The Daily

Over a month into a war with Iran that has no clear end, President Trump has enforced a blockade, which went into effect on Monday at the Strait of Hormuz. The New York Times reporters David E. Sanger, Rebecca F. Elliott and Eric Schmitt discuss the strategy behind the blockade, the dangers that it poses and whether or not it’s actually working. Guest:  David E. Sanger, a White House and national security correspondent for The New York Times. Rebecca F. Elliott covers energy for The New York Times. Eric Schmitt, a national security correspondent for The New York Times. Background reading:  Mr. Trump is setting up a test of which side can endure more economic pain with his blockade of the Strait of Hormuz. His oil blockade could provoke retaliation that inflicts more damage on energy assets and the global economy. Photo: Reuters For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Since the release of generative A.I., questions have been raised about how it would change our lives and jobs. Now, many software developers who were early adopters of the technology have outsourced so many tasks that they barely program at all. Clive Thompson, who writes about technology and science, interviewed about 75 software developers at major tech companies, small businesses and start-ups. He explains what it looks like when programmers invite A.I. to help them do their jobs. Guest: Clive Thompson, who writes about technology and science for The New York Times Magazine, Wired, Smithsonian and other publications. Background reading:  Coding after coders: It’s the end of computer programming as we know it. Photo: Adam Glanzman for The New York Times For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After negotiations over the weekend between the United States and Iran ended without a breakthrough, the temporary cease-fire appears to be increasingly precarious. The New York Times journalists Ronen Bergman and Mark Mazzetti explain why Israel is one of the biggest questions looming over the truce. Guest: Ronen Bergman, a staff writer for The New York Times Magazine based in Tel Aviv. Mark Mazzetti, an investigative reporter for The New York Times based in Washington. Background reading:  Here’s what to know about the cease-fire talks. Iran’s top negotiator said the talks were unsuccessful because Washington failed to win Tehran’s trust. Photo: Pool photo by Jacquelyn Martin For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The first time Robert Draper heard about the psychedelic drug ibogaine, it was from an unlikely source: the retired U.S. senator Kyrsten Sinema. As a political reporter for The New York Times, Draper often talks to figures like Ms. Sinema. But on this occasion, he said, she wanted to tell him about how she had tried ibogaine, which is illegal in the United States. She’d become such a believer in the drug that she was pushing her home state of Arizona to fund clinical trials for veterans with combat-related trauma. Draper found that Ms. Sinema wasn’t the only politician to take up the cause. Rick Perry, the former Texas governor, Republican presidential candidate and Trump energy secretary, has also advocated for research into ibogaine in recent years and taken the drug himself. In 2025, because of Mr. Perry’s efforts, Texas became the first state to dedicate public funds to ibogaine research with veterans. Recent studies of ibogaine at Stanford University and elsewhere suggest that it might prove effective in treating post-traumatic stress disorder, traumatic brain injuries, addiction and a range of other conditions. As Draper reported on ibogaine’s transformative effects on others, he wondered: Could it help him, too? Today, on “The Sunday Daily,” Natalie Kitroeff talks to Robert Draper about what drew him to travel to Mexico to try ibogaine, and how his trip changed his life. On Today’s Episode:  Robert Draper (usually) writes about domestic politics for The New York Times. Background Reading: It’s an Obscure Psychedelic Used to Treat Trauma. Could It Help Me? The Long, Strange Trip of Rick Perry Art Credit: Illustration By Melissa Santamaría Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The writer, actor and lightning rod is not done sharing yet. Thoughts? Email us at [email protected] Watch our show on