The Vinyl Guide - Artist Interviews for Record Collectors and Music Nerds

Zev Feldman returns to reveal 11 Record Store Day 2026 releases, including stunning discoveries from the legendary Joe Siegel Jazz Showcase tape archive featuring Ahmad Jamal, Yusef Lateef, Freddie King, and more never-before-heard recordings. Topics Include: Zev Feldman returns, now dubbed the "Jazz Attorney General" by Nate Feldman has 11 releases this Record Store Day — a personal record The Joe Segal tape archive is the foundation of five RSD releases Segal was an NEA Jazz Master and Chicago's greatest jazz impresario He presented legends like Lester Young starting back in 1947 Feldman first connected with Siegel around 2010-2011 via word of mouth A breakfast meeting with Siegel led to three follow-up Chicago trips The archive may be the world's largest collection of unissued jazz recordings Between 8,000 and 10,000 tapes discovered across reels, cassettes, and more Resonance is partnering with the Siegel family and Wayne Siegel on releases Joe Henderson's 1978 quartet at the Jazz Showcase is raw and electrifying Pianist Joanne Burkeen confirmed this captures exactly how the band really played Ahmad Jamal's 1976 Jazz Showcase run includes a full 26-minute Swahililand Jamal and Siegel shared a deep longstanding friendship spanning many years Yusef Lateef with Kenny Barron: a burning three-LP set from 1975 Lateef played the Jazz Showcase more than any other single artist Mal Waldron and Sonny Stitt reunite in an unusual 1979 bebop week Nate predicts Mal Waldron will be the sleeper hit of RSD 2026 Bill Evans at the BBC features performances Feldman first saw on laser disc This marks Feldman's 15th Bill Evans release — the catalog keeps growing Freddie King from the French INA archives is Nate's personal favourite of the batch Billy Gibbons of ZZ Top contributed to the Freddie King liner notes Cecil Taylor's 1969 Paris recordings premiere officially for the very first time Michel Petrucciani recordings surfaced from the Kuumbwa Jazz Center in Santa Cruz Petrucciani died young, making these rare live documents especially precious Terry Callier's 1967 solo guitar recordings came from the Earl of Old Town Roy Hargrove Quintet captured live and burning at Berne Jazz Festival 2000 Buster Williams' debut Pinnacle gets an all-analog AAA reissue on Time Traveler This batch marks Feldman's 96th Record Store Day release across his career Feldman previews a Don Schlitten jazz photography coffee table book on Fantagraphics High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Zak Shelby-Szyszko Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Zakk Wylde opens up about Ozzy's final show, the 17 days that followed, Dimebag's unfinished recordings, and the making of Black Label Society's crushing new album Engines of Demolition. Topics Include: Zakk runs on 14 pots of Valhalla coffee every single day. He was invited to Back to the Beginning well in advance. Tony Iommi, Jimmy Page, and Ritchie Blackmore are mythical heroes to Zakk. No More Tears was rehearsed but Ozzy pulled it on the day. Ozzy was giddy meeting Axl Rose — couldn't believe it was happening. Zakk watched Sabbath's final set alongside Axl Rose and Sharon Osbourne. Just 17 days after the show, Ozzy passed away unexpectedly. They'd been texting memes and planning another record together right until the end. Zakk envisioned a global Back to the Beginning charity tour series. A sober Zakk and Ozzy watched their blasted crew destroy a Tokyo restaurant. Dimebag left hours of unfinished song ideas on tape for potential release. Playing Dime's solos means staying faithful — like Stevie Ray covering Hendrix. Zakk and Eddie Van Halen's amp, calling it life-altering history. Engines of Demolition was built across several years alongside the Pantera Celebration tour. Zakk confirms BLS, Zakk Sabbath, and more Pantera shows are all coming. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Rikk Agnew, James McGearty, and David Glass share stories about Rozz Williams & Christian Death, the making of Only Theater of Pain, and completing his final recorded wish with the new song Flowers. Tickets for April 18 movie premiere and music reunion event Topics Include: Rikk Agnew, James McGearty, and David Glass remember Rozz Williams together. Rozz described as mysterious, enigmatic, and a deeply misunderstood artist. Rozz excelled across poetry, music, visual art, and assemblage work. He scratched images into 8mm film cells as experimental art. Rozz was a chameleon, constantly reinventing his look and sound. Christian Death began as a punk band before Rikk joined. Rikk's arrival catapulted Rozz's darker, more mystical artistic vision. Much of Only Theater of Pain was created spontaneously in-studio. Rozz unveiled his poetry to the band for the first time recording. A violent storm set an eerie tone during the vocal sessions. Rozz recorded in a candlelit booth — a truly otherworldly performance. The vocal track was lost; nobody could explain why it didn't record. The released vocals paled against what was actually performed that night. The entire album artwork and layout was hand-drawn by Rozz himself. Lisa Fancher of Frontier financed the record; the band were teenagers. Catastrophe Ballet launched in Europe first; Death Wish emerged mysteriously unauthorised. Only Theater of Pain's influence grew gradually, now considered truly seminal. Rozz's final wish was a full-band studio recording of Flowers. Rikk, James, and David completed Flowers separately, finding it deeply emotional. Romeo's Distress documentary premieres April 18th with a live reunion performance. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Documentary producer & record collector Jeanne Elfant Festa has made films about The Beatles, Foo Fighters, Pavarotti, Bee Gees and more. Today she discusses her latest movie on Billy Preston — revealing rare archive footage, Olivia Harrison's key role, and Eric Clapton's emotional on-camera tribute and a lot more. Check outtrailer and documentary screenings here Topics Include: Jeanne lost her entire vinyl collection in the Palisades fire. Her family and animals all escaped the fire safely. A custom-built, mathematically designed sound room housed the collection. Rebuilding takes time — the turntable alone hasn't been replaced yet. Music passion began with her Brooklyn-raised parents' rich jazz collection. Her dad snuck into the Apollo Theater via the fire escape. He carried a saxophone, jamming with musicians at the loading dock. The family soundtrack: Billie Holiday, Dinah Washington, Miles Davis, Charlie Parker. Jeanne and her dad bonded over Bruce Springsteen's sax player. Her father did house calls exclusively for one patient — Miles Davis. Storytelling instincts came from parents who loved plays, movies, and performance. Her own record collection ranged from Rage Against the Machine to Supertramp. Vinyl's tactile magic: liner notes, textures, and each album's unique smell. Albums are movies — side one plays straight through, no skipping. Documentary filmmaking is passion-driven, not a path to big money. The Foo Fighters doc came from being in the right place. Business partner Nigel Sinclair's credits include Bob Dylan and George Harrison docs. Billy Preston first entered her life through her parents' living room stereo. Filming subjects who've passed requires diaries, archives, and extraordinary research teams. A granddaughter's undeveloped home movies transformed the Beach Boys documentary entirely. A stranger's undeveloped Beatles footage, found under a childhood bed, changed everything. Olivia Harrison unlocked archive footage and connected the team to Ringo and Clapton. Eric Clapton opened up in a way rarely seen on camera. Documentary ethics: three sources minimum, no gossip, no stunt casting ever. The Billy Preston film explores forgiveness, contradiction, and the full human condition. Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

TV Smith joins Nate to discuss the 50th anniversary of The Adverts, an Australian tour backed by The Hard-Ons, and a career full of great songs and terrible label luck. Topics Include: TV Smith is touring Australia in April with The Hard-Ons. The tour celebrates the 50th anniversary of The Adverts. The Hard-Ons are already learning the surprisingly complex Adverts songs. TV finds it odd but joyful to still be performing. He got back into vinyl to quality-check his own releases. Bowie, Roxy Music, and reggae were key early influences for TV. The Sex Pistols made TV believe he could actually do this. The Roxy Club punk scene started with just 30 people. Brian James of The Damned personally recommended The Adverts to Stiff. They recorded One Chord Wonders in a single afternoon at Pathway. Stiff misspelled the title and controversially centred Gaye Advert on the cover. Gary Gilmore's Eyes was TV's satirical response to exploitative media coverage. The BBC was deeply reluctant to air Gary Gilmore's Eyes on TV. Anchor Records collapsed mid-momentum, leaving The Adverts suddenly without a label. Crossing the Red Sea was recorded at Abbey Road with John Leckie. Gary Gilmore's Eyes was left off the album deliberately — vinyl runtime constraints. RCA signed them against their own A&R team's wishes — chaos followed. Cast of Thousands suffered a botched mix, a terrible cover, label indifference. Channel 5 was finally properly remastered after the producer found a safety tape. TV is bringing vinyl to the merch table — especially the Handwriting LP. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Swami John Reis of Rocket from the Crypt and Drive Like Jehu digs deep on record collecting, the thrill of the hunt, running Swami Records, and why the next release always matters most. Get yer tix to the Punk Rock Museum's 3rd Anniversary Show here Topics Include: Swami John Reis joins to talk record collecting and Punk Rock Museum. His collection is evolving — trading old hardcore for more desired records. Collection is 95% 45s, driven by a lifelong musical pursuit. Early punk led him to hunt for MC5, Stooges, Velvet Underground. The thrill: records still exist that nobody knows about yet. Digging through boxes feels calming, healthy, and satisfying every time. Hawaii vintage shop surprise — radio station collection hidden outside for decades. Detroit and Pittsburgh are his highest strike-rate cities for finds. Always ask the clerk — the best stuff is never on the floor. Styrene vs vinyl: the label sticker is the definitive tell. Making records informed his collecting — plain white sleeves, big hole 45s. Pressing plant relationships are everything; affordability is the biggest challenge. Customs delays under the current administration are wrecking release schedules badly. Major labels scrapped their own pressing plants — now everyone competes for time. Marketing records stopped making sense; the artist always drives interest anyway. Every record is essentially limited and out of print from day one. Smaller runs mean no unsold closet stock and more collector value later. Hot Snakes packaging and Rick Griffin's creativity still inspire him deeply. Upcoming: Sultans reissue, Mrs. Magician LP, new Swami John Reis record. Schizophonics collaboration in the works — the next thing is always the thing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Dr. Strange Records' Bill Plaster talks Summer Bash and the chaos of booking a festival, punk history, record collecting, Live Strange, and how punk rock can genuinely change lives. Get Summer Bash tix here  |  Follow Dr Strange for Live Strange here Topics Include: Bill Plaster of Dr. Strange Records joins to discuss the upcoming Summer Bash. Punk Rock Bowling's cancellation — visa bans, politics, venue loss — created the opportunity. Bill connected with Gallo, who runs the Fox Theater and the Cathedral in Pomona. The Cathedral: a stunning, refurbished 1921 four-story YMCA venue hosting the event. A massive two-day lineup — 30-plus bands across punk, hardcore, and old-school SoCal. Notable acts include the Effigies, Channel 3, the Skulls, featuring Kevin from Green Day. Every band asked said yes — Bill takes no money, purely doing it for the community. Dealing with booking agents was the biggest headache of organising the festival. Planning started in November; Bill hopes Summer Bash becomes an annual event. The Punk in the Park cancellations discussed — Bill argues protest with your vote, not boycotts. Bill credits Rod for building Dr. Strange's social media profile and making the festival possible. Bill's mentorship philosophy: punk rock can genuinely change lives for the better. The Dr. Strange "family" ethos — making fun of people with love, never punching down. Bill's book discussed — early punk discoveries via Damned, Buzzcocks, and XTC seven-inches. The brutal gang violence at early 80s LA/SoCal punk shows — constantly watching your back. A close call at Spanky's: the guy next to Bill got stabbed during a Guttermouth gig. Biggest missed show regret: skipped Oingo Boingo due to peer pressure from girls in line. Never saw Black Flag — their reputation for brutality genuinely scared him off. Eight years of mail order before opening the store; Voodoo Glow Skulls his biggest-selling record. Live Strange runs Wednesdays and Fridays — the cowbell is Bill's money-back guarantee. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Zappa Vaultmeister Joe Travers discusses the Bongo Fury box set, the Frank and Beefheart origin story, Frank's cutting edge approach and what may be next from the Zappa Universe. Order the Zappa/Beefheart Bongo Fury 50th Anniversary editions here Topics Include: Joe and Nate bond over the Stooges and unreleased raw recordings Bongo Fury turns 50 with 48 previously unheard tracks Two complete Armadillo shows finally presented unedited in sequence Portuguese Lunar Landing emerges from rehearsal tapes—a true nugget Frank kept tour itineraries but few detailed production notes Joe worked solo digitizing tapes for decades under Gail's direction Universal now controls the vault—the process has changed significantly Frank's Mac had one gigabyte—they dumped mixes to tape constantly Kennedy backup tapes and Synclavier data may be unplayable forever Racing against tape decay and obsolete machines that can't be replaced Heartbreak: 1630 tapes getting stuck and destroyed inside malfunctioning machines Early history of Frank and Captain Beefheart The Soots recorded together—Tiger Roach released, two covers still unreleased Frank invited Beefheart to join tour to get him some money Beefheart was unpredictable—lyrics in paper bags, sketching onstage mid-show "Born to Suck" captures spontaneous studio magic with Snoop tape banter Frank constantly taped everything—jokes often sparked future song ideas Post-tour darkness: Herb Cohen fallout left Frank uncertain about everything Frank and Beefheart reconnected—hour-long phone calls in Frank's final months Warner Brothers failed to promote One Size Fits All and Bongo Fury Cheaper Than Cheap footage sat in vault for decades—sync issues unresolved Joe finally identified the mystery tapes; Universal funded the restoration More Atmos projects coming—Joe teases a big announcement next month Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Danny Goldberg shares insider stories from his 50-year career as Led Zeppelin's publicist and Nirvana's manager, revealing Kurt Cobain's creative genius and the first-hand dynamics behind rock's biggest bands. Order Danny's book "Bumping Into Geniuses" here Topics Include: Danny discusses the 2026 reissue of "Bumping into Genius" Admits his turntables are mostly for show, prefers streaming now Kept about 100 vinyls including The Fugs on ESP Records Answered a Billboard ad not knowing music business existed Found his calling through enthusiasm and sensitivity to artists Became Led Zeppelin's US publicist in 1973 for Houses of the Holy The biggest band in the world had never gotten positive press Peter Grant described them as "just mild barbarians" Bonzo would arrive early to tune drums for each room's acoustics Jimmy Page avoided TV—felt it couldn't deliver Zeppelin's true sound Physical Graffiti era: Danny became Swan Song Records vice president His blues tribute pitch rejected—later repurposed for Foghat Robert Plant was eloquent and handled most press duties willingly Jimmy's Crowley interest rarely came up in day-to-day interactions Met Ringo, never John or George—All Things Must Pass is essential Nirvana's 92 Australian tour produced the Rolling Stone cover shoot Kurt's "Corporate magazines still suck" shirt was pure tightrope genius He storyboarded every Nirvana video shot by shot himself Appeared on Headbangers Ball in a dress to subvert metal culture Nevermind hit five radio formats simultaneously—unprecedented crossover success Kurt agreed to edit In Utero packaging for Walmart-only kids Fame invaded his privacy—tabloid coverage of Courtney infuriated him Depression and heroin predated fame—confirmed by Chris Novoselic Danny dismisses conspiracy theories—Seattle PD had no coverup motive Sub Pop planned "Cash Cow"—Kurt licensed it back as Incesticide Incesticide liner notes rank among Kurt's most remarkable creative statements Danny calls In Utero Kurt's best songwriting, his personal favorite Bonnie Raitt's Nick of Time gave Danny credibility to expand management John Silva brought Redd Kross, leading to Sonic Youth, then Nirvana Born Innocent documentary on Redd Kross earns Danny's recommendation High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Producer Plug discusses his journey from New York DJ to hip hop producer for Wu-Tang members, running multiple record stores, and launching R&G Records in Inglewood with Snoop Dogg. Topics Include: Producer Plug discusses meeting again at Austin Record Fair His three superpowers: DJing, executive producing, and music production Born in Flushing Queens with father's influential Fisher sound system Father introduced him to WCBS-FM and classic disc jockeys The Fugees "Killing Me Softly" became his first musicology lesson Father taught him to stay curious and humble about music Started buying records at Nobody Beats The Wiz and Coconuts Carried white garbage bag of records through high school All The Right Records shop combined haircuts and vinyl shopping Made popular mixtapes across Queens neighborhoods, sold as CDs Got on record label promo lists by showcasing his tapes Mixtapes evolved into producing albums with original beats naturally Career progression through DJing, A&R, and label executive roles Opened multiple Records & Goods locations across different cities R&G stores feature unique Grail Museum showcasing rare pressings Hip hop's importance: taking best moments from every music genre Each store represents a spiritual piece of his father Haradio Sound Lab offers vinyl meditation space for listening sessions Tom Silverman's advice: learn from my billion-dollar mistakes instead Vinyl On Demand releases reissues plus upcoming Big Boo collaboration High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Co-founder and former Three Dog Night frontman Chuck Negron (1942-2026) discusses the collectible records of his career, the early releases on small labels, the rare and recalled albums of Three Dog Night and mega-smash excesses and turnaround of his life and career. Interview from July 2022 Topics Include: Chuck's autobiography Three Dog Nightmare . Basketball was first passion growing up in Bronx schoolyards. Made first record "Oh Baby" in 1958 at age fifteen. Early releases on tiny Bronx Records label extremely rare today. Progressed through Rondelles, Marlinda, and Heart Van regional California labels. "I Dream of an Angel" became regional hit across central California. Columbia Records offered deal while playing college basketball at Hancock. Chose to finish basketball season, damaging initial Columbia Records excitement. Learned hard lesson about commitment after squandering early industry enthusiasm. Bill Sharman offered Cal State LA scholarship but chose music. Left school permanently, ending high-level basketball career for music industry. Three Dog Night formed with three lead singers sharing spotlight. Band's strategy: find great songs, not write them themselves exclusively. "One" by Harry Nilsson became breakthrough hit launching massive success. Achieved 21 consecutive Top 40 hits selling over 60 million records. "Joy to the World" became worldwide number one, band's biggest success. "Black and White" addressed racial integration as mainstream social statement message. Hard Labor's controversial birthing cover recalled after hundreds of thousands distributed. Now hosts weekly WhatNot show selling rare Three Dog Night collectibles. At 80, credits basketball training for vocal stamina and survival. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Legendary drummer & producer Steve Jordan (The Rolling Stones, Bruce Springsteen, Jon Batiste, SNL & more), discusses the history and deep personal reverence for the music of Chess Records and the 75th vinyl reissue series.  Topics Include: Steve Jordan discusses touring with John Batiste at Davos Economic Summit He's producing Robert Cray's new album at Fame Studios in Muscle Shoals JayVee Records finishing Willie Mitchell documentary, The Verbs album, and Tony Joe White posthumous record Chess Records called arguably the cornerstone of modern music New vinyl reissue campaign marks first proper Chess reissues in decades Steve's compilation "Let's Play Chess" features personally meaningful recordings The Dells were his first Chess records—Chicago's hardcore R&B answer to Motown Tommy Tucker's "High Heel Sneakers" on Checker was childhood obsession British Invasion reintroduced American blues that establishment had suppressed racially Etta James "At Last" originals fetch four to five hundred dollars Universal fire destroyed masters; some duplicates recovered from Europe thankfully Early stereo versions often poorly done with hard-panned instruments and fake echo Chess building preserved physically but control room was completely stripped of gear Steve brought API console and ribbon mics for 2010 session there Correctly guessed drum placement; Hubert Sumlin confirmed the next day Otis Spann's piano still vibrates sympathetically when musicians play the room Jack Wiener designed Chess gear and later mastered recordings in basement Mastering represents twenty-five percent of the mix, often overlooked historically Jamie Krentz alerted Universal to Chess catalog's 75th anniversary reissue potential Rarities campaign revealed extraordinary alternate takes including deep Lowell Fulsom version Willie Mitchell spent years perfecting Royal Recording's signature snare drum sound Keith Richards session led to lifelong friendship with Willie Mitchell Willie gave Steve one of Al Jackson's tom-toms from Al Green recordings Recording, overdubbing, and mixing in same room captures authentic studio sound John Lennon was his white whale—missed meeting him by five minutes Finally played with Paul McCartney on Rolling Stones' Hackney Diamonds album Blues Brothers debuted on SNL's third season finale with Saturday Night Live band Matt Guitar Murphy was a Chess session player—Steve's first Chess connection unknowingly John Belushi educated Steve nightly on deep Chess catalog from his Chicago roots Devo's SNL performance was a life-changing moment Steve witnessed firsthand High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Carina Round discusses the new Puscifer album "Normal Isn't", their creative partnership, how motherhood transformed her songwriting, the emotional experience of revisiting The Disconnection and much more. Topics Include: New Puscifer album "Normal Isn't" and concert film drop February 6th Puscifer described as dark multimedia project with interconnecting 20-year storyline New characters introduced: Belendia Black, Fanny Gray, the Synth Whisperer Writing began post-Existential Reckoning; Mat keeps a magical idea folder Maynard learned Logic software, contributed more initial musical sketches this time Carina waits for lyrics—word rhythms shape her vocal approach entirely Mat masters specific gear per album: Fairlight, Synclavier, custom guitars Carina sang through Eventide effects unit, letting it shape melodies Mat designs all stage plots, lighting, and visual concepts himself Carina recently started improv classes—facing her worst nightmare on purpose Mat discovered her at LA show; V is for Vagina hooked her Maynard conveys mood clearly while leaving lyrics open to interpretation Humbling River audition taught her: no preciousness about ideas here Maynard's response—"as long as it doesn't interfere with me"—was freeing Having an eight-year-old son completely changed her creative process Revisiting The Disconnection live revealed surprising wisdom in her youth Music became her way to connect rather than dissociate emotionally She bootlegged her own Interscope album just to have it on vinyl Kids today skip songs constantly—no commitment to full album journeys Rare Ocean Blue pressing was a happy accident—only 13 copies exist High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Lucinda Williams discusses her recent creative surge with multiple tribute albums, paying homage to the masters, Folkways days, post-stroke recovery and the new album World's Gone Wrong Topics Include: Lucinda announces her 18th album "World's Gone Wrong" releasing January 23rd Reveals dramatic shift from releasing albums every 3-8 years recently Credits husband-manager Tom Overby for keeping creative momentum going post-stroke Explains how new band members made working out songs fun Describes creative process challenges between inspiration and studio deadlines Shares need for quiet, private spaces to write freely Reveals hotel rooms as unexpected creative sanctuaries like John Prine Discusses how songs emerge either formed or requiring detailed work Explains editing process of refining and "trimming the fat" Details collaboration with Tom Overby on "We've Come Too Far" Talks recording at Ray Kennedy's Room and Board studio Shares Steve Earle connection from Car Wheels on Gravel Road Laments losing song ideas when unable to record immediately Recalls taking control in studio despite band's initial surprise Tells sweet story of meeting Ringo Starr at Capitol Records Discusses transformative Beatles albums from early work to Sergeant Pepper Names Bob Dylan as her North Star musical mentor Explains The Doors' influence especially their dark poetic imagery Connects tribute album work to preparing for original songwriting Previews future projects including Neil Young tribute and stroke treatment High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Erik "Smelly" Sandin discusses NOFX life after touring, new music, sobriety through the NOFX hurricane, the Las Vegas incident controversy, the upcoming NOFX Retrospective at the Punk Rock Museum and more. Topics Include: NOFX didn't break up, just stopped touring, still recording new music together Band recorded 6-7 new songs three months ago in the studio Mike constantly writes new material, has lots of unreleased songs ready January 16-18 NOFX retrospective exhibit opening at Las Vegas Punk Rock Museum Smelly will give personal tours but doesn't know what artifacts they'll display Never kept any memorabilia from 42 years, always gave everything away immediately Shocked that original PMRC records now sell for $5,000+ on collector market Band relationships remain same, they talk regularly but need space between tours Currently playing drums with Randy from Pennywise, Cameron Webb Fills in with the Vandals when Josh Freese tours with other bands Recorded drums on Vandals' Christmas album 30 years ago, including transgender song Early drug experimentation began with acid at 16, escalated quickly into addiction Became homeless junkie living on streets for years during darkest period Got clean in 1992, has maintained sobriety for over 30 years now Joined NOFX through classified ad, instant chemistry with Mike during first jam Band went through multiple lineup changes before finding the classic NOFX formula Fascinated by ancient mysteries like underground Turkish cities, pre-Incan megalithic structures Favorite museum artifact: Joe Strummer's original "London Calling" lyrics with water stains His museum tour focuses on how punk rock saved his life story High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

The Ramones influenced generations despite critical dismissal and radio absence. Ramones tour manager Monte A Melnick reveals insider history, promotional collectables, diplomatic strategies for handling volatile band dynamics and the journey of the revival and current cultural adoration of the band. "On The Road with The Ramones" book is available here. Topics Include: Monte Melnick's bonus edition adds 40 pages to his Ramones road stories collection Full-color book features posters, tour passes, and interactive visual design beyond typical text Monte served as diplomat, psychologist, babysitter, and mediator between wildly different band personalities Managing crazy crews, promoters, and venues doubled the nutty people Monte handled daily He delayed writing until after Joey's death to avoid discussing uncomfortable personal problems Frank Meyer co-authored as musician and Ramones fan, earning full credit beyond ghostwriter Book structured as oral history combining new interviews with archived quotes from multiple sources Early reviews dismissed the Ramones as "crap" unlike today's celebrated 10/10 album ratings Sex Pistols' anarchy lumped Ramones into punk danger zone, killing radio station support Major acts like Talking Heads, B-52s, and Blondie opened for Ramones before surpassing The band never considered quitting despite frustration, constantly seeking new producers for radio Johnny Ramone insisted on maintaining consistent sound while others wanted musical growth experimentation The Ramones acted as "Johnny Appleseeds," inspiring kids worldwide to form their own bands 1996 Lollapalooza tour revealed Metallica and Soundgarden formed bands inspired by Ramones performances Record labels rarely interfered except removing "Carbona Not Glue" fearing potential lawsuits The Simpsons appearance was considered an honor with special studio recording and commemorative jackets John Holmstrom created Rocket to Russia artwork and illustrations later used for merchandise Monte immortalized in song lyrics: "Monty's driving me crazy, it's like being in the Navy" 1977 "It's Alive" album represents peak original four members captured in live perfection The Ramones legacy: showing kids worldwide they could form bands without virtuoso skills High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Johnny Brennan reveals how The Jerky Boys' underground cassette tapes became an American comedy phenomenon, spreading from NYC musicians to Howard Stern's radar before landing an Atlantic Records deal and finding success with voiceover work on Family Guy. Get yerself (or a friend) a Cameo holiday video from Johnny Brennan here Topics Include: Johnny Brennan reveals The Jerky Boys infiltrated American vocabulary for over five decades People still answer phones with "tough guy" and use Jerky Boys catchphrases daily Johnny started creating characters on tape for his brothers back in the 1960s Father's threat to "put boot in ass" drove kids to creative outdoor activities Nine-year-old Johnny was already doing fake sportscasting with neighborhood friends on tape Looking through Buy Lines magazine for trucks sparked idea to record prank calls First recordings made on boombox intended just for family gatherings upstate New York All characters based on real people: Frank Rizzo was Johnny's father's personality Sweet innocent voice character came directly from observing his mother's speaking style Friend Kamal discovered forgotten tapes and declared them funniest things he'd ever heard Kamal distributed copies to musician friends throughout NYC's Village music scene underground Tape trading exploded nationwide through word-of-mouth before internet or computers existed Howard Stern desperately searched on-air for mysterious Frank Rizzo character's true identity Atlantic Records' Ahmet Ertegun signed band after discovering underground cult phenomenon spreading Johnny's mom actually came up with "The Jerky Boys" name for the act Catchphrases like "sizzle chest" and "milky licker" were completely spontaneous during calls Johnny spent incredible week with Ozzy Osbourne filming The Jerky Boys movie Currently voices Mort Goldman on Family Guy for over twenty-one consecutive years Records at professional studio thirty seconds from home, works with hardcore bands Offers personalized Cameo messages, giving special shoutout to Australian fans after forty years High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

SNFU founders Marc and Brent Belke discuss band history, rare recordings, records, vinyl reissues on Trust Records, upcoming events at the Punk Rock Museum & more. Topics Include: Marc and Brent Belke join from Vancouver and Victoria to discuss SNFU's December 5th Punk Rock Museum exhibit and album re-release. The exhibit coincides with Trust Records' re-release of SNFU's debut album "...And No One Else Wanted to Play" with extensive extras. The re-release includes a 53-page booklet with rare photos, interview excerpts, and a full record of early demos and alternate versions. The exhibit features band paraphernalia, posters, t-shirts, and artwork, originally displayed at a Saskatchewan museum last summer before moving to Vegas. Marc and Brent will provide guided tours at the Punk Rock Museum and participate in a roundtable discussion on December 5th. The brothers describe Edmonton's early 1980s scene as intimate with only 50 people, mixing new wave, rockabilly, and emerging hardcore sounds. Getting punk records in Alberta meant ordering from New York stores via mail, waiting two months, and receiving only 25% of selections. Pivotal records included Bad Brains' ROIR cassette, Let Them Eat Jellybeans compilation, Sex Pistols' debut, and Minor Threat's Out of Step. The LA hardcore scene heavily influenced SNFU, with bands like Circle Jerks, Social Distortion, and Youth Brigade making significant impressions. SNFU formed when Marc and Brent's band lost members, recruiting bassist Curtis and drummer Evan Kaufmann based on personality over experience. Singer Chi Pig brought irreverent humor and sarcastic lyrics that became central to SNFU's identity and separated them from serious hardcore bands. The band recorded their debut album in two weeks with limited preparation, creating the raw energy that defined their sound. Early SNFU combined hardcore speed with melodic elements, drawing from both aggressive punk and bands like The Damned and Buzzcocks. The band signed with BYO Records for their second album, appreciating the DIY ethos and direct artist-to-label relationship. SNFU toured extensively across North America, playing everywhere from established venues to DIY spaces and experiencing varied punk scenes nationwide. The brothers discuss how the band's legacy feels incomplete, with the Trust re-release helping emphasize positive aspects of their history. Brent left SNFU to attend music school, studying jazz and strings, and now works creating music for film projects. Marc emphasizes Trust Records' meticulous approach, taking four years to perfect the release compared to SNFU's tendency to rush. Both brothers have never visited the Punk Rock Museum and look forward to experiencing it while giving tours on December 5th. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Mike Watt played with Iggy & The Stooges for over 10 years - today he shares all about his times with the brotherhood - Iggy, the Asheton Brothers, Steve Mackay, the comeback tours, The Weirdness, the end of the road and more! Topics Include: Mike Watt discusses new Record Store Day release: 40-minute version of "We Will Fall" Without the Stooges, Watt believes punk movement wouldn't have existed as we know it Played with Stooges for 126 months after Iggy Pop called him in 2003 First heard Funhouse in 1970-71 when most people dismissed the band entirely Stooges music helped Watt recover from serious illness 25 years ago Initially met Ronnie Asheton at Minutemen gigs in Detroit's Greektown neighborhood Played with Ronnie in 1996 for Todd Haynes film Velvet Goldmine Iggy and Ronnie hadn't spoken for 29 years before 2003 reunion Watt received fateful call at Tallahassee club: "Ronnie says you're the man" Iggy's first concern: Would Watt wear T-shirt instead of flannel? "F**k yeah" Thought Coachella would be one-off gig, became decade-long musical journey Being youngest member at 45 allowed Watt to absorb everything from legends Asheton brothers had telepathic connection, communicated through rhythm more than words Lost Ronnie in 2009, Brother Steve in 2014-2015: "You always think you got time" Watt never wore same T-shirt twice during entire Stooges tenure One time played shirtless in New Orleans after wearing orange triggered Iggy's nightmare After Ronnie died, switched from T-shirts to black flannel honouring his memory Final years wore Dickies work clothes, embracing mechanic aesthetic Iggy appreciated Still calls Iggy every April 21st for his birthday, ringtone is "TV Eye" Instrumental tribute albums with Larry Mullins represent "paying back the debt" High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Larry Mullins (Stooges, Swans, Nick Cave) discusses his love of the Stooges, playing with Iggy and the Asheton Brothers and shares how he and Mike Watt reworked several Stooges tracks for multiple Record Store Day releases, including a 40-minute version of "We Will Fall", available RSD-BF 2025. Topics Include: Larry Mullins discusses Stooges tribute project with Mike Watt, creating extended instrumental versions Record Store Day release features 40-minute version of "We Will Fall" from the Stooges Mike Watt initiated project after Steve Mackay's death as band tribute without vocals Recording involves aggressive nine-minute live takes with bass representing lead vocal parts Sessions happen in San Pedro with releases on seven-inch records that fade between sides Songs like TV Eye, 1969, 1970, Fun House only available on limited seven-inch releases Pandemic interrupted recording process, forcing creative remote collaboration between Berlin and San Pedro "We Will Fall" chosen specifically because original had no drums, allowing remote recording Brian Kehew mastered Rhino reissues, revealed original Stooges takes were 12-15 minutes long John Cale edited and faded original lengthy jams into known three-minute song versions Stooges wrote most songs at Chelsea Hotel night before recording first album sessions Band originally performed as wild improvisational psychedelic jam band before structured songs Recording process involved jamming songs for entire tape reel length, then editing down Story reveals Steve Mackay's green saxophone matched his deteriorating health but sounded fantastic Limited to 1,000 copies globally, pushing boundaries furthest of all their tribute releases High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Jen Keenan reveals how she built a thriving vinyl destination in rural Arizona, Queen B Vinyl Cafe, combining record sales with coffee roasting, ramen, and live music in a 12,000-person town. Topics Include: Jen Keenan owns Queen B Vinyl in Cottonwood, Arizona, a unique multi-business destination spot Record Store Day philosophy focuses on obscure, abstract, and smaller indie bands over mainstream releases RSD features 9am opening, numbered line system, DJs, live bands, and free chair massage Record stores can choose RSD titles but quantities received remain unpredictable surprises Queen B Vinyl spans two buildings with courtyard, housing vinyl, cafe, barbershop, ramen house Coffee roasting happens in-house alongside direct-to-garment printing press and live music stage Cottonwood serves as crossroads for tourists heading to Jerome, Sedona, and Grand Canyon Maynard James Keenan's presence helped amplify area's wine industry from handful to 100 wineries Rural record stores require more advertising and unique inventory unavailable at big box stores Used vinyl comprises 30% of inventory, with curated selection over quantity focus Jen drives five hours to Tucson for quality collections like 80s metal acquisitions After school music programs inspired Jen's punk rock journey from trumpet to cello Band Glitter Wizard emerged from record store workplace, requiring careful schedule coordination Queen B stocks diverse punk releases, carefully avoiding exclusion based on political perspectives Vinyl manufacturing delays from nine-month backlog created significant challenges for store operations Small town stores thrive through exceptional customer service recognizing individual preferences and needs Pandemic surprisingly improved business by bringing new audiences to smaller town locations Falconry hobby involves training hawks with telemetry tracking within one-mile range Jen and Maynard maintain separate vinyl collections despite sharing everything else Tool vinyl represses remain frustratingly delayed, creating bootleg market opportunities Rural record stores serve as essential community spaces beyond commercial transactions High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Guitar pioneer Randy Holden reveals how record label incompetence destroyed his 1970 masterpiece Population II, leading to depression, exile in Hawaii, and eventual vindication through cult status. Get Population II and III at Riding Easy Records or preorder Population II reissue at Noble Records online Topics Include: Randy Holden is surprised Population II remains influential after recording it in 1970 He knew it would be big—there was nothing like it musically then Population II was ready to release with Sun Amplifiers sponsoring monthly magazine ads National promoters wanted to book shows but needed the album released first Hobbit Records delayed release for eight or nine months, destroying Randy's career The label wouldn't release the record or let Randy out of his contract Owner Leonard Poncher's background was Latino music and auto parts wholesaling Randy was creating a new form of music that became known as heavy metal Poncher's lawsuit with MCA distribution completely tied up the album's release Recording Population II went smoothly with Randy overdubbing all bass parts himself He used four to eight amps recording through a Fender Jazz Bass Engineer Hank Cicalo placed three mics at different distances for guitar tone Randy pioneered mixing through car speakers instead of massive studio monitors His original mix had full dynamics with sweeping highs and lows Mastering engineers destroyed the mix, cutting frequencies to prevent needle skips Randy joined Blue Cheer replacing Dickie Peterson but left over musical differences Blue Cheer wanted shorter songs while Randy pursued extended musical compositions He formed Population II with Chris Lockheed on keyboards and organ bass pedals The name meant two people creating massive sound usually requiring four musicians Randy's guitar journey began with Fender IV, then Sons of Adam The Other Half featured Randy's early heavy guitar work before Blue Cheer He recorded Guitar God album in 1997 after decades away from music Nobody knows the original Population II pressing number Recent remasters by engineers in New York and Smokey Taylor improved the sound Randy's broken ring finger now prevents him from playing guitar properly He manipulated audiences' emotions playing solos through walls of amps for thousands Randy considers music like movies—"Land of the Sun" is theatrical drama Playing live was his reason for living, creating heavenly musical moments His legacy continues through reissues on Riding Easy Records reaching new generations Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Jack Prine shares intimate stories about his legendary father John Prine, discusses the new "You Got Gold" movie, the history and state of "Oh Boy Records" and reveals intentions for unreleased recordings from the family archives. Check out screenings of "You Got Gold - A Celebration of John Prine" here Topics Include: Jack Prine discusses "You Got Gold" film celebrating his father John Prine's legacy Film originated through family friend connection at Radical Media, directed by Michael John Warren Documentary captures 2022 Ryman concert series benefiting the Hello In There Foundation Foundation started after John's death in April 2020, helping family navigate grief Jack reflects on balancing family's personal grief with fans' collective loss Film features collaborators like Bonnie Raitt, Lucinda Williams sharing stories and performances Many people know John Prine's songs without realizing he wrote them Movie bridges generations from Dwight Yoakam to Tyler Childers and Jason Isbell Tyler Childers shares quirky story about John keeping Dairy Queen coupon in wallet Jack's legal name is John Patrick Prine; uses Jack to separate identity Growing up in Nashville, didn't have special musicians' kids friend group Jack joined family business at Oh Boy Records after college, learning the ropes Worked in warehouse initially, understanding physical product and distribution fundamentals Oh Boy Records started in 1984 as fiercely independent label maintaining creative control Archives contain decades of unreleased recordings being carefully curated for future releases Lost Dogs deluxe edition recently released with unheard track "Hey, Aw, Nothing" John Prine disliked his debut album cover showing him on hay bale John was technologically simple, kept flip phone until he died, browsed cars on eBay 80th birthday celebration planned for October, possibly in Chicago rather than Nashville Jack's lessons from father: live in the moment and always give to others Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Bootsy Collins shares tales of P-Funk, Praxis, Buckethead and community work, philanthropy and mental health advocacy. Bootsy online  |  Bootsy & Buckethead single  |  "Is there Anybody Out There" podcast Topics Include: Bootsy's philanthropy and community work Bootsy reveals music now has purpose beyond just making people feel good "If you ain't chasing something, there's no reason to hunt" - finding new motivation From chasing girls and highs on tour to discovering why he still makes music Always gave back to unknown musicians like Buckethead before they became famous Opens up about mental health struggles when he got "too blown up" New "Metal Health" album with Buckethead addresses mental health for everyone First Buckethead collaboration was 1991's "Bucketheadland" recorded in Cincinnati Praxis exploded when Bill Laswell joined Bootsy, Buckethead, Bernie Worrell, and Brain Complete Strangers caught King Records' attention, leading to James Brown discovering them James Brown demanded everything tight; George Clinton allowed creative freedom and experimentation Most P-Funk classics were created spontaneously "while the tape was running" Both Bootsy and Buckethead must wear their signature headgear while recording Eddie Hazel's solo album used Bootsy's instrumental tracks - George's "superhero" vision Reveals George Duke's "Reach For It" is the funk hit he wishes he was on High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

