock. She’s a rapper from The Bronx and former member of the Funky 4 Plus One More who laid the foundations of rap as we know it. But even though she’s a pioneer, Sha’s name often gets left out of conversations around the history of hip-hop. Why is that? Because decades ago, Sha-Rock had to deal with the hurdles that so many women in rap still face today: Getting tokenized by her own peers and played by the industry. You’re about to hear the story from the people who lived it: Interviews with Sha-Rock, along with rappers who she inspired like DMC and historical experts like author Clover Hope. This episode is a meditation on legacy: Who gets afforded a legacy in hip-hop? Who gets left out? And how can you reclaim a legacy stolen from you? We hope you enjoy this episode as much as we did. You can listen to more episodes of Louder Than A Riot from NPR Music, wherever you listen to podcasts. See omnystudio.com/listener for privacy information.

George Clinton revolutionized funk music with Parliament Funkadelic, whose theatrical, sci-fi, performance art has captivated audiences worldwide for over five decades. P-Funk’s blend of psychedelic rock and deep, repetitive funk grooves helped bridge the R&B and rock worlds in the ‘70s along with acts like Sly and The Family Stone. Known as Dr. Funkenstein, George Clinton orchestrated multiple solo acts under the P-Funk umbrella. By the ‘80s, Clinton was also charting as a solo artist with hits like “Atomic Dog,” all of which would later lay the groundwork for hip-hop’s classic G-Funk era. On today’s episode Rick Rubin talks to George Clinton on Zoom about the origins of his original vocal group, The Parliaments. George also reminisces  about the time he dared James Brown to do the splits 18 times in a row while on a music industry panel with Madonna and the Red Hot Chili Peppers. You can hear a playlist of some of our favorite George Clinton and Parliament Funkadelic songs HERE. See omnystudio.com/listener for privacy information.

Today we have the second part of Rick Rubin’s conversation with legendary singer/songwriter Graham Nash. We dropped part one a couple of weeks ago, so definitely go check that out if you haven’t already. On today’s episode Graham tells Rick about the time the Grateful Dead were recording next to CSNY and how Jerry Garcia improvised a near-perfect pedal steel solo on “Teach Your Children.” Graham also describes a bizarre encounter with the judge who sentenced his father to prison, and he shares the inspiration behind his new solo album, Now. You can hear a playlist of some of our favorite Graham Nash songs HERE. See omnystudio.com/listener for privacy information.

U2’s The Edge is one of only a handful of guitarists who's as recognizable as his band’s wildly successful frontman. U2 has been playing together since 1976, when they were all teenagers in Dublin. Nearing their 50-year anniversary as a band, U2 just released their latest album, Songs of Surrender—a 40-track collection of reimagined and stripped down songs that span the entirety of their catalog. On today’s episode Rick Rubin talks to The Edge about his theory behind the band’s longevity. The Edge also shares stories about writing U2 classics like “New Year’s Day” and “Where The Streets Have No Name.” And he explains why Bono singing at the top of his range can be a bit much. You can hear a playlist of some of our favorite U2 songs HERE. See omnystudio.com/listener for privacy information.

At 81 years-old, Graham Nash describes his life as, “a magic story from beginning to end.” Graham’s career began in 1962 as a singer/songwriter in the British pop band The Hollies. After a string of hits in the UK, Graham left the Hollies, and moved to L.A. to start a band with the former Byrds vocalist, David Crosby, and Stephen Stills, whose band Buffalo Springfield had just broken up. From the start, Crosby Stills & Nash were dubbed a folk-rock supergroup, and they went on to become one of the era's most revered bands, thanks to their gorgeous three-part harmony and exquisite songwriting. Following the death of David Crosby in January, Rick Rubin sat down with Graham Nash to talk about Graham’s deep love and admiration for Croz. On today’s episode we’ll hear the first part of Rick’s conversation with Graham, who reminisces about the day he met Crosby, who immediately rolled Graham the most perfect joint he’d ever seen. Graham also explains how it was actually Cass Elliot from the Mamas and the Papas who was responsible for bringing CSN together, and he recalls classic stories about Neil Young’s unpredictable early days in CSNY. You can hear a playlist of some of our favorite Graham Nash songs HERE. See omnystudio.com/listener for privacy information.