YouTube: youtube.com/@TheInterviewPodcast For transcripts and more, visit: nytimes.com/theinterview Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lise Davidsen is one of the greatest opera singers of our time — a soprano with a voice so rare, critics reach back a century for comparison. This spring, she has been starring in a sold-out new production of Wagner’s “Tristan und Isolde” at the Metropolitan Opera. But she’s also at a crossroads: Her first performance as “Isolde” on the Met stage came just nine months after giving birth to twins. Today on The Sunday Daily, Natalie Kitroeff talks with the Times writer Zachary Woolfe about his recent conversation with Davidsen, and the unexpected emotional weight she felt while returning to the stage as a new mother. They discuss how a production centered on birth, death and renewal gave Davidsen a way to work through this seismic shift in her life, all while tackling the role of a lifetime. On Today’s Episode: Zachary Woolfe is a writer and editor for The New York Times. Background Reading: With Twin Babies, the Opera Star Lise Davidsen Wonders What Comes Next The Met Opera’s Desperate Hunt for Money Photo credit: Amir Hamja for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Love Story,” the FX limited series about John F. Kennedy Jr. and Carolyn Bessette’s relationship, has taken audiences by storm. Its unstoppable wave of ’90s nostalgia has swept through the world of fashion, revitalized iconic New York landmarks and set off a yearning for simpler days before smartphones and dating apps. The series has also drawn significant backlash, with criticism ranging from bad reviews to accusations of inaccuracy and even harm. Today, Rachel Abrams talks to Alexandra Jacobs, a critic for The New York Times Book Review, about why America can’t seem to look away from “Love Story.”   On Today’s Episode: Alexandra Jacobs, a critic for The New York Times Book Review and occasional features writer.   Background Reading: The Lasting Appeal of John F. Kennedy Jr. Daryl Hannah: How Can ‘Love Story’ Get Away With This? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you’ve spent any time on social media recently, you’ve probably come across a video of a young, square-jawed influencer calling himself Clavicular. He has become the face of an internet subculture called looksmaxxing, in which men do almost anything — like taking steroids and hormones or bashing their jaws with a hammer — to try to become more handsome. In this episode, Natalie Kitroeff talks with reporter Joseph Bernstein about the world of looksmaxxing and how what might seem like a fringe phenomenon is actually the culmination of a digital culture that rewards physical perfection with status and algorithmic power. On Today’s Episode Joseph Bernstein covers digital subcultures for the Styles desk at The New York Times. Background Reading Handsome at Any Cost Young Men Seek Answers to an Age-Old Question: How to Be Hot The Suffix That Tells Us to Ruthlessly Optimize Everything Photo Credit: Cassidy Araiza for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For 12 years, Pete Wells had his dream job: working as the chief restaurant critic for The New York Times. The job’s journalistic mission required Wells to eat out most nights and taste nearly everything on any given restaurant’s menu. He didn’t realize it at the time, but the excessive eating had taken a toll on his body. Then came a health crisis, followed by his doctor’s advice to “stop doing what you’re doing right now.” In 2024, Wells gave up his post as restaurant critic and set out to remake his entire relationship with food. On today’s episode, Michael Barbaro speaks with Wells about the realities of life as a restaurant critic, and what he’s learning about the joys of home cooking, mindful eating and grocery shopping for the diet he intends to follow. On Today’s Episode: Pete Wells is a reporter covering food for The New York Times. He was formerly The Times’s restaurant critic. Background Reading: After 12 Years of Reviewing Restaurants, I’m Leaving the Table Our Former Restaurant Critic Changed His Eating Habits. You Can, Too. To Eat Healthier, Our Critic Went to the Source: His Kitchen To Tune Out Food Noise, Our Critic Listened to His Hunger To Improve How He Ate, Our Critic Looked at What He Drank Photo Credit:  Rachel Vanni for The New York Times. Food Stylist: Spencer Richards. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on “The Sunday Daily,” The Times’s chief movie critic, Manohla Dargis, talks with the “Daily” host Michael Barbaro about this year’s batch of Oscar nominees, which — according to her — are uncommonly good. They discuss the performances that Dargis believes deserve to win, the dark horses that might pull off upsets, and the ambitious films that give her hope for Hollywood’s future.   On Today’s Episode: Manohla Dargis, Chief Film Critic for The New York Times.   Background Reading: ‘Hamnet’ | Anatomy of a Scene Delroy Lindo on ‘Sinners,’ Speaking Up and the Power of Affirmation   Photo: A24; Warner Bros. Pictures; Sabrina Lantos/Sony Pictures Classics Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2012, Tinder revolutionized dating apps with its swipe feature. With the flick of a finger, singles could accept or reject a potential mate. While this innovation has worked for many, some have grown weary of the simple swipe, and long for a more nuanced way to find love. Today on “The Sunday Daily,” Rachel Abrams examines two dating tends on the rise: in-person mixers that are far from old-fashioned, and emerging A.I. technology that promises singles a ‘soul’ match. Rachel speaks with The New York Times’s dating columnist Gina Cherelus; Luke Vander Ploeg, a producer on the “Daily”; and Amanda Hess, a writer at large at The Times.   On Today’s Episode Gina Cherelus covers dating for The New York Times. Luke Vander Ploeg is a producer on The Daily. Amanda Hess is a writer at large for The Times. Photo: Mila De La Torre for The New York Times For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.    Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of “The Sunday Daily,” the host Rachel Abrams is joined by her New York Times colleagues Motoko Rich, Shawna Richer and Juliet Macur, who are all covering this year’s Olympic Games. They discuss how the geopolitical climate may or may not be influencing the competition, and talk about some of the extraordinary athletes who are pushing the limits of physical achievements. On Today’s Episode Motoko Rich is the Rome bureau chief for The New York Times. Juliet Macur is a national reporter covering sports for The New York Times. Shawna Richer is an editor at The New York Times, working on coverage of sports in America. Photo Illustration by The New York Times; Images: Sarah Stier/Getty Images For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At the Grammy Awards tonight, the Puerto Rican pop sensation Bad Bunny is the first Spanish-language artist to be nominated for album, record and song of the year simultaneously. For most artists, this would be the high point of their year, if not their career. For Bad Bunny, this is just an appetizer for what’s in store for him next week. Next Sunday, he will headline the Super Bowl halftime show. His performance comes in the middle of a nationwide crackdown on immigration — an issue he’s been vocal about — and follows a backlash against the N.F.L. for booking him in the first place. Jon Caramanica and Joe Coscarelli, the hosts of The Times’s pop music show “Popcast,” discuss Bad Bunny’s rise to the heights of pop stardom, and explore what it means for a Puerto Rican artist to headline the world’s biggest stage. On Today’s Episode: Jon Caramanica is a pop music critic at The New York Times and a co-host of “Popcast.” Joe Coscarelli is a culture reporter for The New York Times who focuses on popular music and a co-host of “Popcast.” Background Reading: Grammys 2026: Who Should Win the Biggest Awards Bad Bunny Talks Coming Back Home on His ‘Most Puerto Rican’ Album Yet Get to Know Bad Bunny in 9 Songs Photo: Mario Anzuoni for Reuters. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pop culture has not been kind to the Neanderthal. In books, movies and even TV commercials, the species is portrayed as rough and mindless, a brutish type that was rightly supplanted by our Homo sapiens ancestors. But even 40,000 years after the last Neanderthals walked the earth, we continue to make discoveries that challenge that portrayal. New research suggests Neanderthals might have been less primitive — and a lot more like modern humans — than we might have thought. The Times science reporters Carl Zimmer and Franz Lidz discuss recent discoveries about Neanderthals, and what those discoveries can tell us about the origins of humanity.   