In an extraordinarily rare interview, artist Raymond Pettibon discusses his journey, from early punk rock works to present day artistic themes, technique and rhythms, the Getty archives and more. Topics Include: Raymond Pettibon has been drawing constantly since childhood, "always with a pen in hand" Started with crayons, pastels, pencil - India ink came later as too messy Early influences included Albrecht Dürer, etchings, and comic book art equally Self-taught artist who learned through trial and error, never attended art school Studied economics in college, bringing analytical thinking to his art practice Approaches work as fine art, not commercial art, values creative freedom Rarely takes commissions - the more constraints, the less he likes it Band artwork usually selected from existing drawings rather than commissioned pieces Black Flag's "Nervous Breakdown" images came from his "Captive Chains" book Artwork inspired by "Blackboard Jungle" film - students destroying teacher's jazz records Has experience teaching, can identify with teacher-student conflicts from that period Left SST Records in 1985-86 due to oppressive environment Describes certain subjects he returns to repeatedly over the decades Works on multiple drawings simultaneously, some remaining unfinished for years Enters a meditative "fugue state" when drawing or writing Never experiences artist's block - blank paper doesn't intimidate him Believes he can write about any subject with natural fluency Doesn't plan series - they develop organically through returning to themes Sometimes works directly on gallery walls during exhibitions for coherence Used to work all day and night when deeply engaged Dislikes deadlines - they make work harder, not easier for him Sees deadlines as triggering psychological rebellion despite wanting to please collectors Hates when people suggest ideas - it "breaks the spell" Admits he's not the greatest draftsman but learned on the job Recently donated personal archive to Getty Research Institute for scholarly access Participated in Getty's research scholar program, one artist among academics Program reconnected him with economics after years away from the discipline Still has unfinished drawings in studio, some over 30 years old Currently creating less due to frustrations with art world dynamics Values complete artistic freedom - no curator has ever asked him to change High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by John Newsom Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Toody Cole of Dead Moon discusses their vinyl rarities, the DIY ethic of the band, owning a mono cutting lathe, refusing major labels, inspiring a generation of musicians around the world. DeadMoonUSA.com  |  Zipper LP Reissue  |  Melbourne 2025 shows Topics Include: Toody Cole rushing to airport to retrieve guitar from Spain before Australian tour November 2025 Melbourne shows - jumping on Jenny Don't and the Spurs tour dates First time in New Zealand described as most fun tour ever - prehistoric landscapes Missed Nirvana tour opportunity due to Fred's rule: never cancel committed gigs Fred restored a 1954 mono cutting lathe from pieces using xeroxed manual Machine had tubes like mason jars that dimmed house lights when powered up First 45 cut on the lathe was "Hey Joe" and "Parchment Farm" The Weeds played Vegas Teen Beat Club in the hullabaloo/shindig TV era Teen Beat Records pressing was probably only 300-500 copies maximum Fred never owned original Weeds single - got it back from younger sister Lollipop Shop nightmare: Fred sold publishing for $1, forced into pink sweater Manager claimed Fred Cole was stage name, real name "Freddy Colletti" - totally false Zipper lived in their house, practiced in basement - "70s butt rock" era Captain Whizeagle store name came from Fred's children's story about Snake Troopers 1970 Yukon homesteading attempt broke down outside Whitehorse, changed everything Dead Moon started after splitting business partnership, opening Tombstone Music in 1986 Kelly Manahan drew logo through dozen iterations - Fred kept demanding "gnarlier!" Fred hand-cut moon into graveyard photo for first album cover artwork All early Dead Moon records were mono because lathe couldn't cut stereo Major labels approached during grunge explosion - Fred refused after Lollipop Shop experience Seattle grunge bands were young kids attending Dead Moon's late-80s shows Fred embarrassed by "godfather of grunge" label despite obvious influence on scene Everything DIY: owned stores, cut masters, designed covers, kept all control Portland celebrates Dead Moon Night annually on October 5th with cover bands Fred handpicked songs for Echoes compilation - now 4LP vinyl box set 2017 final European tour with Fred already sick from bone cancer Fred passed November 2017 leaving unfinished songs Toody can only hear mentally House is unofficial Dead Moon museum: lathe, stampers, posters, worn cowboy boots New documentary coming with backstage footage showing band's view of audiences Toody's favorite Dead Moon song "My Escape" was never performed live High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Record nerd Harry Portnof started Greenway Records, revived Reverb Appreciation Society, and now leads Levitation's label operations - today we discuss the elaborate vinyl variants and the clear passion for music the Levitation festival inspires. Topics Include: Harry Portnof runs Greenway Records, Levitation, and Reverberation Appreciation Society labels. Dad blasted southern rock and Allman Brothers at excessive volumes throughout childhood. Discovered dad's CD collection, dove deep into classic rock discographies. Taught himself guitar in high school after getting kicked off tennis team. Found grandmother's records in attic with broken turntable playing in mono. Mesmerized by grooves holding information, felt more futuristic than digital files. Got Project turntable in college, started seriously collecting vinyl records. College dorm had file sharing programs to download everyone's music collections. Became obsessed with seven-inch singles and exclusive B-side hunting on Discogs. Studied accounting, got CPA, worked Manhattan while spending money on records. Brooklyn DIY scene 2010-12: Death by Audio, Glasslands, 285 Kent venues thriving. Third Man Records inspired with collectible releases, impossible to get from New York. Playing in surf rock cover band The Midnight Snacks around Long Island. Started Greenway with friend Joey's pop punk band, 300 hand-screened seven-inches sold. Online forum of ten new labels supporting each other, Greenway only one remaining. Artist Dan Curran created lino cut covers for first thirty Greenway releases. Met LA Witch outside Music Hall, promised European tour records in two months. LA Witch success led to more touring bands wanting Greenway releases. Met Levitation founder Rob Fitzpatrick backstage at Desert Daze festival in California. Pandemic hit, launched Levitation Sessions producing concert films with thirty bands. Suddenly working with dream artists like Ty Segall and The Oh Sees. Levitation started as Austin Psych Fest in 2008, became major three-day festival. Flash flood disaster canceled festival one year despite bands and fans arriving. Austin's psych legacy rooted in 13th Floor Elevators and Rocky Erickson era. Levitation Sessions are filmed concerts; Live at Levitation are actual festival recordings. King Gizzard bootleg program allows labels to press their live shows freely. Learned vinyl manufacturing hands-on at New Jersey plant, experimenting with color pours. Most proud of Frankie and the Witch Fingers KEXP recording for Record Store Day. Market tightened post-pandemic, had to adjust pressing quantities and strategy accordingly. Creates regional variants for Australia, UK, EU retailers using Precision Record Pressing. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Paul Riedl and Morris Kolontyrsky of Blood Incantation discuss the incredible 1st year of the album "Absolute Elsewhere", how it's transformed their lives and art, the creation of the record, the band's deep interest in vinyl collecting and lots more. Enter to win a signed vinyl copy of "Absolute Elsewhere" by becoming a sponsor at Patreon.com/VinylGuide Topics Include: Absolute Elsewhere transformed their lives: bigger venues, mainstream press, entirely new audiences. Album allows new stage production; band already writing faster than ever before. Now headlining shows in US; Europe tours were always headliners, just smaller. Forbes called it one of most important death metal records in history. Record serves as gateway, exposing listeners to extreme metal and progressive influences. Vinyl LP format is their artistic endpoint; last two albums are side-long tracks. Twenty-minute sides provide perfect breathing room for their narrative-driven compositions and riffs. Maxed out Pro Tools voices at Hansa Studios during Absolute Elsewhere recording sessions. First three records recorded live on analog tape; complete takes, minimal punch-ins. Absolute Elsewhere used hybrid approach: drums on tape, then built digitally with Arthur. Recording live on tape creates collective synergy and tension they want captured. Band uses Oblique Strategies cards; asks "what would Trey, Chuck, or Eno do?" Paul designs all layouts; collects test pressings and creates prototype covers himself. Searching for roughly 200 more records; has specific rare pressings in mind. Weakling's Dead as Dreams LP extremely rare; basement flood destroyed most copies. Double album versus double LP distinction: complementary discs versus interrupted single work. Songs start with riffs that suggest where to go; excitable band keeps moving. Timewave Zero was critical palate cleanser enabling more holistic collaborative approach forward. Tangerine Dream collaboration manifested unexpectedly; Thorsten used vintage Edgar Froese Mellotron samples. Future dreams include Brian Eno, Steve Roach; already have secret collaborations lined up. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Mastering Engineer Dave Gardner & Audio Archivist Catherine Vericolli discuss the preservation of the Westbound Records audio catalogue, including the masters of legendary recordings by Funkadelic, The Counts, Ohio Players & more. Topics Include: Dave Gardner (mastering engineer) and Catherine Vericoli (archivist) introduce their specialized roles Mastering serves as link between creative process and manufacturing standards Catherine transfers analog tapes to highest possible digital quality preservation Physical restoration work includes extensive mold and splice remediation tasks Much archival work involves "audio archaeology" detective work with clues Working backwards from incomplete information when documentation is missing completely Common assumption that old records were always done "the right way" Reality reveals beloved records often weren't made using proper methods Got rare access to examine entire Westbound Records collection together Westbound Records started late 1960s by distributor Armin Bolodian in Detroit Detroit-based independent label achieved regional success with multiple hit records Funkadelic, Ohio Players, Detroit Emeralds were among their major successful acts Complete catalog reissue approach rather than cherry-picking just popular hits Assets moved between multiple locations over decades, not everything returned Found various generations and copies of tapes for each release Maggot Brain original masters were believed to be permanently missing Discovery of missing masters hidden in completely unmarked white archive boxes Original tape playback speeds rarely match speeds of vinyl releases Spent entire week meticulously fine-tuning correct playback speeds for accuracy Academic ethnomusicologist confirmed musical key was wrong on commercial releases Many recent European reissues contain fundamentally inaccurate speed and sound Double 45 RPM format avoids sonic compromises required for long sides 27-minute album sides on 33 RPM required major audio quality sacrifices All-analog cutting process preserves original sound character without digital conversion Unreleased material exists primarily in unprocessed multitrack tape format only Dennis Coffey played guitar on many more Funkadelic recordings than known Analog tape degradation accelerating rapidly, especially problematic for digital formats Cultural preservation mission drives their passionate collaborative archival restoration work Asset paranoia and trust issues affect access to important historical recordings Primary motivation remains saving irreplaceable music for all future generations High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Kevin Smith and Josh Roush discuss punk cinema and share how the DIY ethos of punk rock influenced both their filmmaking careers and their lifelong love of music and vinyl records. September 20 at the Punk Rock Museum - book now! Topics Include: Josh Roush introduces his punk rock film "Wrong Reasons" screening at Punk Rock Museum Film described as dramedy about fan kidnapping singer to clean her up Josh discovered punk through Rancid track in Beavis and Butthead movie Kevin Smith joins, reveals his rebellion was hip hop not punk rock Kevin explains his DIY punk ethos despite loving Run DMC and Public Enemy Jason Reitman told Kevin that "Clerks" is essentially a punk rock song Kevin compares his film career to Anthrax (the band not the disease) Josh wrote "Wrong Reasons" for his love of punk rock Discussion of Punk Rock Museum displays including Lemmy's boots and Germs footage John Hughes soundtracks praised for passionate music curation and detailed planning Kevin reveals his vinyl collection started with father's stolen postal records Heavy Metal Parking Lot documentary celebrated as authentic snapshot of 1980s culture Josh secured soundtrack through Tim Armstrong connections, most artists said yes immediately Licensing music from Black Flag, The Wipers, L7 and more. Kevin shares $400,000 Fleetwood Mac "Tusk" song licensing horror story from film Lindsay Buckingham put "f**k you" price on track, producers paid anyway Vinyl collecting discussed as communal church-like experience for non-religious people Josh rips personal vinyl at high quality for authentic movie soundtrack pops September 20th museum screening includes Q&A, signed posters, and bar party High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Hüsker Dü & UltraBomb bassist Greg Norton discusses the Miracle Year of 1985, vinyl rarities, the archive fire, Reflex records, the making of Zen Arcade, the Punk Rock Museum and more See Greg at the Punk Rock Museum Sept 9  |  Preorder "Hüsker Dü - The Miracle Years" here Topics Include: Greg Norton announces September 9th Punk Rock Museum guided tour and performance Norton discusses favorite museum pieces including Joe Strummer's guitar and burned DOA Stratocaster Band's archive mostly intact despite Grant Hart's 2011 house fire destroying materials Norton used to own 7,000 vinyl records but downsized after difficult moves Hüsker Dü formed through Minneapolis record store connections at Melody Lane and Cheapo Band members met when Bob Mould heard Grant Hart blasting Ramones music Northern Lights record store basement became their rehearsal space after hours Twin Tone rejected their demo, leading to self-releasing on Reflex Records Band assembled and sold first singles themselves, no distribution deals initially BREAKING NEWS: Numero Group announces "Hüsker Dü 1985: The Miracle Year" box set Previously unreleased First Avenue live recording from January 1985 finally gets release 1985 was pivotal year with 150 shows, multiple album releases across continents Band road-tested new songs before recording, sometimes writing during soundchecks Most basic tracks recorded in one or two takes maximum Zen Arcade conceived as rock opera double album from the beginning Minutemen rushed Double Nickels release to match Zen Arcade's double format Producer Spot mentored Hart and Mould while engineering at Total Access Studios Jello Biafra praised Zen Arcade as bringing "self-indulgence back to rock" Current band Ultra Bomb working on third album with rare vinyl issues Norton hopes to finally tour Australia after decades of missed opportunities Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photos by @insomniac199 Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Shooter Jennings reveals the story of hundreds of unreleased recordings his father Waylon made between 1974-1984, including stunning covers now being released as "Songbird" - plus more musical stories from the lives of the Jennings family. Order the new "Songbird" LP here. Topics Include: Shooter Jennings discusses upcoming Songbird release featuring his late father Waylon's unfinished recordings Most songs were actually complete with vocals and instruments already recorded professionally Waylon privately recorded after 1974 RCA battle, keeping hundreds of tapes unlabeled Tapes digitized in 2008 but sat untouched until Shooter systematically catalogued everything recently Discovery process was emotional journey revealing Waylon's constant studio experimentation and joy Found treasure trove including Fleetwood Mac's "Songbird" cover and multiple complete albums worth Shooter mixed everything on vintage 1976 analog console maintaining authentic original sound Three planned album releases starting with Songbird, featuring different themes and flavors Tony Joe White plays harmonica, Jessi Colter sings, original band members returned Cataloging required detective work, Googling lyrics, consulting surviving band members for identification Growing up as Waylon's son meant different childhood, touring summers, recognizing fame Family record collection included Beatles, Harry Nilsson, later Waylon bought entire collections Teenage Shooter brought home Nine Inch Nails, Nirvana; parents showed concern but support Waylon's deep friendship with Buddy Holly, plane crash guilt haunted him for years Eventually found closure visiting crash site, could finally look at wreckage photos Parents advised being authentic, not copying others; mother worried about rough crowd Shooter's career shows risk-taking from country to experimental electronic and industrial music Produced diverse artists from Duff McKagan to Marilyn Manson, always seeking creative challenges Early collaboration with father on Fenixon project mixed country with industrial influences Vinyl remains important, frequent Amoeba Records visits, special Record Store Day releases planned Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Australian guitarist Davey Lane discusses his new album 'Finally, a Party Record', joining You Am I at 18, meeting Paul McCartney & nerding out on vinyl! Listen to the new album here. Topics Include: Davey Lane discusses his new album "Finally, a Party Record" and the ironic title choice Originally titled "The Great Unraveling" but changed to something more approachable and chipper Despite upbeat title, songs deal with dark subject matter that inspires his songwriting Finding peace with mental state and place in world as he's gotten older Always includes glimmer of optimism even when writing about romantic catastrophes going wrong Makes music as compulsion, not for career goals - realistic about posthumous appreciation Big Star, Nick Drake - artists appreciated later in life Avid record collector who browses sections aimlessly rather than shopping with lists Discovers new bands like Comets on Fire by hearing them playing in record stores Vinyl is primary listening format - meditative experience that keeps him focused and level Thinks about album sequencing early, including crossfades between songs on new record Beatles were gateway drug, fascinated by production techniques on Sgt Pepper's at age seven Met Paul McCartney in 2017 backstage in Melbourne through Jimmy Barnes and Michael Gudinski Took Valium beforehand, talked about McCartney's jacket instead of asking musical questions Started transcribing You Am I songs as teenager, sent tabs to drummer Rusty Got invited on stage at 16 to play with You Am I at all-ages show Returned to high school as local hero after performing with established rock band Tim Rogers called offering solo tour opportunity, left university after two days to tour Officially joined You Am I in 1999 at age 18 after proving compatibility on tour Took years to feel like full band member rather than nervous new guy Learned importance of authenticity over networking and career-focused schmoozing in music industry Collaborated on The Rites project covering Stevie Wright's "Evie" to raise money for legend Recorded with Saints' Chris Bailey on what became his final album before passing Created experimental Dual Monophonic vinyl with Tim Rogers and King Gizzard's Stu McKenzie Each vinyl channel contains different arrangement of same song, can be heard separately Technical challenges getting proper stereo separation on vinyl pressing required multiple attempts New album on Cheer Squad Records features striking red and yellow vinyl pressing Cover art deliberately references Rod Stewart despite not particularly liking that album Record designed to catch browser's eye in record stores like albums that attracted him Interview wrap up Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Lifelong Elvis collector Ian McQuillan discusses the rarest records of Elvis Presley - from Sun Records worth $10,000+, international rarities, even shares insider tips for spotting counterfeits, and explains why young collectors are driving a thriving market for the King's rarest vinyl. Topics Include: Ian McQuillan introduces himself as 55-year Elvis fan since age 2 Scottish parents in New Zealand exposed him to Elvis on record player "Big Hunk of Love" was his first memorable Elvis song obsession RCA distributed Elvis records globally, making them widely available worldwide Elvis market remains strong while other 50s rockabilly artists declined significantly Elvis cornered teenage markets in UK, Australia, New Zealand more than US Parkes, Australia hosts massive annual Elvis festival with 20,000+ attendees Elvis Week celebration started small, now draws 50,000+ fans to Memphis Elvis has bigger catalog depth than any other recording artist Sun Records represent collectible pinnacle - only five official 45/78 releases 78rpm records rarer due to shellac brittleness, 95% destroyed over time Sun 209 "That's All Right" commands $10,000-12,000 in mint condition Sam Phillips used multiple pressing plants, creating interesting variants and rarities Initial Sun pressings probably 20,000-30,000 copies, reaching 200,000 total eventually Early distribution concentrated in American South, spreading through Elvis touring Promotional Sun records exist with distinctive red stamps, worth significant premiums Jack White famously paid $300,000 for unreleased Elvis acetate recording RCA reissues sound much cleaner than original hissy Sun pressings Sam Phillips likely pressed extra inventory after selling Elvis to RCA Counterfeit Sun records identifiable by shiny vinyl, wrong dates, label gaps Pre-army Elvis albums (1954-1960) remain most collectible among LP collectors SPD promotional EPs from first album worth $1,200-4,000 in good condition Australian gold label first album worth $1,500-2,000, extremely hard to find Colored vinyl "Moody Blue" pressings command $2,000-3,000 from collectors 8-tracks, reels, cassettes now collectible after being worthless for decades Follow That Dream label produces high-quality Elvis reissues for serious fans New Elvis footage and recordings still surface regularly from private collections Young professionals in 20s-40s driving current strong collector market demand Elvis Week features conventions, tributes, candlelight vigil at Graceland annually Colonel Parker's merchandising legacy created massive collectible memorabilia market today Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Nick Aguilar of Frankie and the Witch Fingers and Slaughterhouse is a vinyl maniac! Today we discuss his collection, his obsession, the rarities and a life of music & record collecting. Topics Include: Nick Aguilar plays drums in multiple bands including Frankie and the Witch Fingers Currently focusing mainly on Frankie due to busy touring schedule ahead Extensive tour dates planned through end of year across US and Europe Considers himself a music fan first, musician second since childhood Dad played tapes during Nick's colic as baby, introducing classic rock Father went to San Pedro High School with future Minutemen members Dad chose commercial fishing over music after graduation in 1976 San Pedro's shipping port culture shaped the local music scene Nick has surpassed his dad's music knowledge over the years Started collecting at age 11 when neighbor gave away record collection First records included Rolling Stones "Some Girls" and Led Zeppelin "Physical Graffiti" Still regrets not taking Buzzcocks "Singles Going Steady" from that collection Casual collecting through school, seriously ramped up after high school graduation Pandemic period 2020-2022 massively accelerated his collecting and cataloging habits Taught himself DJing during lockdown to play records for people Discovered new genres like soul, funk, kraut rock through deep diving Got lucky buying expensive records cheap before current inflated market Focuses on 45s and 12-inches that work well for DJing Extreme organization needed to juggle multiple bands, touring, collecting, DJing Record store strategy: always hit new arrivals section first Holy grail wants include The Litter and James Knight records Uses both Discogs hunting and in-person digging at stores Thrift store finds getting much rarer as market knowledge spreads Appreciates reissue labels like Numero Group for discovering rare music Limited record shopping time while touring due to tight schedules Favorite shops include Breakaway in Austin and Academy in NYC Most expensive purchase: Helen Smith soul record for $2,900 on credit Most sentimental record: The Frighteners, reminds him of deceased friend Keeps multiple copies of key records for DJing versus home listening Band creates multiple vinyl variants through their Greenway Records label See Frankie and the Witch Fingers and order their vinyl here. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Obsessive vinyl collector and radio & MTV legend Matt Pinfield discusses his music collection, holy grails, music industry stories, his recent health scares and sharing stories at the Punk Rock Museum. The Punk Rock Museum info and tickets are here  Matt's book "My Insane Improbable Rock Life" is here Topics Include: Matt discusses his post-stroke meal plan after months without solid food Friends like Mike Ness from Social Distortion visited him in hospital Stroke happened at drummer John Tempesta's house, remembers calling EMS Had both stroke and meningeal pneumonia with 85% mortality rate Daughters told he would die, was touch and go situation Lost feeling on right side, still numb but walking with cane Previous near-death experiences: aneurysm at 15, car accident, sobriety struggles Recovery includes acupuncture from former punk drummer and intense physical therapy Currently doing tours at the Punk Rock Museum in Las Vegas Favorite museum artifact is rare Germs concert footage never released Stories of interviewing Iggy Pop who once knocked microphone from hands Hosted Wayne Kramer tribute concert at Sing Sing prison for inmates Getting punk acts on MTV 120 Minutes easier than expected Started in college radio at Rutgers, only 13 alternative stations existed CBGBs regular, Athens Georgia born with B-52s/R.E.M. connections there Kevin Bacon joked there's only two degrees of separation with Matt Neil Young remains his interview "holy grail" Matt is a serious 45 RPM collector Lived in Paul Kantner's old apartment with psychedelic laser showerhead DJed at clubs where James Gandolfini was regular Friends with Don Bolles from Germs, both love 70s glam records Personal rule: must buy something from every record store visited Also supports opening bands by buying their vinyl and t-shirts Postal service recently stole entire box of rare 45s shipment Still searching for holy grail records like Panic Squad 12-inch single Tom Petty acetate test pressing gift from friend Chuck Rocha Found rare Cherry Slush single that climbed charts before label folded Optimistic about vinyl's future as young people discover physical music Believes vinyl offers irreplaceable warmth and "whole other world" experience Plans Vegas record shopping and Australian record exchange with Nate High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide    