Today we're excited to share a preview of Justin Richmond's new Pushkin Industries podcast, Started From The Bottom. Every week on Started from the Bottom, Justin interviews successful people who grew up on the outside—women, people of color, anyone not part of the old boy's network—to find out how they were able to beat the odds. Today's episode features an interview with Charlamagne Tha God. Over his 25 year career, Charlamagne clawed his way to the top of the radio industry. On today's episode, the long-time host of The Breakfast Club tells Justin Richmond what it took for him — a young man suffering from anxiety, constantly in and out of jail — to become an icon of modern media. Listen, follow, and subscribe to Started From the Bottom wherever you get your podcasts. See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with producer and composer, Giles Martin. In part one, Giles talked about his delicate work remastering classic Beatles albums. Today we’ll hear Giles talk about his dad, Sir George Martin, who never second guessed his own genius. Giles also shares hilarious stories from his time as a teenager living at his father’s storied studio that was destroyed by a volcano in the Caribbean. Plus, he talks about the time he was fired and then rehired by Martin Scorsese. You can follow Rick Rubin's new podcast, Tetragrammaton, at https://podcasts.apple.com/us/podcast/tetragrammaton-with-rick-rubin/id1671669052 You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE. See omnystudio.com/listener for privacy information.

Usher is one of few R&B acts from the ‘90s who has gone on to become a global superstar. Since the start of his 30-year career, Usher has sold over 65 million records worldwide. He’s also starred in the Broadway musical Chicago, been a coach on The Voice, and recently added a Las Vegas residency to his long list of artistic achievements. On today's episode Justin Richmond talks to Usher about why conflict has always been a big motivator in his songwriting—especially when working with producer Jermaine Dupri on his 2004 classic album, Confessions. Usher also explains how elder statesmen like Quincy Jones have helped him maintain a level of sophistication throughout his career. And he reveals why he thinks his first ever single was too raunchy. You can hear a playlist of some of our favorite Usher songs HERE. See omnystudio.com/listener for privacy information.

The legendary composer and songwriter Burt Bacharach passed away last week at 94. Today we are re-running an interview Bruce Headlam did with Burt and Daniel Tashian, who released an EP together in 2020 called Blue Umbrella. Justin Richmond also checks in with Daniel Tashian to talk about Burt Bacharach's tremendous skill as a composer. Danial shares the tips he took away from working with Burt, and he talks about how they were collaborating on new music right up until the end. You can hear a playlist of some of our favorite Burt Bacharach and Daniel Tashian songs HERE. See omnystudio.com/listener for privacy information.

Giles Martin may be the son of famed Beatles record producer Sir George Martin, but he’s also an acclaimed producer and composer in his own right. He’s worked on projects with The Rolling Stones, Elton John and Metallica, and is celebrated for his work remastering albums from The Beatles, including Sgt. Pepper’s, Abbey Road, and The White Album. Last October Giles’ remaster for Revolver was released along with never-before-heard home demos and outtakes from The Beatles. Giles was able to separate the original 1966 mono recording tracks with the help of director Peter Jackson’s audio team, who used AI technology. Giles' resulting mix allows listeners to hear the original recordings with clarity and precision like never before. On today’s episode Rick Rubin talks to Giles Martin about his approach to remastering the Beatles and the responsibility that comes along with it. Giles also talks about growing up in the music industry, why he didn’t have a stereo in his house as a young boy, and how he became his dad’s ears in studio sessions after his father lost his hearing. You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE. See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with proto-punk icon, Iggy Pop. If you didn’t catch part one last week where Iggy talked about his early days with the Stooges and the inspiration behind some of their most seminal songs, make sure you check that out. On today’s episode you’ll hear Iggy talk in-depth about the years he spent working and touring with David Bowie. He also explains how James Brown inspired his legendary performance style, and then Iggy recalls the ridiculous antics that led to him bleeding on stage for the first time. You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE. See omnystudio.com/listener for privacy information.