On Today’s Episode: Carl Zimmer writes the Origins column and covers news about science for The Times. Franz Lidz writes about archaeology for The Times.   Background Reading: The Year in Neanderthals Morning Person? You Might Have Neanderthal Genes to Thank. What Makes Your Brain Different From a Neanderthal’s? The Neanderthal Inside Us   Photo: Frank Franklin II/Associated Press Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There’s a lot of anxiety about artificial intelligence invading Hollywood; the general mood there right now could be called “doom and gloom.” But speculation about a future where A.I. actors perform A.I. scripts in A.I.-generated movies often obscures the role A.I. is currently playing in the industry. In this episode, the host Michael Barbaro talks with the Hollywood reporter Brooks Barnes and the movie critic Alissa Wilkinson about the ways that A.I. is already showing up in our movies and television today, and how they see it contributing to — and complicating — the future.   On Today’s Episode: Alissa Wilkinson is a Times movie critic. Brooks Barnes is the chief Hollywood correspondent for The Times.   Background Reading: Can You Believe the Documentary You’re Watching? Disney Agrees to Bring Its Characters to OpenAI’s Sora Videos ‘The Wizard of Oz’ Is Getting an A.I. Glow-Up. Cue the Pitchforks. Is ‘The Wizard of Oz’ at Sphere the Future of Cinema? Or the End of It?   Photo: Roger Kisby for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As 2025 comes to an end, The Sunday Special is looking back on the year in culture. This week, on our final episode of the podcast, we’re talking about movies. The potential acquisition of Warner Brothers by Netflix has dominated entertainment news in recent weeks, but the year in movies has been about a lot more than corporate mergers. Alissa Wilkinson, a movie critic for The New York Times, and Nicole Sperling, a culture reporter based in Los Angeles, join Gilbert Cruz to talk about what really matters: the movies we loved this year. Movies discussed in this episode include: “One Battle After Another” “Sinners” “A Minecraft Movie” “Superman” “Weapons” “Wicked: For Good” “Zootopia 2” “Avatar: Fire and Ash” “Marty Supreme” “It Was Just an Accident” “The Testament of Ann Lee” “Come and See Me In the Good Light” “Mission: Impossible — The Final Reckoning”   On Today’s Episode: Alissa Wilkinson is a movie critic at The Times. Nicole Sperling is a reporter covering Hollywood for The Times.   Background Reading: Netflix vs. Paramount: Inside the Epic Battle Over Warner Brothers The 25 Most Notable Movies of 2025 Best Movies of 2025   Photo: Warner Bros. Pictures; 20th Century Studios; Disney Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In these final weeks of 2025, The Sunday Special is looking back at the year in culture. Today, we’re talking about the TV we watched this year — the best shows, the most popular ones and the ones that allowed us to just enjoyably veg out. Gilbert Cruz talks with the TV critic James Poniewozik and the culture reporter Alexis Soloski about the year in television. TV shows discussed in this episode: “Severance” “Common Side Effects” “Too Much” “Nobody Wants This” “Dying for Sex” “The Hunting Wives” “The White Lotus” “Dr. Odyssey” “Long Story Short” “Heated Rivalry” “Andor” “The Lowdown” “Platonic” “Pluribus” “The Pitt” “Adolescence” On Today’s Episode: James Poniewozik is the chief TV critic for The New York Times. Alexis Soloski is a culture reporter for The Times. Background Reading: Best TV Shows of 2025 The Best TV Episodes of 2025 Photo Credit: Apple TV+; Netflix; Lucasfilm/Disney+; HBO Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As 2025 comes to an end, The Sunday Special is looking back on the year in culture. This week, we’re listening to the songs and albums that defined the year, for better or worse. Gilbert Cruz is joined by Caryn Ganz and Lindsay Zoladz from The Times’s pop music desk to discuss some of the biggest and best releases of 2025. Albums and songs mentioned in this episode: Bad Bunny, “Debí Tirar Más Fotos” Lady Gaga, “Mayhem” Justin Bieber, “Daisies” Chappell Roan, “The Giver” and “The Subway” Sabrina Carpenter, “Manchild” Doechii, “Alligator Bites Never Heal” Taylor Swift, “The Life of a Showgirl” Morgan Wallen, “I’m the Problem” Ghost, “Skeletá” Dijon, “Baby” Geese, “Getting Killed” Water From Your Eyes, “It’s a Beautiful Place” PinkPantheress, “Fancy That” Lily Allen, “Tennis” Ella Langley, “Choosin’ Texas” Sleigh Bells, “Bunky Becky Birthday Boy” Hayley Williams, “Ego Death at a Bachelorette Party” Turnstile, “Never Enough” On Today’s Episode Caryn Ganz is the pop music editor at The Times. Lindsay Zoladz is a pop music critic at The Times and the writer of The Amplifier newsletter. Additional Reading Best Albums of 2025 Best Songs of 2025   Photo Illustration by The New York Times; From left, Angela Weiss/AFP — Getty Images (Lady Gaga); OK McCausland for The New York Times (Geese); Erika Santelices/Reuters (Bad Bunny); Helle Arensbak/AFP -- Getty Images, via Ritzau Scanpix (PinkPantheress) Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The first week of December at The New York Times is known as “Cookie Week.” Every day, for seven days, our cooking team highlights a new holiday cookie recipe. This year’s batch features flavors that aren’t necessarily traditional holiday ones — or even, for that matter, flavors. Instead, they draw inspiration from family night at the movies, drinks like Vietnamese Coffee, and perhaps most surprisingly, an Italian deli meat. In this edition of the Sunday Special, Gilbert Cruz talks with Melissa Clark and Vaughn Vreeland from New York Times Cooking about this year’s cookies, and they answer questions from readers about how to navigate cooking and baking during the holidays. Background Reading: These 7 Cookies Will Be the Life of Every Party Melissa Clark is a food reporter and columnist for The Times. Vaughn Vreeland is a supervising video producer for NYT Cooking and writes the “Bake Time” newsletter. Audio produced by Tina Antolini and Alex Barron with Kate LoPresti. Edited by Wendy Dorr. Engineered by Rowan Niemisto. Original music by Daniel Powell and Diane Wong.  Photo credit: Rachel Vanni for The New York Times.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The holiday season is here, which means it’s the time to think of great gifts for everyone on your list. While it can feel like a daunting task to choose thoughtful, personalized presents, we’ve got a fix for you: books. On this edition of The Sunday Special, Gilbert is joined by Joumana Khatib and Sadie Stein, editors at the Book Review, for a conversation about the best books to give your family and friends. Joumana and Sadie will share what excited them most this year and also provide recommendations for giftees in very specific categories. Books mentioned in this episode: “The Colony,” Annika Norlin “Perfection,” Vincenzo Latronico “Things: A Story of the 60s,” Georges Perec “The Bee Sting,” Paul Murray “The Loneliness of Sonia and Sunny,” Kiran Desai “The Director,” Daniel Kehlmann “Playworld: A Novel,” Adam Ross “A Marriage at Sea,” Sophie Elmhirst “Entertaining is Fun!,” Dorothy Draper “The Thursday Murder Club,” Richard Osman “The Mysterious Case of the Alperton Angels,” Janice Hallett “Roald Dahl’s Revolting Recipes,” Roald Dahl “Mrs. Manders’ Cook Book,” Sarah Manders, edited by Rumer Godden “Halleluja! The Welcome Table,” Maya Angelou “The Pat Conroy Cookbook: Recipes of My Life,” Pat Conroy “Les diners de Gala,” Salvador Dalí “Diaghilev’s Empire: How the Ballets Russes Enthralled the World,” Rupert Christiansen “Finishing the Hat and Look I Made a Hat,” Stephen Sondheim “Tonight in Jungleland: The Making of Born to Run,” Peter Ames Carlin “The Uncool: A Memoir,” Cameron Crowe “The Gales of November,” John U. Bacon “The Journals of Ralph Waldo Emerson,” Ralph Waldo Emerson “Cats in Color,” Stevie Smith “Archie and the Strict Baptists,” John Betjeman “Stories 1,2,3,4,” Eugène Ionesco “Trip: A Novel,” Amy Barrodale On Today’s Episode: Joumana Khatib is an editor at The New York Times Book Review. Sadie Stein is an editor at The New York Times Book Review. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“Wicked” was one of the biggest movies of 2024. It was culturally ubiquitous, a box office smash and an Oscar nominee for Best Picture. Now, a year later, “Wicked: For Good” arrives in theaters to finish the tale of the complicated friendship between Glinda the Good Witch and Elphaba, the Wicked Witch of the West. Can “Wicked: For Good” be the sensation that its predecessor was? Will it inject new life into a movie business that has suffered a historically bad business year? Will it satisfy the legions of “Wicked” fans who have been waiting to see their favorite musical brought to the big screen? Gilbert Cruz is joined by Kyle Buchanan, a pop culture reporter for The New York Times who profiled the stars of “Wicked,” and Madison Malone Kircher, a reporter for the Styles desk and affirmed “Wicked” fanatic, to discuss what “Wicked: For Good” means for the movies.   On Today’s Episode Madison Malone Kircher is a reporter covering internet culture for The Times. Kyle Buchanan is a pop culture reporter and serves as The Projectionist, the awards season columnist for The New York Times. Photo: Universal Pictures   Additional Reading Ariana Grande Still Has Surprises in Store There Have Been Dozens of “Wicked” Interviews. Why Did This One Go Viral? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There was once a time when documentaries could be found only on public television or in art-house cinemas. But today, documentaries are more popular and accessible than ever, with streaming services serving up true crime, celebrity documentaries, music documentaries and so much more. On today’s Sunday Special, Gilbert is joined by The New York Times’s chief television critic, James Poniewozik, and Alissa Wilkinson, a Times film critic, to talk about the documentaries that are worth your viewing time.   On Today’s Episode: James Poniewozik is the chief TV critic for The Times. Alissa Wilkinson is a movie critic at The Times, and writes the Documentary Lens column.   Background Reading: What ‘The American Revolution’ Says About Our Cultural Battles ‘Come See Me in the Good Light’: The Sweetness After a Terminal Diagnosis     Discussed on this episode: “The American Revolution,” 2025, directed by Ken Burns, Sarah Botstein and David Schmidt “The Alabama Solution,” 2025, directed by Andrew Jarecki and Charlotte Kaufman “The Jinx: The Life and Deaths of Robert Durst,” 2015, directed by Andrew Jarecki “Making a Murderer,” 2015, directed by Laura Ricciardi and Moira Demos “The Yogurt Shop Murders,” 2025, directed by Margaret Brown “The Perfect Neighbor,” 2025, directed by Beet Gandbhir “The Last Dance,” 2020, directed by Jason Hehir “Copa 71,” 2023, directed by Rachel Ramsay and James Erkine “Cheer,” 2020, created by Greg Whiteley “Last Chance U,” 2016, directed by Greg Whiteley, Adam Ridley and Luke Lorentzen “Pee-wee as Himself,” 2025, directed by Matt Wolf “The Remarkable Life of Ibelin,” 2024, directed by Benjamin Ree “Ladies & Gentlemen … 50 Years of SNL Music,” 2025, directed by Questlove “Cameraperson,” 2016, directed by Kirsten Johnson “An American Family,” 1973, created by Craig Gilbert “Look Into My Eyes,” 2024, directed by Lana Wilson “When We Were Kings,” 1996, directed by Leon Gast   Photo: Mike Doyle/American Revolution Film Project and Florentine Films Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This year has been a banner year for video games, with an abundance of surprise releases and unexpected hits. On this week’s Sunday Special, Gilbert Cruz talks with two fellow gamers — Zachary Small, a culture reporter, and Jason Bailey, an editor on The Times’s culture desk — about the state of the industry, the biggest releases and the games they loved playing in 2025. They also share their predictions for Game of the Year. On Today’s Episode Zachary Small is a culture reporter for The Times. Jason M. Bailey is an editor on the culture desk, and oversees The Times’s video game coverage. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The only thing Gilbert Cruz loves more than celebrating Halloween is watching scary movies. And between the classic horror franchises that span decades and the prestige original films of the current moment, he has seen hundreds of them.   On today’s episode, Gilbert puts his knowledge to use in conversation with his fellow horror aficionados Jason Zinoman and Erik Piepenburg. They comb through a century of spooks, frights and screams to crown the Top 10 franchises in cinema history.   