Gibby Haynes discusses his upcoming EU/UK tour, the completed Butthole Surfers documentary, early punk memories, near-death stage experiences, vinyl reissues and lots more. EU/UK Tour Tickets here  Topics Include: Gibby discusses upcoming European & UK tour with Scott Thunes and musical kids Tour dates are limited, zero chance of expansion beyond Europe/UK Scott Thunes was Frank Zappa's former bassist and "clone meister" Gibby confirms he's a Frank Zappa fan, particularly loved "Apostrophe" album Lost interest in Zappa after "Apostrophe" due to scatological humor focus Initial confusion about Scott Thunes - Gibby doesn't know who he is Clarifies he works with Paul Green's School of Rock for 20 years Scott Thunes may be coming on tour, is friend of Paul Green Gibby has no direct connection to Scott Thunes, only knows Paul Green Sometimes tours individually with kids, different kids each time Butthole Surfers once toured Europe with School of Rock as opener Kids' performance quality varies - sometimes really good, sometimes not Gibby lost entire record collection when engineer sold it during tour Collection was 3-4 feet of curated vinyl, mostly punk and hardcore Had valuable Buzzcocks singles collection among other rare records Met record dealer in San Antonio mall who introduced great albums Dealer showed him Devo's first album when it came out Key collection moment was hitchhiking trip to LA in summer 1979 Saw early LA punk shows including Go-Gos opening for Fear LA was only US city where audience spit at bands Witnessed massive amounts of phlegm on Belinda Carlisle during show John Belushi was standing next to him at the Go-Gos show Almost saw the Dickies' "last show" but it was cancelled Dickies are apparently still performing, contrary to expectations Gibby wrote memoir "Me and Mr. Cigar," wants to do sequel Criticizes most musician memoirs as ghostwritten, prefers authentic voices Cites Bob Dylan and Patti Smith as examples of self-written memoirs Discusses looking at legacy, mentions end being closer than beginning Still painting but doesn't do regular gallery shows or solo exhibitions Questions whether rockers are musicians or entertainers, favors entertainment label Believes rockers make better actors than actors make musicians Cites Childish Gambino and Lady Gaga as successful crossover examples Mentions Russell Crowe's band "50 Odd Foot of Grunts" dismissively Did artwork for several album covers including "P" and other releases Sold all artwork at LA gallery show while Sonic Youth members sold none David Yow pointed out his success, making him particularly happy Maintains friendships with successful musicians like Red Hot Chili Peppers Gets VIP access to major shows, brings 15-year-old son along Son says he loves Gibby but frequency might be concerning Kids don't appreciate backstage access until they can drink alcohol Mentions Dwarves show where son enjoyed the beer more than music Discusses Eagles of Death Metal and Queens of Stone Age name quality David Crosby once asked why they chose "Butthole Surfers" as name Responded that "Haynes, Walthall, Pincus and Coffey were already taken" Band appeared on Beavis and Butthead with respectful introduction Used different band names for every show, including outrageous ones Paul Leary nearly died from electrical shock at CBGB performance Sound engineer failed to warn about dangerous electrical outlet Butthole Surfers documentary "The Hole Truth" is completed, seeking distribution Twenty percent of documentary viewers cry during screenings, usually same moment Band controls all their catalog rights across different labels Potential vinyl box set in works, discusses remastering philosophy 50+ Minutes Extra-Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Chris Ashford of What Records? discusses releasing the first LA punk single "Forming" by the Germs, rarities, tapes, memories of Darby Crash and early punk scene stories. Topics Include: Chris Ashford founded What Records? and knew Germs members George (Pat Smear) and Paul (Darby Crash) He worked in record stores through high school and was fascinated by record labels Chris decided to start a label while his friends formed the Germs band He had no formal education about making records, learned from Richard Fuse at Rhino "Forming" was recorded in a garage with two-track deck and two microphones The single had multiple takes but most were erased years ago B-side used cassette recording from Germs' Cheech & Chong "Up in Smoke" audition Master tape for "Forming" is missing, possibly in Canada, but Chris owns rights Cheech & Chong footage shows Germs performing "Sexboy" - same version as B-side They kept the cassette source secret initially to avoid potential lawsuits Lou Adler excluded Germs from movie because audiences wouldn't believe they were real Chris missed the "Up in Smoke" taping because he had to work his day job He financed all What Records releases including "Forming" himself Black rectangle on sleeve was intentionally ambiguous, meant as tongue-in-cheek band photo Address on record was Chris's parents' house where he lived He quickly moved to P.O. Box and removed address to protect his mother First pressing had wrong labels on wrong sides due to Monarch pressing plant error About 1,000 copies were made, most of original pressing was destroyed 600-700 defective records were thrown down hill as frisbees for fun None of them expected anything significant to happen with the record "Forming" was technically the first independent DIY punk single from Los Angeles The record served as legitimizing calling card for the Germs Darby Crash was gifted lyricist despite his troubled background and demons Chris received Germs burn from Michelle Ghaffari at the Whiskey without warning Germs burns became insider thing in summer 1977, wider trend came later Darby never fully matured, died at 22 before becoming complete person Germs often performed as chaotic train wreck, unlike disciplined bands like Stooges Darby had difficult childhood and family problems that created his demons David Bowie was Darby's favorite outlet, influenced his dreamy/nihilistic worldview Chris saw potential for Darby to become writer beyond just being lyricist Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Descendents have reclaimed their music catalog with pre-orders of 'Milo Goes To College' starting today - Bill and Milo give us updates on ALL, FLAG, new music and more. Topics Include: "Milo Goes to College" reissue announced for September 19th via Org Music Limited vinyl variants available including special "punk note" Blue Note-style packaging Both band members report good health, Bill has been hitting gym regularly Milo had recent heart attack despite being most athletic member historically Coffee remains firmly on the menu for both musicians despite health focus Band regained rights to their back catalog once held by SST All original SST releases will be reissued including Bonus Fat, Enjoy Master tape ownership involves multiple parties, topic too sensitive to discuss New Alliance originally issued record, later transferred to SST seamlessly South Bay punk scene was tight-knit community with handshake deals Reissues will be exact replicas except for special punk note variants Fat EP might get separate reissue, Ride the Wild included Milo retired from corporate science job in 2016 for full-time music Band played around 90 shows last year, planning 70 this year Bill balances drumming with fewer Blasting Room studio production projects Bill struggles with songwriting perfectionism, has 75 unfinished song ideas Band has 25 new songs recorded, planning 2026 album release deadline Soundcheck covers help "sanitize" big venue stages, played entire Germs album Haven't performed new songs live yet, prefer trashy covers at soundcheck Australia tour likely after new album, great crowds and venues there China tour required submitting all lyrics for government approval beforehand Minister of Culture attended Beijing show, made drummer put shirt back FLAG reunions may be happening more regularly at select festivals All playing Canadian shows with Scott and Chad alternating on vocals Milo stepped in for lost-voice Chad at sold-out New York show Tony Lombardo still close friend but officially retired from playing bass Milo still buys vinyl records despite not having a record player Pre-order the 'Milo Goes To College' vinyl reissue here High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Comedian, Actor, Author Craig Ferguson discusses his early punk days, making music and comedy records, avoiding David Bowie and many musical moments that influenced his path. Topics Include: Discussion begins about Craig's new vinyl release "I'm So Happy" Craig has released most of his comedy specials on vinyl His first album was vinyl in 1986 when that was standard Vinyl became the poor cousin during the CD era Craig's vinyl collection is currently boxed up after moving Used red sleeves for expensive records when kids were young First owned record: Monkees "Headquarters" from uncle James First purchased: Brian Eno "Here Come the Warm Jets" 1976 Son experienced vinyl for first time with Mogwai album Son said he felt "robbed" by digital music quality Modern music feels overproduced and digitally assembled to Craig Artists release music before it's properly developed or ready His first concert: Blue Oyster Cult 1975 Nassau Coliseum Still shops at record stores with tour manager Thomas Prefers tactile experience over buying vinyl records online Has couple of precious singles from his own bands Missed lots of music during blackout drunk years 15-30 Now discovering missed artists like John Cale collaborations Doesn't consider himself musician but thinks like one musically Stand-up comedy has tempos, moods, feels like musical performance Music and comedy both require audience participation for value Paul Weller didn't want interview despite initial tour requests Never invited David Bowie due to being too in awe Never spent time with Iggy Pop except seeing performances Drummed for Nico briefly when young and impaired Last public drumming was disastrous Rock Bottom Remainders performance Billy Connolly's vinyl albums were forbidden contraband as kid Vinyl comedy creates different atmosphere than digital formats Watch "I'm So Happy" on YouTube & order the vinyl here. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Melbourne band Umlaut discuss their upcoming heartbreak-themed album "Desolë", inspirations and reflections on Mr Bungle memories and performances. Topics Include: Vinyl Guide podcast video episode with Melbourne band Umlaut Band members: Bär McKinnon, Shane, Angus, Danny introduced New album "Desolë" coming out July 25th/21st "Desolë" means "sorry" in French, originally song title Track became album title after Angus suggested it Album themes center around heartbreak and personal material Bär moved toward more earnest songwriting recently Danny wrote some lyrics, band becoming more collaborative Bär describes creative process while driving, cycling melodies Recording these personal songs felt embarrassing for Bär Songs existed for some time before band recorded Bär historically very controlling, now trying to relinquish Most songs originated with Bär, others contributed sections Danny brings different drumming ideas than just copying Peter Jackson Beatles documentary inspired collaborative approach Final track created spontaneously in rehearsal room Bär and Danny worked together 25 years ago Different now because they're actually playing together Previously recorded separately, rarely rehearsed together More open to other ideas and input now "Vinny" track completely transformed from Bär's original demo Band has revolving door history with members Current quartet setup works well for these songs All members play multiple instruments during live shows Mr. Bungle 2024 Melbourne show at Festival Hall happened Only had 12 minutes to work out songs Performed "Travolta" with Danny and Bär rejoining Teased "Carry Stress in the Jaw" then stopped Angus sang backing vocals on Travolta performance Security almost didn't let them on stage Bär wore boiler suit and scarface shirt Extended saxophone solo during the performance Considered doing secret sideshow but didn't happen Recent health issues caused tour cancellations in October Danny considered quitting drumming due to physical concerns Band refused to play without Danny Health issues resolved, Danny can play again Cold Sore is cover of unreleased Mr. Bungle song Unreleased Bungle recordings exist on two-inch tape Album took about year and half to complete Pre-order vinyl here and here. Watch the VIDEO version here High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Ed Colver discusses his iconic punk rock photography career, including shooting legendary album covers like Black Flag's "Damaged" and Circle Jerks' "Group Sex," as well as his passion for collecting strange "crackpot records".  Topics Include: Ed Colver known for punk photography, also collects strange records Calls his collection "crackpot records" - religious, political, spoken word Started buying records at 14 in 1964, Pretty Things album Always liked heavy underground psychedelic music growing up Collected antiques, spent time at flea markets and thrift stores Would hide good records behind Sean Cassidy albums Put Herb Alpert records in front to fool other collectors Music and art were everything to him growing up Exposed to avant-garde classical in 1967 by art teacher Learned Stockhausen, John Cage, Edgar Varèse, Toru Takamitsu Called electronic music "your grandfather's punk rock" George Antheil's Ballet Mechanique caused riots in 1923 Hated high school, dropped out at 18 for junior college Studied all kinds of applied art classes and woodworking Made skateboard in 1963, year Kennedy was shot Beatles on Ed Sullivan made no impact on him Preferred Pretty Things over Beatles and Rolling Stones Never tried playing instruments, glad didn't buy drum kit Started photography in late 1978 at punk shows Took friend Robert Hill to shows, now works national security Couldn't afford much film, had to be selective Used manual focus with small flash, paid attention constantly Shot rhythm-timed photos, watched for dramatic moments Lost lens in right eye 30 years ago Famous Chuck Berk stage dive photo taken July 1981 Met Chuck next night, never saw him again since Chuck gets paid when photo is licensed commercially Levi's and Vans perfect product placement in photo Circle Jerks "Group Sex" cover shot at Marina skate park Was there specifically to shoot album cover, not spontaneous Used color film, took more than one roll High contrast printing saved the mediocre color photo Black Flag "Damaged" cover concept was Ed's idea Shot near La Bianca murder house location coincidentally Made fake blood from ink, coffee, and dish soap Red-eyed Henry photos were rejected as "too demented" Original red-eye photos lost for 35 years Channel 3 Pure Life photo originally for Damaged insert Typeset layout ruined the backward gun photograph's power How to Overcome Discouragement record from early 1970s Played it as soundtrack at art walk event Has broken glass on cover, similar to Damaged Wild in Streets cover shot during San Francisco parade Circle Jerks crashed parade, Ed ran ahead shooting Parade doesn't show in final photo, just street Shot Darby Crash mohawk photo backstage at Starwood Darby died about two months after that photo Ice Cube portrait shot in one minute, ten frames Used medium format camera with professional lighting setup Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Fred Schneider of The B-52s discusses his massive 10,000+ record collection while sharing stories about the B-52's early days, the original "Rock Lobster" single, vinyl reissues and new boxset. Topics Include: Massive record collection visible in wall-to-ceiling custom cabinets Estimates 10,000+ records, considers himself a "record nut" Collection includes avant-garde, classical, funk, soul, bad records Loves bad Christmas records and Halloween records specifically Been collecting since age 13, started in early days Currently has broken receiver, can't play main system Portable player works for 45s but stops unexpectedly Still adding records but doing major purge now Selling and donating records, too many to listen to Donates to Archive of Contemporary Music organization regularly Most precious records are original 45s from youth Still has first album mother bought thinking Beatles Moved into funk, Led Zeppelin, then New Wave music Was Sirius Satellite Radio DJ for three years Prefers first pressings, doesn't care about reissues much Looking for "When I'm Gone" by Brenda Holloway Will clean up scuffed records if sound improves Vinyl never left his turntable despite CD popularity Listens to music most of day while doing activities Plays classical mornings while reading magazines and coffee Enjoys electronic music from 50s/60s and harp music B-52s sound came from all members' varied influences Band was lumped with punk but more "freak punk" Original "Rock Lobster" single recorded in Georgia mountains DB Records pressed 2,000 copies, sold out quickly Eventually pressed 30,000 total copies of original single Australia embraced band early, rolled out red carpet Band never saw penny from original single sales Talking Heads recommended B-52s to their manager successfully Enter to win a record from us to celebrate Ep500 High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Epitaph founder Brett Gurewitz discusses rare records, early Bad Religion releases, the lasting impact of "Suffer", format transitions, and staying relevant through punk's evolution and vinyl's revival. Topics Include: Brett's first record: Cosmo's Factory at age 9-10 Lost entire record collection after breakup with Susie Shaw Greg Shaw's legendary garage rock collection inspired young Brett Vinyl revival surprised Brett after seeing format cycles Started Epitaph shipping vinyl from West Beach closet CD controversy: expensive, poor sound quality initially Made three formats: vinyl, cassette, CD for releases Vinyl nearly died in late 90s, warehouse troubles COVID lockdown sparked massive vinyl sales resurgence Indie artists need vinyl for merch booths Color variants important for hardcore collecting communities Epitaph's mission: help artists, don't make records ourselves Started Bad Religion at 17, Greg/Jay were 15 No label knowledge, just entrepreneurial punk rock spirit Dad lent $1500, found Alberti pressing plant First 7-inch had skipping error, different pressings exist Rodney on ROQ played cassette before vinyl Fan mail arrived from Europe surprisingly early "Into the Unknown" prog disaster: 11,000 returns somehow Took day job selling gay disco imports Learned recording at University of Sound Arts Started West Beach studio in Pacifica's back closet Cocaine-fueled 80s work schedule: three jobs simultaneously "Suffer" recorded in seven days, transcendent experience Eddie Schreier at Capitol gave Brett confidence boost "Suffer" sound attracted top punk bands to studio Signed NOFX, Offspring through West Beach connections California harmonies influenced by Adolescents, Beach Boys "Beginner's mind" philosophy keeps Epitaph current today Authenticity and youth create that rock miracle Enter to win a record from us to celebrate Ep500 High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Billy Gibbons shares his lifelong passion for collecting vinyl records and vintage guitars, from his first Jimmy Reed single to his legendary "Pearly Gates" Les Paul, revealing the stories behind iconic instruments and rare recordings. Topics Include: Billy Gibbons has honorary doctorate from Musicians Institute Extensive record collection includes many well-preserved 78s Takes records on tour bus, plays DJ with Elwood About 1,200 legitimate record stores exist worldwide today Favorite shops include Waterloo Austin, secret Vegas spot Record stores create communities with great coffee, food British resurrected American blues through vinyl reissues Girlfriend "Stick" sent Hendrix record from London early Moving Sidewalks learned Purple Haze before tour Jimi appreciated their nerve playing his songs first Saw Elvis at age five in 1956 Houston Witnessed B.B. King recording at ACA Studios age six First record was Jimmy Reed single via housekeeper's list Parents supported musical tastes, dad was MGM pianist Mom "knew how to play the radio" best Dad's family immigrated 1908, became musicians avoiding gloves Samuel Goldfish (Goldwyn) brought dad to MGM Pictures Elvis lit fuse, B.B. King sealed musical deal Beatles introduced unusual harmonies, more than three chords First vinyl appearance: Moving Sidewalks "99th Floor" Recorded at Doyle Jones studio in Houston Houston had rich recording scene with multiple studios Various labels operated from Houston recording schools Pearly Gates Les Paul bought for $250 originally Searched for guitars matching Pearly Gates' magic sound Three vintage Les Pauls appeared at Carter Vintage simultaneously Nacho Banos recreating vintage Les Pauls in Spain Recently played Albert King's custom Flying V gift Recording "Chronicles 2" using Albert's original Flying V Robert Johnson legend, pictures and collectables Guitar collection includes meteorite picks, slides, Bo Diddley rectangle Enter to win a record from us to celebrate Ep500 High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Billy Corgan discusses his unconventional record collecting philosophy while revealing the complex saga behind the Machina albums, the 25 legendary vinyl copies, the upcoming Machines of God boxset, Mellon Collie vinyl releases and more. Topics Include: Billy working on book for 10 years, restarted multiple times Billy buys lots of records but isn't fussy collector Prioritizes clean vinyl condition over perfect covers or variants Worked at record store in 80s, understands collector mindset Collects obscure major label releases from 60s and 70s Searches for forgotten bands with no online information trace Loves jazz on 10-inch records from late 50s/early 60s Record collection has no organization, total mess at home Bought thousand records on last tour, resells some Machina originally sprawling concept record about band breaking up Virgin Records treated band poorly despite massive previous sales Never finished complete Machina vision during original 2000 sessions Released truncated 15-song Machina I album through Virgin/EMI Band toured 11 months knowing they'd break up afterward Three weeks before breakup, Billy rushed to finish leftover recordings Record company rejected finished Machina II Billy dumped complete Machina II free on internet in 2000 First major band to release album free online, predating Radiohead Machina II became viral sensation, fans loved the record Produced only 25 hand-cut vinyl copies of Machina II Each copy uniquely wrapped in printed tape, all different Sent copies to Robert Smith, fans; now worth thousands Years of legal battles with Universal over complete release Initial "Mellon Collie and the Infinite Sadness" vinyl release Alterations for Mellon Collie running order New Machina box set finally coming through Madame ZuZu's Box contains 80 songs: complete vision plus extra tracks Universal separately reissuing original Machina I album remastered ZWAN vinyl reissue underway Archive contains over 60,000 pieces of physical media Hundreds of live concert recordings from 90s tours available Billy passionate about rewarding dedicated fans who dig crates Enter to win a record from us to celebrate Ep500 High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Punk legends Alice Bag and Kid Congo Powers discuss their collaborative lounge project "Juanita and Juan", reflect on the diverse, inclusive LA punk scene, discussing moments like the first Germs show, the "Up in Smoke" filming, and the tight-knit community that reshaped music forever. Topics Include: Alice Bag and Kid Congo Powers introduce collaborative project Known each other for decades from LA punk scene Project started with mysterious Hollywood call for Latin song Characters Juanita and Juan have elaborate fictional backstory Sound described as "loud lounge, punk folk" style Uses electronic music, keyboards, minimal guitar, tropical beats Album titled "Jungle Cruise" released on In the Red Songs are autobiographical, including "Here Comes the Prez" Originally planned for book readings with musical interludes Both authors used music to ease reading nervousness LA punk scene was incredibly diverse and inclusive Lasted only 18 months but reshaped music forever Everyone contributed something to the tight-knit community Alice witnessed first chaotic Germs performance with groceries Both attended "Up in Smoke" Battle of Bands filming Kid visible in background of unreleased Germs footage Darby Crash's death discussed - overdose versus suicide debate Bags single "Survive" now worth $1000 to collectors Both still actively collecting and occasionally selling records Planning more Juanita and Juan material, considering Australia tour Order Juanita and Juan's "Jungle Cruise" vinyl here. Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

SWANS founder Michael Gira discusses his final orchestrated album "Birthing," his creative process, and plans to transition to a simpler musical approach after decades of creating intense, transcendent live performances. Topics Include: Michael introduces "Birthing" as SWANS' final orchestrated album. Future SWANS work will be much simpler. He's 71 and finds intense performances physically demanding. No clear vision yet for his next musical phase. SWANS will tour US in October, then Europe. He finds Australian tours difficult due to jet lag. Triple vinyl/double CD includes concert film and documentary. Marco Porzia filmed the SWANS documentary. Christopher Nicholson filmed a solo performance in Norway. Great shows happen when "the music plays us." Natural venue acoustics enhance the performance experience. Songs transform and lengthen throughout tours. One song evolved to 82 minutes during tour. Three-hour sets leave performers exhausted afterward. Songs begin on acoustic guitar before band elaboration. He listens to guitar sound hole to hear potential harmonics. Directs band through gestures during live performances. The recording happened immediately after European tour ended. Uses same old Guild acoustic guitar for decades. Vinyl editions required some song edits for length. Gira doesn't listen to much music anymore. He art directs all SWANS releases personally. Created unique limited editions with handmade elements. Has done crowdfunding since 2000 for recording budgets. Once recorded personalized songs for top contributors. Will miss the elation of building live crescendos. No current plans for more fiction writing. Reluctant to write autobiography despite family encouragement. Can mentally play entire album from memory. Recently rediscovered early Led Zeppelin's brilliance. Order the SWANS LP "Birthing" here. Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

andrew "falco" falkous discusses the reformation of his band mclusky after a nearly 20-year hiatus, their upcoming album on ipecac recordings, the rare catalogue of vinyl releases and more! Topics Include: falco confirms mclusky's new album "the world is still here and so are we." album will be released on may 9th on ipecac recordings. falco feels ipecac is the perfect label home for mclusky. he hopes this is just the end of "act one" for their reunion. falco approaches life expecting problems but finding humor in them. humor is essential to mclusky's songs without becoming a joke band. falco keeps files of potential song titles for future use. songs usually emerge from playing together in the same room. first takes often contain the magic that makes songs special. falco writes most lyrics but damien wrote lyrics for two songs. "your mother is a ballpoint pen thief" came naturally in writing process. falco describes songwriting as writing 1000 bad songs to get 10 good ones. performing gives falco confidence he doesn't have in other social settings. the current mclusky lineup consistently delivers intense live performances. "mclusky do dallas" remains their most popular album by far. steve albini recorded both "do dallas" and "the difference between me and you..." "lightsaber c*********g blues" started as a throwaway whole lotta rosie parody. the line "flying is fearful of me" just emerged while performing. "she will only bring you happiness" had radio potential until "sex criminal" line. self-sabotage is part of mclusky's essence, even when unintentional. falco considers swearing an essential part of rock music. australia has been mclusky's strongest market since early in their career. melbourne, sydney and brisbane show strongest streaming numbers for mclusky. the band has toured australia approximately ten times since 2002. prescriptions music is falco's label for future of the left and christian fitness. falco considers mclusky "mostly my band" but credits all members' contributions. damien sayell (current bassist) recently recovered from a health scare. jack egglestone (drummer) has jazz training and remarkable listening skills. mclusky reunion began with charity shows for venues like le pub in newport. the current lineup feels like a distinct band, not future of the left playing mclusky songs. recording the new album was spread across three weekends over 18 months. bob weston remastered "mclusky do dallas" giving it a different sheen. future of the left albums and more christian fitness reissues are planned. their favorite songs on the new album are those recorded most recently. the name "mclusky" came from a character in british tv show "grange hill." order the new mclusky album here commercial free, high resolution version of this podcast is available at: www.patreon.com/VinylGuide listen on apple: https://apple.co/2Y6ORU0 listen on spotify: https://spoti.fi/36qhlc8

Damian Kulash of OK Go discusses his evolution from punk music fan, working with Dischord records, and creating boundary-pushing music, vinyl packaging and viral videos Topics Include: New album "And The Adjacent Possible" available for streaming now. Discussion about physical media's role in OK Go's output. OK Go primarily known for videos that "live in the ether." Damian was into physical record packaging during college years. First record was Herbie Hancock's "Rockit," bought at Tower Records. Young Damian damaged the record trying to scratch like DJ. Later played with Herbie Hancock at Obama's 50th birthday party. Musical journey from hip-hop through Prince, Beatles, Led Zeppelin. DC punk scene was influential, with bands playing in cafeterias. Started Level Records at age 15,with funding from Dischord Records. Ian MacKaye lent teenager Damian money to start label. Level Records produced 7-inches and compilation CDs for friends' bands. College made running a record label difficult for Damian. Studied art semiotics at Brown University. Worked as NPR radio engineer and Photoshop retoucher after college. Indifferent to Napster's rise during OK Go's early days. Band finances operated like "roadrunner off the cliff" cartoon. Discussion about gift economy model working for the band. Belief that making things you love matters most, not success. Music sometimes gets overshadowed by video's visual impact. Videos gave OK Go longevity beyond typical radio-hit bands. New album theme explores Stuart Kaufman's "adjacent possible" concept. OK Go doesn't have unified sound; band is "like a mixtape." Treadmill video was originally made for "nerdiest fans" only. Videos aim to create real events that connect with viewers. Physical pressings of OK Go albums are costly in secondary market. New vinyl features elaborate pop-up sphere in custom packaging. Hidden track on second album deliberately blocked copy-protection software. Record label "Paracadute" means parachute in Italian. Ten-year album gap wasn't intentional; life and pandemic happened. Directed "The Beanie Bubble" film with his wife for Apple. Film directing different from making music videos; less adrenaline-driven. Video production typically takes 3-6 months from concept to completion. Some video ideas abandoned when technology made them commonplace. Order the OK Go LP "And The Adjacent Possible" on vinyl here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Private Function frontman and instigator Chris Penney discusses the rare, collectable and controversial vinyl art of the band and reveals some details of their new album. Topics Include: Chris Penney injured himself at a house party. Private Function opened for Green Day recently. Bassist Milla broke her ACL during a show. Band got stuck in a cyclone for six days. New album has a shrugging emoji as its title. Album features 2,590 microscopic album covers on the sleeve. Each album copy comes with a magnifying glass. Album name is hidden somewhere in the artwork. Available for pre-order April 23, shipping May 23. Being released in Australia, America, and Europe. Chris started in a band called Mesa Costa. Private Function began with demo recordings at home. First release: "Six Smoking Songs" cassette (100 copies). Reissued with "bin night" sounds layered over it. Another reissue with Christmas carol audio added. Released fake pregnancy tests as band merchandise. "St. Anger" album named after controversial Metallica album. Had to change Spotify artwork due to Metallica similarity. Released an obscure 8-track version of the album. "Whose Line Is It Anyway?" album had Queen-themed artwork. Special "Mystery Bag" vinyl contained bags resembling drugs. Their song "Aubrey Wodonga" became strangely popular in Spain. Released "The First Two Tapes on a 12-inch." Included Subway job applications with the album. 10 copies included handwritten letters of recommendation for Subway. "370HSSV0773H" album featured scratch-off lottery ticket material. Winner received $2,999 and their face on reprints. Needed special gambling exemption to sell in South Australia. Special "gold" edition contained the band members' urine. Another special edition contained beer-making ingredients. Upcoming album will have 100 special variant copies. Chris was banned from America for six years. Recently received American visa for touring. Australian tour in June, European tour in July. Planning potential U.S. tour later this year. Preorder the new Private Function album here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

TV writer & Record Collector Andrew Reich discusses his decade-long journey creating a documentary about Los Angeles music legends Redd Kross and the McDonald brothers' musical partnership. Topics Include: How Andrew made the leap from TV writing to filmmaking. Wife's suggestion sparked the documentary idea. Heard Steve McDonald's abduction story on a podcast. TV writing different from documentary making - can't control narrative. Documentary structure doesn't follow traditional storytelling beats. Director learned new storytelling techniques through editing. Documentary required extensive collaboration with editor Aaron Elders. Filming spanned approximately 10 years (2015-2025). Jeff McDonald's hairstyle changed dramatically throughout filming. Andrew discovered Redd Kross through "Teen Babes from Monsanto" album. Became fan at 13, requesting records for radio station. Redd Kross connects diverse bands from Black Flag to Go-Go's. Director considers Redd Kross one of Los Angeles' greatest bands. Documentary coincided with band's current renaissance and revival. Making the movie spurred new Redd Kross creative activity. Band created "Born Innocent" song specifically for the film. Initial filming was sporadic until Kickstarter provided funding. Created oral history structure from interview transcripts. Collected extensive archival material throughout production process. Film deliberately kept under 90 minutes for accessibility. Cut "Desperate Teenage Love Dolls" section despite importance. Film focuses on brothers' relationship rather than complete history. Steve's abduction possibly influenced band's fantasy/dress-up aesthetic. Andrew admires documentaries like "Anvil" and "Dig." Avoids rock critics in documentaries, preferring eyewitness accounts. Parents' interview about abduction was emotionally challenging. Wishes he had footage of certain legendary shows. New photographs emerged after film completion for eventual Blu-ray. Describes record collecting journey starting in New Jersey. Now focuses on first pressings of albums he loves. Sold unnecessary records to fund first pressing purchases. Australian bands currently producing best new punk music. Prefers seeing smaller shows over expensive arena concerts. Purchased rare Redd Kross/White Flag split single. Film rentals now available worldwide at reddkrossfilm.com/rent Rent "Born Innocent: The Redd Kross Story" here. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Nuggets curator Lenny Kaye joins Brown Acid creators Lance Barresi and Daniel Hall to celebrate their 20th volume of rescuing forgotten proto-metal singles from the early 70s, discuss rare vinyl discoveries, and preserving music that would otherwise be lost to time. Topics Include: Introduction of Lance Barresi, Daniel Hall, and Lenny Kaye. Lenny explains discovering Brown Acid at Other Music in Manhattan. Lenny compares Brown Acid's impact to how Nuggets defined garage rock. Discussion of what makes Brown Acid unique in music archaeology. How Jac Holzman gave Lenny the original idea for Nuggets. Daniel and Lance never expected Brown Acid to reach 20 volumes. Track-by-track discussion of Brown Acid Volume 20 begins. AfterFlash's "Cookbook" was originally a B-side. 500 copies was typical minimum pressing quantity in the early 70s. Lenny mentions pressing 1500 copies of Patti Smith's first single. Most Brown Acid records didn't come with picture sleeves. Discussion of Polvo, the first Mexican band on Brown Acid. Other international acts include bands from Australia, Sweden, UK, Canada. Three primary regions for Brown Acid music: Youngstown, Detroit, Texas. Osage Lute from Missouri is Lance's hometown connection. Osage Lute drummer Mike Lusher preserved extensive band history materials. Frozen Sun's "Jamm Pt 1" was from original master tape. Some records are so rare they have no Discogs sales history. Many original artists don't remember details about their recordings. Lenny mentions difficulty finding information when creating original Nuggets. The Banana Bros record isn't even listed on Discogs. Surprising connection: Banana Bros member was father of Permanent Records performer. Many Brown Acid discoveries happen through impossible coincidences. A horror movie soundtrack led to discovering one Brown Acid track. B-sides often better fit the Brown Acid aesthetic than A-sides. Lance must track down artists for proper licensing for each song. Some negotiations take years to complete. Nick Townsend credited for consistent audio mastering across compilations. RTI pressing plant provides consistent quality for Brown Acid vinyl. Paul Major writes the colourful track descriptions for Brown Acid. Lenny wrote the foreword for Brown Acid Volume 20's deluxe edition. Brown Acid 20th anniversary release party happening at Permanent Records Roadhouse. DJ Mr. Dibs creating special Brown Acid mixtape to celebrate milestone. Brown Acid preserves songs that would be lost without the project. The team has enough material licensed for many future volumes. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Replay of our 2024 interview with hardore legend Al Barile of SSD and X-Claim! Records. Photos by Alison Braun ------- Society System Decontrol (SSD) self-released several landmark hardcore punk records in the early 80s. Out of print for over 4 decades, SSD has only recently reissued their two masterpieces "The Kids Will Have Their Say" and "Get It Away" on vinyl. SSD founder Al Barile takes us through the making of those records. Topic Include: Interview start The continued popularity of SS Decontrol music Al was a natural leader for the hardcore scene Naturally managing risk Jumping to an album – no singles for SSD 1900 units of "The Kids Will Have Their Say" Self-funding the album, selling the initial pressing Recording "The Kids Will Have Their Say" Was Al happy with the original recordings? Al doesn't enjoy listening to "The Kids Will Have Their Say" Comparing Trust reissue with original Xclaim Issues getting the tapes back from a label Original pressing of "The Kids…." goes for > $1k Why were there no repressings before the recent Trust reissue CD issue of "Power" Has Al hung onto his records? White cover of "The Kids Will Have Their Say" designed by Bryan Ray Turcotte Original concept & artwork for "The Kids Will Have Their Say" The difference in recording "Get It Away" Was "Get It Away" always envisioned as an EP? The cover songs that SSD performed Original 4800 copies of "Get It Away" Running the X-Claim! label/imprint All X-Claim! bands ran their own vinyl pressings What is the source of the "Get It Away" reissue Will there be reissues of "How We Rock" and "Break it Up" Al's health update Al wants everyone to get a colonoscopy The SSD book "How Much Art Can You Take?" Interview wrap up Order "The Kids Will Have Their Say" and "Get It Away" on vinyl here. Order the book "How Much Art Can You Take" here. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Australian icon Tex Perkins takes us through his legendary career, from The Cruel Sea & The Beasts recent works, to wild ARIA award nights, his atrocious habits with vinyl records, reissuing his works on vinyl and lots more.  Topics Include: Tex Perkins rehearsing with The Cruel Sea for upcoming gigs. Bringing back "deep cuts" from 30 years ago. Band already prepared the songs before his arrival. Feels like "personal karaoke" returning to old material. Gains fresh perspective on older songs with time. Sometimes writes songs instinctively, not from personal experience. Song "Hard For You" channeled rage he hadn't experienced. Recorded with Kid Congo Powers from Bad Seeds. ARIA Awards incident clarified - didn't stab anyone. Hit someone with a glass at an after-party. Molly Meldrum was present during the altercation. Lived with Jules Normington of Phantom Records. Paid rent by washing Jules' dishes. Had access to Jules' extensive record collection. Especially enjoyed 60s punk and garage rock records. Met John Foy, who was pedantic about record handling. Music scattered across many different record labels. Controls some albums, but not all. Universal owns The Cruel Sea and some Beasts albums. Axeman's Jazz recorded and mixed in six hours. Recent album "Ultimo" recorded differently - basic tracks then laptop. Modern recording allows more experimentation without studio costs. Prefers vinyl album lengths around 18-20 minutes per side. Three Legged Dog being released on three vinyl sides. Spanish reissues were "handshake deals" with unclear accounting. Appreciates unashamedly Australian content in newer bands. Newer bands don't hide their Australian accents. Never experienced censorship of his music. Had releases in different regions without his knowledge. No accounting from Big Time label after bankruptcy. Performed with The Legendary Stardust Cowboy in 1985. "Ledge" known for having "world's worst record" - Paralyzed. Backed Ledge with James Baker, Spencer Jones, Lachlan McLeod. Ledge progressively stripped during his performance. Threw Frisbee paper plates with drawings into the audience. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Despite having no manufacturing experience, Nick Phillips (The Breadmakers, Corduroy Records) impulsively bought Australia's last vinyl pressing equipment, not only saving it from the scrap heap, but creating an Australian vinyl legacy and spirit that continues through today's modern pressing plants. Topics Include: Introduction of Nick Phillips and his vinyl industry background. Early records on Mr Spaceman – label-mates with Cosmic Psychos How Nick impulsively bought a record factory in Sydney. Nick had no manufacturing experience before buying the equipment. The equipment cost approximately $6,000 in 1989-1990. Nick moved the vinyl pressing equipment to Melbourne. Finding an affordable factory space in McKinnon, Melbourne. The labor-intensive nature of hand-pressed vinyl record production. Description of the vinyl manufacturing process with electroplating. Need to import vinyl pellets from California after local supply ended. The machines were 1960s Swedish Alpha Toolex presses. Typical daily production of 500 albums or 800 seven-inches. Discussion of major artists pressed at Corduroy Records. Direct-to-acetate recordings as a significant part of operations. Sonic Youth's visit to record direct-to-acetate - "Melbourne Direct" record The White Stripes recording session that didn't go smoothly. How the White Stripes acetates were transferred to Third Man Records Corduroy's unusual business model of charging majors more. Employee requirement to run their own record labels. Nick's perspective on running a business more for passion. The origin of the Corduroy Records name. Why they added "& Detective Agency" to the business name. Their one failed detective case involving counterfeit Nike socks. Financial challenges of running the pressing plant. How EMI and other labels sued Corduroy for copyright infringement. The factory relocation costs that contributed to closing. Selling the equipment to Obese Records/future Zenith Records. How Hilltop Hoods went from customers to part-owners. The machines are still operating today at Zenith Records. Nick's band The Breadmakers has been active for 35 years. The Breadmakers' consistent 1960s R&B sound over decades. The new Breadmakers album "Lonesome Sundown." Nick's satisfaction at keeping vinyl alive in Australia. Directing listeners to thebreadmakers.bandcamp.com for music. Interview wrap up EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Wolfgang Flür, formerly of Kraftwerk, and musical collaborator Peter Duggal, discuss musical journeys, memories from the Kraftwerk years, collaborating with members of Daft Punk and Joy Division for the new LP "Times" and much more. Topics Include: Introduction of new album "Times" release details First 200 vinyl copies include signed postcards Peter's role as Wolfgang's longtime collaborator since 2015 Peter's musical background in 1980s electronic music Previous collaboration on album "Magazine" released in 2022 Collaborators on "Times" including Boris Blank and Daft Punk Modern vs. old technologies for music production Wolfgang's frustration with German music industry Cherry Red Records supporting Wolfgang's career in England EMI's mishandling of Wolfgang's earlier album "Time Pie" Peter's personal relationship with vinyl records Production quality of the vinyl pressing in Czechoslovakia Mastering process with different approaches for vinyl vs. CD Collaborating with Emil Schult, former Kraftwerk visual artist The track "Planet in Fever" originally written in 1993 Wolfgang's approach to revisiting and evolving older songs How Peter and Wolfgang know when a song is "done" Comparing music creation to cooking a meal Process of collaborating with Boris Blank on "Global Youth" Wolfgang's childhood in post-WWII Germany First record purchase: Khachaturian's "Sabre Dance" at age 10 Musical influences from his mother and grandmother First musical instrument was a mouth organ Discovering drums at school at age 16 Designing electronic drum pads for Kraftwerk Wolfgang's friendship with Florian Schneider until his passing Their emotional final meeting at a brewery Working with Thomas from Daft Punk Planned joint appearance at a Chicago film festival Live performance concept "Musiksoldat" as anti-war statement Wolfgang and Peter completed their 60th show together Wolfgang's last visit to Australia in 1981 Karl Bartos' importance to Kraftwerk's musical compositions Plans for future performances and promoting the album EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Mike Kennerty of All American Rejects is a serious record nerd! Here he shares about his hobby, his collection, the rarities, the grails and the vinyl catalog of The All American Rejects, Screeching Weasel and more! Topics Include: Introduction to Mike Kennerty of All American Rejects Whether Mike considers himself a "record nerd" Mike's history of collecting vinyl since the 1980s Valuable records in Mike's collection His purchase of Misfits records in the mid-2000s Mike's extensive collection of seven-inches and LPs Finding rare No Effects record in Japan for $12 Mike's approach when visiting record stores His focus on punk records and international versions Whether Mike buys duplicate copies of records Multiple versions of Misfits' "Walk Among Us" in his collection Mike's collection of memorabilia beyond records (zines, flyers) Custom record shelving from closed Hastings stores Holy grail records Mike still wants (Misfits' "Cough/Cool") Most he's paid for a record ($600 for Fear) Thinking about vinyl during recording and production process Creating different masters for digital versus vinyl releases Experience with rejecting test pressings that aren't satisfactory Trouble with recent Screeching Weasel record pressing Update on All American Rejects' current status Their cover of "Flagpole Sitta" as first new material Band dynamic after not recording together since 2017 Upcoming singles "Sandbox" and "Easy Come Easy Go" Availability of All American Rejects albums on vinyl Status of master recordings following Universal Music fire Challenge of finding 24-bit masters for vinyl reissues Working with other producers in All American Rejects Mike's early band Mr. Crispy and DIY label Saving Taco Bell wages to release 7-inch records The Oklahoma punk scene in the 1990s Mike's love for All and Descendants Favorite record shops around the world Rarest items in Mike's collection His home audio setup for playing records Future plans for All American Rejects in 2025 EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Martin Rev shares stories of the early days of Suicide, the acetates, recording the debut album, audience reactions, continually creating solo music and more. Topics Include: Discussion of Rev's current relationship with vinyl records Early influences on Suicide's sound Inspiration of Tony Williams Rev's transition from drums to electronic instruments Early Suicide performances with minimal equipment Origins of using "punk" term in early marketing Story of "Rocket USA" acetate at Max's Kansas City Henry Rollins acquiring one of the original acetates Recording process of first Suicide album Equipment used: Farfisa organ and Seagram's rhythm machine Creation of first album's cover art Response to negative early reviews Early tours with Elvis Costello & The Clash Audience reactions and controversies during shows Different versions of "Frankie Teardrop" Rev's creative partnership with Alan Vega Gap between Suicide albums Creation of "Clouds of Glory" solo album Current approach to composing music Discussion of "Demolition Nine" album Rev's process for creating new material How familiarity affects perception of one's work Rev's current artistic aspirations Upcoming UK shows and festivals Early Suicide set lists Rev's pre-Suicide musical background The band's evolution from chaos to acceptance Rev's perspective on collaboration Creating without commercial expectations The endless nature of musical discovery Rev's focus on continuing to create new work EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Three vinyl nerds – Billy Fields from Warner Music Group, Dillon Smith of Noble Records and Nate Goyer of The Vinyl Guide - discuss the state of vinyl collecting in the year 2025 - trends, changes, evolution and thoughts and predictions on what's to come in the near future. Topics Include: Introduction of Billy Fields as vinyl expert at Warner Music Group Dillon Smith introduced as Noble Records owner Initial discussion of 2024 vinyl market trends Billy mentions focus on maintaining subscriptions with Third Man Records Discussion of discovering Lee Dorsey records through social media Impact of online discovery versus traditional record store hunting Dillon reflects on personal collection growth in 2024 Store inventory mix discussion: 70% used, 30% new Dillon describes efforts to prevent burnout through regular collection buying Changes in modern vinyl collections coming to market Impact of overpressed modern releases on secondary market UK vinyl market showing strongest growth internationally Release schedule alignment with digital affecting market success Taylor Swift's impact on vinyl sales globally Discussion of fewer bands in current charts versus solo artists Evolution of vinyl market since 2006-2008 Economic factors affecting entertainment spending during tough times Local UK pressing plants helping market stability Changes in used record collections coming to market Impact of deceased collectors' collections entering market Discussion of subscription service impact on used market Original pressings versus reissues value discussion Impact of Tone Poet series on Blue Note original prices Quality improvements in modern pressing techniques Availability of better playback equipment today Discussion of collecting original pressings versus reissues Dillon's perspective on psychopathic collector mentality Voice of America collection acquisition mentioned Discussion of historical pressing quantities versus modern numbers Billy's approach to collecting versus hunting original pressings Impact of audio system quality on listening preferences Youth market engagement with vinyl discussion Different collecting approaches between generations Modern retail challenges with Target/Walmart pricing Discussion of variant pressings and market saturation Impact of FOMO buying on market Sustainability in vinyl production discussion PET vinyl alternatives being developed Plant efficiency improvements and environmental considerations Declining genres discussion - 1950s rock and traditional pop Rising interest in country music records Discussion of 90s country potential on vinyl Garth Brooks box set marketing strategy failure Predictions for 2025 vinyl market Direct-to-consumer strategy concerns Sustainability developments in record pressing Personal collection management strategies Discussion of recent records giving participants "goosebumps" Discussion wrap up Video version available on the Noble Records YouTube channel Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Australian punk pioneer Kim Salmon details his journey from discovering punk in isolated Perth to making extraordinarily rare and collectible records with The Scientists, The Beasts of Bourbon, Smoked Salmon and more! Topics Include: Kim Salmon has new "Smoked Salmon" album coming February 2025 Discovered punk through NME magazine articles in 1975 First heard Ramones after ordering album from Perth record store Formed The Cheap Nasties, one of Perth's first punk bands The Victims formed after watching Cheap Nasties perform Scientists formed when James Baker joined after Victims broke up "Frantic Romantic" single: 1000 copies made on DNA Records Bomp Records in USA ordered 500 copies, never paid Chris Robinson paid $800 for "Frantic Romantic" copy Scientists gained popularity touring Australia's east coast Band appeared on Countdown TV show, refused staged motorcycles Salmon painted original Scientists logo by hand Early Perth punk scene was isolated from eastern Australia Creedence Clearwater Revival influenced young Salmon's musical development Scientists' "Pink Album" recorded as band was breaking up "Weird Love" album re-recorded songs due to copyright issues Numero Group now handles Scientists' reissue campaign More archival Scientists recordings planned for future release Salmon stopped writing songs during Melbourne's 2020 lockdown Recorded pandemic song "Self Replicator" within 5km radius Smoked Salmon started as bushfire fundraiser project Recent Beasts album "Ultimo" features collaborative songwriting James Baker and Salmon still write songs together "Ballad of Rock and Roll" inspired by Mott The Hoople Creates watercolor artwork for Smoked Salmon releases Perth's isolation affected access to new music Scientists performed different styles before settling on sound Currently balancing multiple bands and visual art career Order the new "Smoked Salmon" album from Cheersquad Records EXTENDED, commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