Iggy Pop is one of the most outrageous rock ‘n roll frontmen to ever step foot on stage. As the lead singer of The Stooges, Iggy was known for bending and contorting his sometimes-bloodied body while feverishly pacing the stage like a wild animal. Iggy’s 50-year career has been as tumultuous as his performance style. When The Stooges first broke up in the mid-70s, Iggy went solo and recorded a series of albums, some instant classics, others more experimental. At 75 years-old he’s just released his newest album, Every Loser. On today’s episode Iggy shares incredible stories with Rick Rubin about his career. Their conversation was so great that we decided to split it into two consecutive episodes. Today we’ll hear Iggy reminisce about recording Fun House in Los Angeles, and the first time he saw the ocean. Iggy also talks about the tight-knit rock scene in Detroit and how it was in some ways led by a local writer, activist and music manager named John Sinclair. Also, stay put at the end of this episode to hear a song off of Iggy’s new album. You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE. See omnystudio.com/listener for privacy information.

Today the interviewer becomes the interviewee. In his nearly 40-year career as a producer, Rick Rubin has helped unlock creativity and inspire musical genius time and time again. The artists he’s worked with often say that one of Rick’s superpowers is his expert ability to listen deeply, and to help guide whoever he’s working with to find their deepest expression of truth. This month Rick released his first book, called The Creative Act: A Way Of Being. In it he shares practical principles on how anyone can generate creative authenticity and ultimately find their voice. On today’s episode Malcolm Gladwell talks to Rick about The Creative Act, and they explore the principles in the book that are applicable to feelings of stagnation beyond artistic life. Rick talks about why he believes creativity comes from external forces rather than internal ones, and he explains why he believes that self expression isn’t actually about you. See omnystudio.com/listener for privacy information.

Here’s a preview of a new podcast from Pushkin, Story of the Week. Each week, journalist Joel Stein chooses an article that fascinates him, convinces the writer to tell him about it, and then interrupts a good conversation by talking about himself. Sometimes the story will be the one everyone is talking about, like the New Yorker article on smoking hallucinogenic toads. Other times we’ll find a story you might have missed, like the one in the Verge about the rock groupie turned hacker who had huge corporations at her mercy. These are stories you’ll tell your friends about. Stories that stick with you long after you forget whatever headline you just doom-scrolled through. Hear the full episode, and more from Story of the Week, at https://podcasts.pushkin.fm/sotw?sid=record.  See omnystudio.com/listener for privacy information.

Today, we are featuring “The Voice of Christmas,” Mr. Johnny Mathis. Over the years, Mr. Mathis has released six Christmas albums. His iconic first holiday record, Merry Christmas, is a tribute to his mother and father and still stands as one of the most beloved collections of Christmas music ever. Now 87 years-old, Johnny is celebrating his 66th year as a recording artist. And he’s still performing. In fact, we only had a brief 30 minutes to speak with him because he needs to save his voice for his rigorous performing schedule. On today's episode, Justin Richmond talks to Johnny about his illustrious career, and performing with greats like Duke Ellington and Nat King Cole. And Johnny shares the story about how he turned down the opportunity to qualify for the 1956 Olympics to launch his music career. You can hear a playlist of some of our favorite Johnny Mathis songs HERE. See omnystudio.com/listener for privacy information.

Today we have part four of our John Frusciante Returns series. This is the latest installment of Rick Rubin’s on-going series of in-depth interviews with the Red Hot Chili Peppers guitarist. And if this is the first interview you’re hearing, make sure to go back and check out the first three parts. On this episode we'll hear John Frusciante play through more of his guitar parts, and he’ll explain how he came up with some of the best guitar melodies in modern rock history. John also talks about how playing along to classic heavy metal albums from Black Sabbath and Van Halen, as well as dancing all night at drum and bass clubs helped shape his style on the 2002 album, By The Way. He also explains how listening to Brandy, Destiny’s Child and Wu-Tang Clan helped influence his playing on Stadium Arcadium. You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE. See omnystudio.com/listener for privacy information.

We’re back with the third episode in our John Frusciante Returns series. Over the past couple of months Rick Rubin and John Frusciante of the Red Hot Chili Peppers have come together to tape an on-going series of conversations that dives deep into John’s philosophical and practical approach to writing music and playing guitar. If you haven’t heard the previous episodes, make sure to check them out. Today, we’ll hear John talk about his love of electronic music and how he struggled to fall back in love with guitar-based rock before recording the Chili Peppers latest set of albums. He also talks about the process of making Californication, and near the end of the interview, John picks up a guitar to play through some of his most well known guitar parts from that album. You can listen to a playlist of some of our favorite Red Hot Chili Peppers songs HERE. See omnystudio.com/listener for privacy information.