Horror franchises discussed on this episode: “A Nightmare on Elm Street” “A Quiet Place” “Alien” “The Amityville Horror” “Candyman” “Child’s Play” “The Conjuring” “The Exorcist” “The Evil Dead” “Final Destination” “Friday the 13th” “Halloween” The Hannibal Lecter films “Hellraiser” “The Hills Have Eyes” “Insidious” “Jaws” “Night of the Living Dead” “The Omen” “Paranormal Activity” “Phantasm” “Poltergeist” “Psycho” “The Purge” “The Ring” “Saw” “Scream” “Terrifier” “The Texas Chainsaw Massacre” The Universal monster films “V/H/S”   On Today’s Episode: Jason Zinoman is a critic at large for The Times and the author of “Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror.” Erik Piepenburg covers culture for The Times, and writes a monthly column about horror movies. Additional Reading: 25 Jump Scares That Still Make Us Jump Five Horror Movies to Stream Now ‘Good Boy’ Review: Sit. Stay. Scream.   Photo: Michael Ochs Archives/Getty Images Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On Friday, “Springsteen: Deliver Me From Nowhere” will be released in theaters. Rather than chronicling Bruce’s entire life, the film focuses on the making of his stripped-down 1982 album “Nebraska” and on his concurrent mental health struggles. This movie is the latest in a long history of musician biopics featuring stars like Bob Dylan, Loretta Lynn, Eminem and Elvis Presley. Hollywood clearly loves telling the stories of influential artists. In this episode, Gilbert Cruz chats with Lindsay Zoladz, a pop music critic for The Times, and Joe Coscarelli, a Times culture reporter, about the tropes of the genre and their favorite films that break the mold. On Today’s Episode: Lindsay Zoladz, a pop music critic at The Times and the writer of The Amplifier newsletter. Joe Coscarelli, a culture reporter at The Times and co-host of “Popcast.” Additional Reading: The Boss Finally Gets a Biopic, Just Not the One We Expected He’s Ringo. And Nobody Else Is. Why Music Movies Stink: ‘Back to Black’ + ‘The Idea of You’ Reactions Joe Coscarelli’s “Bobby + Joanie” playlist Photo: 20th Century Studios Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Broadway represents some of the best and most exciting of what American theater has to offer. But for many people, it’s inaccessible. Whether because of geography, cost or other considerations, most people will never sit in a Broadway theater and experience a play or a musical in person. For years, cast recordings have offered a way to experience Broadway shows at a remove. And now, in the streaming era, some Broadway shows are making themselves available to be watched remotely, in movie theaters and on television. Distance and expense aren’t the impediments they once were to culture lovers looking to experience world-class theater. In this episode, Gilbert Cruz talks with Jesse Green and Elisabeth Vincentelli, two of The New York Times’s culture writers, about new ways to experience some of the joys of theater from the comfort of your own home.   On Today’s Episode: Jesse Green is a Culture correspondent, focusing primarily on the fine arts, including theater, classical music and art. Elisabeth Vincentelli writes about culture for The Times.   Background Reading: Want to Listen to Musical Cast Albums? Our Top 10 Desert Island Picks Theater to Stream: Mark Rylance in ‘Twelfth Night,’ and More Times Theater Fans on Their Favorite Musical Cast Albums   Photo Illustration by The New York Times; Inset: Disney+ Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amusement parks are enduring vacation destinations for American families. The rides, the long lines for rides, the concessions, the long lines for concessions — these are practically familial rites of passage. Theme parks are also enormous moneymakers, with industry leaders such as Disney and Universal earning billions of dollars each year from their parks. In this episode, Gilbert Cruz chats with Brooks Barnes, who writes about show business (including theme parks), and Mekado Murphy, a film editor and thrill-seeker who reports on roller coasters. They talk about the state of the contemporary amusement park and the ups and downs of roller coasters around the world. On Today’s