John Rzeznik and Robbie Takac of The Goo Goo Dolls discuss their early punk rock roots, record labels, writing unexpected mega-hits, their harrowing plane crash, vinyl reissues and lots more. Topics Include: John recently recovered from pneumonia and multiple hand surgeries Goo Goo Dolls were heavily influenced by punk rock They listened extensively to The Replacements and Hüsker Dü Band started by renting VFW halls for shows First record cost $750 on Mercenary Records They signed contracts despite lawyer's warning not to Metal Blade discovers and signs band Learned touring lessons watching mistakes of other bands Being rejected by their favourite labels – SST & Twin Tone Band's sound evolved away from early punk style "Name" unexpectedly became their first big hit Legal issues followed success of "A Boy Named Goo" John retreated to LA hotel during difficult period "Iris" and the "City of Angels" soundtrack "Iris" released year before "Dizzy Up The Girl" Taylor Swift later covered "Iris" Survived plane crash in Sicily during USO tour Pilot attempted landing multiple times in storm Band got drunk to fly home next day John took up skydiving to overcome flying fear Initially feared appearing on Howard Stern's show Relationship with Stern's show improved over time John doesn't collect vinyl or music memorabilia Robbie runs Good Charamel Records label John collects vintage recording equipment instead Band criticizes Spotify's payment model Few B-sides exist because John discards incomplete songs Covered Lime Spiders song – will be on upcoming release Record store clerks were important musical mentors "A Boy Named Goo" 30th anniversary edition coming Australian tour planned for February Playing seven Australian cities on upcoming tour John grew up on greatest hits albums Learned to appreciate Led Zeppelin at age 50 Tickets and vinyl available here! Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Eddie Spaghetti of the Supersuckers discusses the band's extensive vinyl catalog, upcoming releases, vinyl reissues, their unreleased Interscope album while sharing stories about merch table oddities & touring Australia. Topics Include: Introduction and scheduling discussion of interview length Eddie's current location and preparation for Australian tour Discussion of packing requirements for Australian weather Eddie's personal record collection and collecting habits Current vinyl availability of Supersuckers catalog Italian pressing of "Must've Been High" discussion Upcoming Sub Pop 30th anniversary reissue plans Vinyl merchandise availability at upcoming Australian shows Eddie's early music influences and first record purchase Discussion of "My Sharona" as formative musical influence Eddie's relationship with punk rock and The Ramones Development of country music influence on songwriting Songwriting process discussion - starting with song titles Current commissioned songwriting service offering Status update on upcoming new Supersuckers album Hard Charger Records deal and label discussion Rights ownership of Supersuckers back catalog Story behind unreleased Interscope Records album Early vinyl releases and singles history Origin of "Eddie Spaghetti" nickname Band member nickname assignment process Instagram bathroom documentation hobby discussion Comparative analysis of worldwide venue bathrooms Merchandise table unusual items and sales Tour expectations with Nashville P***y Aussie tour details and ticket information See Supersuckers & Nashville P***y in Australia here Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Former Black Flag singer/guitarist Dez Cadena traces his path from being the son of a jazz record producer to becoming a pivotal figure in the LA punk scene, discussing the records, rare recordings and eyewitness accounts in the formation of LA punk rock culture. Topics Include: Interview start, brief discussion of The Saints and Chris Bailey's passing Dez discovered Australian punk through Music Plus record store Early exposure to Ramones, The Damned, and The Saints Describes discovering Radio Birdman alongside The Saints Compares Radio Birdman's sound to Blue Öyster Cult Discusses early AC/DC fandom, specifically Bon Scott era Father Ozzie Cadena was record producer for jazz labels Family moved from New Jersey to California Father had connection to Lighthouse Cafe jazz venue Dez's childhood exposure to music through father's record store Father's recording techniques using minimal microphone setups Connection to Rudy Van Gelder's recording studio Father recorded blues artists like Lightnin' Hopkins Received first drum kit as child from father Influenced by TV show Hee Haw's multi-instrumental performers Father encouraged guitar learning over other instruments Father's reaction to Dez joining Black Flag Met Ron Reyes at garage sale playing punk records First encounter with Black Flag (then called Panic) Discusses early Black Flag recording sessions and demos Explains Louie Louie single release on Posh Boy Records Details Thirsty and Miserable Licorice Pizza promotional record Discusses relationship with Black Flag after leaving band Explains circumstances of Ron Reyes leaving Black Flag Describes chaotic Louie Louie performance after Reyes quit Discusses transition from singing to playing guitar Mentions potential singers considered before Henry Rollins Keith Morris briefly returning for one show Current Flag project and Punk Rock Bowling festival Discusses Punk Rock Museum and giving tours Mentions Johnny Thunders' guitar and other museum exhibits Recommends The Schizophonics band Promotes his current band Dondo Mentions producing 3rd Rate band's recent record See Dez at the Punk Rock Museum - Tickets here Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Stephen Malkmus of Pavement and The Hard Quartet supergroup discusses his record collecting history and hobby, the curation and rarities of his collection and more. Topics Include: Discussion of California fires affecting friends and family Malkmus planning upcoming Australia tour dates Past experiences touring Australia - good venues and hospitality Planning to watch Australian Open tennis in Melbourne Record store habits in Chicago area Sold eight feet of records to Portland dealer Keeps records with sentimental value over others Considering organizing valuable records for emergency evacuation Owns rare Australian records from Bondi Beach dealer Band of Light, Buffalo, Carson among Australian collection Collecting New Zealand Flying Nun and Expressway records Prefers finding records in wild over online purchases Interest in outsider music and private press records The Shags mentioned as reference for outsider music Gary Higgins' "Red Hash" mentioned as great private press Values original pressings over reissues, condition less important Not particularly interested in promo or white label releases Discusses Led Zeppelin records and Robert Ludwig pressing Moved from LA to Stockton around age eight Played in Stockton punk band Straw Dogs Opened for major hardcore bands like Black Flag Tales of Terror band mentioned as influential Authorities from Stockton discussed - "Soundtrack for Trouble" First vinyl appearance was Slay Tracks release Early Matador Records special releases with dinosaur stamps Influenced by Swell Maps and Beat Happening Early Sub Pop and Homestead Records were influential Hard Quartet project confirmed as ongoing, not one-off Band recorded together, avoiding remote recording methods Discusses song "Renegade" and its evolution Compression techniques used on "Renegade" discussed Looking for Roy Rutanen record while in Australia Found Bram Stoker record in Gold Coast charity shop Uses phone to research records while shopping Values surprise discoveries in record stores most Tickets for The Hard Quartet Australian tour Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Tony Reflex of The Adolescents discusses the band's 45-year journey, from the early days, the Blue Album, the legacy of "Amoeba", working with Frontier Records to current day releases, rarities and more. Topics Include: Adolescents approaching 45 years as a band Band attracts three generations of fans to shows Beatles and Cheap Trick were major musical influences First records were children's Golden Records on yellow vinyl Cereal boxes used to come with cardboard records Tony couldn't play instruments, focused on vocals instead First vinyl appearance was "Amoeba" on Rodney on the Roq compilation Rodney Bingenheimer played their demo tape immediately after receiving it "Amoeba" originated from Rik and Casey's previous band Detours Lisa Fancher signed them to Frontier after shows turned into riots Blue Album recorded over single weekend with Tom Wilson Album cover inspired by Cheap Trick's logo design Band wasn't close friends, created internal tensions Pat Smear briefly joined band for three months "Welcome to Reality" single - Ed Colver gravestone cover photo Recently discovered Starwood live tapes from Rob Ritter Hollywood punks accepted Orange County bands despite distance Cuckoo's Nest venue paid bands very little money 1986 reunion show at Fender's Ballroom with Weirdos "Brats and Battalions" released on SOS Records Steve Soto and Tony called themselves "rock wives" Recent albums include Russian Spider Dump, Caesar Salad Days Tony collects CDs more than vinyl records Owns original Germs "Forming" single in true mono VIDEO version of this podcast is available at: www.Patreon.com/VinylGuide Photos by Alan Snodgrass, Glen E Friedman Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Australian drummer James Baker chased after punk rock overseas before returning to Perth, forming The Victims, The Scientists, The Beasts of Bourbon and more with an extensive discography of increasingly collectible records. Topics Include: Born in Perth 1954, travelled to US/UK at age 21 in 1976 Saw early Ramones shows at CBGB's in New York Met Sid Vicious on bus while wearing NY Dolls shirt Auditioned as drummer for The Clash in London Formed The Victims in Perth after returning home Pressed 500 then 1000 copies of "Television Addict" single Hand-stamped Victims record sleeves during beer-fueled parties The Victims only lasted eight months as band Joined The Scientists a day after Victims broke up Scientists' "Frantic Romantic" shipped 500 copies to LA Never got paid from BOMP Early punk records now worth hundreds of dollars Reformed The Victims with Ray Ahn of Hard-Ons Beasts of Bourbon formed when Tex needed backup band Recorded The Axe Man's Jazz album in just one day New Beasts album "Ultimo" recently released Planning Sydney and Melbourne tour for new album Released multiple records during 70th year celebration Live Victims album coming soon through In The Red James Baker Experience single produced by John Foy Most recent recordings done in just two days Still actively recording but less live performance Original Victims records now worth thousands of dollars New "James Baker Beat" single on Cheersquad Records Get new music from the Beasts and the James Baker Beat now! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Metal vocalist Tim "Ripper" Owens shares his remarkable journey from tribute band singer to Judas Priest frontman, discussing rare vinyl, relationships with metal legends, and his upcoming Australian tour while revealing the humble attitude that helped him succeed in the world of heavy metal. Topics Include: Interview start, connections to Australia Valentine's Day show announcement for Melbourne 2025 tour Discussion of Australian touring band lineup Added new songs to setlist including KK's Priest material Memories of friendship and touring with Ronnie James Dio Early musical influences from father's rock record collection First exposure to Judas Priest through Screaming for Vengeance Early band experiences with Brainicide and Winter's Bane Formation of British Steel tribute band in 1990s How video of tribute performance reached Judas Priest Quick audition process with Judas Priest - got job after one line Recording "Jugulator" album with Judas Priest in 1997 Dealing with fan expectations replacing Rob Halford Relationship with Rob Halford over the years Discussion of rare Jugulator and Demolition vinyl releases Experience working with Yngwie Malmsteen, including "Beat It" cover Formation and recording of Charred Walls of the Damned Meeting Navy SEALs at charity events - feeling starstruck Working with various metal vocalists throughout career Dream collaboration wish: Tony Iommi and Geezer Butler Names Heaven and Hell as ultimate desert island album Current recording setup at home for various projects Details about upcoming 2025 Australian tour dates Discussion of potential merchandise for Australian shows Closing remarks about KK's Priest possible Australia tour lookie here for tickets for Tim "Ripper" Owens' 2025 Australian tour  Pictures by Jeremy Belinfante Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Daniel House of CZ Records had a pivotal role in the Seattle music scene of the 1980s and early 1990s, including his work with Skin Yard, his time as a key employee at Sub Pop Records, and working with influential bands like Nirvana, Melvins, Soundgarden, the "Deep Six" compilation and lots more. Topics Include: Introduction of Daniel House and CZ Records New Skin Yard seven-inch box set announced History of Ten Minute Warning band Formation of Skin Yard with Jack Endino Forming the seven-inch box set idea Deep Six compilation's initial release discussed UMen added to Deep Six compilation Chris Hanzsek starts CZ Records then transitions out Deep Six compilation initially sells poorly Daniel House takes over CZ Records operations A&M Records purchases Deep Six compilation masters Working simultaneously at Sub Pop and CZ Records Creation of Sub Pop's direct-to-retail store network House builds Sub Pop's international distribution connections Nirvana's Mexican Seafood track on Teriyaki Asthma Confrontation with Geffen Records over Nirvana tracks Missing songs on Bleach cassette recall story Sub Pop focusing marketing efforts on Mudhoney Early Seattle scene was small and intimate Current Skin Yard Select box set details Pink and red vinyl pressing information Production quality control issues at pressing plant Discussion of box set pricing and production costs Interview wrap up Order "Skin Yard Select" box set here. Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jeff & Steven McDonald join us to discuss the new documentary "Born Innocent - The Redd Kross Story", learnings from their lifelong musical partnership, memories of early punk days, David Bowie, Germs and more. Topics Include: Possible talk of touring Asia and the Pacific Rim Steven and Dale are road dogs Jeff more of a homebody than Steven Adjustment from touring back to home Steven and Mario seeing King Gizzard in early days Playing the L7 Fast & Frightening Festival Challenges of making the "Born Innocent" documentary Keeping the documentary to 90 minutes The dynamics of the brothers – getting under each other's skin Earlier attempts to tell the story of Redd Kross What parts of the Redd Kross story were under-represented? Leveraging "devices" to tell the story and manage viewer expectations What did you learn about yourselves watching the documentary? Ability to view the unique partnership of the brothers Taking away learnings from the movie – relatable learnings from the brothers Brothers within a band – comparisons with Oasis Are the brothers enjoying the current state of their band Grateful for the movie and the book – most proud of the REDD KROSS album How did David Bowie show up for their 1st club gig? Punk in LA in late 70s was a small community The bill was UXA, Black Flag and Redd Kross Memories and experiences with Darby Crash The impact of Darby Crash's death People who may misinterpret Germs Video of Germs performance for "Up In Smoke" The humour and comedy of punk Interview wrap-up Watch the "Born Innocent - The Redd Kross Story" Trailer here Check for a "Born Innocent" screening near you Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

A chaotic dive into the world of Kevin Rutmanis, Gina Skwoz, and Trevor Dunn as they discuss the new Lords & Lady Kevin + Trevor Dunn LP "Last Days at Hot Slit", their experimental music-making process, the liberating unpredictability of their collaborations, the Cows "Peacetika" vinyl reissue and more. Topics Include: Kevin, Gina & Trevor log in Discussion about virtual backgrounds and Kevin's creative experiments. Nostalgia about childhood posters, including Kiss and Farrah Fawcett. The importance of album releases aligning with other projects. Reflections on "Last Days at Hot Slit" album Kevin, Gina & Trevor sending tracks back and forth Collaboration during the pandemic sparks their experimental projects. How Jim Goodwin, aka Pseudo Beast, became their mixer. Alphabetical track sequencing  Gina's return to music and transition to drumming. Tribute to Dave Livingston in their musical process. Use of spirituals and blues lyrics in the album. Challenges of performing complex studio-created tracks live. Trevor's saxophone debut Kevin's experiments with unconventional sound recording techniques. Inspiration for titles, including Andrea Dworkin and old films. Discussion of upcoming vinyl releases and special editions. "Peacetika" reissue, Cows albums and their provocative themes. "Sick New World" festival cancellation Exhaustion with large festivals versus intimacy of smaller shows. Nostalgia for early 90s Cows tours and wild experiences. Contributions to "Burn Us Clean" box set. Multiple purchase links and other Bandcamp releases. Interview wrap up Get "Last Days at Hot Slit" vinyl here Get the Cows "Peacetika" vinyl reissue here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Lucas Harwood of King Gizzard and the Lizard Wizard discusses his new project Heavy Moss, their eco-conscious approach to vinyl production, the making of their album Dead Slow, life on tour, King Gizzard vinyl, posters, merch and more. Topics Include: U.S. and Australian coffee Heavy Moss's album Dead Slow release details. Transition to vinyl production and sustainability discussion. Pioneering no-shrink-wrap, eco-conscious vinyl packaging. Challenges and benefits of cardboard vinyl sleeves. Good Neighbor Records' carbon-neutral vinyl innovations. Exploring recyclable compounds for vinyl pressing. Limited variants for Heavy Moss records Balancing aesthetics with eco-friendly vinyl production. Reflecting on King Gizzard's early vinyl pressings – Willoughby's Beach & 12 Bar Bruise Stories of early struggles with vinyl production costs. University music program as a foundation for KGATLW. Eric focusing on Flightless was not a surprise Evolution of King Gizzard's collaborative band dynamic. Managing growing tour setlists & deep cuts Three-hour shows and adjusting setlists for each city. Fans' dedication to King Gizzard merch and posters. Famous fans and being starstruck Heavy Moss formation and early recording process. Recording methods for Dead Slow: collaborative yet remote. Balancing touring, family life, and side projects. Plans for live performances and future Heavy Moss albums. Reflecting on record collecting and its evolving priorities. Get Heavy Moss' "Dead Slow" on vinyl here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Yesness is a 2-piece featuring Damon Che (Don Caballero) and Tristan Dunn (El Ten Eleven). We discuss their formation, writing and recording their debut album "See You at the Solipsist Convention", math-rock, post-rock, other dirty words and lots more. Topics Include: Formation of Yesness Kristian and Damon struggle to find musicians to collaborate with The "California No" Making an album from different parts of the country Meeting for the first time in the recording studio Over recording and having a lot of material to work with Working with instrumentals vs music with vocals Album title origin story Songs start as riffs, song titles come much later Strange song titles Using extra songs for b-sides Origin of the band name "Yesness" The band almost became "Keister Island" What does Damon think of the title "Math Rock"? Genres become limiting Not listening to Post-rock or Math-rock What's on heavy rotation and playlists? The Spotify algorithm still struggles to satisfy El Ten Eleven's "New Years Eve" coming after 3-LP set "Tautology" "New Years Eve" and "Valley of Fire" were conceived together The "Yesness" debut always needed to be a full length LP Can the Yesness LP be played live? Yesness challenges playing live – equipment stuffups Will they tour overseas? Selecting the album cover Damon recently upgraded his vinyl system Looking for records Status of the Don Caballero  master tapes and reissues Damon's YouTube video channel Grab all the pressings of your favourite albums "Everything in between the speakers and stylus is snake oil" Interview wrap up Vinyl copies of Yesness "See You at the Solipsist Convention" can be ordered here. Photo by Berto Campus Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8  

Andy Scott of The Sweet discusses band history, rare records, various versions of "Desolation Boulevard", mega-hits like "Ballroom Blitz", "Fox On The Run", meeting Beatles, Australia tour & lots more! Topics Include: Andy's moments with The Beatles Discovering The Shadows Andy becoming a musician since Footy didn't work out Early bands Andy was in Growing up in Wrexham – Seeing The Searchers Almost seeing The Silver Beatles – Dad wouldn't let him go Parents were supportive – eclectic record collection Playing in the Scaffold with Paul McCartney's brother Mike Forming The Elastic Band Playing in Miami and Bahamas – playing 2-3 shows per night Coming back to UK – the singer left Do the recordings with Mike McCartney still exist? The Elastic Band on Decca – 2 early singles Breakup of The Elastic Band Collectible records of Andy's career Sweet had varying set of hits in different countries Supporting and being supported by Bob Seger Different versions of "Desolation Boulevard" "Sweet Fanny Adams" wouldn't have worked in US "Desolation Boulevard" is like a greatest hits LP Cover shot of Sunset Boulevard, Designed by Hypnosis "Ballroom Blitz" was a massive hit around the world Brian Connolly's fight and throat injury Ronnie James Dio was once considered for vocals for Sweet Exposure and memories of early UK punk scene Working with early Iron Maiden recordings Where are tapes of Sweet? Is Andy involved with Sweet reissues? Vinyl can be a pain in the arse New album and upcoming Australian tour Interview wrap up See Sweet in Australia, here am the tickets & info. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Mac McCaughan of Superchunk and co-founder of Merge Records shares insights into the label, being a record collector, "Peak Vinyl" limited vinyl releases, vinyl production, Superchunk's upcoming tour in Australia and heaps more.  Topics Include: We welcome Mac McCaughan from Superchunk and Merge Records. Mac's upcoming tour in Australia to celebrate Foolish's 30th anniversary. Playing songs from multiple albums instead of full album sets, mixing up live performances. Mac's extensive vinyl collection and love for record collecting. Recent Japan trip, grabbing Japanese jazz records Record store treks while touring and discovering rare finds. Merge Records' inspirations from indie labels like Dischord and Sub Pop. Emphasizing affordable, fan-focused pricing for Merge releases. Mac's approach to managing Merge as an artist-driven label. Importance of creativity and quality in Merge's artist partnerships. Record label survival and growth strategies and adapting to changing music industry landscapes. Evolution of 7-inch singles over last 40 years Mac is kind of surprised on vinyl's comeback and staying power The rising costs of vinyl production. Navigating fan interest in coloured versus black vinyl releases. Merge's "Peak Vinyl" concept for collectors' special editions. Handling vinyl production challenges and partnerships with pressing plants. Vinyl costs are starting to slow down record purchases – capacity of vinyl pressing plants What was difficult about moving from musician to record label owner? Records that fell short of expectations How Mac and Merge team listens to artists for potential Merge engagement Listening past the budget/lo-fi qualities of demo recordings Mac's response to hearing Neutral Milk Hotel Reflecting on follow-ups to "In the Aeroplane Over the Sea". Australian record stores / Mac's want list Interview wrap up See Superchunk in Australia, here be the tickets Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Steve Diggle of Buzzcocks shares stories from the early punk scene, the making of "Spiral Scratch", rare vinyl releases, the band's lasting influence and his new book "Autonomy." Topics Include: Steve logs on – golf shirt The new book "Autonomy" Steve was dismayed by prog rock – seeing Yes was discouraging Attending Sex Pistols Manchester gig Did Steve know about punk rock beforehand? Malcolm McLaren pulled Steve into the gig Steve met with the original person he was supposed to meet The story of the name "Buzzcocks" Howard leaving after 10 shows with Buzzcocks The story of "Spiral Scratch" EP Questions on sleeving and DIY on Spiral Scratch Photo on cover of Spiral Scratch How did the band sell and promote Spiral Scratch The name of record label "New Hormones" Test pressings of Spiral Scratch and other Buzzcocks records How the songs were selected for Spiral Scratch Controversies with the song "Orgasm Addict" Buzzcocks had most major record companies trying to sign them The role of the band in Buzzcocks record artwork The Hard-Ons homage to Buzzcocks album The error pressings of "Another Music in a Different Kitchen" Errors in the songwriting credits for "Fast Cars" Steve didn't take on a punk pseudonym Was there competition between Buzzcocks and Magazine? "Singles Going Steady" release in the US market – popularity in the states Steve called John Lennon to invite him to see Buzzcocks Still touring, playing with Descendents, NOFX and modern punk bands they influenced Buzzcocks coming to Australia, new book "Autonomy" Order Steve's book "Autonomy" here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Cook Craig of King Gizzard & the Lizard Wizard and The Murlocs discusses his new Pipe-Eye solo LP, early and rare recordings, KGATLW bootlegger series, touring & lots more. Topics Include: Name preference Cookie's record collection Touring plans, summer in Australia Any live dates for Pipe-Eye? Remembering dozens of songs What's the hardest song to play live? Challenges of microtonal songs Themes of King Gizzard and Pipe-Eye albums Starting an album with a theme vs a collection of songs "Pipe-Defy" has a lot of funk influences When does a song go to Pipe-Eye, King Gizzard or Murlocs? Some King Gizzard albums are driven by themes Origin story of the "Pipe-Eye" moniker Strong influences of 60 garage rock in Geelong Working with Stu in "Revolver & Sun" Pre-release CD from Revolver & Sun – ever be reissued? Cookie was on the Angelsea EP Early band names - reaction to "King Gizzard and the Lizard Wizard" Becoming aware of his ability to make a living from music How KGATLW, Murlocs & Pipe-Eye stay prolific and keep quality high The plan for 5 albums in 2017 Giving away "Polygondawanaland" – the gift economy Seeing, receiving and storing bootlegger products King Gizzard taped over many earlier recordings Recording at Daptone studios – recording on the road Overwriting and over-recordings to select the best tracks How Cookie writes on the road Pipe-Defy sounds less low-fi – higher quality production Doesn't guest on other projects Recording Cosmic Blip – recent reissues – relationship with Flightless The change from Gizzverse to "p(doom) records" Making the videos for Pipe-Eye Working with Jason Galea – albums and gig posters Involvement in poster and vinyl art More touring in 2025 – Europe residencies – maybe Australia What's left on the bucket list for KG? The Gorge in Washington State was quite surreal Working on new music over Christmas break – rapid turnaround Pipe-Eye interview wrap up Order "Pipe-Defy" vinyl here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Justin Trosper of Unwound discusses the band's resurgence, vinyl reissues, intergenerational fanbase, reflections on maintaining artistic integrity and what may be next for the band. Topics Include: Unwound's upcoming debut in Australia this November Thoughts on Unwound still generating excitement after all these years Younger fans connecting with Unwound's music, seeing it as new and relevant Artistic purity and maintaining integrity Other band's covering Unwound - obligatory Melvins reference Working with Kill Rock Stars and the freedom they had  Recording Leaves Turn Inside You - Making MagRecOne recording studio Working with Numero Group, developing boxsets Finding materials, tapes, artwork for vinyl reissues 4 boxsets: Kid Is Gone, Rat Conspiracy, No Energy, Empire - anything missing? Unwound has an archival ethic - UnwoundArchive.com Relationship with Vern after Unwound's breakup Lots of video and unexplored tapes What happened to the cover art for "Fake Train"? Is there the possibility of new material from Unwound? Does Justin still collect records? I'm sending Justin some records Playing the "Guess the Runout Groove Etching" game with Justin Interview wrap up Check Unwound Live dates & tickets Order Unwound vinyl Explore the Unwound Archive Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jerry Cantrell, founder, songwriter, guitarist for Alice In Chains, talks about his new solo album "I Want Blood", upcoming vinyl reissues of solo work, Alice In Chains, his love for vinyl and how to make the vinyl records special for fans. Topics Include: Interview start – Will Jerry be down in Australia? I Want Blood, Jerry's new album, drops October 18, with a couple of tracks already streaming - pre-order vinyl editions of I Want Blood on jerrycantrell.com. That wall of vinyl from an old interview? Not Jerry's—just someone's house they filmed in. While his own collection has gotten smaller, Jerry still enjoys spinning vinyl at home. Vinyl's unique sound—compression, hiss, and all—keeps him hooked. Jerry's been involved in vinyl reissues, like Black Gives Way to Blue, and more are on the way. Vinyl reissue plans of Self-Titled/Three-Legged Dog/Tripod album – 30th anniversary reissues Prefers creating albums - a commitment to what and where the band is at the time "Boggy Depot" & "Degradation Trip" were created close together, as were "Brighten" and "I Want Blood" Is there a theme or through line for "I Want Blood"? What did he learn about himself from this album? Spoken-word versions of the songs specifically for the vinyl packages Rather than etchings on vinyl, he prefers to give fans music content. The spoken-word tracks were backed by music contributed by different musicians in his orbit - adds a unique flavour to the album. He still loves making albums – writes music and considers the format Other vinyl reissues – The Devil put Dinosaurs Here They've managed to keep track of most of their tapes and artwork, despite some industry losses over the years. Jerry confirmed that the self-titled album's master tapes are safe, debunking rumours they were lost. What's up with Alice In Chains LIVE, Unplugged, etc? When is a song for Alice in Chains and when is it a solo album track? After an album and tour cycle, Jerry often takes a break from playing guitar to recharge creatively. The next year – touring, solo shows, Alice In Chains dates, etc Interview wrap up Pre-order "I Want Blood" vinyl here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Legendary producer Eddie Kramer shares the history and legacy of Electric Lady Studios, the revolutionary space built for Jimi Hendrix's creative genius - from its groundbreaking design, Hendrix's final sessions, to the incredible impact this iconic studio had on rock music history. Topics Include: Electric Lady wasn't just a studio; it was Jimi Hendrix's creative sanctuary. Back in the '70s, having your own studio as a rock artist was unheard of—Jimi changed that. They transformed a basement nightclub into a cutting-edge studio, unlike anything else at the time. Jimi lived just blocks away—he'd walk over with his guitar and just dive into creating. The vibe at Electric Lady was pure Jimi—his vision made it an extension of himself. Eddie and the team prepped the studio for 24-tracks, even though it started at 16. The studio had custom innovations, like seating designed to keep friends out of sightlines. Hendrix loved working fast, and Electric Lady let him capture that energy in every session. Hendrix recorded there for four months before heading to Europe—and never returned. The documentary gives a glimpse of that magical time, full of outtakes and alternate mixes. Kramer talks about how they audited tapes and recorded new songs, blending old and new ideas. Fun fact: The round windows in the studio doors? Jimi's idea. He loved to keep things unique. The Village was Jimi's playground—he could walk around without being bothered. Eddie recalls marathon sessions with Jimi, cracking jokes between takes, always keeping it light. Hendrix was a master at balancing creativity and fun—there was always laughter in the room. Eddie mixed a lot of iconic music at Electric Lady, including tracks from David Bowie and Zeppelin. Hendrix wanted to expand his sound with strings and horns—his musical vision kept growing. The final sessions at Electric Lady were intense, but full of joy and excitement. Electric Lady still has the same vibe, with a layout that's barely changed in over 50 years. The five LP box set coming out captures the magic of those original sessions—essential listening. Hendrix built Electric Lady to be his personal space, and it became a landmark for music history. Order the movie and 5-LP boxset here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Steve Wynn of The Dream Syndicate reflects on his career, the resurgence of vinyl, the collectable nature of his rare vinyl releases and the creative process behind his latest album "Make It Right" and autobiography "I Wouldn't Say It If It Wasn't True".  Topic Include: Steve's experience moving from physical media (vinyl, CDs) to digital formats for convenience on the road. Nostalgia for his time working at Rhino Records and its influence on his music career. The unique music community and culture at Rhino Records, where Steve worked and networked. Steve's gradual shift away from collecting vinyl and embracing digital media. The evolution of the record industry from the 1980s to present, particularly how vinyl has returned. The role of music curation in record stores and its importance for music discovery. Steve's reflections on his long music career, ensuring his albums are still released on vinyl. The process behind finally releasing Sweetness and Light on vinyl after many years. How European record labels helped support Steve's career in the 1990s when U.S. labels were less involved. Curating and filtering music as a key element for making a record store stand out. The strategy behind releasing his new album Make It Right alongside his autobiography. Steve's thoughts on the practicality and challenges of touring with vinyl versus digital formats. The difficulties and satisfaction of managing his own music career independently for over 30 years. Experiences with bootleg releases of live performances and navigating music rights issues. Steve's approach to improvisation in music, particularly during live performances and recording sessions. The creative freedom Steve found in balancing spontaneous music creation with planned studio work. Inspirations behind Dream Syndicate's album covers, including their homage to classic jazz designs. Steve's take on recording technology, from analog to digital, and how it has influenced his process. The importance of capturing the immediacy of live music, and how it can surpass overproduced studio albums. Reflections on how Steve's songwriting process is influenced by his background in sports journalism, focusing on brevity and clarity. Steve's view on minimalism in songwriting, using fewer words to evoke more emotion and meaning. His thoughts on how jazz and rock influences shaped Dream Syndicate's sound and aesthetic. The evolution of his career, from making records in the 1980s to navigating the modern digital landscape. Steve's challenges with securing master rights to his older albums and his recent success in reclaiming Medicine Show. The role of collaboration in his music, particularly with new band members who bring fresh perspectives to his creative process. Steve's reflections on how the resurgence of vinyl impacts both artists and the music industry today. His thoughts on the balance between maintaining artistic integrity and the pressures from labels to produce commercially viable hits. The impact of the 2008 Universal Studios fire on master recordings and the uncertain status of some of his work. The importance of remaining adaptable in the music industry, especially with changes in distribution and technology. How Steve manages the intersection of being both a musician and his own manager, keeping both roles distinct yet complementary. The early records and mega collectibles of his career Interview wrap up Learn about Steve's releases and tours here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