The British hip-hop subgenre grime first started to bubble up in London in the early aughts. Artists like Wiley and Dizzee Rascal developed an entirely new style by rapping over lightning-fast beats inspired by UK garage, techno and jungle. Today’s guest, Stormzy is at the forefront of grime’s newest generation. He rose to prominence in 2015 after uploading a video to YouTube where he freestyled over classic grime tracks. Since then Stormzy has released three number one albums in the UK, won three Brit Awards, and become the first British rapper to headline the Glastonbury festival. Just before releasing his third album, This Is What I Mean, Stormzy met up with Rick Rubin in London for a cover story from i-d Magazine’s Royalty issue. This is the recording of that conversation. On today’s episode we’ll hear Stormzy play Rick songs from his new album, and explain why he decided to consider his audience last when recording it. And Stormzy talks about how a painful break-up and trusting God helped lead him to a new melodic, soulful sound. You can listen to a playlist of some of our favorite Stormzy songs HERE. See omnystudio.com/listener for privacy information.

If Broken Record had an all-star list, Neil Young would be at the top. He’s been on the show three times now, and his legendary body of work has been brought up by more musicians interviewed on our show than any other artist—except maybe Joni Mitchell. That’s because Neil is a true artist’s artist. His dedication to his craft is resolute. He’s been writing and singing songs since the early '60s and his creative output has been near constant for the last six decades. Neil stopped by Shangri-La following the release of Crazy Horse’s latest album, World Record. The album was produced by Rick Rubin, and on today’s episode, Neil talks to Rick about the remarkable way the new songs were conceived. Neil also reminisces about recording After The Gold Rush and Harvest. And he explains how THC changes his relationship to music. You can listen to a playlist of some of our favorite Neil Young songs HERE. See omnystudio.com/listener for privacy information.

Today we're sharing a fun conversation with the musicians who scored another Pushkin Industries podcast—Bad Women. The first season of Bad Women focused on reconstructing the lives of the five women that Jack the Ripper murdered. Now, the second season centers around a murderer every bit terrifying as Jack the Ripper, the so-called Blackout Ripper. On today's episode, Justin Richmond speaks with sound designer Pascal Wyse and jazz guitarist Ed Gaughan about their music-rich score. They talk about how they evoked the atmosphere of war-time bars and jazz clubs in 1940's London, and we'll hear them play examples of arrangements they created for the series. Listen and subscribe to season two of Bad Women HERE. See omnystudio.com/listener for privacy information.

Today we have part two of Bruce Headlam’s conversation with YouTube sensation turned five-time Grammy winner Jacob Collier. We left off our last episode with Jacob talking about what it’s like to perform to an audience of thousands of people after spending years growing his fan base online. In this episode, we’ll hear Jacob play the piano and go even deeper into music theory. Jacob also talks more about his new album, Piano Ballads, and about how the song “Moon River” taught him the power of centering his avant-garde arrangements on emotions. You can listen to a playlist of some of our favorite Jacob Collier songs HERE. See omnystudio.com/listener for privacy information.

Musical genius and multi-instrumentalist Jacob Collier joins us today for part one of a two-part conversation. In 2011, when Jacob was only 17, he began posting videos to YouTube of himself singing and playing music. His break-out video, a rendition of Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” received millions of views and praise from musical legends like Herbie Hancock, David Crosby, and Quincy Jones. Since then, he’s gone on to release five albums, including his 2016 self-produced debut In My Room, and this year's Piano Ballads, an 11-track album of  improvised piano pieces he played at various shows during a recent tour. On today’s episode, Bruce Headlam speaks to Jacob Collier about making his latest live album, his creative process, and his musical admiration for Stevie Wonder. Jacob also plays piano throughout the two episodes, and breaks down advanced musical concepts. You can listen to a playlist of some of our favorite Jacob Collier songs HERE. See omnystudio.com/listener for privacy information.

In her new Pushkin audiobook Inside Voice: My Obsession with How We Sound, actress/writer/director/producer Lake Bell goes down some fascinating rabbit holes, exploring the psychology and social science of our voices.  But you gotta start with the mechanics.  In this excerpt you’ll hear Lake's conversation with ENT doc to the stars Dr. Randolph Schnitman. He's treated the who’s who of music, strengthening and even saving their voices. If you’re interested at all in how our voices make beautiful music, you’ll like Inside Voice. Available at insidevoiceaudiobook.com, Audible, Apple Books, Spotify, and wherever audiobooks are sold. See omnystudio.com/listener for privacy information.