Episode: Mekado Murphy is the assistant film editor for The New York Times, and its unofficial roller coaster correspondent. Brooks Barnes covers Hollywood for The New York Times. Background Reading: Riding Your Way Through Epic Universe See the Real Live Man Who Grew Up in a Carnival Photo: Business Wire/Associated Press   Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month kicked off the big four fashion weeks: New York, London, Milan and Paris. Each year, designers, brands, influencers and celebrities flock to these events to see and be seen. On today’s episode, Gilbert sits down with Stella Bugbee and Jacob Gallagher, two of The Times’s foremost style experts and veterans of the fashion week circuit, to discuss clothes. They talk about what fashion week means in the frenetic fashion ecosystem of 2025, and they answer some listener questions about how to cultivate a personal style.   On Today’s Episode: Stella Bugbee, the Styles editor for The New York Times. Jacob Gallagher, a fashion reporter for The New York Times. Background Reading: Armani’s Influence on New York Fashion Week Photo: Simbarashe Cha Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month, The Times released a list of the 50 best restaurants in America. The Food desk’s reporters, critics and editors crisscrossed the country from Portland, Ore., to Deer Isle, Maine, to scout places formal and casual, big and small, experimental and classic. Their survey is an evocation of what it’s like to dine out, right now, in America. On today’s episode, Gilbert sits down with the Food reporters Priya Krishna and Brett Anderson, two contributors to the list, for a veritable feast of dining wisdom. They discuss what makes a restaurant worthy of the 50 best list, how they go about finding those restaurants, and the dining trends they’re loving and hating in 2025. On Today’s Episode: Priya Krishna, reporter and video host for New York Times Food and Cooking Brett Anderson, reporter for New York Times Food and Cooking Background Reading: America’s Best Restaurants 2025 Photo: Chase Castor for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The 77th Primetime Emmy Awards ceremony is tonight, honoring the best television shows released between June 2024 and May 2025. But before the festivities begin, Gilbert Cruz, the editor of The New York Times Book Review, would like to have a TV celebration of his own. On today’s episode, he gathers Jason Zinoman, a critic at large for The Times, and Alexis Soloski, a culture reporter for The Times, to “channel surf” through some of their favorite shows of the past year. On Today’s Episode: Jason Zinoman, a critic at large for The New York Times who writes a column about comedy. Alexis Soloski, a culture reporter for The New York Times.   Additional Reading: The 9 People Who Check In to Every ‘White Lotus’ Sympathy for the Devil, er Boss: In ‘The Studio,’ the Powerful Are on Defense Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As kids across America head back to school, Gilbert Cruz, the editor of The New York Times Book Review, is thinking about the books he read when he was in school. On today’s Sunday Special, Gilbert talks with the Book Review editor Sadie Stein and the author Louis Sachar (“Wayside School” series, “Holes”) about the books they read when they were students, and ways to encourage young readers today to keep reading. Additional reading 10 Books for Kids Starting Preschool 12 Books for Kids Starting Kindergarten 15 Books for Kids Starting Middle School For a future Sunday Special, ask us your personal style questions. Photo: Brett Coomer / Houston Chronicle, via Getty Images Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to the Sunday Special, running now through the end of the year. Every Sunday, Gilbert Cruz, the editor of The New York Times Book Review, will talk with a rotating cast of Times critics and culture and lifestyle reporters about “the fun stuff”— pop culture, movies, TV, music, fashion and more. On today’s inaugural episode, Gilbert sits down with Jon Caramanica, a pop music critic at The Times, and Madison Malone Kircher, an internet reporter at The Times, to recap their cultural highs and lows of this summer. Photo: Stephane Mahe / Reuters Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.