John Flansburgh of They Might Be Giants discusses the evolution of the band's pioneering approach of music and technology to create innovative media and strengthen connections to their devoted fanbase. Topic Include: October Australia tour selling out TMBG's last tour of Australia John's car accident – broken ribs They Might Be Giants' unconventional approach Early adopter approach, the gift economy Pioneering technological approaches The importance of Dial-A-Song Daily updates, the Dial-A-Song machine behaviours Where are the Dial-A-Song machines? TMBG's impressions of Napster Challenges of the music industry in early 2000s Touring used to be a losing proposition Spotify and digital music returns for artists Vinyl is becoming a large return for TMBG What TMBG albums haven't been reissued on vinyl? Loss of album artwork TMBG tapes and digital files 8-track version of "Book" TMBG never did a CD-ROM or enhanced CD TMBG approach and involvement with AI Music genres that lend themselves better to AI BBL Drizzy AI track Strangest song: playing "Saphire Bullets of Pure Love" backwards Backwards "Saphire" coming out on special 7" TMBG Instant Fan Club This Might Be a Wiki – TMBW.net Managing product flippers from Instant Fan Club A friend who used to be in Skull & Bones The story of 1st release "Wiggle Diskette" Distributing and nailing Wiggle Diskette on lamp posts around NYC 1985 TMBG cassette – reviewed by People Magazine Interview wrap up Aussies get your TMBG tickets here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Lee Loughnane of Chicago shares memories of the band's early period, the Chicago Transit Authority debut, Chicago's live performances, rediscovered recordings and the band's enduring legacy. Topic Include: Lee Loughnane – intro Early days – memories of Jimi Hendrix Jimi wanted to play/jam with Chicago Terry Kath and Jimi got along well Learnings from Jimi and Janis Audience of high improvisation tolerance Chicago has so many hits, they can't play them all in a show Touring with Earth Wind & Fire Playing when the power goes out Recording the 1971 Kennedy Center show Common to debut material live before recording The process of writing Chicago songs Jimmy writing the Ballet The naming of albums with Roman numerals Changing band name from Chicago Transit Authority Origin story of the Chicago band logo Releasing a double album as a debut Recording/rehearsing and writing 1st few albums Band house under the Hollywood Freeway AM radio wouldn't play early Chicago material "Make Me Smile" single for AM radio Band was concerned about feasibility to do multiple albums Playing Carnegie Hall – recent remix and box set Remixing early Chicago records Challenge of playing live in early days Terry's amp position on live stage Did Chicago record many early gigs? The Kennedy Center gig was special and recorded as such Chicago put out a lot of records early on Current tour going to Japan but not Australia Rediscovering Kennedy Center recording Debuting the song "Saturday In The Park" at the Kennedy Center Unheard Chicago songs and tapes been archived Chicago tapes – multitracks and masters Lee enjoys modern CDs much more than vinyl What's Lee listening to these days? Lee never got into punk rock Interview wrap up Order "Chicago at the Kennedy Center" LP set here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Henry Rollins explores the intricacies of record collecting, sharing stories from his book series "Stay Fanatic!!!" and discussing his commitment to preserving rare music artifacts (Pt 2 of 2). Topic Include: Response for records that are costing thousands of dollars Buying original Misfits singles then getting them gifted from the band Obtaining Dischord and Black Flag records and artwork Preserving flyers at the time they were made Backing up Ian's recording of The Cramps gig – Ivy holding the tape Collecting all the Black Flag gig posters when playing on the road Skipping meals to purchase archival page protectors Henry owns flyers and material that is the only known copy The scarcity of materials is a large attractor for Henry Lenny Kaye's review acetate for Iggy & the Stooges "Raw Power" Henry keeps collections together for preservation "Do Not Sell At Any Price" by Amanda Petrusich Logic for spending lots on a record you want Robert Johnson song found by Alan Lomax Urban labels putting out music from Record Stores Page Hamilton reckons Be-Bop is the angriest music Henry takes no days off of writing Listening to The Damned "Machine Gun Etiquette" every Friday Drastic Plastic's reissues of The Damned and The Cramps Henry plays The Damned "Strawberries" once each August Minor Threat opening for The Damned on Strawberries tour Charles Lindbergh left notes for future biographers Writing information and keep with records for future listeners Frustration on former owners who write or stamp on their records Regional pressings are so limited that copies with writing on it are only option Henry has a photographic memory for his record collection and condition Increasingly using software and laptops to track record collection Keeping records that he has nicer copies of – When possible, get 2 Process for preparing a record for adding to his collection What are the white whales Henry is chasing? Competing against a mythical nameless "German guy" "Stay Fanatic!!!" books are the way to share his collectibles Interview wrap up Order "Stay Fanatic!!! Vol 4" here Henry photo by Maura Lanahan Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Henry Rollins dives into the fascinating world of record collecting, sharing insights through his book series "Stay Fanatic!!!" and discussing his passion for preserving & sharing music history. Topic Include: The origin story of "Stay Fanatic!!!" Writing about The Stooges Learning to scan, archive material Telling the stories with early band materials Transcribing from handwriting, then speech to text Henry doesn't get rid of records Acquiring individual and collections of records Bands that reinvigorated his interest: OSEES, Ty Segall, etc Label out of China – Old Heaven Books Seeing Keiji Haino in Tokyo Metallica closing a show for Iggy Pop Can Henry talk about his new project? What is Henry's tolerance for bootleg material? Going to "see" David Bowie and Joy Division through their bootlegs Aggravation with bad recordings sold on bootlegs Understanding band reluctance to put out some recordings Stopping releasing spoken word CDs as they end up on YouTube Signatures get put on eBay near immediately Henry no longer signs things Stopping people from bidding on fake signatures Henry's routine with Discogs and eBay The anxiety of chasing Discogs and eBay alerts Missing out on fresh listings of a holy grail Buying items that were misstated in the listing Educating inexperienced sellers on proper listing The 1st world problem of collecting records Breaking even on the "Stay Fanatic!!!" Books The genius of artists like John Coltrane and The Fall Henry's early years – His mother loved books and music Road Manager Ward brings a portable turntable on the road 15 feet on the unplayed records shelf Henry describes his home stereo system His system is set – very few changes Leveraging experts to work on the setup Collecting personal items from musical heroes The Adverts, UK Subs clothing are in Henry's collection Order "Stay Fanatic!!! Vol 4" here Henry photos by Jacob McCann IG @blokeyoucantrust and Heidi May Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

David Yow discusses "RACK", the first Jesus Lizard album in 26 years, his acting career, stage vs. screen, dangerous moments of live performances & more! Topic Include: David Yow meets Skater the cat Penny the cat meets Skater "Rack" is the first album in 26 years Releases on Touch and Go and Ipecac Inspiring bands and albums for David Being inspired by punk bands in Austin Taking inspiration from The Incredible Shrinking Dickies Starting with bass then moving to vocals with Scratch Acid Coming up in a scene alongside Butthole Surfers Avoiding a musical speed trap Skater asks David a question Mixing the vocals lower in the mix Steve Albini's awareness of new album Talk of having Steve Albini's ashes in space What is David's signature dish? Is David a good handyman? Does David miss performing in downtimes for his bands? Comparing playing live with acting An actor's job is to make the director's dream come true Good chance of tour dates in Japan and Australia Acting in FREE L.S.D. movie Does he have a different persona for the stage? Preparation for a live show – involves beers The most dangerous performance of his career The band thought David was dead Does David know his limits for performance? The Jesus Lizard show at Garden Amp – June 2024 Any apprehension about extending the Jesus Lizard catalogue with "Rack"? The process for song writing for "Rack" David isn't the person who tracks the master tapes Random find of Scratch Acid tapes in an Oklahoma warehouse Engineer/Producer SPOT part of the Austin scene Making all Jesus Lizard albums with 4-letter words What were alternative titles before "Rack" was decided There probably won't be another Jesus Lizard album Does David have a record collection? What does he collect? "Tonight You Look Like a Spider" Monolith edition Making physical items, sculptures The cover art of "RACK" Holes in the backstory of "Hide & Seek" It's good to have mystery in lyrics The story of the Nirvana / Jesus Lizard split 7" Interview wrap up Order the new Jesus Lizard LP "RACK" here. Order the "FREE LSD" Blu-Ray and CD package here Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Dimitri Coats dives into the creation of OFF!'s groundbreaking film project "Free LSD". Hear the story behind the band's journey with punk legend Keith Morris and the eight-year odyssey that led to their ambitious cinematic swan song. Topic Include: Interview intro The inception of "Free LSD" How different is "Free LSD" from the original "Watermelon" plans? Learning how to write a script Buzz and Dale of Melvins played on some Free LSD demos Mario was originally written into the movie Early filming at live shows for movie prep OFF! almost didn't survive losing the rhythm section Dimitri's background in acting Greater confidence in acting than music Working with Malcolm McDowell Managing OFF! prepared him for movie production Jonathan P Shaw was attached very early on Sculpting the mood and emotion of the film Bringing in new fans to OFF! through the movie OFF!'s breakup and potential reanimation Keith and Dimitri's focus is diverging The community of friends that appear in the film Working with Jack Black – filming on an iPhone How DH Peligro saved "Free LSD" The passing of DH Peligro Participation of David Yow, Davey Havok, Don Bolles, Zander Schloss Coordinating concepts that carry through the album, movie and packaging Giving the band permission to try new things Retiring the band directly after their most ambitious project OFF! is exhausted and ready to move on Conflict and evolution of friendship and bandmates of Dimitri and Keith Keith and Dimitri helped one another reinvent themselves Big contributors to the film, revising the script to budget The meticulous details of the film The crew following Dimitri's vision The challenges during filming the movie The process of developing OFF! music There was a lot of extra songs/outtakes from the Free LSD sessions The Blu-Ray / CD package of "Free LSD" Potential additional theatre screenings & Q&A The Blu-Ray / CD will be the only place for fans can hear 2 of the outtakes Lots of easter eggs, details and additional layers to the movie Interview wrap-up Order the "FREE LSD" Blu-Ray and CD package here Stream "FREE LSD" to your home here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Blag Dahlia of Dwarves discusses band history, collectible records, the challenges of running a label and the balance of art and business, as well as new and reissued Dwarves vinyl. Topic Include: Dwarves should be a record collector's goldmine Blag's early memories of getting record collections Listening to rap, electronic, industrial – not much punk Dwarves records have an inherent collectability Making the various collectible Dwarves records Ralph Champagne album was a tough sell for Dwarves fans Why hasn't there been a proper Dwarves concept album? Blag is an author – lending those skills to a narrative in music Who is closer to the real person: Blag Dhalia or Ralph Champagne? The Greedy record imprint for Dwarves material The Burger Records scandal missed the Dwarves Blag is very hands-on with creating records He doesn't enjoy running the label – but good help is hard to find Being underwhelmed by publicists Blag would rather write and record and leave the rest to others Dwarves artwork – creating special covers, logos, etc Limited parody covers by John at PunkNews.org Record collectors love the parody covers Time is right for a Dwarves renaissance Hard to find a good booking agent Did any prior labels push back on the vision of Dwarves? Bad feelings about Sub-Pop Did Dwarves ever get approached by major labels in the early 90s Major labels missed aligning with a songwriter like Blag Marilyn Manson has a big budget and industry marketing A Dwarves rebirth would require a movie / documentary Blag controls majority of Dwarves materials Has there been serious discussion of a Dwarves movie? The most collectible Dwarves record Collectible Dwarves Sub-Pop variants Dwarves still do 7" records – not many bands still do Interview wrap up Get Dwarves records and merch Tix for upcoming Australian tour Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Hugh Cornwell takes us through early records of his life, rare records of the Stranglers, solo materials, analogue recording and more. Topic Include: Aussie tour, New Album Does Hugh have a record collection? Early music in the Cornwell household Hugh's early musical trainings Quitting PhD program to pursue music Formation and evolution of The Stranglers Recollection of the early UK punk scene Keyboards fill in a lot of sound United Artists investment in The Stranglers Bonus singles in early Stanglers albums Does Hugh have masters and tapes for post Stranglers material? Making materials available on vinyl Remixing and removing keyboards from recordings Running digital files to analogue provides improved sound Memories and learnings from Steve Albini Moments of Madness LP and road testing songs Leaving songs to be finished in the recording studio Song and lyric writing process Hugh's movie Podcast Discussion of Silent movies Interview wrap up Hugh Cornwell's Aussie tour info here Preorder new LP "All The Fun of the Fair" here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Society System Decontrol (SSD) self-released several landmark hardcore punk records in the early 80s. Out of print for over 4 decades, SSD has only recently reissued their two masterpieces "The Kids Will Have Their Say" and "Get It Away" on vinyl. Today SSD founder Al Barile takes us through the making of those records. Topic Include: Interview start The continued popularity of SS Decontrol music Al was a natural leader for the hardcore scene Naturally managing risk Jumping to an album – no singles for SSD 1900 units of "The Kids Will Have Their Say" Self-funding the album, selling the initial pressing Recording "The Kids Will Have Their Say" Was Al happy with the original recordings? Al doesn't enjoy listening to "The Kids Will Have Their Say" Comparing Trust reissue with original Xclaim Issues getting the tapes back from a label Original pressing of "The Kids…." goes for > $1k Why were there no repressings before the recent Trust reissue CD issue of "Power" Has Al hung onto his records? White cover of "The Kids Will Have Their Say" designed by Bryan Ray Turcotte Original concept & artwork for "The Kids Will Have Their Say" The difference in recording "Get It Away" Was "Get It Away" always envisioned as an EP? The cover songs that SSD performed Original 4800 copies of "Get It Away" Running the X-Claim! label/imprint All X-Claim! bands ran their own vinyl pressings What is the source of the "Get It Away" reissue Will there be reissues of "How We Rock" and "Break it Up" Al's health update Al wants everyone to get a colonoscopy The SSD book "How Much Art Can You Take?" Interview wrap up Order "The Kids Will Have Their Say" and "Get It Away" on vinyl here. Order the book "How Much Art Can You Take" here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

The Saints made history with the record "(I'm) Stranded" in 1976 - nearly 50 years later founder/songwriter Ed Kuepper is revisiting the early Saints material with some old bandmates and new friends, including Mark Arm of Mudhoney. Today Ed and Mark discuss the impact and legacy of The Saints with an upcoming tour and 4LP Boxset. Topic Include: How did Ed and Mark come to work together? How did Mark originally experience The Saints? Prehistoric Sounds didn't make it to the US Did Sire get behind The Saints? Promo copies of "Eternally Yours" seem to be plentiful Choosing "(I'm) Stranded" and "No Time" for the Fatal Records single Recording session for "(I'm) Stranded" & "No Time" Was there a 2nd mix before making the Fatal records single? Master tapes and multitracks have been lost Were there test pressings of the Fatal Records single? Sending singles around the world, getting 1st reviews Getting telegrams from record labels across the world Rare contents of the upcoming Saints boxset Original mix of the "(I'm) Stranded" LP – test pressings and remix The album was recorded in the same studio as the single Potential for technology to separate the instruments of the "(I'm) Stranded" single EMI's response to the updated album mix Mark's feeling good about upcoming tour The Saints Paddington Town Hall show recording Playful rivalry with Radio Birdman Ed and Chris Bailey were on good terms and jointly planning the boxset and reissues Present day contact with Kym Bradshaw Any discussion of Saints shows beyond the Australian dates? Will Mark be singing only or possible guitar as well? Hard-Ons version of "Know Your Product" The additional photography in the Saints boxset The original name of the album was "Erotic Neurotics" with a different cover Memories of the photo of The Saints and Nick Cave from Melbourne The status of the album cover location and artwork Interview wrap-up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jeff & Steven McDonald formed Redd Kross at a pivotal time in the LA music scene, playing their 1st gigs in their early teens and were mentored by Black Flag. Their influences are vast and their appreciation for musical artistry runs deep. Redd Kross is back with a new double album - "The Redd Album" - and we talk to the brothers about some of the music and memories that brought them to this moment. Topic Include: The Redd Album – lots of "red" components Memories with meeting Beatles Jeff wants to meet Bob Dylan Steven's story with George Harrison Impressions and moments within the Zappa Universe Memories of collecting records in their youth Jeff enjoyed finding strange/new music Finding music and sharing with others Perspectives on Jazz Runaways & Ramones were their entry point to punk Other young teenagers in the early punk scene Police brutality at early punk shows Memories of the Polliwog Park show with Black Flag Getting Raymond Pettibone artwork for the "Born Innocent" album Was Redd Kross ever approached to be on SST or New Alliance? Experiencing their music for the 1st time on vinyl The early Posh Boy "Red Cross" EP pressings The role that flyering played in early career Responses to "The Decline of Western Civilization Part II" Rare Redd Kross/White Flag single – 100 made "Teen Babes from Monsanto" – The Version Especial Gasatanka Records label and logo Redd Kross master tapes Wanting to remix Neurotica Modern remixes of classic records Creating the "forever" mixes, continuously improving Beatles The "Peter Jackson" version of "Raw Power" Creating the Redd Album Debating and arguing about song sequencing Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Guitarist and music-gear mega-collector Joe Bonamassa joins us to talk about his new record label, collecting gear, his appreciation and approach to the art of vinyl records, his new LP "Live at the Hollywood Bowl" on Journeyman records and more. Topic Include: Joe's record label "Journeyman Records" Joe likes mentoring other artists Balancing being a musician and a businessman Joe's appreciates music on vinyl Hearing music as designed by the artist Sequencing a record is like sequencing a live set The approach to Joe's record collection Seeing the record collection of Claude Nobs Hard to find many recordings on CD or streaming What will happen to Joe's music gear after he's gone American built guitars and amps How does Joe maintain his collection? Joe won't say which guitars he's save Who would Joe like to collaborate with? Putting himself in the zone for a live show Playing the Hollywood Bowl Working with an orchestra vs an 8 piece band Interview wrapup Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Managing the estate of a legend like Miles Davis requires tremendous coordination, detail and creativity. Vince Wilburn Jr, musician, collaborator and nephew of Miles and co-manager of the Miles Davis Estate discusses the contents, complexities and strategies of managing the Miles Davis Legacy. Topic Include: Uncle Miles – The Chief Reviewing offers / keeping quality high on Miles Davis legacy Good relationships of team and with former labels Are any tapes missing? How much unreleased material? Archiving films, stage clothing, instruments Miles Davis' record collection, getting records delivered Musicians he appreciated in the 80s Miles' thoughts on early hip hop Creating music on the fly, setting up recording sessions adhoc He went through many Sony Walkmans Where is Miles' record collection? Miles was very supportive of Vince playing music The story of "The Man With the Horn" Advice Miles gave Vince on being a musician Did Miles keep in touch with his Jazz contemporaries? Some rare Miles recordings found after his passing Recent RSD issues of new Miles recordings Ron Carter stories What is something people get wrong about Miles Davis? Did Miles give any guidance on his legacy? Zev Feldman, Kevin Donan connections Musicians would visit Miles – Prince would call frequently Does the album art exist? Upcoming Miles Davis legacy projects Memories of being young with Miles What's Vince's favourite Miles LP? UHQRs are the ultimate Kind of Blue pressings Test pressings and original acetates are part of the archive Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Most record collectors use Discogs each day - so what does the data tell us about the state of record collecting? Founder & CEO Kevin Lewandowski and COO Lloyd Starr talk to us about the data and future of this pivotal platform. Topic Include: Introductions – CEO and COO roles A brief history of Discogs Original visions and business model of Discogs Dealing with users that have high expectations Classical music posed some challenges to catalogue Is Discogs built for non-physical media? Dealing with strange data points and entries What is the most expensive items sold through Discogs Data trends of record and music buyers The architecture of Discogs Early challenges supporting with website Recent focus on modernizing the Discogs architecture Planning new Discogs features Dark Side of the Moon is the most catalogued item in Discogs New features for the Discogs wantlist Events that create surges in purchasing activity What role will AI play in Discogs? Managing user feedback and priorities for features Helping new users become contributors Training new users to make edits Will Discogs do an IPO someday? What will Discogs look like in 5 years? Interview wrapup Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

The 1971 album "Moon Blood" by Fraction has fascinated record collectors for decades. The perfect intersection between great musicianship, intriguing backstory and supreme rarity, Fraction "Moon Blood" is now getting an official reissue through Riding Easy Records. Dillon Smith (Noble Records), Lance Barresi (Permanent Records) & Daniel Hall (Riding Easy) share the story of the legend. Topic Include: Fraction "Moon Blood" cover art challenges The origin story of Fraction Jim Beach of Fraction wants little to do with the reissue What do we know about Fraction before "Moon Blood" "Moon Blood" had Christian themes Only 200 copies were pressed in 1971 The Doors LA Woman may have influenced the packaging The challenge of duplicating the cover art in modern times Lack of information on Fraction just adds to the mystery Fraction "Moon Blood" musicians never had another public music credit What we know about the extra tracks The Mexican Summer reissue of "Moon Blood" When record collectors started seeking "Moon Blood" in the 80s and 90s The influence of Acid Archives The Doors heavily influenced Fraction The source of the new reissue – comparing to an original How Mexican Summer arranged for a reissue Dillon's journey with Fraction "Moon Blood" Lance's original copy of Fraction "Moon Blood" Daniel's experience getting Fraction reissue approved The breakdown of reissue vinyl pressings Interview wrap up Order Fraction "Moon Blood" vinyl at Riding Easy Records, Noble Records and Permanent Records. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

9 years since the last album, CJ Ramone and Spike Slawson discuss the new album "Me First & the Gimme Gimmes ¡Blow It…at Madison's Quinceañera!" - the victories and challenges of the band, disgruntled audience members, picking annoying songs to cover and what's next for the band. Topic Include: What is a quinceañera? MFATGG music wasn't familiar to 15 year old girls Traditional Spanish songs in the album Making the live album at a quinceañera MFATGG is a live band – best way to capture them on record Spike and band enjoys the live awkward moments A nasty email from a disgruntled audience member Dealing with difficult audience members American schlager culture / antagonizing the audience The process of selecting Madison for the quinceañera The family struggled through parts of the show Comparing to MFATGG Ruin Johnny's Bar mitzvah album The quinceañera was filmed, when will we see it? MFATGG hearing back from artists they covered CJ comparing MFATGG to Ramones doing "Acid Eaters" Spike hates the original versions of songs MFATGG play How are the songs selected for a MFATGG project? Nate screws up the "Queen of Hearts" lyrics What other songs would Spike like to cover? They like covering songs that give them negative responses Folding in punk riffs into covers Memories of Steve Soto and Manic Hispanic Will there be more MFATGG albums in the near future? Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Joe Nelson is co-founder of Trust Records, which specializes in preserving and extending classic punk and hardcore records for future generations including Circle Jerks, 7 Seconds, DFL, SSD and more.  Topic Include: Interview kick off Origin & Mission of Trust Records Creating a legacy, giving back to community Adding materials to allow new listeners to understand the history Engaging Circle Jerks securing "Group Sex" and "Wild In The Streets" Building the trust for a new model of managing punk legacy Keith Morris is punk rock Yoda Gathering materials, tapes, pictures, artwork for reissues Brokering deals for various stakeholders Initial pressings often aren't the best the music can sound Using stems for remixing, listener participation Difficult projects to pull together Upcoming releases: SSD "Get It Away", Stalag 13 "In Control", SNFU "... And No One Else Wanted To Play", Royal Crown Review Hepcat – Greg Lee's special request, Aggression, 7 Seconds "New Wind" and extras The story of Descendents / Circle Jerks split – 1st non-reissue Trust Records sell out quick – any upcoming repressings? SSD "The Kids Will Have Their Say" reissue is true to the original – cover variations Pressing records during the pandemic Is Trust mainly vinyl? Any CDs or Cassettes, etc? 7" singles within some of the Trust releases – 7 Seconds, Agression Youth Brigade – Sound and Fury Deluxe Edition – original album Negotiating with multiple band members What does he think will happen with SST Records? The recent sale of Dead Kennedys catalogue Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Steve Albini, musician, engineer and producer of some of the most memorable records of the 90s up through today. His ears and musical sensibilities were stellar and his wit and attitude made him appreciated and revered by most. RIP Steve Albini. Topic Include: Steve doesn't consider himself an audiophile Steve's turntable and home audio system Taking care of records Favourite record shops Liquidating his record collection Discovering the Stooges & Ramones in Montana Entering the punk scene of Chicago Big Black "Lungs" items and inserts Experimenting and making each record unique Quantities, repressings and collectability The Mentally Ill's "Gacy's Place" single Reverse shoplifting at a record store Collecting consignment money "Do you know what a hooker DOESN'T want to do on her night off?" Seeing bands, taking care of ears and hearing Still hearing most detail but aware of decline Never comfortable delegating critical tasks How does Steve protect his hearing? Shifting from "Engineer Steve" to "Creative Musician Steve" Balancing priorities, studio bookings and personal music What's the best rumour you've ever heard about yourself? Who is a band you haven't worked with that you'd like to? Working with The Stooges Slint spills tea across the recording console Interview wrap up Support our podcast at: www.Patreon.com/VinylGuide Listen & Follow on Apple: https://apple.co/2Y6ORU0 Listen & Follow on Spotify: https://spoti.fi/36qhlc8

Matt Pike (Sleep) and Coady Willis (Big Business, Melvins) discuss their latest High on Fire album "Cometh The Storm", the many vinyl variants, touring, winning a Grammy and much more. Topic Include: Coady and Matt fighting with Zoom Great response to the new album When is it time to do a new High on Fire album The process of writing a new album Lessons learnt with Melvins brought to High on Fire Any outtakes or over-recording? Involvement in the vinyl variants Quantities of vinyl pressings Forming and sequencing the album Where Matt keeps his Grammy Memories of Lemmy Reaction when the Grammy nomination was announced Busting Coady's chops Touring the new LP first in Europe Is post-Covid touring normalizing? Potential Australian tour dates to be announced? Integrating tours with various other bands What's up with Big Business? Balancing multiple bands Sleep Dopesmoker pot leaf vinyl from Third Man Al is great at marketing and merch ideas The Sleep Vault materials The recent reissue of "The Art of Self Defence" Interview wrap up Get High on Fire "Cometh The Storm" on vinyl here. Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

DEAD and We Empty Rooms regularly releases extremely ambitious vinyl packages and boxsets. Today we speak with proprietor Jem on the making of these collections, the recent "Burn Us Clean" 9-7" boxset, working with Hard-Ons, Melvins and what's next for this creative label. Topic Include: Zoom anxiety / interview start Jem's skills in manufacturing and music Keeping limits of record numbers Variations of "The Laughing Shadow" Using various record pressing plants and materials Manufacturing challenges Discovering records – much cheaper than CDs Zenith records made the "Burn Us Clean" records Deciding to make a boxset of 9 – 7" records Working with 9 other bands to have b-sides for each single The Melvins and Hard-Ons split – 70g 7" Hard-Ons 30 Years boxset Guidance from Hard-Ons for their boxset Recording the new album with all-analogue intentions Announcing their new Double Album The various versions of "Burn Us Clean" boxset The logistics of coordinating "Burn Us Clean" boxset Minimal guidance given to the other bands Packaging for the "Burn Us Clean" boxset The surprise flexi-disc Will DEAD consider another major boxset? Hand-silkscreened record sleeves Upcoming new double LP set Other projects with ambitiously underestimated complexities The endearing qualities of hand-crafted record packaging Interview wrap up Follow DEAD and We Empty Rooms' Bandcamp pages here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Dweezil Zappa returns to The Vinyl Guide to share stories of Frank, the recordings, Frank's record collection, an unreleased track with Eddie Van Halen, discuss his tour celebrating 50 years of "Roxy & Elsewhere", "Apostrophe'" and more! The changing world of touring 50 years since "Roxy & Elsewhere" & "Apostrophe" Memories of the making of Roxy and Apostrophe "Roxy and Elsewhere" arrangements and approach for live shows Frank's approach to being "in the moment" in a guitar solo Dweezil's live interaction with other band members The Rox(postroph)y  touring band Did Dweezil recognize the uniqueness of his upbringing? Dweezil's history with playing guitar Seeing the guitar neck as shapes Working with his dad and musicians that were around the house Frank's response to Dweezil becoming a musician How did Frank look back on "Roxy & Elsewhere" and "Apostrophe"? Various entry points to Frank's music Does Dweezil have his father's archivist mentality Dweezil has had no involvement for Zappa Family Trust releases Thoughts on the recent Roxy box sets What Zappa music is Dweezil still aspiring to play? ROX(POSTROPH)Y tour plans, international tour dates? Dweezil's version of "Stayin' Alive" with Ozzy Osbourne Frank and Ozzy's interactions Frank's vinyl collection and listening habits When the Zappa family would receive Frank's latest album Did Dweezil have any time with Randy Rhoads? The unreleased "What The Hell Was I Thinking?" track w/ Eddie Van Halen, Brian May, Angus and Malcolm Young & lots more Dweezil is remixing projects for ATMOS (Deep Purple 'Machine Head' recent project) The history and future of "What The Hell Was I Thinking?" Working with Brian May, Joe Walsh and Eddie Van Halen Any special guests on the ROX(POSTROPH)Y tour Dweezil's podcast "Running with the Dweezil" Interview wrap up Check out Dweezil's tour dates here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Michael Cuscuna (1948-2024) spent several decades preserving record label archives and compiling rare recordings, sessions and 'vault material' through Mosaic Records. In theis 2019 interview he discusses this fascinating journey through the vaults of Blue Note, Atlantic, Impulse and more to make this material available to music lovers around the world. Starting his career, joining Atlantic Producer and A&R for Atlantic Records Working with the Atlantic Records tape warehouse Early tape finds – Mingus at Antibes Convincing Ahmet Ertegun to reissue lost material Unissued material lost in a building fire Starting to document and archive Blue Note tapes Joining Blue Note, organizing the archive Finding Alfred Lion's notes and files in Japan Obtaining the Francis Wolff photography negatives Improving the condition of the negatives and imagery Was Alfred aware of the legacy of Blue Note Records? Did Blue Note have the original artwork and cover layouts? Memories of the Blue Note Reissue Series Much of the Blue Note vault materials have been issued Trainwreck sessions that haven't been released Blue Note artwork in the 70s and 80s Listening to hours and hours of outtakes Idea for Mosaic Records boxsets Working with various labels and rights holders for reissues Columbia reissuing Miles Davis Mosaic shift from LP to CD Deciding what's next for Mosaic Records releases Challenges of developing boxsets Most rewarding Mosaic Releases Current pricing of Mosaic Records boxsets Story of the Monk/Coltrane at Carnagie Hall Story of the Charlie Parker / Dean Benedetti tapes Interview wrap up Support this podcast at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Buzz Osborne and Toshi Kasai have been musical collaborators for several decades of Melvins and related releases. They discuss their partnership, history, studio lessons and memories, recording "Tarantula Heart", future releases and more. Buzz and Toshi met at a Tool recording session Toshi and Buzz have similar humour and work ethic Melvins work on defined time schedules How "Tarantula Heart" was recorded Melvins have to re-learn the songs from Tarantula Heart Potential relation to "Plan D" recording approach Making the 20 minute track "Pain Equals Funny" How to approach playing "Tarantula Heart" tracks live Melvins activity during the pandemic Recording session with Melvins & Napalm Death Lots of Melvins unreleased material What has Buzz Learned from Toshi? Buzz would like to re-record the Atlantic albums What has Toshi learned from Buzz? How will Buzz approach the next album? Constraints during recording Trying to not overthink material Examples of sessions that were not successful Husker Du's "Data Control" was recorded multiple times before the Helms Alee version Upcoming HAZEXXL remix of "Pain Equals Funny" / Boris split Melvins recent vinyl reissues "(A) Senile Animal" vinyl screwup Any preparation for the end of Melvins? Upcoming projects, albums Interview wrap up Order "Tarantula Heart" at Ipecac or Blixt Merchandise Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Drumming legend Chester Thompson has played with many great artists including Frank Zappa, Wayne Shorter, Genesis and more. Today we discuss some career highlights, his new solo LP "Wake Up Call" and more. Chester's music collection Seeing Art Blakey, Elvis Jones and more Being a gigging drummer at 13 years old Recording with O'Donel Levy – 1st appearance on record Moving to California, playing for Frank Zappa Recording "Roxy & Elsewhere" w Ralph Humphrey Playing with multiple drummers Frank was very fair paying musicians for all output Steering clear of the Los Angeles lifestyle Joining Weather Report, working with Wayne Shorter Recording "Black Market" Playing with Jaco Pastorius / Columbia Records supportive of fusion Playing with a Broadway show, getting the gig with Genesis 1st tour with Genesis / evolving style to play Phil's tracks Chester's perspective of the evolving music of Genesis The growth of Genesis / expanding fanbase The recent discussions of Genesis reunions with Peter Gabriel The biggest shows / Memories of The Prince's Trust Approaching solo material Making the album "Wake Up Call" Writing with drums first before melody The reasons for title "Wake Up Call" Some drummers needing to relearn technique Upcoming plans for live gigs Getting involved in ProgRock.com label Is Chester surprised by the vinyl revival? Interview wrap up Get the vinyl version of "Wake Up Call" here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Keith Morris returns to discuss the new Circle Jerks & Descendents EP, new Circle Jerks recordings and vinyl reissues, OFF!'s "FREE LSD" movie, additional acting opportunities, movies & more! Keith is on tour – Circle Jerks, Descendents & Adolescents Growing up with The Descendents Circle Jerks & Descendents covering one another's songs Limited quantities of the EP – on tour Outtakes from the EP The story of Black Flag's "White Minority" "Hope" is Keith's favourite Descendents song Any special combination of bands on the tour? Potential FLAG performance? Keith has to pee – First time Balancing the various projects (OFF!, The Bronx, etc) What's happening with OFF! The impact of "The Sparks Brothers" documentary on the band Video of Sydney OFF! Show mixed by "Party Dozen" drummer Keith's preparation for acting in "FREE LSD" movie Upcoming acting opportunities / future movies and projects Keith's autobiography "My Damage" has been optioned for a movie Upcoming Circle Jerks recordings – D.O.A. and Gun Club covers New Circle Jerks album is going to happen Working with Trust Records Upcoming reissues of "Golden Shower of Hits", "Wonderful" and more Legal issues with older materials When will we see the new Circle Jerks album? What's happening with Keith's hat / Punk Rock Museum Interview wrap up Keith has to pee – again Circle Jerks announcement for Australia Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Charlie Benante of Anthrax shares the story of "Chafed GBI", an RSD2024 release with bandmate Scott Ian and rock icon Dave Grohl, along with sharing stories from his current Pantera tour, his love of Van Halen, his prized collectables and more. The story of "Chafed GBI" – Grohl, Benante, Ian Playing "Monkey Wrench" with the Foo Fighters What makes Studio 606 such a great recording studio? What other songs were considered aside from "The Regulator"? Making it a charity single for members of Bad Brains Arranging it for a Record Store Day release Description of the vinyl & etching Full record vs multiple EPs for new Anthrax Bringing Pantera's music back to live arena Did Vinnie ever talk about playing Pantera music again? Charlie and Vinnie and their love of Van Halen Meeting Eddie at Dimebag Darryl's funeral - Bumblebee guitar in Darryl's coffin Van Halen changed everything Playing songs the original Pantera didn't play live Potential live recordings of Pantera tour Any unfinished Pantera songs? Charlie is a collector of toys, movie memorabilia Getting a Beatles Butcher Cover The Jaws barrel Charlie loves the original Jaws – not the sequels Getting singed Funko characters Hunting for items around the world Keeping collectibles sealed Charlie's Charvel guitar he's written most Anthrax songs on Feeling the presence of Darryl and Vinnie on the Pantera Tour Taking items from Darryl and Vinnie to each show How the Pantera celebration came together Charlie got a Krusty the Clown tattoo in Australia Looking forward to the Australia shows Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jack Douglas shares memories of the production and recording of John Lennon & Yoko Ono's "Double Fantasy", John Lennon's last day and memorial, unheard studio recordings, the 2010 'Stripped Back' version, Cheap Trick's "Live at Budokan" and more. John Lennon's records Bringing in Cheap Trick for Double Fantasy Rick Nielsen gifts John Lennon a guitar John Lennon wanted to redo "Strawberry Fields Forever" Were there any elements of Double Fantasy John or Yoko wanted to redo? Making "Walking on Thin Ice" John Lennon's last day John wanted to create a musical platform for Yoko Recording the orgasm for "Kiss Kiss Kiss" The plans for a John Lennon / Yoko Ono World Tour The album name "Double Fantasy" The two "Beautiful Boy(s)" songs Records and video from the "Double Fantasy" sessions The recording of John's final day was destroyed The private memorial with John's studio tapes Yoko distanced herself from Jack The "Double Fantasy" royalty lawsuit The 2010 "Double Fantasy" stripped back version Revisiting the Record Plant for transferring "Double Fantasy" tapes Jack's thought watching John on "Get Back" series John was constantly drawing, making art Discovering Cheap Trick, early albums Making "Live at Budokan" – using Osaka tapes The overdub for "Live at Budokan" Making Aerosmith's "Live Bootleg" album The Record Plant radio station for mixdowns Jack produced Silverplanes' LP "Airbus", enjoy it here! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jack Douglas has worked with hundreds of artists including Aerosmith, Cheap Trick, The Who, Alice Cooper and produced John Lennon & Yoko Ono's "Double Fantasy". Today Jack shares stories and memories of those artists as well as his recent production of Silverplanes' "Airbus" album. Starting up w Jack Getting involved in Silverplanes Geoff Emerick's final album mix Silverplanes "Airbus" LP held back for 5 years New record labels – Make Records and Confidential Records Jack's production involvement with Silverplanes Jack's early career – working with The Who on "Who's Next" How Jack works with eccentric creative people Getting the best performance from creative people John Lennon was the easiest creative person Jack worked with Recollections of the "Fame" session with John Lennon and David Bowie John's reaction to the Aerosmith cover of "Come Together" Working with George Martin in London Working on "Grow Old With Me" with Ringo The John Lennon demo tapes for Double Fantasy What was John hoping to accomplish with Double Fantasy Cheap Trick was originally considered as the backup band for John Lennon Earl Slick was the wildcard of the "Double Fantasy" sessions The end segment and dreamscape on "Watching the Wheels" John tells Jack why he selected him to produce "Double Fantasy" Ensuring Yoko's tracks were more commercially viable than past works The secrecy around the "Double Fantasy" sessions What was John's record collection like in The Dakota? John listened to rap, reggae and was curious about punk The New York Dolls recording sessions Connecting up with Aerosmith John was aware of Aerosmith The recording of "Double Fantasy" Making Quadraphonic mixes of Aerosmith and other artists Sequencing records for the constraints of vinyl John's final session was the final mix of "Walking on Thin Ice" Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Boner Records never went away, they were just hibernating. Today founder Tom Flynn discusses the label history, early records, Melvins KISS parody EPs, the Lysol lawsuit, having his song covered by Nirvana, the imposter "DUH", the new release of "Antler Family" and more. Tom is not a record nerd Does Boner Records have a website? Creating the "Tapeworm" record – Hermaphrodite Records Forming "Fang" – Yukon Fang 45 Creating the "Boner Records" record label Fang's "Landshark" record Expanding Boner Records to take on additional bands Working with Alternative Tentacles on Maximum Rock n Roll compilation The song "The Money Will Roll Right In" Impact of Nirvana covering "The Money Will Roll Right In" Kurt Cobain really liked Fang and Melvins How Melvins came to Boner Records Recording "Ozma" with Mark Deutrom Tom's role in album artwork for Boner releases Melvins KISS parody solo albums Original artwork for modern reissues The activity of Boner Records in recent decades The Melvins "Lysol" fiasco – lawsuit, fixing album art How they fixed the album covers, cassettes and CDs of Lysol to comply Melvins & Steel Pole Bath Tub Sub-Pop parody Alberti and Rainbo pressing plants going out of business The story of the band "DUH" The imposter "DUH" Did any major labels approach Boner Records to purchase? Why did he pause Boner Records for so many years? Boner Records was largely a 1-man show Recent revival, making "Antler Family" album 250 Antler Family vinyl copies Playing live again – future of Antler Family Another band "Suboptics" Interview wrap up Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