Today we’re excited to bring you the next installment of our John Frusciante interview series. John first came on the podcast back in April to help celebrate the release of the Red Hot Chili Peppers album, Unlimited Love. Then he returned in mid-October to discuss Chili Pepper history, one album at a time. On today's episode we'll hear John talk about the Chili Peppers brand new release—their second number one album in six months—Return Of The Dream Canteen. John also picks up a guitar and walks Rick through his pre-show warmup and demonstrates how he came up with the now-classic major to minor chord changes on “Under The Bridge.” And, he talks about how he was able to overcome his desire to impress others while recording Stadium Arcadium. Stay tuned to the end of this episode for details about part three of what is shaping up to be an intimate series of interviews between Rick Rubin and John Frusciante. You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE. See omnystudio.com/listener for privacy information.

Today we are featuring one of the most thrilling new groups in contemporary soul music—Gabriels. And lucky for us, they performed three songs, one of which is still unreleased, live for Broken Record. Gabriels consists of three very distinct pillars of talent: lead singer Jacob Lusk, who was raised in Compton singing gospel. Keyboardist and producer Ryan Hope, who grew up a lover of dance music in his native UK. And Los Angeles native, Ari Balouzian, who serves as Gabriels' in-house composer and violinist. Gabriels’ origin story is as unconventional as their diverse musical backgrounds. In 2016 Ryan Hope and Ari Balouzian were hired to direct and score a commercial with a gospel choir. After hearing the choir director Jacob Lusk sing, a light went off for Ari and Ryan. Over the course of the next couple of years, the trio started to record and release songs independently. In 2021, those songs caught fire online. Sir Elton John said their debut EP was one of the most seminal records he’d heard in the last 10 years. On today’s episode Rick Rubin sits down with Gabriels to hear how they were able to create a working environment that allowed space for vulnerability and musical exploration. And lead singer Jacob Lusk tells a harrowing story about getting lost in the LA county jail system in an effort to clear his name so he could appear in the finale of American Idol. You can hear a playlist of some of our favorite songs by Gabriels HERE. See omnystudio.com/listener for privacy information.

Today we will hear from singer-songwriter and playwright Anaïs Mitchell who spent the past 16 years building the world of Hadestown, a career-defining stage musical that has grown from a low-budget community production in Mitchell's native Vermont, to a Broadway phenomenon and the winner of eight Tony Awards, including Best Musical and Best Original Score. But in March 2020, when the COVID-19 pandemic shuttered theaters, Anaïs, like so many others, moved back home to Vermont. The move and change of pace inspired her to start writing indie folk songs. Her self-titled album, released at the beginning of 2022, is made up of those songs. It’s produced by Josh Kaufman, and was made with collaborators like Bon Iver, The National, and her own band Bonny Light Horseman. On today’s episode, Bruce Headlam speaks with Anaïs Mitchell about her new album and how Hadestown came to be. She also plays some songs off her album live, just for us. You can hear a playlist of some of our favorite songs written and performed by Anaïs Mitchell HERE. See omnystudio.com/listener for privacy information.

Today we’re sharing one of the most intimate conversations Rick Rubin has ever had on Broken Record. It’s with the famed guitarist of the Red Hot Chili Peppers, John Frusciante. Rick Rubin last spoke to John back in April when the Chili Peppers were getting ready to release their album, Unlimited Love, their first record with Frusciante in 16 years. Unlimited Love debuted at number one in the U.S. and 15 other countries. Today, just a little more than six months later, the Chili Peppers released a second Rick Rubin-produced album, Return Of The Dream Canteen. On today’s episode we’ll hear John Frusciante talk about the band’s early music, including the making of Blood Sugar Sex Magik. They talk about how his contributions on slower, more melodic songs like “Under The Bridge” and “Breaking The Girl” helped expand the Chili Peppers funk punk sound. John also talks candidly about the dark, drug-addicted years that followed the intense success of Blood Sugar. And he explains how he was able to finally get sober and rejoin the Chili Peppers to record their classic, commercial comeback album, Californication. You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE. See omnystudio.com/listener for privacy information.