With "The Algorithm", it's clear Richard Patrick of Filter is not mellowing with age. He discusses his history, smashing instruments, the 2022 reunion with Trent Reznor and NIN, his thoughts on AI music, outtakes and more. "The Algorithm" vinyl direct and in Australia Richard is a fully digital music listener Music around the Patrick house Impactful artists to Richard: The Clash, U2, Skinny Puppy, Ministry Dealing with unpredictable electronics onstage with NIN Abusing instruments with Nine Inch Nails – breaking keyboards and guitars The 2022 reunion with NIN in Cleveland Performing "Hey Man, Nice Shot" with NIN The relationship between Richard and Trent Reznor Richard's memories of Australia The lyrics and theme of The Algorithm Richard is not mellowing with age Louise Post of Veruca Salt called out Filter on stage telling them to get over themselves Richard's recollections of the Pledge Music debacle Richard's thoughts on AI and music The secret for keeping his voice strong The vinyl reissue of "The Amalgamut" The scrapping of Rebus Any more Filter outtakes? Interview wrap up Tickets for Filter's Australian dates here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Deniz Tek looks back on 50 years of Radio Birdman, the "Birdman FIVE-O" final tour, discusses vinyl reissues, tracking down master tapes, post Birdman projects "New Race", "The Visitors", solo projects, the Top Gun "Iceman" origins and more! Deniz appears not to be aging Looking back on 50 Years of Radio Birdman Sydney shows are likely the last Band lineup for the Five-O shows Prime Minister is a fan of Radio Birdman Memories of the 1977 Paddington Town Hall shows Paddo Town Hall being reissued on vinyl Reissuing the Radio Birdman catalogue on vinyl Obtaining the Birdman multitrack and master tapes John Foy located the multitrack tapes for "Living Eyes" Any regrets looking back? Anything left undone? The story of the "New Race" project Rob Younger re-recorded vocals for "The First and the Last" Original "New Race" tapes being bootlegged Reissuing "New Race" on vinyl Deniz' guitar once belonged to Fred "Sonic" Smith Fred Smith and Patti Smith tried to buy the guitar back Plans for the guitar, potentially a Punk Rock Museum item? The guitar needs work – maybe won't be at Five-O shows History with the Citadel record label Relationship with Wild Honey Records in Europe Various versions of solo albums – Nate's mistake Pressing vinyl with Wild Honey Memories of the "Soldiers of Rock and Roll" album and initial cover History of "The Visitors" The Visitors release with Phantom Records Finding lots of outtakes and rare recordings on Trafalgar tapes Next Deniz Tek LP with Ric Parnell Deniz is the original "Iceman" New books on the way Interview wrapup Tix for Radio Birdman's "BIRDMAN FIVE-O" final tour Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Dale Crover of Melvins discusses the new Melvins LP "Tarantula Heart", his recent surgery, touring update, solo albums, rare records , recent recordings and old tapes. Lots for the Melvins fan in your head. Dale ain't coming to Australia The new LP "Tarantula Heart" Melvins or The Melvins? The story of "Tarantula Heart" Different recording/writing process for new album Playing the new songs live Dale and Roy Mayorga double drumming Dale's surgery and recovery What caused his injury? Dale wrote a new LP while recovering Did he see Melvins as a spectator? Dale won't go to Japan either Working and touring with Redd Kross "Wood and Diamonds" lathe cut from Joyful Noise Strange limited records from Joyful Noise, Thunder Pinky Why only 127 made? What's special about 127? Any Melvins project turn out to be too ambitious? The KISS solo LPs on Boner Records Dale's dog has something to say Steven McDonald's solo LP Dale started playing guitar before drums Did Dale write the songs on his 1992 solo LP? What are Dale's thoughts on studio creativity and what's cheating? Will there be additional musicians to play "Tarantula Heart" live? Melvins "Throbbing Gristle Funk Hits" EP with Void Mains Melvins EP with Helms Alee The story of "Cabbage n Mash" EP Working in Toshi Kasai's studio The story of Matt Cameron's "Gory Scortch Cretins" Did Dale ever drum with Taylor Hawkins? Any Melvins material they cannot release? Any missing tapes? Melvins outtake from the "Houdini" sessions – "Gggibbbyy" Dale's early projects in mid 80s – Mentors cover band, Simplex 1, Society Skate Youth Patrol, The Stiff Woodies A Stiff Woodies song ended up as "Sky Pup" on Houdini Dale needs to digitize his old tapes Interview wrap up Preorder Melvins "Tarantula Heart" on vinyl here. Watch "Working The Ditch" video here. Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Swervedriver, a pivotal band in the shoegaze scene, is the focus of today's episode, with founder Adam Franklin discussing the band's vinyl legacy, reissues, tape archives, hurdles faced and future prospects for Swervedriver and his additional ventures. Getting involved with Outer Battery Records Releasing 2 records at once Band involvement in vinyl reissues of the Swervedriver catalog The new reissue/remaster of "99th Dream" The label saga of "Ejector Seat Reservations" and "99th Dream" Vinyl pressings on Zero Hour and Sonic Wave Discs Adam finding original vinyl copies The influence of Swervedriver Appreciation for Swervedriver being revealed by Myspace Will we ever see "Juggernaut Rides" on vinyl? Adam's reaction to the term "Shoegaze" Aspirations for playing live to support "99th Dream" The impact of Brexit on artists Thoughts & involvement on movie soundtracks Naming of songs Some recordings that haven't been rereleased on vinyl or streaming Vinyl records of his youth Discovering Hawkwind Being influenced by American Punk Melting a collection of Clash singles The physical barrier with records First appearance on record: "Shake Appeal" Getting signed to Creation Records Are there more outtakes yet to be released? The story of the censorship of "It's All Happening Now" Swervedriver vinyl rarities Interview wrap up Get "Swervedriver - 99th Dream" and "Bolts of Melody - Film Noir" on vinyl here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

A replay of our interview with Wayne Kramer (1948-2024) discussing the MC5, the recording, censorship and legacy of "Kick Out The Jams", making "Back In The USA" and "High Time", various controversies, "Jail Guitar Doors" and more. Which came first – the guitar or politics? Starting to play in local bands His mother's warning for going into music Forming the MC5 Original lineup of MC5 The ethos and radicalization of MC5 The music and message of MC5 The story of AMG records and early records of MC5 Reissue of music on AMG A-Square records "Borderline / Looking At You" Memories of the Chicago Democratic National Convention – 1968 Getting signed to Elektra records by Danny Fields The Stooges got signed as their "Little Brother Band" Recording "Kick Out The Jams" Recollections of the live sets for "Kick Out The Jams" The guitar went immediately out of tune Wayne singing "Ramblin' Rose" Rob Tyner and being censored for "Kick Out The Jams" The MC5 strategy for changing "brothers and sisters" to "Mother f*ckers" Reaction to being censored by their record label Calling out the "Hudson's Record Store" Getting dropped from Elektra while record is still in the charts Danny Fields got slapped and fired Wayne's reaction to the album "Kick Out The Jams" Album cover of "Kick Out The Jams" – art director put himself on cover  Transitioning to Atlantic Records was painful Hard to record "Back In The USA" Jon Landau's wisdom and Wayne playing bass himself Critics disliked the spontaneity of MC5 Highlights of "Back in the USA" How did hard bop influence the MC5? Memories of "High Time" The fight with Bill Graham The end of the MC5 Last gasp of the MC5 in Europe The longevity and influence of MC5 The genesis of "Jail Guitar Doors" Playing for inmates with Chuck D The rehabilitation and other musicians Voyage Air Guitars donating to "Jail Guitar Doors" End of interview Help support our podcast: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

50+ years after the passing of Jim Morrison, John Densmore of The Doors continues to honour the wishes of his bandmate when it comes to the commercialism of the music of The Doors. John discusses that journey and many other fascinating memories of the legacy of The Doors. Meet Mr Blue Hair A moment with John Coltrane & Elvin Jones Not selling out the Doors legacy Defending the wishes of Jim Morrison Visiting Jim Morrison's grave Was there a funeral for Jim? Being aware of the "Jim is Alive" rumours Evolving perspective of substance abuse Last conversation with Jim and his state All Doors except Jim participated in mixdowns Jim's behaviour in the studio John's impression of punk early on Did Jim dabble in hard drugs? How much of LA Woman was played live? Multiple live Doors shows being made available The live performance that best represents The Doors at their peak Memories and recordings of the final Doors show Recording of Jimbo and Jimi Hendrix John's upcoming projects with Chuck D and Adam Holzman Memories of the original Doors demo acetates Signing to Columbia – appearing on the "drop list" Arrangements for Doors music after John passes Involvement with Jim's family after his passing The journey of Jim's father John's comparison of political environment then and now Did John get negative PR from the trial? The story of the Buick commercial What circumstance or situation would John consider approving Doors music to be made available commercially? John was uncomfortable being the centrepiece of the band? Bands reforming and touring in the modern era Jim's relationship with money After Jim passes, was there any closure? Names that were floated as potential replacements for Jim Is John comfortable with The Doors music so closely associated with Vietnam? Preparing for a potential draft and conflict We need to find moments and try to be grateful when you can Interview wrap up The book "The Doors Unhinged" available here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

After 40 years NOFX is on their final tour. Guitarist Eric Melvin shares his thoughts on the band's history, legacy and poignant moments on their emotional victory lap. NOFX will still be making albums Information on the final NOFX show Preparing for this final tour Is there a backlog of songs for upcoming NOFX recordings? Eric is most proud of "The Decline" "The Decline" is such a unique project Any regrets Eric has about the conclusion of NOFX Deciding to no longer tour The reaction of people along the tour – final opportunity to see the band The Life Coach training helping shape his next steps Is there anything different they are doing on the final tour? The band managing emotions in the final shows How will the band manage the brotherhood of NOFX after the tour? Eric's thoughts on the legacy of NOFX Plans to stay creative in the future Managing his health and awareness Does Eric have a record collection? The huge shelves of NOFX vinyl The unique NOFX gig posters Making the music for Melvinator Thoughts on post NOFX touring projects How NOFX songs are written Interview wrap up, info on final Australian shows & side shows Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Pat Finnerty is the creator of the hilarious YouTube series "What Makes This Song Stink?", which comments and critiques songs and artists for lousy music. We discuss the creation of the show, Pat's history with music, parodies, records and more. Popularity of WMTSS #8  Have you ever heard back from any artists? Chad Smith / Red Hot Chili Peppers Major reasons for bad songs How he picks the songs for WMTSS Challenges of being an elitist music nerd Practising patience – focusing on Genesis this week Putting music into context – Big Star example Pat is a huge Tom Petty guy Lou Reed is the cool Don Henley Clams and out of tune guitars everywhere Guitar tuners are a relatively new invention Records of Pat's youth Building a record collection these days The "cool" Air BNB Early days of his YouTube channel Respectful parody of Rick Beato Tropes of YouTube creators Timing of a parody / commentary on a song Avoiding the tropes, going with your gut Response of his audience / 3 Doors Down signed guitar Ideas/hints for future WMTSS episodes How Pat creates the scripts and storyline for his videos Creating the gags, extra animations, alternate endings on his Patreon I got nervous with Dave Meniketti of Y&T Time spent on research, prep and editing Pat's appearances on vinyl Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

YouTube music guru Rick Beato shares his thoughts on vinyl, analog recording and a future with virtual reality, deep fakes and AI. Topics include; What role does vinyl play in Rick's life? Rick still has all his records, CDs and tapes The obligatory analogue and digital discussion Bad remasters for CDs Is Rick surprised by the resurgence of vinyl? The challenge of making an all-analogue record Why do many people prefer music on vinyl? Mixing engineers interpreting audio Possible future audio formats – surround video Is Rick hopeful or wary of AI? Some people will prefer AI to human crafted music Rick's AI Senate Testimony Using AI for mixing and audio editing The Beatles "Now and Then" was more EQ than AI Future challenges due to deep fakes AI and Deep Fakes challenge our assumption of authenticity Deep fakes licensed by the official artist Staying positive in an industry with lots of scepticism Rick can disassociate music listening with analysis Making "What Makes This Song Great" with A Perfect Circle Rick's wish list for future interviews Dislike of the term "YouTube Influencer" Interacting with other YouTubers – Anthony Fantano Pat Finnerty of "What Makes This Song Stink" series The album Rick equates to perfection Ron Carter's recollections of Rudy Van Gelder Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Eddie Kramer, engineer, producer and reknown audio guru, shares some memories of Jimi Hendrix, Led Zeppelin, KISS, discusses vinyl records, analogue recordings, use of AI in music, the latest recordings of the Hendrix archive & more. Topics include; Interview start New Jimi Hendrix recording from 1967 Will Eddie use AI for Hendrix recordings? Continually mining the Hendrix archive The story of Hendrix at the Hollywood Bowl Does Eddie still listen to records? Why does vinyl sound better than digital formats? The story of the Led Zeppelin II RL Ludwig master Memories of "Band of Gypsies" album Jimi bringing Eddie over to New York The partnership of Eddie Kramer and Jimi Hendrix Rumoured tapes of Jimi Hendrix and Frank Zappa Working with Zappa family and archive Rumoured recording of Jimi, Jim Morrison and Janis Joplin Continually finding new Hendrix recordings Projects Eddie unfortunately missed Working with KISS on "Alive" Working with AC/DC for "Highway to Hell" demos The story of Led Zeppelin into to "Black Country Woman" Interview wrapup Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Fat Mike, founder and curator of The Punk Rock Museum in Las Vegas gave me a personal tour of the displays and vinyl records within the Punk Rock Museum. And man is it friggen cool, pls enjoy our walkthrough! Video is available at Patreon.com/VinylGuide! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Adam Ian Sykes & Matthew Baty of Pigs Pigs Pigs Pigs Pigs Pigs Pigs (or Pigsx7) joins us to discuss the records and collectibles of their career, their acclaimed live shows, their upcoming trip to Australia, the history and impact of their peculiar band name and much more! Topics Include: Matt is bang on time 1st time coming to Australia Matt's stage outfits Adam joins – Australia tour dates Live from New York on vinyl The story of the band name Bands of influence on PigsX7 1st release – split with Cosmic Dead "The Old Noise" record label Remixing "The Wizard & the 7 Swines" for reissue Do Matt & Adam collect records? Artwork on PigsX7 albums Psychopomp cassette release on Box records Matt switching from drums to vocals Stage wear for PigsX7 live shows Writing/recording "Feed the Rats" & "King of Cowards" Recognizing the legs the band was developing "Viscerals" and "Offcuts" recordings Single with The Lovely Eggs "Land of Sleeper" recording & artwork Australian tour, spiders & 2024 plans Interview wrap up See PigsX7 on their upcoming Australian tour! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Alain Johannes is celebrating the 1st vinyl release of the final Eleven album "Howling Book". Today we discuss this record, the early days, recording with Chris Cornell, missing tapes, incomplete tracks, future vinyl & more. Inicio de la entrevista Where's Alain's record collection? "Howling Book"'s first time on vinyl Alain used to work at a record store Going to early punk shows – Fear, Germs, etc Early Flea forming his bass style Alain's 1st appearance on vinyl Early years, moving to Los Angeles "Recorded by Alain Johannes" Does Alain hear music before recording or large exploration? Making "Spark" after Natasha's passing Outtakes for "Howling Book" reissue Getting recording gear for "AvantgardeDog" Incomplete final recordings with Natasha Chris Cornell – Euphoria Morning / Mourning Alain finding masters for "Euphoria Mourning" for reissue Memories of Chris' state of creativity during "Euphoria Morning" Eleven album catalogue and challenges of vinyl reissues No multitrack tapes of the early Eleven albums San Andreas Records / Todd Rundgren & Master tapes Alain may have connected XTC & Todd Rundgren Declining projects – Metallica & Christina Agulera Memories of Silverchair – Touring & Young Modern What is This? On "The Wild Life" soundtrack Bonding with Eddie Van Halen over Alan Holdsworth Impact of Eleven and continuing to inspire musicians What's next / 2024 / coming to Australia Interview wrap up Order the "Howling Book" vinyl at OrgMusic.com or from your local record store. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Matt Cameron (Pearl Jam, Soundgarden) and I nerd out on Melvins while discussing his new limited RSD vinyl release "Gory Scorch Cretins", a project developed with Melvins & team. Connecting with Melvins after Chris Cornell tribute show Melvins version of Spoonman Working at Toshi Kasai's studio Early memories of Melvins The art and evolution of Melvins Matt's favourite period/albums of Melvins Work ethic of Melvins Working in the studio on Matt's songs Sharing drums between Matt & Dale Doing a Melvins parody of "Gluey Porch Treatments" Working with Taylor Hawkins Plans for "Nighttime Boogie Association" So many people loved Taylor Hawkins The way Taylor listened to music Unreleased tracks Melvins & Tom Hazelmyer artwork Only 2500 "Gory Scorch Cretins" pressed on white vinyl "Keep it Trippy Records" is an homage to Taylor Matt's sessions with Tony Iommi Who else would Matt like to play/collaborate with? New album from Pearl Jam / possible 2024 shows Status of final 7 Soundgarden songs KISS parodies and memories "KISS Meets The Phantom of the Park" Interview wrap up Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

ONYX Record Press in one of the newest record plants in the world. Opening in 2023 and based in Los Angeles, founders Moe Espinosa (aka Drumcell) and Gil Tamazyan talk to use about the vision of ONYX records and help educate us on the art of vinyl production. Interview start Why open a vinyl pressing plant in 2023? What does ONYX do different? What are common mistakes that ONYX is addressing? People can visit the pressing plant Where does the pressing waste end up? ONYX's approach to stampers Materials, black & coloured pellet talk Are we still seeing growth in vinyl numbers? Is sound compromised by various colours and variants? Increase in warped and scuffed records What's lead time for records at the moment? Developing new talent for pressing records Wild mastering jobs – locked grooves, vinyl tricks Making a $7,000 record out of hashish Pressing records with items inside What's in the future for vinyl records? Impact of record weight (180g) What are the recommended sleeves for vinyl? Sequencing music for the vinyl format Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

David Lowy may be Australia's busiest rockstar, but it's not all music related. As founder of The Dead Daisies, David also balances a full schedule of leading a private equity organization for the Lowy Family Group, as well as a keen interest in aviation and philanthropy. Today David talks about his history with The Dead Daisies and balancing it alongside his other interests. Interview start How does David balance his various interests Early interest in music 1st record was the Easybeats Parental expectations and personal desires Rediscovering music, spontaneously buying a guitar Connecting with Doc Neeson Origin of the name "The Dead Daisies" Creating the band, the rotating cast of musicians Joining with some Guns & Roses tour musicians Why release a "Best of" album now? David's involvement and contribution to band decisions What would he like to see the Dead Daisies do next? What thrills David these days? History with aerobatics What does David collect? David's record collection and listening habits 1st band to play in Cuba Did David ever get into the Sydney punk scene? Has his father, Frank Lowy, ever seen a Dead Daisies show? Will we see The Dead Daisies in Australia next year? Does David fly the band on tour? Ever spent time with Malcolm Young? Interview wrap up Check out the "Best of The Dead Daisies" vinyl here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Psychedelic Porn Crumpets' founder Jack McEwan discusses the band's stunning vinyl records, early and collectible releases, running a private record label, the origin, challenges and benefits of the band name, the new LP 'Fronzoli' and lots more. Interview start What is "Fronzoli"? The cover of new LP Operations at "What Reality? Records" Autographing and doodling on records 1st Aussie press of Fronzoli Pressed at Zenith records How did Jack get into records? Jack loves making record packaging & art Progression of popularity of PPC Evolving the band to be a profession Investing in recording gear, learning to operate it "High Visceral" Pts 1 & 2 reissues? Who is "Rhubarb Records"? "People Taking Pictures" on What Reality? Records Highly collectible PPC records The origin of the name "Psychedelic Porn Crumpets" Challenges/benefits of that band name PPC has large fanbases where weed is legal Story of the "Levitation Sessions" LP Being disappointed by some vinyl represses PPC products and ideas for merch The Fronzoli cassettes are sold out Interview wrap up Pick up a vinyl copy of 'Fronzoli' here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Pete Stahl and Scream are cornerstones of the DC punk scene and are releasing the ambitous "DC Special" in honour of their music community. Today Pete shares the journey of the band, the album and the characters that make it special. Interview start Melvins / vinyl trivia question The records of the Stahl household Hanging with musicians as a kid When did Pete become aware of punk? Early gigs of Scream Connecting with Dischord records Recording at Inner Ear Studio Locations of the DC scene Is the new Scream album a reboot, a finale or other? The passing of Kent Stax Did the band know Kent's time was limited? How did "Still Screaming" sell when it first came out? Dischord is pricing the album and CD quite reasonably Was he at the SNL "Fear" taping in NYC? Was the band happy with the "Still Screaming" album? What did a Scream tour look like in the early days? Other labels after Dischord The cover art of the "Still Screaming" record Memories of DIY / record stuffing parties in the early days at Dischord How did Dave Grohl join the band? Was Dave contributing beyond the drums in the early days? How did Dave break the news he was joining Nirvana? Kurt Cobain seeing Scream, noting Dave on drums Dave cited Pete as one of the inspirations for the Foo Fighters song "My Hero" How did Pete start to pull in various contributors for the new album? Where are all the Scream tapes? Ian Mackaye is a long term thinker Pete's record collection A "Random Box of 5" Records Going about creating the album "DC Special" Pressing the records at Furnace Final trivia question for Pete Interview wrap up Order the new Scream LP "DC Special" on vinyl here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Daniel Hall of Riding Easy Records celebrates episode 420 with some amazing stories of rare records, starting the "Brown Acid" series, seeking and reissuing private press collectibles and a lot more. Happy Episode 420 How did Riding Easy make it through the pandemic? Depleted stock, 2year+ vinyl wait times Getting his start at "American Recordings" Labels dumping vinyl in the 90s Grabbing vinyl records in the 90s Daniel's rare record collection Value of rare records going up through Brown Acid exposure Origin Story of the Brown Acid series 70s reissues by Riding Easy Fraction – Moon Blood Reissue Transferring audio via Needle-drop Sneak-peek of private press Southern Rock releases The Max Creek Band, Mammoth, Southern Steel Putting out records from bands that aren't active Stonewall, Master Danse, Maximillion Dillon at Noble Records Release schedules for 2024 and beyond Vinyl pressing wait times are way down What is Riding Easy's biggest selling record to date? Monolord releases / Managing the band Riding Easy Records started as "Easy Rider Records" What is the most collectible Riding Easy Records release? How will Riding Easy evolve over coming years? Have we hit peak vinyl revival? Current music/releases – Mondo Drag, Psychic Trash Interview wrap up Visit RidingEasyRecs.com and get 15% off with discount code "VINYLGUIDE" Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Joey Cape joins us to talk Lagwagon history, Section 8 and Nardcore scene, helping shape the Fat Wreck sound, forming Me First & the Gimme Gimmes, numerous side projects, record labels, vinyl collections, touring Australia and more.  Joey's large coffee Joey had to put his records in storage Growing up with Rush and AC/DC Musical family, studying music Living in Socal area / Nardcore scene Forming/recording "Section 8" Fat Mike hated the name "Section 8" The challenges of naming the band "Lagwagon" Lagwagon shaping the Fat Wreck sound Writing songs on acoustic guitar Forming "Me First & the Gimme Gimmes" Recruiting Spike to MFATGG The surprise of the success of Me First & the Gimme Gimmes Any more recordings of MFATGG? Rotating members of MFATGG – Chris Shiflett? Lagwagon touring and recording schedule Joey and his many side projects Starting his record label "My Records" Joey despises managing a record label Forming "One Week Records" Other self-released records Moving his catalogue to Fat Wreck Nothing is missing from the tape catalogue The one time Lagwagon was approached by a major label The story of the cover of "Hoss" and the Dan Blocker estate Interview wrap up See Lagwagon in a town near you, Australia and New Zealand check here.  Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Billy Gould (Faith No More, Talking Book, Koolarrow Records) and Jared Blum (Talking Book, Gigante Sound) discuss composing the soundtrack to "The Eclipse", Koolarrow Records, Talking Book, Sleepbomb, "Shandi's Addiction" and more. Launch of "The Eclipse" soundtrack on vinyl How did the soundtrack opportunity come together? Composing to film segments Where can we see "The Eclipse" film? Personal story with Director's family in Serbia Billy's attraction/connections to Serbia Writing soundtracks are very different than songs Soundtracks can create a movie in the mind 3 members of Faith No More are movie composers Was there pressure for creating the soundtrack Sleepbomb – The Cabinet of Dr Caligari The challenges of making soundtracks to silent movies Koolarrow's evolution as a label The story of "Shandi's Addiction" – Billy, Tom Morello, Brad Wilk & Maynard James Keenan Recording "Calling Dr Love" for the "Kiss My Ass" tribute album Recollections of initial hearing the Mr Bungle demo tape Making demo for "From Out of Nowhere" with Mike Faith No More's original demo tapes Interview wrap up Order "The Eclipse OST" on vinyl here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Justin Chancellor of Tool & MTVoid talks recordings, vinyl, record shops, collectibles, setlists, show posters & more. Interview start MTVoid "Matters Knot Pt 1" – is there a part 2? Forming songs for MTVoid Collaborating with electronic musicians Justin once owned a record store – Lobal Orning Visiting record shops on tour Record shop neighborhoods & artistic people When will we see Tool catalogue on vinyl? Trading communities for Tool collectibles The band's involvement in show posters and merch Band seeks out young fans for giveaways Danny no longer throws drum sticks into the crowd The band plans for changes in their setlist Peach "Giving Birth To a Stone" vinyl is collectible The process for joining Tool The song creation process of Tool Justin hears many of the lyrics when they are mostly completed Protecting Tool audio from leaks The 3 songs that fold together in 10,000 Days Salival is not available on streaming Ideas for "Fear Inoculum" followup Any unreleased recordings / outtakes? Interview wrapup Order MTVoid - "Matters Knot Vol 1" vinyl here and here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Bill Stevenson of Descendents returns to give updates on Descendents music, Milo's health, Australian tour & discuss more music stories from his glorious punk rock past. Previous interview with Bill Descendents coming to Australia Milo's heart attack Milo's increased performance since the heart attack How's Billy doing on the drums? New Descendents songs / upcoming album Bill's song writing process 50 hooks with no way to connect them Possibility of playing new songs on tour Billy really likes The Chats The cover of "Milo Goes to College" Bill's favourite Milo character appearances Did Descendents ever consider using Raymond Pettibone art? Bill and the Black Flag & SST Alumni Chuck Biscuits & Spot Descendents tapes FLAG was the only project he's done with Keith Morris No recordings of FLAG Does Billy prefer Side 1 or 2 of "My War"? Recording sequence of his Black Flag contributions Was Bill involved in Black Flag album artwork or flyers? Descendents "Enjoy/Wendy" 7" promotional record Billy doesn't get record collecting The story behind "9th & Walnut" album Interview wrapup Descendents Australian tour dates & tickets here! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Gaz Whelan of Happy Mondays shares memories of early records, recordings, Manchester, Factory Records, The Hacienda, Martin Hannett, John Cale, Paul McCartney, the upcoming Aus/NZ tour & lots more. Welcome Gaz to the show Touring after Paul Ryder passed away The Paul Ryder Tapes Podcast Picking up drums after watching the Beatles on TV Paul McCartney commenting on Happy Mondays Sex Pistols and 1st wave punk in Manchester Soul and Northern Soul records Talking to Noel Gallagher about the "Get Back" Television series Earlier Manchester bands – Joy Division, The Smiths, etc Forming Happy Mondays, early band names Getting the attention of Factory Records Memories of The Hacienda – FAC51 The story of the "Forty Five EP" Tony Wilson testing Happy Mondays before making an album "Freaky Dancing" single Working with John Cale on the 1st album Gaz has some original tapes from Tony Wilson Making up the album title for the 1st album The track "Desmond" was removed from the 1st album 24 Hour Party People single creating opportunity for 2nd album Bez joining the band Memories of Martin Hannett as producer Rumours of Happy Mondays selling pills The design of Happy Mondays products and the Factory Records aesthetic Northen Soul records turning up in UK Does Paul have many records? Did "Yes Please" bankrupt Factory Records? Post Happy Mondays activity, Black Grape, etc Will there ever be another Happy Mondays album? Many Happy Mondays tapes were likely destroyed with the Hacienda Interview wrap up Happy Mondays Aus/NZ 2023 tour tix & info Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Turntable designer John Stratton founded Pure Fidelity with the aim of creating "heirloom quality" turntables for audio enthusiasts. John discusses his design choices and how we can make the most of our existing turntables and audio systems. How John started making turntables Materials for turntables make a huge difference Determining woods for turntable plinths Comparing wood and stone for turntables Variations in turntables with same woods Tips for all turntable owners to improve sound Keep vibrations away from turntables What impact does the turntable matt have? How do record weights impact record audio? Do record weights cause stress on turntable belts? Why have a 2nd belt on a turntable? Humans can discern variations in speed Comparing belts to direct drive and idler wheels Moving magnet v moving coil Impact of tone arms to the audio signal Straight v s-shaped tone arms Does tone arm length matter much? Proper turntable setup can improve sound dramatically Do we need to invest in expensive cables? The variation and inconsistency of records Records that John tests turntables with How would John improve his turntable with unlimited budget? Speed control outside the plinth but motor is in The ruby bearing of Pure Fidelity Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Mike Love of The Beach Boys shares memories of the early records of the band, recording "Pet Sounds", crafting those beloved harmonies, memories with The Beatles & much more. Intro & Australia talk Stagecoach 2024 announcement What records does Mike Love have? "Surfin' / Luau" Beach Boys single on Candix Memories of the 1st single Signing to Capitol Recording "Surfin' Safari" album The shift from singles to albums Is "All Summer Long" a concept album? Friendly rivalry between The Beatles & The Beach Boys Being with The Beatles in India, collaborating on music Creating process of the Beach Boys harmony parts Capitol's response to early listens of "Pet Sounds" Working on vocal takes hour after hour, seeking perfection Calling Brian "Dog Ears", origin of "Pet Sounds" album title Writing lyrics to acetates Margot Robbie and The Beach Boys Does Mike still have acetates & old records? Keith Moon shared a "Pet Sounds" acetate with The Beatles The Beach Boys and bootlegs Master tapes and The Beach Boys archive team Crafting the set list for current live shows Most collectable record/vinyl from The Beach Boys Paul McCartney on The Beach Boys album artwork "Summer In Paradise" Interview wrap up, a bit more Australia talk Stagecoach 2024 info and tickets can be had here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Replay of Tom Davies - Nebula - Interview from May 8, 2021. RIP Tom.