Bartees Strange is an amalgamation of musical styles. Listen to any given song on his newest release, Farm To Table, and you can hear hints of early aughts emo, auto-tuned hip-hop vocals, and country blues—all housed in an indie rock veneer. Bartees wide-reaching sound makes perfect sense given his Midwest upbringing and early influences. He was raised in Mustang, Oklahoma as one of the few Black kids in an area rife with racial violence. As a  teenager he discovered Christian hardcore punk and for the first time he felt at home in a scene that embraced outsiders of all kinds. After graduating college and a stint working in D.C., Bartees  moved to Brooklyn where he found a bunch of musical collaborators. In 2020 he released his debut album, Live Forever, and this year he dropped his follow-up album, Farm To Table, to critical acclaim. On today’s episode Justin Richmond talks to Bartees Strange about his ascent into the upper echelon of indie rock, now that he considers artists like Phoebe Bridgers and Lucy Dacus friends. Bartees also performs an acoustic version of his song “Heavy Heart," and he plays stems from two songs off his new album, revealing how he is able to expertly build what he calls, “sections on sections.” You can listen to a playlist of some of our favorite Bartees Strange songs HERE. See omnystudio.com/listener for privacy information.

Sylvan Esso’s Nick Sanborn and Amelia Meath have been making music together since 2013, when Amelia asked Nick, a music producer and bassist, to remix her band Mountain Man’s hit single “Play It Right.” He did, and the rest is history. Sylvan Esso has always had a very sleek, electro-pop feel to their production. Amelia’s powerful voice is front and center, surrounded by harmonies and samples of her own voice. Nick’s genre-destroying bass creates intricate, pulsing grooves for Amelia’s voice to inhabit. Now, the married couple and electronic duo have released their fourth studio album, No Rules Sandy. It’s a follow-up to the band’s Grammy-nominated 2020 album, Free Love. The new album is a mix of improvisation and experimentation. On today’s episode, Bruce Headlam speaks with Amelia and Nick about their creative process and how No Rules Sandy came to be. They also play two songs off their new album live. You can hear a playlist of some of our favorite Sylvan Esso songs HERE. See omnystudio.com/listener for privacy information.

Today we have Susan Tedeschi and Derek Trucks of the Tedeschi Trucks Band on the show. Derek Trucks made his name as a slide guitar prodigy with a Hall of Fame pedigree. He’s the nephew of Butch Trucks, drummer of the Allman Brothers Band, who Derek toured with extensively throughout the 2000s before forming the Derek Trucks Band. Somewhere along the road, Derek met another great guitarist with a Berklee-pedigree, Susan Tedeschi, who is one of the best singers working today. Eventually the two married and merged their bands in 2010. Their latest album, I Am The Moon, is a collection of 24 songs across four different albums. On today’s episode, Justin Richmond speaks with Susan and Derek about the beginnings of their band, and how their new album came to be. They also play some of their new songs live from backstage at the Greek Theater in Los Angeles. You can listen to a playlist of some of our favorite Tedeschi Trucks Band favorite songs HERE. See omnystudio.com/listener for privacy information.

We have friend of the show Jack White back on the show today along with a legendary special guest. This conversation with Rick Rubin is full of fascinating ideas, asides and musical history that let you know just how deep Jack White is. Jack's work and a business ethic is unparalleled. His label Third Man Records has a rich roster of artists and three retail stores. They also own one of the few fully operational vinyl pressing plants in the U.S. which has been working overtime to keep up with the surging demand for vinyl. Jack also released two full length albums this year, and he’s currently on a worldwide tour. After a recent two-night stand in Los Angeles, Jack stopped by Shangri-La to talk to Rick Rubin about the early Garage Rock scene in Detroit that helped shape him and The White Stripes. He also shared potential theories about why the “Seven Nation Army” riff is so catchy. And then he treats Rick and a surprise guest to an acoustic performance of his new song “A Tip From You To Me.” And to cap it all off, we will hear exclusive details about an exciting new project Rick’s been working on, that will be out soon. You can listen to a playlist that includes Jack White's latest album, along with all of our favorite songs from him, The White Stripes, and a sampling of his many side projects HERE. See omnystudio.com/listener for privacy information.

Today we are re-visiting one of our favorite episodes from 2019 featuring Rick Rubin in conversation with Justin Vernon and his engineer Chris Messina. In 2006 Justin Vernon started Bon Iver as a solo project after the end of a romantic relationship and the break up of his college band. Justin recorded Bon Iver's first album, For Emma, Forever Ago, alone over three months in his dad’s hunting cabin deep in the woods of Western Wisconsin. His setup consisted of a small recording rig and a couple guitars. In the years since, Justin Vernon’s music has evolved dramatically. For one, Bon Iver is no longer a solo project—it’s still centered around Justin, but it now includes a bunch of musicians and collaborators including his engineer, Chris Messina. On today's episode, Justin talks about how allowing himself to be bored without any guilt, led to him creating his now classic debut. He also talks about how the harshness of the Wisconsin winters along with the absence of any big city thrills first influenced his sound. And, Justin explains his unwavering love for his favorite song of all time “Fugitive,” by The Indigo Girls. Listen to a playlist of some of our favorite Bon Iver songs HERE. See omnystudio.com/listener for privacy information.

Today we are revisiting one of our favorite early episodes of Broken Record with the legendary producer, Nile Rodgers. Over the course of his five decade-long career, Nile Rodgers has performed on, written, and produced some of the greatest dance songs of all time, including Diana Ross’s “I’m Coming Out,” Daft Punk’s “Get Lucky,” and Madonna’s “Like A Virgin.” Back in Fall of 2018, Nile met up with Bruce Headlam at the same New York City recording studio where 35 years earlier, Nile recorded the Let’s Dance album with David Bowie. This time around, Nile brought his famed disco funk band Chic to the interview to perform live renditions of their classic hits including, “Le Freak,” “Good Times,” and “Everybody Dance.” So all the music you will hear in today’s episode was recorded live, just for us. In between performances, Nile shares exhilarating stories from his life, including how he found salvation as a young jazz guitarist whose teenage mom struggled with heroin addiction. Nile also talks about the night he played old James Brown tunes with Prince and Rolling Stones guitarist Ron Wood at a small club in London. And he explains what it was like going clubbing with Madonna as her star was starting to explode in the mid-’80s. You can listen to a playlist of some of our favorite songs produced by Nile Rodgers HERE. See omnystudio.com/listener for privacy information.

Kaytranada’s futuristic, soulful disco sound is suddenly everywhere—including on his new hit song “Twin Flame” with Anderson .Paak. The Haitian-Canadian DJ/producer got his start as a teenager by uploading J. Dilla and Flying Lotus-inspired beats to SoundCloud. In 2012 his edit of Janet Jackson’s “If” exploded and became a massive viral hit. In the 10 years since, Kaytranada has remixed dozens of records and released two studio albums, including the Grammy award-winning Bubba. On today’s episode Rick Rubin and Kaytranada sit down to talk about how using technology unconventionally can lead to creating an entirely new sound. Kaytra also explains the anxiety he felt as an up-and-coming hip-hop producer who could never quite connect with an MPC drum machine. And he talks about what it’s like rocking stadiums as the opening DJ on the Weeknd’s worldwide tour. You can listen a playlist of our favorite Kaytranada songs here. See omnystudio.com/listener for privacy information.

Today we are featuring a chat with two members of the Nashville-based string band, Old Crow Medicine Show—lead singer Ketch Secor and drummer Jerry Pentecost. Since forming in 1998, Old Crow has helped preserve folk and blues songs that often pre-date World War II. Old Crow has also released a number of their own songs, and in the folk tradition, put their own spin on their favorite artists’ tunes. Their most successful song to date, the platinum-certified “Wagon Wheel,” was written around a Bob Dylan chorus Ketch heard on an old Dylan bootleg. On today’s episode Bruce Headlam talks to Ketch Secor and Jerry Pentecost about Old Crow’s latest album, Paint This Town. They share  how they’re raising awareness around the major contributions black musicians like Ray Charles and DeFord Bailey have made to country music. And then Ketch recalls Old Crow’s early days when they went through what he calls “hillbilly bootcamp” learning how to make whiskey, farm tobacco, and shoot groundhogs. Listen to a playlist of some of our favorite Old Crow Medicine Show songs HERE. See omnystudio.com/listener for privacy information.