Peter Hook shares stories & anecdotes about the rare records & recordings of Joy Division, the artwork of "Unknown Pleasures", unheard Joy Division tapes, Sex Pistols Manchester Free Trade Hall show & more. Peter is recovering from Covid New Order Substance was made for Tony Wilson's car Burying grief immediately after Ian Curtis' death Band-financing "An Ideal for Living" record The 45 single sounded dreadful New Order didn't want to play Joy Division The popularity of Joy Division so many years later What could have been on Joy Division's 3rd LP Did Ian hear or see the "Closer" album package? The band's music activity in the days after Ian's death What was the plan for "An Ideal for Living"? Changes for "An Ideal For Living" 12" repress Band changing name from "Warsaw" to "Joy Division" FAC-02 compilation & other early records "Licht Und Blindheit" single from France Band involvement with record artwork The image for "Unknown Pleasures" artwork The popularity of "Unknown Pleasures" artwork / Disney The fractures within the band members in later years Status of Joy Division master tapes Additional/unheard Joy Division music Ian Curtis' daughter & personal mementos Ticket stubs from the Sex Pistols Manchester show Memories of the Sex Pistols Free Trade Hall show Buying his 1st bass guitar When the Sex Pistols returned to Manchester Did Peter's parents ever see him play live? The runout groove of FAC-40 – Joy Division "Still" Interview wrapup Peter Hook & the Light play Joy Division & New Order "Substance" Albums - Tour Dates Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

John Corabi of The Dead Daisies discusses his history with records, the collectibility of his music catalogue on vinyl, his recent book "Horseshoes & Hand Grenades", moments of with the likes of Nirvana, Eddie Van Halen & more. Returning to The Dead Daisies Relationship with former members Is The Dead Daisies the best gig in rock and roll? Why did he leave TDD originally? Can he balance The Dead Daisies with his solo work? John's sorted past, growing up with records John is buying records again but doesn't have a turntable The collectability of John's vinyl history – Motley Crue, Brides of Destruction, solo work Writing his book "Horseshoes & Hand Grenades" Blowback because of the book Audition for Quiet Riot in the late 80s Meeting up with Kurt Cobain and Dave Grohl Nirvana helped clear out the copy-cat bands John's memories of the shift in musical tastes John's favourite 15 years of music Multiple genres on radio Memories of Eddie Van Halen, backyard party The Howard Hughes of rock and roll The tape library in 5150 studio Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Doug Martsch of Built To Spill discusses stories behind the rare records, recordings, record label challenges, successes of Built To Spill, Treepeople, upcoming tour of Australia & more. Vinyl is a primary form for "Built to Spill" Reissues of "Built to Spill" & "Treepeople" music Working with Warner Brothers on licensing and reissues Awareness of master and multitrack tapes "Built to Spill" reissues generally happen without Doug's participation Some highly collectable "Built to Spill" LPs Joining his favourite band "State of Confusion", transforming to "Treepeople" Memories of making "No Mouth Pipetting" Memories of making "Important Things" 7" Message in the runout groove "Silence" records & zine Working with Jack Endino In the Sub-Pop orbit but not on the label "Guilt Regret Embarrassment" record label Issues with CZ Records Locked groove on "Just Kidding" record Recording "Ultimate Alternative Wavers" in the early 90s "Ultimate Alternative Wavers" vinyl hasn't been reissues in nearly a decade Rights reverting back to Doug Reception of the album in 1993 The album cover of "Ultimate Alternative Wavers" Hand-made singles of "Car/Girl" 3 early singles of "Built to Spill" Signing to Warner Brothers / Health care The recording mishaps of "Perfect From Now On" Original pressings of "Perfect From Now On" sold by Up Records Modern reissues are usually done without Doug knowing "You Were Right" lyrical rights "Built to Spill Play the Songs of Daniel Johnson" The packaging and extras with "Built to Spill" albums Recording cadence for Built to Spill albums Upcoming tour of Australia Unique setlists for each show Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Romanus Records is known for producing beautiful and extrodinarily innovative vinyl records. Chris Banta, founder of Romanus, shares how he approaches his craft and continues push the boundaries and assumptions of the vinyl record format. Emmy Award winning Video of "My Weird Life" featuring Chris & Romanus Records. Topics include: Is Romanus Records a label? The early experimentation of Romanus Stuff he's put into records – bullets, glitter, blood/fluid, real scorpions, shredded money, razor blades, etc Making a working guitar pedal in a record Chris' skillset and background – Vinyl Jawa Typical Romanus release bundles Special limited records are all hand made Who presses the records? The recent challenges of vinyl supply chain King Gizzard bootleg model The community around King Gizzard Polygondawanaland paid for his son's surgery Creating the Holographic effect on vinyl Balancing the visual effects and sound quality Green glow in the dark records seem to have more quality issues How does he create Romanus' hand-made filled records Focused on innovation and high quality How do we care for liquid-filled records? Early liquid-filled records – Disney was the first Jay Millar's blood records w The Flaming Lips Making records for well known artists – Fall Out Boy –'tear-infused records', Slime Language Importance of getting credit for doing special records for other artists What lead time do you need for creating a special hand-made record? The largest order he had to fulfill – challenging logistics Thoughts from Chris on how to find the right career path Persistence is required for doing anything you're passionate about If you're being adventurous, you're going to suck for awhile Salty Dog Records, Private Function Interview wrap up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

In memory of Sixto "Sugar Man" Rodriguez, here is the full Vinyl Guide interview from 2018 discussing music, records, recordings and more. Rest in Peace Mr Rodriguez. Topics include: Interview start / greetings Music on vinyl and digital Memories of Australia and New Zealand Rodriguez was surprised by a large fanbase in Australia Writing the songs on "Cold Fact" & "Coming From Reality" The accident that took part of his finger The "I'll Slip Away" single on Impact records What the "Sugarman" character someone he knew? Did his style change between the two LPs? Fighting injustice in the music industry What is the one message Sixto would like to give the world? Will we see another Rodriguez album? Honorary PhD / Dr Rodriguez Did Sixto continue to play music during the years after he made his records? Is he familiar with Blue Goose record label out of Australia? Do you know where the master tapes of "Cold Fact" and "Coming From Reality" are? Touring the world with local musicians Taking inspiration from his family who served in military How did you choose the path of being an artist? What does he want to accomplish in his remaining years? The King of Thailand came to his show Rodriguez still studies music Social commentary on global cultures What music, lyrics does he feel are still relevant today? End of interview Pls support our podcast at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Bay Area thrash legend Craig Locicero returns with many tales of record collecting and the rebirth of Forbidden. Topics include: Craig's vinyl collection is growing There's no pit at a Porcupine Tree show The Locicero family record collection Record shops Craig enjoys Rediscovering Beatles, Genesis, What albums annoy your wife? Revisiting Rush and Iron Maiden on vinyl The sound of vinyl crackle is comforting Does the collectability of records matter? Does Craig do boxsets? Craig loves Amyl & the Sniffers & King Gizzard Discussing bands – The Chats, Cosmic Psychos, PigsX7, IDLES, Slift, Uncle Acid & The Deadbeats, C.O.F.F.I.N., These New South Whales, Private Function, Neptune Power Federation Reforming/rebirthing "Forbidden" Getting the approval of Russ Anderson for reviving Forbidden Working with Norman Skinner on vocals Receiving offer for the Alcatraz Festival Filling in for Anthrax Writing for a new Forbidden album Future Forbidden reissues on vinyl Band members and songwriting credits What's happening with "Dress The Dead"? Joining and playing on "The Boneless Ones" LP / vinyl Interview wrap up Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Kevin Rowland of Dexys shares stories of his early days with records, "The Killjoys" single, forming "Dexy's Midnight Runners", the making of "Geno", "Come On Eileen", his new LP "The Feminine Divine" and more. Topics include: Kevin doesn't have a record player Buying records as a kid Elvis & The Beatles were a big influence Joining his brother's cover band Discovering punk, forming "The Killjoys" Making the 7" single "Johnny Won't Get To Heaven" Kevin and band still haven't seen a penny for that record Disintegrating "The Killjoys", forming "Dexy's Midnight Runners" Alternative names for "Dexy's Midnight Runners" Involvement with Bernard Rhodes 2 single deal Oddball records via EMI The story of "Dance Stance" single and mix Multiple mixes of "Geno", switching to the band favoured mix Recognizing the popularity of "Geno" Parlophone missed the option making Dexy's free to move labels The pressure going into "Too-Rye-Ay" Memories of the making of "Come On Eileen" Recent remix of "Too Rye-Ay (As It Should Have Sounded)" Remastering of "Don't Stand Me Down" Dexy's appearance on "The Young Ones" Recent burst of Dexys in recent years The new album "The Feminine Divine" is a personal album Kevin's journey and revisiting learnings from his youth Some people aren't comfortable with the evolution of Dexys Kevin has always bucked trends in the music industry Interview wrap up Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jody Stephens shares memories of Big Star, vinyl & cover art for "#1 Record", "Radio City", "Third", Chris Bell & the master tapes, rare records, the upcoming Australian tour for "Those Pretty Wrongs" and more! Topics include: Jody has never been good with vinyl "Those Pretty Wrongs" are coming to Australia Continuing to use Ardent Studios The Ardent logo and label design introduced with the Big Star debut What happened to the neon star from Big Star album cover? The cover photo from Big Star's "Radio City" album Big Star "Third" multiple album covers Finding a new label for Big Star "Third" Will vinyl be on the merch table for "Those Pretty Wrongs" Australia shows? Pressing 250 Big Star "Third" records to find a new label PVC Records release of Big Star "Third" An aborted single of "The Ballad of El Goodo" Rare Big Star records – Brazil EP Mislabelled Big Star singles Test pressings of "#1 Record" would have been handled by Chris Bell The care and attention for cutting Big Star records Inscription in the "#1 Record" runout groove 1st pressings of "#1 Record" had a poster Why was "O My Soul" in mono? Was Chris still working on songs for "Radio City"? Chris destroyed the Big Star multitrack tapes – "The India Song" multitrack may have survived Chris Bell's motivation for destroying the tapes Was Chris Bell aware of the building legend of Big Star before his death? Jody spoke to Chris about a Big Star reunion prior to his passing Memories of Big Star live shows in early 70s Live recordings of Big Star – Rock Writers Convention How does Jody look back at the Big Star years? Developing songs / material for "Those Pretty Wrongs" Chris Stamey is still involved in Jody's music Jody's memories of playing in Australia Interview wrap up See "Those Pretty Wrongs" in Australia, tickets & details are here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

After an accidental erasure in 1979, the song "The Second Arrangement" took on mythic status for fans of Steely Dan. Now a near complete version has turned up on a worktape belonging to engineer Roger Nichols. Today we talk to Cimcie Nichols, Roger's daughter, about this incredible rediscovery and lots more about the work of her father. Topics include: Digging through her father's tapes The story of "The Second Arrangement" Steely Dan attempted to remake "The Second Arrangement" Reacting to the picture of the tape on Facebook Did Roger know the interest in "The Second Arrangement"? The day of the track deletion Working w Steely Dan team after finding the tape The cassette was from the night before of the deletion Roger Nichols clip 1: Driving Lacquer master to Santa Maria Did you find many records amongst her dad's possessions? Roger Nichols clip 2: Getting rid of the clicks and pops There are some records but most are now gone Then a DAT was found! What was on the DAT? There's a series of backups and versions are unclear Will there ever be an official release of "The Second Arrangement"? Is Donald Fagan aware of the recent news? Sorting through the tapes for a Roger Nichols' archive Gary Katz Clip: Mustard on the master tape Roger and Frank Zappa were high school friends Roger's knowledge of physics gave him a huge advantage as a sound technician Ensuring pressing plants had access to high quality source material Roger Nichols Clip 3: Master tape mixups on "The Nightfly" Interview wrap up Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

JD Andrew and Billy Bob Thornton of The Boxmasters join us to talk music, records, making era-themed albums, memories of Captain Beefheart, writing songs on Frank Zappa's couch, playing the Grand Ole Opry & more! Topics include: The Boxmasters history with vinyl records Favourite record stores Working with and fixing 8 track tapes The Boxmasters enjoy the vinyl format Making era-themed albums – '66 and '69 Making albums, not really thinking about singles Billy Bob's early records – 1st album Discovering the Columbia Record club Formative records – British Invasion Allman Brothers Live at Filmore East – album cover Original Jim Marshall cover photo and story When Billy Bob discovered Frank Zappa Frank's couch is in The Boxmasters' studio Memories of Captain Beefheart Billy Bob's history with punk rock AJ's musical heritage / The Chipmunks AJ's memories of studio mentors The Boxmasters playing at the Grand Ole Opry The magic on Frank Zappa's couch Interview wrap up Get vinyl and live tickets for The Boxmasters here. Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Bär McKinnon and Danny Heifetz recount many tales of their time in Mr Bungle, the rare recordings, vinyl pressings and band folklore, as well as their new project UMLAUT, new music and the future of playing together again. Topics include: Moving to Australia Mr Bungle bubble-bath promotion Joining Mr Bungle before "OU818" Outtakes from the debut album "Improv at the Bomb Factory" NFT Bass part for "Dead Goon" Setlist creation for live shows Approach to cover songs Early songs dropping off the setlist Demos for "Disco Volante" Mr Bungle & Warner Brothers Danny starts managing the band "The Secret Song" hidden vinyl groove Bernie Grundman speaks about Mr Bungle The Disco Volante Platypus 7" Any outtakes from the "California" sessions? Sessions of cover songs – tapes found Demos for "California" Finding time to make "California" Learning Mr Bungle was dissolving Legacy of Mr Bungle and the 3 early albums SMPTE issues while completing "Disco Volante" Learning of the 2019 Mr Bungle reunion Playing together again in Umlaut The new Umlaut song "Every Time" New album in the works / Upcoming shows Umlaut vinyl in the works Interview wrap up Listen to new Umlaut track here Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Homer Flynn, President of The Cryptic Corporation, discusses the rare records of The Residents, the archive of Ralph Records, limited vinyl pressings, boxsets, the latest pREServed editions and much more! Topics include: Interview intro Comparing pREServed editions to original boxset ideas Third Reich and Roll boxset What's in the Ralph Records archive Spare boxes of Residents releases Anything missing from the recorded works? "Santa Dog" original recordings and tapes The story of the WB Album –status of original package Early tapes that were stolen from the Cryptic Corporation Hardy Fox's 'concentrates' The concept and story of Santa Dog The challenge of the Santa Dog package Mailing records and Nixon refused 100 records lost and recovered Handmade boxes for remaining "Santa Dog"s Recognizing the collectability of Residents records How the Residents benefitted from Punk and New Wave Creating The Beatles parody for "Meet The Residents" Dick Clark's response to "Third Reich and Roll" Different pressings of "Third Reich and Roll" The power of limiting production units "Eskimo" vinyl with white fur on label Will we see anything else from Vileness Fats? Digitizing and right securing for older recordings The Residents UBS – Ultimate Box Set & Mystery Box Artists dropping by Grove Street, contributing to recordings Touring challenges New music is on its way – working title revealed Interview wrap up Order The Residents pREServed editions of Eskimo, Commercial Album and more here. Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Comedian, actor, podcast pioneer and my hero Marc Maron joins us to talk record collecting, music, rare records, vinyl shopping and more. Topics include: Marc doesn't feel he's a record nerd Thoughts on Mobile Fidelity records Marc compares some records side by side Various labels Marc follows Light in the Attic, Numero Group, Resonance Records Marc's local shops - Permanent Records in LA, Gimme Gimme Records How does Marc shop for records How are his records organized? Records that Marc buys multiple times over First pressings don't matter Modern Remixes: Pink Floyd Animals 2018 Remix, Beatles Abbey Road, etc Boxsets, booklets, outtakes and ephemera Jimi Hendrix – Songs for Groovy Children What's the most Marc ever paid for a record? Records he was sent recently Marc still has some high school records Formative records of Marc's youth When Marc discovered Zappa Collecting Krautrock McIntosh amp from the Maron TV show Gear talk Collectability of Marc's vinyl releases Fitting a comedy routine on a record release package Marc's history with releasing comedy records The WTF Live in the Garage record Opinions on black, coloured splatter vinyl? Discussing blues records & guitarists Modern music Earthless / OFF! John Lee Hooker – Serve You Right to Suffer Interview wrap up Marc does his thing on Twitter, Instagram and WTF Pod Video, Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Tommy Prine, son of singer songwriter John Prine, was raised around music and has forged his own artistic path for his new LP "This Far South". Topics include: Discovering Tommy would be an artist Was Tommy always playing guitar? Tommy's teenage rebellion Sharing music with his parents John Prine's music collection What was the music listening routine in the house? Tommy's first record / Discovering Outkast Tommy brought some records – Tyler Childers "Live on Red Barn Radio"- Al Green's Greatest Hits – A Tribe Called Quest "Midnight Marauders" – Marvin Gaye "You're The Man" How does a Tommy Prine song come together? Writing is like therapy Did Tommy's father hear his songs? Parents reaction to Tommy becoming an artist Tommy's influences in the album "This Far South" Is Tommy already writing the follow-up record? The story of "Cash Carter Hill" Touring and promotional plans Interview wrap up Tommy Prine vinyl and tour dates available here High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Ray Ahn and Peter Black of Australian punk band The Hard-Ons discuss the early days of the band, the records, the band name, career choices, music catalogue, artistic evolution, the new LP "Ripper 23" and more. Topics include: Ray's record room Record shopping, Miles Davis Ray's early history with music/vinyl The Hard-Ons love vinyl, large album cover art Blackie always thinks like an album The 1st records Ray and Blackie bonded over Record shopping around Sydney as youths Discovering Australian punk The Sex Pistols taught Blackie he can start a band Ray joins the band History of the name "The Hard-Ons" Benefits & challenges of the band name "The Hard-Ons" Making the "Surfin' On My Face" EP Being approached by Virgin Records Conversations with Epitaph records Ownership of The Hard-Ons catalogue The complexities to self-release music & back catalogue "Ripper 23" cover art The Hard-Ons continuing to evolve Shifting members and the future with Tim Rogers Parallel project of Nunchukka Superfly Multiple bands make a musician better The Hard-Ons Doublethink records single Ordering vinyl for "Ripper 23" Interview wrap up Order The Hard-Ons "Ripper 23" on vinyl here! Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Neil Fallon discusses the rare records of Clutch, the formation of "Weathermaker Music", the rewards and challenges of running a record label, the Clutch catalogue and the latest entry - "Sunrise on Slaughter Beach - The Complete Edition" 7" vinyl boxset. Topics include: Sunrise on Slaughter Beach 7" set Boxset planning and supply chain Clutch benefitted from file sharing Weathermaker Music is another creative outlet The backstory of Weathermaker Music Learning curves of running a record company Owning the errors of the supply chain Designing The Obelisk box set Artwork of the Sunrise on Slaughter Beach 7" set Clutch and conceptual continuity How does a typical Clutch track come together? What did teenage Neil Fallon's record collection look like? Early hardcore shows in the DC area Integrity and respect for the fanbase The work ethic of the band and label Which Clutch albums do and do not control The Pitchfork single and reissue Non-involvement in the Music on Vinyl reissues 1st recording of The Elephant Riders A hidden "Easter Egg" on Robot Hive / Exodus Sunrise on Slaughter Beach 7" hand pressed vinyl Interview wrap up Order "Sunrise at Slaughter Beach - The Complete Edition" 7" boxset here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Ed Kuepper shares the story of The Saints landmark single "(I'm) Stranded", an upcoming boxset and alternate album mix of their debut LP, forming Laughing Clowns. Prince Melon Records and the reissue plans for his solo catalogue. Topics include: Is Ed a record collector? Reissuing "Electrical Storm" & "Honey Steal's Gold" on vinyl Going into "Electrical Storm" 1st solo LP Discovering an unreleased album The master tapes were safe How The Saints made "I'm Stranded" on Fatal Records The master tape of "I'm Stranded" no longer exists Power Exchange Records release of "I'm Stranded" The cost of shipping records to magazines around the world What did The Saints think would happen with the 1st record? Getting initial reviews, global feedback on record The breadth of the Power Exchange agreement Upcoming reissue of The Saints "I'm Stranded" single August 2 "I'm Stranded" boxset and alternate mix The story of the album cover of "I'm Stranded" How does Ed look back on those early Saints albums? Background on the name "Fatal Records" Forming Laughing Clowns and Prince Melon Records Inspiring other bands to create their own records The collectability of the original single "Character Assassination" white vinyl Blowback from the Sex Pistols EMI feud Being on the Harvest record label Was "Prehistoric Sounds" a struggle to release? Signed to Sire – Did The Saints tour the US? Any material difficult to reissue? Ed has a stack of Yellow Fontana label records Interview wrap up Order Ed's solo album reissues at EdKuepper.com or RemoteControlRecords.com.au Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

For decades collectors of comic books, coins & sportscards have protected their collectibles by having them professionally graded & slabbed. The team behind Vintage Media Grading (VMG) shares how their process can be a gamechanger for vinyl record collectors. Topics include: Vinyl grading is tricky – why use VMG? VMG Grading comes from Goldmine standard Using best practices from Baseball Cards & Comic Book gradings Walking through the grading process Supplying info, provenance, etc What would get rejecting for rating? How other industries get graded (paintings, cards) Is there an appeals process for a grade? The difficulty in getting a "10" grading Grading is consistent no matter the rarity 12" records now, 7" and 10" under development Can they do double or triple LPs? What about inserts, special LP additions, etc Ability to change album details if new information arises Vinyl has much more complexity than other graded items VMG Focuses only on facts, cannot state assumptions How VMG labels promotional copies Their sources for determining authentic pressings and info Not relying on crowd-sourced materials Does VMG do play-testing? Hot-stampers may not be right for VMG The impact of the plastic case on records and covers Can the plastic case be opened? Autographed records, backstage passes, etc Will they work with acetates and test pressings? Working with international customers Best practices for shipping to VMG How are the records handled through the grading process Length of time the grading process takes Not just collectible records but personally important records Interview wrap up Learn more at VMGVinyl.com Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Louise Post wrote her new solo LP "Sleepwalker" in a house full of records. Today she shares about the music memories of her youth, the rare records of her career, current and upcoming reissues of Veruca Salt music, the rights and master tapes, upcoming Sleepwalker tour and more. Topics include: Early affection & memories of records in her life Shooting the cover of "Sleepwalker" LP Louise & her husband have a lot of records in her house First records Louise bought with her own money Her first concert "The Cars" Influences for become a musician Sleepwalker sounds like a new direction Any issues with the name "Veruca Salt"? Who owns the rights to Veruca Salt Music? Most Veruca Salt master tapes have been destroyed Upcoming reissue of "Blow It Out Your Ass" How does she compare the Veruca Salt / Veruca Starship eras? Would she ever reissue "Resolver" on vinyl? Leading up to "Ghost Notes" "The Museum of Broken Relationships" RSD Release Louise always wanted to see her music on record Different vinyl colours of the "Seether" single A limited white label "Museum" 7" for tour release The status of the "Velveteen" record label Story of the "But I Love You Without Mascara" EP Depeche Mode cover of "Somebody" Preparing to tour for "Sleepwalker" Interview wrap up Order Louise Post "Sleepwalker" on vinyl here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

J Mascis of Dinosaur Jr, Heavy Blanket, Witch & more discusses his vinyl collection, his history of collecting punk rock 7" singles, making his first record "Deep Wound", the latest Heavy Blanket LP "Moon Is" and more. Topics include: J's record collection What kind of genres are in J's record collection? The music of J and his siblings J's discovery of punk records The early punk scene of Amherst Getting import records from England Eater and Velvet Underground Recollections of making the Deep Wound 45 The collectability of the Deep Wound single Punk records now going for big money Leaving Nirvana "Love Buzz" single at a party Chasing the Sounds Magazine 100 Best Punk Songs J's approach to record collecting Physical reactions to music, bad reissues The records that are especially precious to J Getting emotional by listening to Negative Approach The multiple pressings of Poison Idea "Pick Your King" Are sleeves and lyric sheets important? What's the most J paid for a record? Seeing and meeting The Wipers Dinosaur on SST, name change Recollections of Homestead Records Getting tapes back from early Dinosaur / Dinosaur Jr albums What was damaged when their studio caught fire? Would J like to remix any older Dinosaur Jr albums? Heavy Blanket- working with Outer Battery Does J like colourful vinyl pressings? Is J chasing any Holy Grails? Memories of Misfits records Witch coming to Australia Interview wrap up Order the vinyl version of Heavy Blanket "Moon is.." Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Gino Yevdjevich (Srđan Jevđević) grew up in Sarajevo, son of a high judge and became a music superstar before age 20. When the Bosnia-Herzegovina conflict came, Gino and his artist community dodged nightly sniper fire to make music. Today Gino shares his story and his continued pursuit of art and music. Topics include: Gino intros Kultur Shock single on Alternative Tentacles Meeting Jello Biafra Connecting with Billy Gould and Chris Novoselic Disclaimer for potentially asking dumb questions Gino grew up as privileged youth, mother a Supreme Court justice Fascination with being an artist from youth Were records easy to get as a kid? Gino's records were destroyed in the war Access to Western Music records The records / artists that inspired Gino Spending 9th grade in Colorado The creation of the band "Zov" Making a hit song while in high school The impact of being a successful artist in high school The journey from "Zov" to "Gino Banana" Still getting requests for the song "Mače Moje Čupavo" The discography of Gino Banana What were the band plans before the war? Gino may have been an executive at Diskoton He considers himself a "war profiteer" The war shaped Gino into a different artist and person Being a target for snipers Revisiting the streets of Sarajevo Putting the musical Hair on during the war Inspiring other artists to create during the war Being discovered by Joan Baez to come to the United States Almost not making it out of the country Will he be releasing the Kultur Shock catalogue on vinyl? Interview wrap up Order the Kultur Shock "King / Country Mohammed" single here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Kid Congo Powers (The Cramps, The Gun Club, Nic Cave & the Badseeds) talks about his record collection, as well as the many stories of his life as outlined in his new book "Some New Kind of Kick". Topics include: Joining the Gun Club, flying to Australia with 24 hours notice Writing his book "Some New Kind of Kick" His preferred state in writing songs Nick Cave liked to keep people on edge Growing up with his sister's records Records and radio in Los Angeles Memories of Dr Demento Early record purchases The first song he absolutely loved He didn't think of himself as a musician Taking the Ramones record shopping Forming The Gun Club Early memories of seeing The Cramps His memories of living with The Screamers Keith Morris gave The Gun Club their band name Alternate names for The Gun Club Kid Congo writes "Fire of Love" then joins The Cramps "Would you cut your finger off to join The Cramps?" Preparation and rehearsal for "Psychedelic Jungle" IRS Records had big plans for The Cramps Kid Congo felt very welcome in The Cramps Memories of Lux and Ivy's record collection Kid Congo loves 45rpm records Where does Kid Congo Powers go record shopping? What's the most he's ever paid for a single record? What are the most collectible records of the Kid Congo universe? The Gun Club reissues are pulled from the original masters Kid Congo & The Pink Monkey Birds – Five Greasy Pieces How did The Cramps react to bootleggers? Memories with Tex Perkins Interview wrap up Order the book "Some New Kind of Kick" Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Zev Feldman, The Jazz Detective, returns to share his recent tape finds and upcoming releases for Record Store Day 2023. Topics include: Zev Feldman introduction Comments on the passing of Amhad Jamal Memories of Amhad Jamal reviewing recent recordings The process for getting these releases issued The stars aligned for 6 RSD releases The importance of the Left Bank Jazz Society The Left Bank tape archive Walter Bishop Jr – Bish at the Bank Zev curates releases with booklets, pictures, info Shirley Scott: Queen Talk: Live at the Left Bank Are there photographs of the artists during Left Bank sessions Sonny Stitt: Boppin' In Baltimore – Live at the Left Bank Chet Baker: Blue Room The pictures of Chet Baker Some projects take years, some take months Vinyl pressing times are getting better, more capacity Bill Evans: Treasures – his 10th album with the Bill Evans Estate Will he be reissuing some Bill Evans releases? Eric Dolphy: Musical Prophet – 2nd pressing The differences between the 1st and 2nd pressings Any thoughts of reissuing the Lee Morgan Live at the Lighthouse boxset? Having unsalvageable tapes from Max Roach and Clifford Brown How often do people reach out to Zev with tapes? Would Zev branch away from Jazz? Upcoming releases Interview wrap up High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

With nearly 10 years working on the FREE LSD album and movie, Dimitri Coats of OFF! discusses the project, the story of OFF!, working with Raymond Pettibon, the hidden details in album art, the brotherhood of the band, the potential end of OFF! & more. PLUS the FLSD EP available on Record Store Day 2023. Topics include: Interview intro Which came first, movie or the music? FREE LSD helped band create in all new ways How different was "Watermelon" from "FREE LSD" Starting the new line-up w the Metallica cover Keith and Dimitri help each other stay focus Making FREE LSD movie with non-actors Moving the OFF! Catalogue to Fat Possum Records Fat Possum can press their own vinyl Hidden details in the FREE LSD gatefold cover Being inspired by "Rogue Astronaut" by "The Bastard Noise" The colour cover of FREE LSD was part of the long-term plan Working with Raymond Pettibone When Raymond agreed to collaborate with OFF! The Farrah Fawcett cover of "Live at the 9:30 Club" Coming up with the band name OFF! Dimitri's vision for the future of OFF! The brotherhood of Dimitri and Keith What are OFF!'s international touring plans The 3rd act of Keith's music career Keith's acting in FREE LSD is quite natural The FLSD EP out on Record Store Day Interview wrap-up Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Tim Alexander joins us to talk about his new project "Sound Cipher", share some stories from early Primus days, rare records, analog recording, the South Park 25th Anniversary concert & lots more! Topics include: Interview start Forming and recording Sound Cipher Were there any song structures or fully experimental? Memories of the band "Attention Deficit" Primus recording with ADATs Tim loves analogue recordings Sound Cipher music can get very emotional The story of Primus "Suck On This" vinyl Postcards in the initial records for touring recommendations from fans The perspective of Primus material Joining Primus and preparing for the "Suck On This" recording What songs were already written and which were made after Tim joined Balancing the music between the 3 Primus members Why was "Tommy The Cat" wasn't on Frizzle Fry, Tom Waits Meeting his heroes Public Enemy, Anthrax, Primus shows Memories of making "Sailing the Seas of Cheese" Wynona Rider wasn't happy about "Wynona's Big Brown Beaver" Prepping for South Park's 25th Anniversary Concert Surprising Matt Stone with Rush Planning the "Farewell to Kings" tour Rush never toured Australia Sound Cipher anti-promotion Interview wrap up Order the new Sound Cipher vinyl "All That Syncs Must Diverge" here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Jane's Addiction co-founders Perry Farrell & Eric Avery share a studio update, discuss the band's legacy, the making of the live "Jane's Addiction" debut LP, the censorship of "Nothing's Shocking" and "Ritual de lo Habitual" album covers, the upcoming Australian tour and more. Topics include: Interview start The animals of Australia Playing new material in the Australian tour New material/record update Listening to music sets up the day Australian music that inspired them Influences of Velvet Underground and Joy Division Their view of the band's legacy Not being accepted by the establishment Janes Addiction is a band that can't be copied The formula & ease of the original 4 members Love for Amyl & The Sniffers Recognizing the cultural impact of Lollapalooza The story of the Janes Addiction debut on Triple X Records The record label discussions and free meals The debut album is a document of the time "Nothing's Shocking" and "Ritual De Lo Habitual" album cover controversies Record label reactions and censorship Making the sculpture for "Nothing's Shocking" The fate of the sculptures for the two albums Any demos or recordings in the Janes Addiction vaults Interview wrap-up Tickets for "The World Is a Vampire Tour" High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

John Brewster discusses early days & records of The Angels / Angel City, the name change, working w AC/DC and Vanda & Young at Albert Productions, the classic albums, the influence of the band on the Seattle sound and lots more. Topics include: Upcoming Brewster Brothers tour Origins of the name "The Keystone Angels" Early gigs with AC/DC Working at Alberts with George Young and Harry Vanda Creating "Face to Face" The guitar sound, playing with Malcolm Young Leaving Albert Productions Spending time in Albert's studio Watching Harry create "Love Is In The Air" Parting with Albert Productions, quick Fifa Riccobono story Finding the issue with the band name "The Angels" The name "Angel City" getting known in the US Fans of The Angels/Angel City Texting with Slash on the golf course Challenges opening for The Kinks Nice memories of David Bowie Origins of the audience call-back chant for "Will I Ever See Your Face Again" Does the band have control and access to The Angels' tapes and music? Who is on the cover of The Angels Debut? The story of the cover of "Face to Face" The lighting and choreography of The Angels live show Filling in live bands with family members The release of film/video of Liveline Considering reissuing classic album titles The collectability of original Angels LPs Memories of sequencing Angels albums The Brewster Brothers Electric EP Are there possible future recording or 'recharged' projects? Upcoming 50th anniversary plans with special guests Listening to classics as well as upcoming Aussie bands The Brewster Brothers dates and The Angels with choir and symphonies Interview wrap up Get Tix to see The Angels and The Brewster Brothers here High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

We have beers and hear stories from Ross Knight of Cosmic Psychos - talk of the early days, discovering punk rock, early Cosmic Psychos records, working w labels like Subpop, Amrep, influencing the Seattle sound, his new children's book & more. Topics include: Intro with Ross and Dean Getting back on the road after the pandemic Cosmic Psychos songwriting & recording process Ross' road-ridden bass guitar The early days on the Farm Ross watching the Sunbury Festival Music in Ross' early days – records and live bands Aussie touring in the early days – AC/DC How his parent's reacted to his music Discovering The Saints, Radio Birdman, Ramones When Ross got his first bass guitar Playing early shows w Rancid Spam "Down On The Farm" on Mr Spaceman Records Recollections of those early vinyl pressings Mudhoney were early fans of Cosmic Psychos How did Cosmic Psychos records make it to the US? "Go The Hack" & "Slave To The Crave" on Survival Working with Subpop on "Go The Hack" Working w AmRep / Tom Hazelmyer on "Blokes You Can Trust" Discovering "Bleach", memories of Nirvana Any dealings with Waterfront or Au-GoGo Storing and archiving the Cosmic Psychos master tapes Stored band ephemera, shirts, etc Vinyl repressings of Cosmic Psychos albums Possible upcoming album w Cosmic Psychos Ross loves f*****g with people Ross' new book "The Incredible Tail of Little Roo" Where can the Little Roo tail go? Upcoming tour of the US with The Chats The spirit of Cosmic Psychos living on in other bands Wisdom for new bands Ross' farm and Mad Macka's computer job Ross hates the split single with The Melvins Interview wrap up Get Tix to see Cosmic Psychos & The Chats High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Steve Turner of Mudhoney has been chasing vinyl for years - today he discusses his record collection, the amazing finds, the rare records of Mudhoney, early days of Subpop, the new LP "Plastic Eternity" and lots more. Topics include: Interview intro Mudhoney 2023 Australia dates Recording "Plastic Eternity" Does Mudhoney have control of their catalogue? The upcoming Mudhoney Box Set Jack Endino recent Soundgarden Ultramega OK remix What's up with the Mudhoney master tapes? Steve's record collection – buying self-released singles Steve replaces super rarities with reissues Steve and Jeff Ahmet have been purchasing Windham Hill records What Psychedelic and punk record collectors move to Steve prefers 7" records, especially for DJing Mark like making an album Upcoming Australia-only single from Tym records Steve's involvement in record colours, numbers, etc Working at Cascade Record Pressing plant Dan Peters is surpassing Steve's enthusiasm for records Buying records while on tour The current prices of punk records Jackie Shark and the Beach Butchers single The most special records in Steve's collection What's the most you've ever spent on a record? He's still finding deals on records Giving his original Misfits single to Tom Hazelmyer Did records ever become a problem? Steve's records are quite organized The holy grails he's looking for The Victims reissues, shows w Ray Ahn Steve's early Subpop test pressings The story of the Subpop Singles Club The rare "Touch Me I'm Sick" colours Rejected test pressings Nirvana Bleach misprints / missing tracks Collecting Mudhoney international releases Starting Super-Electro Records Putting out Mudhoney records on Super Electro with unclear permissions Tales and sales of Super Electro Records Mudhoney / Subpop / Warner get along well Melvins / Mudhoney – White Lazy Boy session We all love Melvins Melvins "Leech" was based on an early Green River song Interview wrap up Get the new Mudhoney LP "Plastic Eternity" here Tickets to Australian 2023 shows here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Jason Bonham, son of Led Zeppelin drum legend John Bonham, shares memories of his father's record collection, the challenges of playing the music of Led Zeppelin, behind the scenes of Led Zeppelin reunions and more. Topics include: Jason's upcoming tour of Australia & New Zealand Records that Jason and his father shared Turning his father onto The Police Jason's early records John's love of Freddie King "Going Down" Revisiting Fleetwood Mac "Rumours" Jason's investments in audiophile gear What happened to John Bonham records & stereo? Continually discovering new drum techniques of his father Reversing the speakers to replicate his dad's perspective Did John do any home recording, any additional tapes? Jason found a batch of unmarked reel to reel tapes Restoration of the Knebworth tapes What's the hardest Led Zeppelin song to play? Learning from his dad's performances from live tapes His favourite performance of his father Jason collects bootleg recordings of Led Zeppelin Frustrations with audience taping live shows The impromptu Led Zeppelin reunion at Jason's wedding The story of the 2007 Led Zeppelin reunion Hearing stories of his dad from his bandmates What was planned for the 2007 show that didn't happen? Interview wrap up Get tickets for Jason Bonham Led Zeppelin Evening Australia & New Zealand shows High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

In memory of Glenn Michael "SPOT" Lockett, here is our full interview from May 2019. Spot was a producer, engineer and an essential ingredient to the Southern California Punk Rock sound, helping bands like Black Flag, Descendents, Minutemen, Misfits and Hüsker Dü get their music to tape and onto vinyl. Today Spot shares stories of those days and colours in some insider details. Glenn Michael Lockett (July 1, 1951 – March 4, 2023) Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Chris Shiflett has been a Foo Fighter over 20 years but continues to write and release solo music at an astounding rate. Today we discuss his career leading up to joining Foo Fighters, his early punk & vinyl roots, his new solo track "Black Top, White Lines" and lots more! Topics include: Does Chris have a record collection? Chris enjoys listening to full albums Does Chris go to record stores? Chris' first record was the same as his son's The artists he admired in the early days Chris' first concert & early memories Discovering punk rock Joining the band "Rat Pack" 1st record - Rat Pack on SuperSeven records The name "Boat Plastic" History of pseudonyms - Jake Jackson Working at Fat Wreck in late 90s Joining No Use For a Name What Chris learned from Tony Sly The songwriting process for Foo Fighters Dividing guitar ideas between Chris, Pat and Dave What's the title of Chris' new LP? Making the 1st Gimme Gimmes album Auditioning for the Foo Fighters, leaving NUFAN What changed in Chris' life immediately after joining Foo Fighters Chris' 1st tour w Foo Fighters 1st recordings with One by One Are there unreleased Foo recordings? The last time Chris was starstruck Playing with Mick Jagger, at White House Discussing the scale of a Foo Fighters tour Who's still on Chris' bucket list? Upcoming album on Blue Élan records Previous solo record labels Preparing solo and other projects on streaming services and vinyl Sharing a new solo track every few weeks Nate's gramophone  Interview wrap up Check out Chris' new track "Black Top, White Lines" Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

I was in a band that made a record in high school which has now become very collectible. Today I talk to my lifelong friends Jason & Chuck about the making of that record, the memories, the fate of all the copies, the reissue on "Scrap Metal II" compilation and more. Topics include: Chuck and Jason intros. Where's Joe? Trying an album, settling on a single Putting together the band lineup Our old practice room We made 1,000 records for $635 Recording at Creative Sound Studios Feeling pressure recording the basic tracks We couldn't afford to fix mistakes Worst singer ever Timing of Cliff Burton's death Joe playing rough mixes Making the sleeves, rushing the artwork The photo session for back cover Making the "thank you" list Being played on the radio The label: "SKAT" records, catalogue number, copyright notice Getting the test pressings We didn't know how to sell/distribute them Making a radio spot Sneaking records into record shops Taking excess records to the garbage dump Learning the record became collectible Strangers trying to buy them via Facebook "The Raven" v "Time Heals Everything" Investigating making a CD After the single Writing songs that were above our capability Opportunities to be on compilation records Going to San Francisco to meet a manager The special record that made Scrap Metal II How many copies are left? Interview wrap up Order "Scrap Metal II" from Riding Easy Records here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

CIVIC is on the crest of the next wave of Australian bands about to crash the shores of the US and Europe. Today we talk to Jim McCullough and Lewis Hodgson on the early days of the band, the rare records, making "Future Forecast", "Taken By Force" and what's next for the band. Topics include: Big Jim joins the call, then Lewis Is the band in a healthy place? CIVIC at SXSW - Austin What's the rarest vinyl pressing of "Taken By Force"? Classified info March 2022 gig at the Sydney Chippo hotel More SXSW talk Keith Morris' cheese board Formation of CIVIC / recording "New Vietnam" Various pressings & collectability of "New Vietnam" Are you close to quitting your jobs? Selling, Sucking, Blackmail, Bribes "Future Forecast" Flightless Pressings Sharing drummer with The Murlocs Any idea what's happening w Flightless? Cover art and album name for "Future Forecast" Working out the band name CIVIC logo Working with Rob Younger The cover photo of "Taken By Force" Themes within "Taken By Force" More songs for the next album Interview wrap up Order CIVIC "Taken By Force" vinyl here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Kevin Rutmanis takes us through his career, rare records, vinyl pressings, working with Melvins, Tomahawk, Cows, AmRep, Ipecac Recordings, his 2 new LPs "Crackpot Whorehead" w Trevor Dunn, "unEat" w Hepa-Titus and more! Topics include: Kevin has many hats Short vinyl runs on his new albums The recording of the new albums How he works with Trevor and other collaborators Putting his projects out in limited vinyl runs/lathe cuts How Kevin and Trevor collaborated across the country The album name "Crackpot Whorehead" The term "unEat" Hat Change #1 Kevin understands music collecting Kevin spent a lot of money on White House records Kevin likes movie soundtracks Memories of recording Hostile Ambient Takeover Cows "Taint Plurbius Taint Unum" Cows getting involved with Treehouse Records Some Cows have been reissued, some haven't The HAZEXXL pressing of Sexy Pee Story Tom Hazelmyer is awesome The story of "Daddy Has a Tail" Kevin does know where the Cows master tapes are Does Kevin reflect much? Moving from Cows to Melvins Recording "Electro Retard" / Mans Ruin label vinyl Recording the Trilogy ("The Maggot", "The Bootlicker", The Crybaby") Hat Change #2 Hepa-Titus & Mickey Mouse artwork Memories of Melvins joining Ipecac Joining Tomahawk Reissues of Tomahawk vinyl – where's "Mit Gas"? Kevin just wants his music out there, free or not How does Kevin find out about new music? LA record shops Kevin lost a lot of records Hepa-Titus hand drawn covers for an art show Discussion of rare records of Hepa-Titus Is Gina / Mow Skwoz do art inspired by the music? DIY record packaging and shipping Hat Change #3 How to order the new LPs Will Kevin return to live shows? Matthew Barney soundtrack Cosmic Psychos memories Interview wrap up Order Kevin's new LPs here: "Crackpot Whorehead" w Trevor Dunn |  "unEat" w hepa-Titus VIDEO, Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

John Robb, author, journalist and music fanatic discusses his new book "The History of Goth" by taking us through it's history, rich with art, music and culture. Topics include: Cross continental introductions Goth seems to have permeated all forms of music & art Summarizing the history of Goth starting with the sacking of Rome in 411 AD The tribal nature of Goth and art in general Did John feel the culture of Goth wasn't understood? Nick Cave being an elder statesman of Goth What were early Goth songs in modern music? What constitutes a Goth song? Industrial bands (Skinny Puppy, Front 242) being inspired by Goth The geographical trends of Goth culture The US producing Ramones and The Cramps The impulsiveness of The Cramps The impact of format of vinyl records on Goth culture How did John research and create the History of Goth? Goth in present day mainstream art (Wednesday, Tim Burton movies, etc) What about Goth is misunderstood? John thinks records will continue to rise in value. I don't. The remaining records of John's collection Meeting, interviewing Nirvana and Fugazi New bands that John enjoys Interview wrap up Order "The History of Goth" book here. Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide

Janie Hendrix shares memories of her brother Jimi, what's in the Hendrix archives, stories of stolen memorabilia, hunting down rare recordings, her new book "Jimi" and more. Topics include: What are in the Jimi Hendrix archives? The early days of pulling together Jimi's recordings and items Paul Allen of Microsoft funded the family to get the rights for Jimi's work What happened to Jimi's records? Lots of Jimi material was stolen Counterfeit Jimi Hendrix memorabilia People coming to visit the Hendrix family after Jimi's passing Jimi's gold albums were stolen from the family in 1986 There are many other recordings still unaccounted for Is there a recording of Jimi's early appearance at the Apollo Jimi communications while on the road When "Jimmy" became "Jimi" Any recordings from the Sue Records period? Any recordings from his Café Wha? gigs? How the family learned of Jimi's popularity in the UK The partnership with Jimi and Eddie Kramer Jimi and Zappa / Mothers Cover Working w Dweezil Zappa on Atmos mixes Recordings in the archive Finding & restoring the tapes and video for the Miami Pop festival Unique items in the archive Janie's memories of Jimi in 1970 Janie and Jimi's Cosmic Promise The next projects of the Hendrix Estate The Jimi Hendrix Experience Live at the Los Angeles Forum The various international covers of Hendrix LPs Paul McCartney and Jimi Hendrix covering one another Any lost recordings and collaborations with Jimi Interview wrap up The new book "Jimi" Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Spike Slawson is the frontman's frontman. Spearheading the supergroup Me First & The Gimme Gimmes, Spike talks about forming MFATGG, the early days of the band, the rare records, being hated by The Eagles and more. Topics include: Is Spike a record collector? Describe your record collection How do you shop for records? Who influenced Spike's frontman persona? Irony within performing covers How do they pick songs for the Gimme Gimmes to cover? The strategy of putting out lots of 45s in the early days Involving lots of labels besides Fat Wreck Music from Spike's youth & household The first records Spike bought w his own money Did Spike always want to be a performer? Spike's friends who influenced his musical tastes Impact of Dead Kennedys "Fresh Fruit" LP Shocking his music teacher w Husker Du Moving from Pittsburgh to San Francisco Spike's first bands & performances Rough stories from early punk clubs Becoming aware of Fat Wreck Spike was a really bad employee Getting moved from Shipping/Receiving to Lead Singer Fat Mike & Joey Cape invited Spike to lead the Gimmes Cover bands can skip song writing and go straight to performance Early shows of the Gimme Gimmes Artists that didn't like the cover of their song Response from Eagles Who he'd like to hear the cover Bands/artists that East and West coasts dislike A strong dislike of Fleetwood Mac and associated fashion Being influenced by John Waters and Hee-Haw The upcoming Australian and New Zealand tour Interview wrap up Tix/info on Me First & the Gimme Gimmes 2023 Aus/NZ Tour High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Mike Portnoy (Winery Dogs, Sons of Apollo, ex Dream Theatre) joins us to talk about his record collection, rare vinyl of his career, his approach to his music collection, meeting Beatles, working with legends of music, the new Winery Dogs LP and more. Topics include: Mike's record room We are not a gossip podcast Did the band know The Winery Dogs III would be made? Mike's dog Mickey joins the interview Making The Winery Dogs III LP Richie's vocals are incredible How involved is Mike after basic tracks are done? When is the vinyl version coming out? Why Mike separates old records from new ones Mike collects different formats – 8-track talk Mike's listening preference is MP3s The most precious records of Mike's collection Mike's autographed vinyl records Mike met Paul and Ringo Having a conversation with Paul McCartney Mike loves his boxsets What's the most Mike ever paid for a record? Where does Mike shop for records? Mike's conversations with Kevin Gilbert The collectability of The Winery Dogs vinyl Will the prior Winery Dogs albums be reissued on vinyl? Working with Storm Thorgerson on album covers Dream Theatre logo changed for the Storm Thorgerson album covers Earliest bands - Mike's band "Rising Power" The Winery Dogs 2023 tour Mike's vinyl videos on YouTube Does Mike get vinyl deliveries all the time? The rarest record of Mike's career What records of his career is he missing? Interview wrap up High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Third Man Records co-founder & Official Archivist of The White Stripes Ben Blackwell shares insight on the making and impact of the album 'Elephant', the new MONO mix for TMR Vault #55, rare records in the Third Man universe and much more. Topics include: What was the impact of Elephant on The White Stripes? Early impressions first hearing Elephant Memories of Seven Nation Army Original sequencing of Elephant What's in TMR Vault 55? First recordings of Elephant / John Peel Vault DVD contents / Shooting video for The Hardest Button to Button The various global covers of Elephant The Australian LP is the hardest to find More activities for Elephant in 2023 The White Stripes eligible for Rock & Roll Hall of Fame in 2023 The Elvis "My Happiness" acetate The Upholsterers "Your Furniture Was Always Dead…" single How many Upholsterers singles have been found? The "Freedom at 21" Flexi-disc helium balloon stunt 3" pressing of "The Denial Twist" Meg White "Icky Thump" picture disc What can be shared about Meg in recent years? Third Man Pressing and expansion of other pressing plants What percentage is Third Man Pressing focused on Third Man projects? Trends of the recent growth of the vinyl industry Third Man reissuing materials from major labels Numbers of TMR Vault subscribers Looking up MONO "Icky Thump" on Discogs The Jack White singles cover art tapestry Strange requests for song licensing Ben's personal record collecting hobby Temptation while at TMR Pressing Interview wrap up Sign up for the Third Man Records Vault #55 here Extended, high-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Terri Nunn of Berlin discusses the rare and collectable vinyl of her career, growing up in LA, early punk scene, her multiple hits as well as the global #1 smash "Take My Breath Away", auditioning for Star Wars & much more! Topics include: Terri's record collection Terri's family owned a few record stores Well known customers who shopped there Hiding records from the public shoppers Growing up in LA, wanting to entertain Social issues with entertainers Records and performers who inspired Terri Discovering the punk community Getting into Electronic Music 1st album is all Prophet V and TR-808 Memories of making "A Matter of Time" private press single "Pleasure Victim" initially on MAO Records Moving from Enigma to Geffen Memories of working w David Geffen The pressure going into "Love Life" Challenges with Terri being focal point of band Working w Georgio Moroder on Top Gun theme Recording of "Take My Breath Away" Life changes after having a global #1 hit John rejoining band and communicating about prior challenges The collectable records of Berlin & Terri's career Terri's involvement in cover art, videos The concept of cover of "Pleasure Victim" Terri's "Star Wars" audition Berlin's "Strings Attached" vinyl Interview wrap up Berlin's "Strings Attached" on vinyl here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Jerry A Lang discusses the rare records and legacy of Poison Idea, the reissues, collectibles and artefacts from the band, as well as his new LP "From The Fire Into The Water" and his autobiographies "Black Heart Fades Blue". Topics include: Jerry's books - "Black Heart Fades Blue" Reissuing Poison Idea recordings Cleaning up the master tapes Anything missing from the PI archive Hand written lyric book for "Kings of Punk" The various labels of Poison Idea Early pressings of "Pick Your King" Status of the "Pick Your King" artwork Making the Poison Idea lettering logo "Pick Your King" test pressing w Reagan photo Is Jerry a record collector? Tom collecting The Fix Vengeance single from club promo packs Early demand for "Pick Your King" How were records sold / early merch tables What happened to Tom's guitars? Poison Idea's recording consistency Making "Feel The Darkness" Poison Idea's music publishing Jerry and the legacy of Poison Idea New Poison Idea track "The Butcher" Other potential Poison Idea outtakes Plans for American Leather Records Tom's record collection The new album "From The Fire Into The Water" Does Jerry Miss being in a band or playing live? What is Jerry listening to these days? Upcoming releases on American Leather Records "Feel The Darkness" reissue w Tiny Tim's cease & desist letters Interview wrap up Get Jerry's LP "From The Fire Into The Water" on vinyl here Get Jerry's Autobiographies "Black Heart Fades Blue" here High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Joel Selvin, writer, music critic and author of many fascinating music history books, joins us to talk vinyl, record collecting, the Bay Area music scene and harrowing tale of Sly & The Family Stone. Topics include: The Sky Stone book is harrowing Joel's "Basement Record Library" Getting free promotional records Some memorable shows he saw in late 60s Balancing friendships w artists as a music critic Collecting music memorabilia A Christmas present from Steve Miller The vinyl revival didn't surprise Joel Why vinyl sounds better Joel's reaction to CDs and Napster Ever been threatened or made an enemy from reporting? Pissing off Sammy Hagar Taking on the Sly & the Family Stone book Getting in touch with all the main Sly & the Family Stone characters The involvement of Hamp 'Bubba' Banks Former band members eventually revealing the trauma The poor sound quality of "There's a Riot Going On" Status of the Sly Stone recording tapes Rare Sly Stone records, The Stewart Four 78 record Joel's conversations with Sly The cultural loss of talent of Sly Stone Upcoming autobiography and documentary of Sky Stone Interview wrap up Get Joel Selvin's "Sly & The Family Stone: An Oral History" here. EXTENDED, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Pattie Boyd's life has been surrounded by music, art and history. Once married to George Harrison, then Eric Clapton, Pattie inspired some of the greatest songs of the 20th century and witnessed key moments in music history. Today we discuss her new book 'A Life In Pictures' and many of her moments that are collective cultural touchstones. Topics include: Sharing her photos in the new book Best practices for her photography Going through all her negatives So many songs written about Pattie Meeting George Did she know much about The Beatles prior to meeting George George asking Brian Epstein about getting married Pattie's participation in a few Beatles recordings Talking to George about music The records that George and Pattie enjoyed Watching Frank Sinatra record "My Way" Meeting Elvis George sharing the song "Something" with Pattie Pattie would hear Beatles demos as they were doing them Pattie's memories of Magic Alex Meeting the Maharishi Mahesh Yogi Recalling the moment of hearing of Brian Epstein's death Moments and Memorabilia from the Beatles Recollections of The Beatles breakup John & Yoko talking George back into the band Pattie's perspective of Yoko in the studio Did George miss being in The Beatles? The Beatles received a large financial offer to reform Wearing disguises in public The original Derek & the Dominos / Layla painting Many photographs for potential subsequent books Pattie left a lot of her Beatles white label promos with Eric Interview wrap up Order a signed Pattie Boyd book here High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Brendan Benson, producer, songwriter & co-founder of The Raconteurs / Saboteurs, joins us to talk records, collectible vinyl, songwriting, smoking herb, his new LP "Low Key" and lots more. Topics include: Brendan smoking weed on the "Low Key" album cover His preference of tape or Pro Tools Brendan's process for writing songs What inspires Brendan to write Spending too much time on Social Media Brendan's early records - Parents playing him The Stooges, Bowie, etc Seeing his parents react to music Brendan's 1st record - The Cars debut His old record collection was slowly stolen Does he play his records regularly? The challenge of record manufacturings "Low Key" sounds very good on vinyl Some music didn't sound great on CD Theory of smooth sine waves v digital How Brendan collected records The physical collecting world isn't as important now Brendan chose between music and painting Does Brendan distance himself from his early work? His earlier work is expensive on vinyl Challenges w getting masters of his earlier recordings Can he repress some of his earlier works? The Raconteurs are the Saboteurs in Australia The "Help Us Stranger" 'Butcher-Cover' album The Upholsters singles, Brian Muldoon Early days as The Bricks - playing at the Gold Dollar The recording of "Low Key" during the pandemic Albums that Brendan loves Will Brendan tour the new album? Interview wrap up Order Brendan's new LP "Low Key" on vinyl here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

The Crystal Method co-founder Scott Kirkland discusses the music, vinyl records and rare remixes of the band, as well as the upcoming tour of Australia and memories of the synthesizers of yesteryear. Topics include: Australian tour delayed 3 years Scott loves his vinyl Ability for The Crystal Method to repress vinyl The recent vinyl boxset Scott's vinyl and music early in life 1st record: Soundtrack to Star Wars Passing out at a record store Records are a communal experience Multiple masters for digital and vinyl Scott is very hands-on the vinyl design Discovering "Black Celebration" by Depeche Mode Scott's 1st keyboard – Casio CZ-1 Chasing used synthesizers in classified ads The recent passing of Dave Smith of Sequential Circuits Ensoniq, Emu and various synth nerd-talk The Roland Boutique series synths Care and maintenance of vintage keyboards The Crystal Method's response to Napster How does a remix project start? Working with The Doors on "Roadhouse Blues" remix Clearing samples from early recordings Collaborating with Justin Chancellor of Tool – Bandwidth Project More reminiscing about synths and old storage options Wrapping up the interview Australians get tickets for The Crystal Method here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

After 20 years, mega record collector John Tefteller is ending his annual Blues Images calendar series on a high. Today he discusses the 2023 Blues Images calendar, shares many curious blues facts, stories and discusses the future. Plus an amazing extended episode all about John's Marx Brothers history and collection! Topics include: The last Blues Images calendar What's next for John? The 78 record collecting market during Covid Any new rare-record finds? Pictures of blues musicians The story of the rare 1928 Henry Thomas film clip Background of the Charly Patton Paramount picture A gorgeous copy of the Charly Patton record "Poor Me" Charly Patton's life: playing weddings, getting throat slashed Bessie Smith's "Shipwreck Blues" John T Smith's "Old Rounders Blues" Process for restoring, capturing music from old 78s Blind Lemon Jefferson & Blind Blake Test pressings of 78s Papa Charly Jackson's "Lexington Kentucky Blues" Ma Rainey and the upcoming boxset Texas Alexander's "Blue Devil Blues" Brother Fullbosom's "Sermon on a Silver Dollar" Rare blues 78 popped up in Japan Thoughts on Joe Bussard's record collection John's plans for his collection --- Patreon Episode --- John worked with Groucho Marx Groucho's demeanor and humour Archiving Groucho's recordings and appearances Collecting scripts – "I'll Say She Is" Items from Humourisk and Four Nightingales era The chopped up bedroom scene from "Horsefeathers" New scenes in newly found prints of Paramount movies Recordings and film of Harpo talking Marx Brothers collectables Memories of Groucho's passing Did Groucho ever insult John? Marx Brothers movies still translate today Interview wrap up Order the 2023 Blues Images calendar here. Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

With a new RSD release, Gerald V Casale of DEVO discusses the early days of the band, Booji Boy records, forming alter-egos, the impact of Saturday Night Live and his continuation of the creative spirit to explore make music. Topics include: Recent collaborations are exciting for Gerald DEVO on Saturday Night Live The impact of the SNL show The difficulties of being DEVO in mid 70s The aesthetics and themes of DEVO DEVO made people pick a side History and experimentation of Alter-Egos How the yellow jumpsuit came to be DEVO and vinyl – early pressings on Booji Boy Records Stiff Records was the 1st to show interest The Mechanical Man record – Bootleg or not? Are We Not Men? Involvement from Robert Fripp Was the album always to be called "Are We Not Men?" Was the band happy with "Are We Not Men?" Creating the cover of "Satisfaction" Playing "Satisfaction" for Mick Jagger The video for "The Invisible Man" Gerald's unique gift for making videos Leaning into the peculiarities The current state of DEVO "Are We Not Men?" Documentary Gerald's RSD record: "The Invisible Man" Working with TOMO77 on album art The challenge of "Jihad Jerry & the Evildoers" Gerald's frustration with the flaws in human nature "The Invisible Man" & interview wrap up Gerald V Casale records, video, website High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

The Cassette tape audio format is having a minor renaissance with artists & labels turning to the format in the wake of supply chain issues and a thirst for nostalgia. Today we talk to Jean-Luc Renou, CEO of Recording The Masters - RTM - about this phenomenon and how music lovers should think of the cassette tape. Topics include: Why are cassettes being revisited? The history of RTM The arc of cassette sales over recent decades The difference between cassettes of the 80s and now Record Store Day cassettes releases Do we start w analogue tape? The changing formulas for magnetic tape Is there a finite amount of cassette tape? The durability of cassettes Can I play a cassette decades after last use? Common mistakes in caring for cassettes Aging parts of a cassette tape Sourcing parts for cassette manufacturing Were companies making cassettes in the last few decades? Number of cassette manufacturers Differences in cassette types – formulas, various noise reductions, etc The history of the compact cassette format The impact of the Sony Walkman Was there a cassette format war? Who is making cassette players today? The niche industry helped cassettes survive the last 30 years How long can cassettes last? People purchasing cassettes with no means to listen to it The biggest challenges to the modern cassette industry Cassettes have benefitted due to the vinyl backlog Creating pre-recorded cassettes Modern demand for reel to reel tapes Comments on VHS tape Partner network for pre-recorded tapes RTM's new cassette tape player Interview wrap up Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

8 years since the last album, Röyksopp has a massively ambitious project "Profound Mysteries" which is broken into III volumes, comes as a 6LP boxset and has visuals and even videos for each track. Röyksopp cofounder Svein Berge discusses the long journey of "Profound Mysteries", the early and collectible records of Röyksopp, the Banksy record and more! Topics include: 8 Years since "The Inevitable End" The band set out to create a double album The lack of constraints for "Profound Mysteries" The variations between Profound Mysteries vol I, II & III Growing up, getting records in Tromsø Realizing he was a musician The first time on vinyl record The limited community of musicians in Northern Norway The 1st Röyksopp single "So Easy" on Telle Records The Banksy cover version of "Melody A.M." The story of Melody A.M. Working with Banksy How the Banksy records were distributed Checking out Svein's Banksy records Banksy's trip to Norway The rights to Röyksopp music Reissuing Röyksopp music on records Challenges with pressing records The "Profound Mysteries" 6LP boxset The artwork of Jonathan Zawada Developing a video for each track What was left out of the Profound Mysteries concept? Interview wrap up Order Röyksopp's "Profound Mysteries" vinyl here.  Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Photo credit Stian Andersen Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

MxPx is coming up on 30 years of releasing vinyl and have recently announced three reissues of some of their most beloved albums. Mike Herrera talks us through that process, securing the rights, pressing the records and the rarities of the MxPx vinyl catalogue. Topics include: New MxPx Vinyl reissues Challenges of the MxPx Boxset The records of Mike's youth Acquiring the license for repressing vinyl MxPx and the positive message The role of the Christian faith in MxPx How the band dealt with perceptions of MxPx The story of the single "17" The album "Pokinatcha" coming out in High School Creating the "Pokinatcha Punk" symbol Plans for more MxPx music MxPx materials they haven't licensed How did they obtain the licenses from Universal Touring and supporting plans Supporting bands by purchasing vinyl Interview wrap up MxPx vinyl reissues are available here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Leland Sklar has played on thousands of sessions and hundreds of hit records - from Phil Collins, to Jackson Browne, to David Bowie to Toto and more. Today Leland, along with film director Denny Tedesco, talk records, music stories and the new film "The Immediate Family". Topics include: Leland is punctual Does Leland have a record collection? Denny's dad Tommy didn't listen to music at home Leland's ability to listen for enjoyment The best acoustic hall Leland has played The acoustics of Carnegie Hall Leland's preference for touring or studio work Finding time w all members of The Immediate Family The impacts of The Immediate Family film Going from a sideman to main focus with The Immediate Family Leland's experience with original The Wrecking Crew How Leland got into being a studio musician Backing musicians getting their names on records was a gamechanger The Wrecking Crew's names were not on records What tours or sessions was Leland offered that he regrettably turned down Studio sessions vs recordings from home and sending in tracks What are some of the tougher situations Leland gets hired for? Any songs or albums that Leland would like to revisit? Hearing recordings he was on but didn't recognize Frustrations of the music business Memories with Frank Zappa How many Beatles has Leland worked with? Memories with John Entwistle Experiences with Jazz legends What bass players get up to when they're not playing Memories with Eddie Van Halen Memories with Billy Thorpe Memories of recording Billy Cobham Spectrum How to see The Immediate Family documentary film Interview wrap up See The Immediate Family Trailer / get screening tickets here Extended, High-resolution & Commercial Free version AND VIDEO of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Gavin Rossdale of Bush joins us for a quick catchup and conversation all about his new LP "The Art of Survival", his record collection, punk records of his youth, rare records of his career, getting the Bush catalog on vinyl and more! Topics include: Gavin likes my blue hair Home in Los Angeles The heaviness of "The Art of Survival" The influence of divorce, pandemic & themes on the new LP Pandemic influenced and post-pandemic art Gavin's record collection His current obsession with Mars Volta Being immersed into vinyl Record shopping in Los Angeles Buying records as a kid - Bowie, Marc Bolan His reaction to punk - loving Sex Pistols, The Clash, X-Ray Spex 1st time on record - Midnight Original name for Bush - "Future Primitive" Renaming band to Bush Future Primitive 7"  Getting Bush catalog back on vinyl When do we get "The Art of Survival" and "The Kingdom" on vinyl? High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Nick Oliveri of Stöner, Mondo Generator, Dwarves & formerly of Kyuss & QOTSA joins us to discuss his passion for collecting records, playing vinyl, chasing rare pressings, updates on new recordings, tours & more! Topics include: Nick's making up for lack of touring during Covid Stöner 2022 Australian Tour Nick's record collection Nick has occasionally sold records Obtaining an original 13th Floor Elevators Nick is a record nerd, knows the details How does Nick care for his records? What was Nick's 1st record? What does Nick listen to on an average day? What is Nick's Asteroid Record (final vinyl on Earth) Nick and re-issues and boxsets Is Nick a completist for some artists? Black Sabbath Born Again Collecting multiple copies or certain titles Visiting record stores on the road What's the most expensive record Nick ever bought for himself? Releasing his music on vinyl is important Nick kept a lot of records form his youth Does Stöner tour w vinyl on the merch table Forming and recording w Stoner Playing live w Stöner and other projects / wild shows Update on Dwarves new album Update on Mondo Generator Nick getting Kraftwerk's autograph Interview wrap up Get tickets for Stöner 2022 Australia, New Zealand tour here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Michael Crain has survived drugs, cancer, Covid and the hazards of being in Dead Cross. Michael joins us to talk about the new LP Dead Cross II, writing, recording, chemotherapy, preparing for his own death, selling his records, the unbelievable 2017 arrest story and much more. Topics include: Dead Cross II – alternate album titles? Update on Michael's health Michael's cancer story Balancing recording of Dead Cross II with medical treatments The impact of cancer on Dead Cross II The process for writing the new LP Inspiration working with rest of band Songwriting prep for recording and Ross' production Pre-pandemic plans for Dead Cross Getting the timelines right around Dead Cross, Mr Bungle, etc Michael's treatment, Covid and shock of it all Making the most of his time Making arrangements for his death Post-traumatic approaches to music and art Themes for the new Dead Cross album The 2017 arrest in Houston More touring for Dead Cross? Michael's record collection Interview wrap up Extended (10+ more minutes), High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

The Dead Daisies are back with a new album "Radiance" and guitarist, songwriter Doug Aldrich joins us to talk about the album, his career, early vinyl, the unique environment of The Dead Daisies, hard lessons in a life of rock and roll and more! Topics include: Show intros / messy house What happened to Doug's record collection? The records that inspired Doug in his youth Doug's 1st time on record – "Mansfield - Gonna Rock You" Did Doug have a 'Plan B'? The changes in the music industry Easter Egg on the "Radiance" album Creating the "Radiance" LP How the Dead Daisies songs are written The operation of The Dead Daisies, leadership of David Lowy The Dead Daisies able to do things other bands cannot do Being in bands that change members regularly Was Tommy Clufetos originally going to plan on 'Radiance'? Doug's experiences in uncredited session work Doug's alias "Earl Baker", House of Lords session work Hurricane and the album cover controversy Doug turning down playing for Dio in the late 80s Next steps for The Dead Daisies, tour Interview wrap up "Radiance" album and a black light Extended (15+ more minutes), High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Electronic music and visual artist, producer, composer Amon Tobin discusses the vinyl and music of his Nomark Records label, the creative process, making records, his new project with Meow Wolf "A Living Room", what's next, live shows & more. Topics include: Meow Wolf Omega Mart art installation Impact of the pandemic on Amon's art Creative contributions to projects led by other people Preparing for the Omega Mart project Putting out "A Living Room" on vinyl The sonic quality of Nomark vinyl releases The role Amon plays in the vinyl production Bandcamp's focus on vinyl Impact of the vinyl delays on Nomark The Nomark Music Club Potential vinyl reissues of older releases The rarity and value of Nomark vinyl Vinyl bundles on Nomark bandcamp Will Amon return to live shows? Discussion of ISAM shows, ideas for future shows Update on various projects (Two Fingers, Figeroa, Stone Giants, Only Child Tyrant) Balancing Amon's creative aliases Who would Amon like to collaborate with? Who is the artist Shy1? Interview wrap up Order "A Living Room" vinyl here. Extended (20+ more minutes), High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Horror punk Wednesday 13 from the Murderdolls & Frankenstein Drag Queens from Planet 13 discusses his new LP "Horrifier" and talks vinyl, collectables, murderabilia & more. Topics include: The new LP "Horrifier" How did Covid impact the new album? Wednesday 13's work ethic and the challenge of waiting Having extra time to produce the Horrifier album The album "Necrophaze" getting lost in the pandemic Being a musician in 2022 New business models for artists Crowd production from Wednesday 13 fans Patreon fan club tiers with personal contact What does Wednesday 13 collect? The toys Wednesday would like to find for his collection Stretch Armstrong / green Stretch Monster Wednesday's early love for horror movies What is Wednesday shocked and creeped out by? Murderabilia - Wednesday owned some John Wayne Gacy's paintings What's the weirdest thing he ever put on the merch table? What are the rarest vinyl collectable of his music catalogue? Making the early 7" singles of his career Wednesday's focus and not going half way on his art Getting the call from Joey Jordison (Slipknot) for 'Murderdolls' Songwriting for 'Beyond The Valley of the Murderdolls' The modern unapproved vinyl reissues of Murderdolls Does Wednesday have all his master tapes? Moving the songs and lineup from Murderdolls to Wednesday 13 Various albums available on vinyl from Napalm records Interview wrap up HIGH RESOLUTION & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

East Bay Ray of Dead Kennedys discusses the 2022 remix of "Fresh Fruit For Rotting Vegetables", the challenges, the master tapes, the materials, old school fans of the band and more. Topics include: Grammar questions for Dead Kennedys The humour of Dead Kennedys The 2022 remix of Fresh Fruit for Rotting Vegetables Instrument separation in 2022 remix Chris Lord-Alge's involvement in new remix Obtaining a vinyl copy of the new remix A/Bing the 1980 mix to the 2022 remix The status of Dead Kennedys master tapes Aborting the "In God We Trust" initial recordings due to a bad audio tape Challenges in compiling the 2022 mix Multiple vocal performances from the original multitrack tapes Speed variations from master tapes Origin of the title of Fresh Fruit album Various sequences of the album The importance of live sequencing What's in Ray's record collection? The collectability of Dead Kennedys releases The story of the lopped off heads on back cover Replacing the goth lettering from the Fresh Fruit cover The story & ownership of the DK logo The poster from Fresh Fruit The CD and vinyl booklet from the 2022 mix Attempting to identify all photo credits Famous fans of Dead Kennedys Thoughts of further remixes for other Dead Kennedys recordings The story of Polydor trying to sign Dead Kennedys Modern touring of old school punkbands Offspring & Dave Grohl memories of Dead Kennedys shows Update on The Killer Smiles – vinyl version Interview wrap up HIGH RESOLUTION & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

The Bobby Lees' "Bellevue" LP is coming out shortly on Ipecac Records . Today founder Sam Quartin shares the history of the band, stories of studio and stage, emotionally driven songwriting, having famous fans, rare vinyl and more. Topics include: Intro / global location discussion New album "Bellevue" Describing the Bobby Lees Writing and living the lyrics Getting into the Zone before a show Getting unexpected/scary reactions from an audience Post-Covid touring Sam's record collection Music of her youth How songs from The Bobby Lees come together Balancing acting career with the band Forming the Bobby Lees Recording Beauty Pageant album The original goals of The Bobby Lees Being nervous in front of a crowd Pressing records and selling at shows and online Rarity of "Beauty Pageant" vinyl The story of "Beauty Pageant Redeux" The journey of "Skin Suit" Learning from producers on different albums The connection with "Alive – Natural Sound" records Vinyl variants of "Skin Suit" Hearing of established artists being fans of The Bobby Lees The video for "Hollywood Junkyard" How did Vance Powell get involved? Working with Ipecac Records The song "Greta Van Fake" Performing personal/emotional songs Interview wrap up Order clear vinyl of "Bellevue" here. HIGH RESOLUTION version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Co-founder and former Three Dog Night frontman Chuck Negron discusses the collectible records of his career, the early releases on small labels, the rare and recalled albums of Three Dog Night and mega-smash excesses and turnaround of his life and career. Topics include: Interview start His book "Three Dog Nightmare" Chuck's youth – Singing & Basketball 1st time on vinyl The Chuck Rondell records The 1st single on "Bronx records" Single on the Hart-Van label Chuck's original deal with Columbia records The "Redwoods" sessions with Brian Wilson The GTOs & Frank Zappa Opportunities he passed on The Three Dog Night era Negotiating during rehab Selling a property cheap for drugs Pawning his gold records "It Ain't Easy" original cover and title Recalled versions of "The Wizards of Orange" "Hard Labor" original birthing cover and supportive record notes Chuck's Three Dog Night collectables Whatnot Show every Wednesday 5pm PST/8pm EST Check's health Interview wrap up Order Chuck's book: "Three Dog Nightmare" Get a $10 voucher for Whatnot  HIGH RESOLUTION version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related